| Papers [1-15] of 33 :: [Page 1 of 3] | | Go to page : 1 2 3 —> | Search results on "CASABLANCA PLATOON": |
|
|
"Casablanca" and "Platoon", 2002.
Examines and compares two war movies, "Casablanca" (WWII) and "Platoon" (Vietnam War).
1,900 words (approx. 7.6 pages), 6 sources, $ 71.95
»
Click here to show/hide summary
Abstract
This paper examines the portrayal of World War II in "Casablanca" and that of Vietnam in "Platoon". It compares and contrasts the two films. It concludes that "Casablanca" is romance set against the backdrop of a moral war while the question of war's morality is at the core of "Platoon".
| |
|
Casablanca as Film Noir, 2006.
A review of Casablanca in relation to the category of film noir.
1,125 words (approx. 4.5 pages), 4 sources, $ 44.95
»
Click here to show/hide summary
Abstract
This paper reviews the film Casablanca and relates it to film noir. The paper discusses how Casablanca possesses elements of the film noir genre, and analyzes these elements to determine if this is sufficient to render Casablanca as a film noir.
| |
|
"Casablanca", 2005.
An overview of the production history and critical analysis of the movie "Casablanca".
3,158 words (approx. 12.6 pages), 3 sources, MLA, $ 91.95
»
Click here to show/hide summary
Abstract
This paper discusses the production history of the famous movie "Casablanca", considered one of the greatest love stories of all time. The paper touches upon the origins of the film, the intentions behind its creation, its significant contributions, problems, and resolutions, and includes an overall discussion of production. The paper also provides a critical analysis of the film, including character analyses of Rick, Victor, and Ilsa, a discussion on character development, an analysis of critical scenes, and a look at the topic of love as it relates to the love triangle present in the film. In addition, the paper discusses the underlying theme of the fight against fascism.
Outline:
A Production History of "Casablanca"
A Critical Analysis of "Casablanca"
From the Paper
"In the 1940s, the time of production, the Warner Bros. studio that made the film leaned toward cost-efficient, profitable production. They achieved such production by having clearly defined roles for the different people involved in the production of the film. There were different directors with specific responsibilities: the music director created the music, writers wrote the script, and so on. However, the producer of the film, Hal Wallis, played much more than his role in the creation of the film. He, along with Michael Curtiz, the director, guided the creation and filming of Casablanca. "
| |
|
Mise En Scene in "Casablanca", 2003.
An explanation of the basic principles of the film techniques involved in mise en scene by using the film "Casablanca" as reference.
1,720 words (approx. 6.9 pages), 3 sources, MLA, $ 55.95
»
Click here to show/hide summary
Abstract
This paper examines how, in the film "Casablanca" (1942), Michael Curtiz uses mise en scene through his use of contrasting costume, set composition, and character framing in Paris, Casablanca/Rick?s Cafe, and the airport to develop the idea that one must put the past aside to reach success, as Rick does in the film. It looks at how, in order to show the audience the growth of Rick, Curtiz uses three points in time with dramatically different mise en scene. The audience is transported to France to visualize the days of Rick in high spirits with his love, Ilsa, after viewing his blase attitude in Rick?s Cafe in Casablanca after he has lost her, and then finally realizing what he must do, not only for his personal life, but for the world at large once Ilsa has come into his life again.
From the Paper
"By making contrasts between the scenes of Paris and the scenes in Rick?s Cafe; in Casablanca, the director presents the audience with the contrasting sides of Rick. Dressed in a suit with a solid white jacket matched with solid black pants, the audience is now aware that after losing Ilsa, Rick is fighting his own inner-battles. Ilsa, dressed in a solid white dress, contrasts the dark blue pinstripe dress from France to show that she has also changed and is attempting to purify herself. However, her outfit is completed with a large brooch which is gaudy and showy, to put forth a front of wealth and contentment in her appearance. Yet the large size of the brooch signifies that she is concealing how she truly feels, be it in her feelings towards Rick or her fear of the German soldiers."
| |
|
"Casablanca", 2006.
A review of the 1942 movie "Casablanca".
1,567 words (approx. 6.3 pages), 2 sources, MLA, $ 51.95
»
Click here to show/hide summary
Abstract
This paper examines how "Casablanca", directed by Michael Curtiz, is a 1942 romantic film set during World War II in the Vichy-controlled Moroccan city of Casablanca. It looks at how it explores the ideals of love and sacrifice in the context of World War Two and how these themes are propagated by the selfless actions of Rick, a cynical night club owner, and Ilsa, who must restrain her love for Rick in order to support her husband, Victor Laszlow.
From the Paper
"The costume and make-up of Rick and Victor Laszlow generates a comparison of their different roles in the war and complicates the audience's decision to sympathize with either one of them. Rick is attired in a bright white tuxedo and bowtie. His ensemble is neatly tailored to his body, producing an air of sophistication and strength which separates him from his clients. This costume implies that Rick is an important, masculine figure. Victor Laszlow's more conservative suit depicts his role as a leader. Unlike Rick, he wears a tie, reminding the audience of his practicality and pursuit of purpose. "
| |
|
"Platoon" and "The Green Berets", 2002.
Compares and contrasts the different perspective given of the Vietnam War by two famous movies: "Platoon" and "The Green Berets".
1,900 words (approx. 7.6 pages), 2 sources, $ 71.95
»
Click here to show/hide summary
Abstract
One must understand the purpose of a film in order to fully engage in a discussion of it. War films serve one of three basic categorical needs - to instill patriotism (as in "The Green Berets", "Private Ryan", and "Pearl Harbor"), to entertain (as in "Starship Troopers" and "Red October"), and to frighten (as in "Platoon" and "The Deer Hunter"). "The Green Berets" and "Platoon" both cover the same conflict, but have major differences that mark them as quite dissimilar films. The time of production, the purpose and motivation, the tone and sense of reality in each are strikingly different but provide very good insight into the overall confusion about the Vietnam War that continues today. It is the purpose of this paper to examine both films in comparison and contrast so as to gain a better understanding of both.
| |
|
Michael Curtiz's "Casablanca", 2004.
A look at the ongoing appeal of Michael Curtiz's film, "Casablanca".
678 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
»
Click here to show/hide summary
Abstract
This paper explains that the appeal of the film "Casablanca" lays not only in its story about the great romance of star crossed lovers, but also in its especially strong story about the appeal and power of friendship between the lead character of Rick and two other characters.
From the Paper
"This paper examines what makes Michael Curtiz's film, "Casablanca", such an enduring classic. The simple solid story sets a star-crossed romance against a backdrop that combines an exotic location with powerful sense of danger. The colorful cast includes a wide range of likeable quirky, characters that continue to ring true for modern audiences and pits them against a starkly evil villain. "Casablanca" is a satisfyingly tragic romance but, even more important, a genuinely affecting story of friendship. The film's hero is accused of having a sentimental..."
| |
|
Techniques in "Michael Curtiz's' "Casablanca", 2005.
A look at how the songs and the music in "Casablanca" effects the film's audience.
900 words (approx. 3.6 pages), 1 source, MLA, $ 31.95
»
Click here to show/hide summary
Abstract
This paper explains how the choice of songs and the use of music in the motion picture "Casablanca" adds impact to the film for viewers.
From the Paper
"The Michael Curtiz directed film, "Casablanca" is generally considered one of the finest American films ever produced. The film's use of music is but one of many elements that add to the film's impact; a story about war, honor, duty, sacrifice and, most poignantly, love and romance. Rick is the owner of Caf America in French-occupied Morocco. His former love affair with a beautiful woman named Ilsa comes back to haunt him due to her marriage to a leader of the resistance, Victor Laszlo. The song selection in..."
| |
|
Propaganda in "Casablanca", 2002.
Examines how the script and production of the film "Casablanca" represents wartime American propaganda.
1,400 words (approx. 5.6 pages), 3 sources, $ 53.95
»
Click here to show/hide summary
Abstract
This paper will argue - through an examination of the production and script of the film - that "Casablanca" is also one of the greatest propaganda films ever made. It will be seen that its power as a work of propaganda lies in the fact that while on the surface it appears to be a romance movie, in reality it projects a subtle vision of the United States as a virtual paradise on earth.
| |
|
?Casablanca?, 2002.
A review of the movie "Casablanca" and its expression of the emotions felt by the American public during World War II.
2,140 words (approx. 8.6 pages), 0 sources, $ 66.95
»
Click here to show/hide summary
Abstract
The paper examines the popular classic film "Casablanca" and the mystery and romance of the World War II era. It demonstrates that by analyzing the characters and the plot, the viewers receive a quick lesson on World War II. The author writes that the film is not only historically accurate, but also reveals our loyalties during that time.
From the Paper
"The classic movie "Casablanca" was recently named number two on the American Film Institute?s ?Top 100 American Films of All Time.? It rightly deserves that acclaim, as it is a story of people caught up in a difficult era and, through carefully created characters, preserves the history of that time. The lure of Casablanca lives in the mystery, romance, and intrigue that moviegoers of the era desired and needed to escape the reality of World War II."
| |
|
The Popularity of "Casablanca", 2004.
Discusses reasons for the continuing popularity of the film "Casablanca".
678 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
»
Click here to show/hide summary
Abstract
This paper explains why the 1942 film, "Casablanca", has retained its popularity. The paper discusses the timelessness of the film, its elements of star power, the actors in the film and the film's tone, music and dialogue and how all these elements contribute to the film's ongoing popularity. Also discussed are the themes of love, self-sacrifice & heroism.
From the Paper
"Since its release, the black and white film Casablanca has been a perennial favorite film with audiences in movie theatres on TV and video and critics alike. Viewing the film, the reasons for its ongoing popularity are clear. The characters and the actors who portray them, both stars and supporting cast, the tone of the film the music, the sparse and memorable dialogue, the story and themes of love, intrigue, self-sacrifice and heroism resonate with audiences. The film has a timeless quality that guarantees it will not..."
| |
|
"Platoon", 2002.
An analysis and review of the movie, "Platoon".
936 words (approx. 3.7 pages), 1 source, $ 33.95
»
Click here to show/hide summary
Abstract
The paper describes the film "Platoon" - about the Vietnam War - as a coming of age story. It shows tha it is neither an anti-war nor pro-war story, but rather a story about a young boy who is aged by the war. It describes the main character and his interaction with men in his army unit.
From the Paper
"Platoon is one of the classic movies about the Vietnam War. It cannot only be seen as a war movie however. It can also be viewed as a coming of age story. Chris Taylor, played by Charlie Sheen is about to find out what war is all about. When we first see this character he is getting off the plane in Vietnam. He looks like a wet behind the ears young kid. As the story goes along we see him become a lot older than he really is. This is one of the many themes that we have seen in most of the stories we have read and the movies we watched. How the men that fought in the war grow in not only physical age but grow by leaps and bounds in their mental age. When Taylor does step off that plane in Vietnam he is greeted by body bags. The viewer can see right away that he knows this is not a vacation. He looks scared."
| |
|
'Casablanca' and its Place in US History, 2001.
A look at the film 'Casablanca' in relation to WWII.
1,610 words (approx. 6.4 pages), 4 sources, $ 52.95
»
Click here to show/hide summary
Abstract
This paper correlates the film ?Casablanca? to the history of the Second World War. It speaks of isolationism, interventionism, and the evolution of American sentiment toward war and women.
From the Paper
"? I stick my neck out for nobody? (Casablanca). This statement made by Rick Blaine sums up the general attitude of the American people at the start of the Second World War. At the time when America was just on the brink of declaring war on the belligerent nations, a chunk of the population still had several qualms about America?s entry into the war. People from the civilian sector, the political arena and other sectors were perpetually opposed to the idea of America ever going into war. This popular sentiment of isolationism was reflected in several aspects in history. One was a series of Neutrality acts in the late 1930s, which prohibited America from shipping arms or providing loans to belligerent nations. In addition to this, the senate investigations of munitions industries, in which industries were believed to involved in promoting war, also reflect this opinion of American society (Norton 744)."
| |
|
"Platoon", 2002.
Examines the film on the Vietnam, "Platoon" from a socio-political view.
1,400 words (approx. 5.6 pages), 3 sources, $ 53.95
»
Click here to show/hide summary
Abstract
This paper examines the film "Platoon". It views it as a second generation Vietnam movie that was less bleak than its predecessors. This reflected a resurgent America under Reagan's Republican's and also director Oliver Stone's attempts to come to terms with his own experiences as a combat veteran. It provides a marked contrast to "Apocalypse Now".
| |
|
"Platoon Leader", 2006.
An examination of the tactical strategies put forward by James McDonough in his novel "Platoon Leader".
2,175 words (approx. 8.7 pages), 0 sources, $ 67.95
»
Click here to show/hide summary
Abstract
One of the most important qualities of a leader in the military, especially during wartime, is to use good tactical strategy. This not only can be advantageous to win battles, if not the war, but also to lower casualty rates. This paper examines how throughout "Platoon Leader", James McDonough describes his use of tactical strategy and how sometimes it was good and successful and how at other times it was questioned and luckily so.
From the Paper
"McDonough realized that as a leader, it was necessary to place himself in a proper position, both to oversee and to be seen as someone willing to go where he was sending his men. To go with the squads gave McDonough the ability to assess the terrain and evaluate the patrols, something he believed necessary for tactical advantage. When he finally met with the four sergeants, he told them that he would give them "their tactical orders", which "would follow the standard army five-paragraph field order, specifically addressing the situation, the mission, the concept of operations, the support that could be expected, and the command and control arrangements.""
|
|
|
