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?Carved in Silence?, 2004.
This paper discusses the documentary film, "Carved in Silence", directed by Felicia Lowe, about the Chinese Exclusion Act and the subsequent incarceration of the Chinese immigrants on Angel Island in San Francisco Bay.
990 words (approx. 4.0 pages), 1 source, MLA, $ 35.95
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Abstract
This paper explains that the documentary film, "Carved in Silence", indicates how poorly America treated Chinese immigrants and how desperately these people wanted to live and work in America. The author points out that the film uses interviews of survivors of Angel Island, workers on the island, and modern-day reenactments to depict the plight of the Chinese immigrants who were forced to stay on Angel Island until their immigration papers were either approved or disapproved. The paper stresses the immeasurable historical value of this documentary, which should be a part of every American history class, because today Angel Island is a California State Park, and most visitors have no idea what really happened there.
From the Paper
"The documentary is short, only 45 minutes or so, but it presents a vast amount of information in that short time. The interviews of people who stayed on Angel Island are quite compelling, but the documentary also uses modern day footage as historic recreations of what life was like on the island, from what the detainees ate, to how they wiled away the long, isolated hours. Some played games, some read, and some wrote poetry, which they carved into the wooden walls of the stark barracks. Many of these poems, "carved in silence," remain in the barracks today, and there is a concerted effort to save them for posterity and for Angel Island visitors to understand and view. The documentary ends with a review of what happened to immigrants after the Exclusion Act was lifted by Franklin D. Roosevelt in 1942, and how Chinese still distrust Americans because of these early practices."
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Silence in Counseling, 2005.
An examination of silence as a counseling method.
1,150 words (approx. 4.6 pages), 7 sources, APA, $ 39.95
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Abstract
This paper discusses the types of messages that can be communicated with silence. The paper focuses on silence as a counseling method. The paper asks how many of these messages might occur in a counseling session. The paper also studies how one silent message can be distinguished from another.
From the Paper
"According to Corey, counseling is a form of psychotherapy usually far more brief in the length of time clients receive in traditional psychotherapy that aims to assist people who are experiencing problems in a variety of ..."
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| Term Paper # 74418 |
temporarily unavailable
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"From Silence to Voice", 2002.
A review of the book "From Silence to Voice".
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This is a critique of the book "From Silence to Voice."
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The Role of Classical Hollywood Techniques in "The Silence of the Lambs", 2002.
An examination of the role of classical Hollywood techniques in developing the relationship between Clarice Starling and Dr. Hannibal Lecter in the film "The Silence of the Lambs".
1,139 words (approx. 4.6 pages), 4 sources, MLA, $ 39.95
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Abstract
This paper examines how classical Hollywood cinema techniques such as narration, camera angles and lighting aid in the development of the relationship between the protagonists Clarice Starling and Hannibal Lecter in the film "The Silence of the Lambs". It evaluates how classical narration develops the relationship which changes from an impersonal to a more personal one, as Clarice Starling, an FBI agent, struggles to solve a problem to which Dr. Hannibal Lecter provides the answer. It also looks at how in all four of their encounters, the camera shots move from low and high-angle shots to those of eye-level shots signifying how the relationship changes from one of superiority to one of equality.
From the Paper
"In The Silence of the Lambs camera angles are another classical Hollywood technique that helps in developing the relationship between Starling and Dr. Lecter. In their first of four encounters, low-angle shots and high-angle shots were used. ?With low-angle shots, in which the camera looks up at the action or person, the audience assumes that the person looking up is inferior to what they are looking at? (Belton 45). In the first encounter the low-angle shot was used subtly, not to the extreme as in other movies. An example of a low-angle shot is when Starling is talking and the camera breaks to Dr. Lecter, showing him slightly higher. High-angle shots are used as well."
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"The Silence of the Lambs", 2002.
A comparative essay of the novel and subsequent film, "The Silence of the Lambs" by Thomas Harris.
1,034 words (approx. 4.1 pages), 4 sources, MLA, $ 36.95
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Abstract
This paper discusses the general difference between books and movies made of those books. Thomas Harris's book, "The Silence of the Lambs" is examined in comparison to the movie of the same title. The writer points out the differences between reading the book and seeing the movie. The paper describes the emotions experienced by the reader, as opposed to the viewer.
From the Paper
"In the movie, FBI trainee Clarice Starling (played by Jodie Foster) is recruited by the Bureau?s behavioral sciences unit to help track down one serial killer by getting inside the head of another who?s already behind bars?the notorious Hannibal ?the Cannibal? Lecter (played by Anthony Hopkins), a brilliant but psychopathic psychiatrist. In a series of riveting interviews, Starling reveals personal details about her past to Lecter in exchange for information that may snare ?Buffalo Bill,? the murderer who flays his female victims. Tensions escalate when Bill kidnaps the daughter of a U.S. senator and Lecter plots an escape (TV Guide Online, 2002). There is absolutely no doubt that this was a tense, riveting movie with superb acting, stellar direction, and brilliant photography. However, as good as this movie is, it still falls short of the novel. Most movie adaptations of novels are just not as good as the original, and The Silence of the Lambs is no exception."
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"Silence", 2005.
A review of Maxine Hong Kingston's work "Silence".
1,191 words (approx. 4.8 pages), 0 sources, $ 40.95
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Abstract
This paper examines how Maxine Hong Kingston's work "Silence" is a demonstration of the many significant ways of how preconceived notions based on history and culture effect the ways in which an individual perceives what is and what is not important. It looks at how Kingston builds imagery around her experiences in her two very different schools and how the experience within each, as she sees it today, created her response to it and therefore her development of understanding.
From the Paper
"Kingston recognized differences in the way that culture played a role in the meaning and importance of words, or she did as she looked back upon her confusion, as a child. She speaks of her inability to understand the words "I" and "you." Culturally the importance of "I" was different, the Chinese character for "I" was much more complicated while this single letter word seemed to mean so much to the American's that it was to be boldly written in capital. To Kingston this was a contradiction a poignant misrepresentation of the individual. "
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A Sociological Look at "Silence Of The Lambs", 2002.
Looks at the novel "Silence of the Lambs" and analyzes it in relationship to deviance and criminology.
1,435 words (approx. 5.7 pages), 0 sources, $ 47.95
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Abstract
This paper discusses the novel "Silence of the Lambs" and explains how Hannibal Lecter the fictional character is a perfect example of both criminology as well as deviance
From the Paper
"Criminology being the study of the criminal mind is exactly what Silence of the Lambs is, they give you a look at Dr. Hannibal Lecter first hand. You get the opportunity to see how his mind works, and see that in his eyes he is doing something good for society. He believes that he is ridding the world of bad people; you also get to see what makes him tick. Lecter knew how far he could push the police without killing the innocent Catherine Martin. "
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Silence and Religion, 2005.
This paper discusses the influence of Endo's book 'Silence' on Japanese religions.
675 words (approx. 2.7 pages), 2 sources, MLA, $ 23.95
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Abstract
In this article, the writer applies insights from the book "Silence" by Shusaku Endo, to Japanese religions. The writer presents an overview of Japanese religious systems (Buddhism, Confucianism, Shintoism, Christianity). The writer also discusses how different beliefs shape actions and determine fate.
From the Paper
"Japan has traditionally been home to a number of different religious groups including Buddhism, Confucianism and Shintoism. There has been a small Christian presence in Japan since the seventeenth century when Christian largely Roman Catholic missionaries attempted to establish a foothold in this and other countries of Asia. One fictional description of this Christian missionary effort is found in the novel 'Silence' by Shusaku Endo, who begins his story by pointing out that not that the Church at Rome was ignorant of the ... "
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Shusaku Endo's "Silence", 2007.
This paper reviews and analyzes Shusaku Endo's novel "Silence".
900 words (approx. 3.6 pages), 3 sources, APA, $ 31.95
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Abstract
This paper reviews and analyzes Shasaku Endo's novel "Silence", which described the persecution of Japanese Christians during the 17th century. The reviewer contends that sacrifice and unconditional love clashed with the persistence of the Japanese trait of a conditional, and sometimes inflexible, view of life, an outlook which may have contributed to the persecution. The protagonist, Father Rodrigues, and his dilemmas are described, as well as his ultimate choices. The reviewer sees Endo's characterization of Father Rodrigues as universal, in that his character represents every individual who has been compelled by circumstances to question his faith.
From the Paper
"The protagonist of the novel, Father Rodrigues, characterizes the individual whose being Christian makes him subject to criticism and persecution in Japan. In fact, Endo's characterization of Father Rodrigues is universal, in that his character represents every individual who was compelled, by circumstances, to question his faith in the god he believes in. Father Rodrigues is the representative of every believing individual who seeks truth in life through religion."
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Film Adaptation: Identity in "Silence of the Lambs", 2005.
A study of the film adaptation and the effect it has on the characters and their relationships in Thomas Harris' "Silence of the Lambs".
3,947 words (approx. 15.8 pages), 7 sources, MLA, $ 107.95
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Abstract
This paper examines how when Thomas Harris' 1988 novel "The Silence of the Lambs" was to be converted into film by director Jonathan Demme, there was an apparent theme of character identities and relationships as determined by gender which he interpreted from imaginative literature to visual cinema. It looks at how these characters, which were each inevitably altered in their own different ways by the artistic rendition of the novel, are therefore presented differently. The protagonist, a young female FBI trainee from rural West Virginia named Clarice Starling, is sent to interview the imprisoned serial killer psychiatrist Dr. Hannibal Lecter in order to better understand the mind of a mad man. But she instead finds herself in a race against time to save a young innocent girl and capture the fledgling serial killer known as Buffalo Bill. It looks at how though the story seems simple enough, the complexities of identity among these characters presents mysterious subtleties, as they try to stretch the boundaries of what defines their gender's role in society.
From the Paper
"Buffalo Bill, though a small character in both the novel and the film, is an excellent tool for understanding Clarice, as he parallel's her own confusion of identity of gender. Both Clarice and Bill, in the novel and film, dislike their past identities and are trying to construct new one. Clarice strains to hide her pure West Virginian accent and the fact that people would consider her, if they knew her true identity, a "rube". Buffalo Bills confusion about his identity stems from the fact, as Hannibal explains to Clarice, that he was abused as a child, and because of that never formed an actual realization of who he was, or even what gender meant to him. "
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"Silence of the Lambs", 2004.
Examines the movie "The Silence of the Lambs".
1,350 words (approx. 5.4 pages), 10 sources, MLA, $ 47.95
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Abstract
This paper examines the movie "The Silence of the Lambs" and specifically what is says about society and its decisions with respect to criminally insane defendants.
From the Paper
"The story begins with the F B I involved in an effort to solve a series of murders of young women. The Special Agent in Charge of the investigation sends a trainee from the F B I Academy to interview Dr Hannibal Lector. Lector is psychiatrist who has been convicted of multiple murders and cannibalism. He has been committed to an institution for the criminally insane. Lector agrees to provide important clues to the ..."
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Silence in Fairy Tales, 1997.
Uses & purposes of silence, non-verbal action & narrative gaps in four Grimm Brothers' fairy tales.
1,800 words (approx. 7.2 pages), 6 sources, $ 63.95
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From the Paper
"The purpose of this research is to examine the role of silence in fairy tales. The plan of the research will be to discuss patterns of silence in fairy tales and then to discuss the means by which these patterns emerge, the consequences to characters of the experience of silence, and complex power of silence as a narrative strategy.
In the unfolding pattern of the plot, silence accomplishes narrative purpose, moving along events by reason of the gap in time that it creates. It is left to the reader's imagination to either fill in the gap or make a jump in narrative logic from one point to another. In "The Water Nixie," there is no absence of events, but the events very much unfold in silence, with the little brother and sister jumping over gaps of time and experience, or more exactly thinking their way through these gaps.."
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"Silence of The Lambs", 1996.
Analyzes serial killer Jame Gumb's life & character, author's sources, psychoanalytic theory of paranoia as explanation in "Silence of the Lambs" by Thomas Harris.
1,575 words (approx. 6.3 pages), 6 sources, $ 55.95
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From the Paper
"In Thomas Harris' The Silence of the Lambs the pathology of the serial murderer Jame Gumb is slowly, suspensefully, revealed by a combination of hints from the mad psychiatrist Dr. Lecter, the memories of Lecter's patient Raspail, the deductive reasoning of the FBI characters, and sections of narrative that feature the actions and thoughts of the Gumb character. A brief outline of his "case" precedes critical analysis of the description of the disorder and a discussion of the author's theoretical bias as it emerges in the novel in the presentation of the disorder and the description of its causes. Harris' sources for the case of Jame Gumb appear, however, to range over news accounts of numerous cases, to touch on various psychological approaches, to try to incorporate pop-psychology about the beast within us all, and to include far too many different types of behavior to create a..."
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'Silence in the Mountain' in Guatemala, 2006.
This paper analyzes 'Silence in the Mountain', by Daniel Wilkinson that portrays stories of terror, betrayal and survival in Guatemala.
675 words (approx. 2.7 pages), 1 source, $ 26.95
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Abstract
In this paper, the anthropological field work done by Daniel Wilkinson reveals the problems of American imperialism and the cruel side of human nature. The true culture of Guatemalan culture is revealed through various interviews conducted with the working poor, which defy the propagandistic information that denied the state supported terrorism brought forth by the American government on the country.
From the Paper
"The aim of this anthropological study is to analyze the crucial investigations of Daniel Wilkinson within the country of Guatemala. By doing field work within the various small towns that suffered under the Guatemalan Army, the personal experiences of these people are recorded outside of propagandised information. Furthermore, Wilkinson evaluates the problem of American imperialism by doing research that reveals the truth behind the massacre and state terror of this country. In essence, Wilkinson offers a poignant anthropological view through field work and research that defines the state terror and horror that the people of Guatemala underwent in recent history. The cruelty that human beings can impart on one another can be devastating."
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