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Modern Broadway Musicals, 2006.
A paper looking at why the modern Broadway musical genre is not faring as well as older musicals and revivals of shows.
3,356 words (approx. 13.4 pages), 10 sources, MLA, $ 95.95
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Abstract
This paper takes a look at the changes that Broadway, as a physical place, as well as a genre, has undergone since its inception, in an attempt to understand why modern Broadway musicals are not doing as well as they had in earlier years. The paper concludes that the diminishing popularity of Broadway today is due to both financial reasons and audience-motivated reasons.
From the Paper
"Currently, according to Mayor Rudolph Giuliani, at least one fourth of the 30 million visitors to New York each year still come to see a Broadway play (Kroll 64), making it one of the top reasons tourists travel to New York. However, while there indeed seems to be a resurgence of interest in Broadway, there is a great disparity in profits for older musicals and revivals of shows from earlier decades and the more current modern musicals."
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Broadway Musicals, 1999.
Examines history, appeal, success, major musicals past and present ("Grease", "Titanic", "Beauty and the Beast").
1,575 words (approx. 6.3 pages), 5 sources, $ 55.95
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Abstract
The musical was long a Hollywood staple, a genre that was used year after year. After the 1960s, however, the film musical all but disappeared, though it continued in a modified form as a Broadway staple, just as it had been throughout this century.
From the Paper
"The musical was long a Hollywood staple, a genre that was used year after year. After the 1960s, however, the film musical all but disappeared, though it continued in a modified form as a Broadway staple, just as it had been throughout this century. Imitation drives the motion picture industry as it seeks material for films, but it also drives Broadway to a great extent. Broadway and Hollywood have taken turns in recent years in originating material which would then be taken over by the other so that stage plays like Grease and Evita are adapted to film, while recent films such as The Lion King and older films such as Sunset Boulevard have been adapted to the stage. Hollywood and Broadway have in many instances in recent years combined forces to develop material for the screen that would also be valuable on stage, or for the stage that would be worthwhile as a film. The ..."
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"Cats" in the Theater, 2002.
Examines the use of the theater In Andrew Lloyd Webber's Broadway musical, "Cats".
900 words (approx. 3.6 pages), 5 sources, $ 35.95
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Abstract
Andrew Lloyd Webber's Broadway musical, "Cats", has consistently intrigued audiences. This essay examines the specifics of the brilliant use of the entire theater for the experience and concludes that this is the factor that contributed to the show's worldwide success.
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Playbill and the History of Broadway Theater, 2002.
The paper analyzes the role the reference guide, Playbill, has played in Broadway's history, focusing specifically on the musical "Showboat" and its accompanying Playbill.
1,343 words (approx. 5.4 pages), 3 sources, MLA, $ 45.95
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Abstract
The paper explains the nature of a Playbill, a kind of reference guide to the show of the evening, summing up the cast list, the cast biographies, and also giving theatergoers a bit of advice about places to go in New York before and after the show. The paper examines the role the playbill plays in encapsulating the consumerist, capitalist nature of Broadway theater. It also explores the influence wielded by Showboat's playbill.
From the Paper
" ?Show Boat,? originally produced in 1926, and later revived at the Gershwin theater in 1994, has often been called the first modern Broadway musical. The image on the cover of the show?s Playbill during its most recent incarnation on Broadway is a sentimental picture of a turn of the century family of three waving at a large, smoking Riverboat show boat ship. This Playbill artifact encapsulates, perhaps more than any other example of the modern, New York Broadway theatre, the nature of Broadway?s form of theatrical, musical entertainment. The Playbill is a nostalgic commodity that reduces the show to a singular theme, and attempts to encapsulate within its covers, in as non-threatening a fashion as possible, the nature of a show that has proved disturbing to many viewers."
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Broadway Shows, 2005.
A paper arguing that the intellectual content of Broadway shows has declined.
1,908 words (approx. 7.6 pages), 6 sources, MLA, $ 60.95
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Abstract
In this paper, the author argues that, contrary to what is often assumed, Broadway has become more populist, not less. The author argues that, in spite of the spiraling cost of tickets to Broadway shows, the shows pander to the least demanding, most pedestrian of artistic sensibilities.
From the Paper
"It might be logical to surmise that because Broadway ticket prices have reached the dizzying heights of, say, tickets for major league baseball and football's better seats-in the neighborhood of $100 a ticket-the Broadway stage is becoming less populist, pricing theatergoers out of the velveteen seats. However, the opposite is closer to the truth. The higher those ticket prices go, the more populist the Broadway theater becomes."
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Charles Busch's Broadway Plays, 2006.
A review of American playwright Charles Busch.
1,750 words (approx. 7.0 pages), 2 sources, MLA, $ 56.95
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Abstract
This paper studies the works of Charles Busch, one of America's more well-known satirists and comedic playwrights. The paper begins with a review and critique of Busch's most recent production, "A Tale of the Allergist's Wife". The paper discusses the play's plot and development, as well as the actors, directors and producers associated with it and awards that it has won. The paper then compares "Allergist's Wife" to Busch's other works, including the play "Woman of the Year" and his writing for the HBO show "Oz". The last section of the paper discusses Busch's career rise and the parallel shift in American society, which can now embrace such an author and his "edgy" themes.
Outline
Thesis Statement
"A Tale of the Allergist's Wife"
Busch's Other Works by Way of Comparison
Further Contrasts and Comparisons
From the Paper
"Busch's play chronicles the spiritual turmoil of Marjorie Taub - brilliantly acted by the veteran comedy and quite often serious actress Linda Lavin - a middle-aged Upper West Side wife and confidant to her Allergist husband - and others as the play delightfully exposes - and how her life changes when a former friend from her past suddenly appears on her doorstep. This is a wonderfully delicious and quite devious social satire that is filled with the wicked fun and delightful surprises one has come to expect from Busch works."
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?One of Your Own Kind?, 2002.
An introduction to the issue of interracial coupling as seen in the musical, "West Side Story" and in American society.
710 words (approx. 2.8 pages), 6 sources, APA, $ 25.95
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Abstract
The paper shows how in the Broadway musical, "West Side Story", the problems the couple faces are due to the fact that they are of different races. The paper discusses society's way of thinking at the time this play was written in the 1950s and how it has changed to become more accepting of interracial marriages. It discusses, too, those who still oppose it.
From the Paper
"We are not yet blind to racial and cultural differences. When a high school girl dated a boy of mixed background who happened to be half Black and half Polish, when family history came up, both referred to him as African-American, and not Polish-American ? or as American. It could be argued that those with mixed backgrounds are the most ?American? of all, because they represent more aspects of all those who are Americans. Perhaps that will be the norm one day, and relationships like that of Tony and Maria will not be so challenged that they can be made the basis of a drama where everyone can understand their dilemma. "
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Joseph Moncure March's Poem "The Wild Party", 2000.
A look at American society in the 1920's, as reflected in the poem.
2,511 words (approx. 10.0 pages), 8 sources, $ 76.95
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Abstract
This paper examines, in brief, the state of life in the U.S. in the 20?s and then applies this information to the creation, publication, and ensuing scandal related to March?s controversial book-length poem, "The Wild Party" (now the inspiration behind two major Broadway musicals). The paper is divided up by subheadings: Art, Literature, Music, Fashion, Recreation. Perfect both as a historical summary of the time period as well as a well-written and focused paper concerning this particular piece of poetry.
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The Evolution of the Brass Band, 2002.
This paper is an extensive treatise on the development of the brass band from earliest times to the relation of the brass band to American jazz.
20,000 words (approx. 80.0 pages), 53 sources, MLA, $ 249.95
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Abstract
This paper explains the cultural history, the development of brass instruments, the bands, the instrumentation of many bands and the composers for brass band music. This paper discusses that the development of brass instruments has been an ongoing process of interaction between cultures and the technological advancements of the instrumentation. The author feels that the various styles of brass music - blues, ragtime, minstrel tunes, the early Broadway melodies and the music of the brass bands - continue to gain in popularity.
Table of Contents
Introduction
The Sound of Brass Music
The Early Influences
The "Dark Ages" and Horn Band Music
Enter Brass
Russian Horn Bands
The Precursors of Valved Instruments
Brass Comes Back
The Development of Valve Instruments
Military Brass Bands
Prussia
Calvary Jager
Cavalry Artillery Jaqer
Austrian Band Music
Brass Band Music in France
Brass Bands in England
Salvation Army
United States
From the Paper
"One of the unique aspects of a brass organization is that most of the instruments operate in exactly the same way and so there is scope for moving around from one instrument to another as a person's physique changes or as a way of achieving variety in one's musical satisfaction. There are three main types of instruments involved -- keyed, valved instruments (trumpets, cornets etc.), slide instruments, and percussion."
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"Guys and Dolls", 2005.
Examines the musical aspects of this 1955 movie.
900 words (approx. 3.6 pages), 4 sources, $ 35.95
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Abstract
"In this paper, it is shown that "Guys and Dolls" offers a limited range of vocal sensibilities that are needed to fulfill plot expectations and important cues for character development. Since Brando had not been able to sing as well as Sinatra or other members of the cast, it is clear that this limitation devolves the criterion for a successful film musical. The paper argues that without the full camera view to envision the dance movements of the Broadway, the film also is ineffectual in giving the full musical experience to viewers.
From the Paper
"This movie review will analyze the cinematic ineffectiveness of Guys and Dolls (1955) in contrast to the theatrical "popularity" of the Broadway version. The basis of the Broadway production elicits a far greater range of songs, and with a more variety in how spatial movements can be placed in the theater. The film actually diminishes the wider format of a stage view, and limits the facets of movement, vocal projection, and presence of the actors. In essence, this film presents many innovative stage design principles found in theater, but lacks a "Broadway authenticity" due to the inexperience and limitations of cinematic direction and cast. The plot of Guys and Dolls revolves around Sky Masterson (Marlon Brando) and Nathan Detroit (Frank Sinatra) who make a bet on a romantic intrigue. Detroit needs the money from Masterson, since he wishes to get involved in a high stakes gambling venture."
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"Annie", 2002.
Reviews and analyzes this 1982 musical-movie directed by John Huston.
990 words (approx. 4.0 pages), 5 sources, MLA, $ 35.95
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Abstract
This paper discusses and reviews the 1982 musical , "Annie", based on the successful Broadway production. It examines the choice of John Huston as director and discusses the characterization in the film. The paper examines several of the more successful characters such as Carol Burnett as Miss Hannigan. Finally, the paper looks as the songs and music in the film.
From the Paper
"Characterization may be one of the film's most successful qualities. Carol Burnett is brilliant as the drunken Miss Hannigan, who runs the orphan's home with an iron hand, usually grasping a bottle of booze. She may not be politically correct today, but she is certain hilarious in the film, which is probably why writers gave her some of the film's best lines, including: "Why anyone would want to be an orphan is beyond me" ("Annie"). Albert Finney as Daddy Warbucks is perfect as the millionaire with a heart of gold, who at first doesn't want anything to do with the little orphan who eventually charms him. By the end of the film, he truly becomes her "father," when he tells her, "You are special. Never stop believing that" ("Annie"). Rooster, played by veteran actor Tim Curry is one of the strangest characters in the play. Curry is excellent as the demented villain who only wants Annie for the reward money offered to locate her "real" parents. His continual crowing is an amusing touch to a character that could become a little too scary for younger children."
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"Cats", 2006.
Examines the history of the world's greatest musical, written by Andrew Lloyd Weber.
2,348 words (approx. 9.4 pages), 4 sources, APA, $ 72.95
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Abstract
The paper discusses the musical "Cats", based on a series of poems by T.S. Elliot and later to become the most popular musical in world history. The paper examines the beginnings of the play at the New London Theater, until it was taken to Broadway in the United States. The paper examines why the play was so popular, as well as the many awards that it won.
From the Paper
"To look at the pre-production problems, the rehearsals with cast changes, the unenthusiastic reviews by many critics, and the enormous expenses of mounting the show, what is it that really has made "Cats" successful. The simple answer is- it is an "audience pleaser". There is no heavy plot line to focus on. The stage and staging are so unusual, as to continue to amaze the audience and to capture their attention. Nobody comes out of a theatre "humming the scenery" as a cynic might remark. But the song, "Memory" heard over and over again on radio stations is the sort of hit that people will remember."
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Class Act, 2004.
Discusses how Class Act's revenue from an agreement with Broadway Venues should be realized.
1,150 words (approx. 4.6 pages), 0 sources, APA, $ 39.95
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Abstract
This paper examines how Class Act's revenue from an agreement with Broadway Venues could be realized. It explores the background of the situation and alternatives. It also recommends an accrual method of recognizing the revenue.
From the Paper
"Companies regularly enter into business agreements where payments are made over a period of time. Such agreements can take the form of leases where the payments are regular and made over a long-period of time or ..."
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Literacy and Culture, 2006.
A discussion regarding literacy as defined by the Amish Country, University Committees and Broadway.
1,125 words (approx. 4.5 pages), 3 sources, $ 44.95
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Abstract
This paper considers the definition of literacy in divergent examples, specifically in regards to the Amish, a Broadway play, and a University Academic Integrity committee. The paper outlines the complexity of defining and applying concepts of literacy by reviewing three representative texts describing different approaches to literacy in these three communities.
From the Paper
"Literacy is a seemingly simple concept that, upon close inspection, has many interpretations. On a base level it indicates the ability to read and write and could therefore be viewed as a value-neutral process in which people learn a tool that they can then use to gather or produce written communication. However, once one begins to consider what literacy means in different cultural contexts, the concept takes on a level of complexity that suggests learning to communicate is influenced by class distinctions, religious beliefs, personal integrity, and many other factors. This paper will consider the concept of literacy through the prisms of what it means to three different communities: an Old Order Amish community, a University Academic Discipline Committee and the New York literati as regarding a play produced on Broadway."
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"Eat the Runt", 2002.
A review of the off-Broadway play "Eat the Runt".
900 words (approx. 3.6 pages), 1 source, $ 35.95
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Abstract
A theatrical analysis of on Off Broadway play called "Eat the Runt".
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