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Bridal Du and Oriole, 2002.
An examination of character changes in Bridal Du and Oriole in the Yuan Dynasty Chinese plays ?The Story of the Western Wing? and ?The Peony Pavilion?.
765 words (approx. 3.1 pages), 0 sources, $ 27.95
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Abstract
This paper was written for a class in Yuan Dynasty Chinese drama. It examines the character changes that Bridal Du and Oriole go through in the plays ?The Story of the Western Wing? and ?The Peony Pavilion" and what this reveals about Chinese culture at that time.
From the Paper
"Oriole and Bridal Du both go through transformations during the plays ?The Story of the Western Wing? and ?The Peony Pavilion?. Bridal Du?s transformation from sexually open person to a proper, virginal person is made explicitly clear through her transformation from spirit to human and from her transition from existence in the world of the dead to the world of the living. Oriole?s transformation on the other hand, involves her change from a modest and proper young woman to one who goes against her mother?s wishes and has sex with a man of her choosing so that she secures a marriage with him. Each woman?s transformation either from sexual being to virginal being, as in the case of Bridal Du, or from virginal being to sexual being, as in the case of Oriole can be clearly seen through each woman?s views and actions regarding pre-marital sex and the respective degrees to which each breaks Chinese rules of propriety. Both women become respectable in the eyes of the theater-goer through their eventual marriages. By placing the sexually active women in the sphere of marriage, the women re-enter into a proper role that both of them had broken out of by choosing their own husbands and having sexual relations with these men. "
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William Edward Burghardt Du Bois (1868-1963), 1999.
This paper discusses the life and work of the African-American activist William Edward Burghardt (W.E.B.) Du Bois (1868-1963).
1,675 words (approx. 6.7 pages), 3 sources, MLA, $ 54.95
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Abstract
This paper explains that W. E. B. Du Bois did not suffer economically and had not endured the severe racism most African-Americans, especially in the South, until he went to Fisk University in Nashville, Tennessee, where he saw his first lynching. The author points out that Du Bois denounced Booker T. Washington's philosophy of "separate and unequal" because Du Bois saw Washington's ideas on accommodating and compromising with whites as denying citizenship rights for African-Americans. The paper relates that Du Bois struggle with the American government because of his purported activities as a communist; in 1961, Du Bois left the United States and moved to the newly independent West African nation of Ghana; however, before he left the U.S., he openly defied the U.S. government and joined the American Communist Party.
From the Paper
"The Niagara Movement had little impact on opinions in America, but it had a lot to do with the creation of the National Association for the Advancement of Colored People (NAACP). A group opposed to Booker T. Washington's ideas met in New York City in 1909 to "discuss the formation of a new organization dedicated to improving conditions for Blacks in the United States." The ensuing group was mostly white; despite this, Du Bois was elected as one of the founding officers in 1910."
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Du Bois' Artistic Blueprint, 2001.
This paper looks at Hughes' and Cullen's artistic blueprint set forth by W.E.B. Du Bois in their protest poems
1,550 words (approx. 6.2 pages), 5 sources, $ 50.95
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Abstract
This paper shows how Hughes and Cullen follow Du Bois? prescription in their creations of black art. The author focuses on Hughes? poem ?Ballad of the Landlord? and Cullen?s poem ?From the Dark Tower,? and derives his definition of Du Bois? artistic prescription from his essay ?Criteria of Negro Art.?
From the paper:
"Amidst the prevailing racial injustice during the Harlem Renaissance, W.E.B. Du Bois charges black artists to use their art to send a message to society: a message of unity to the blacks, and a message rejecting their so-called inferiority to the whites. Black art, Du Bois insisted, should be used as a weapon against racism, demonstrating blacks? worthiness of American status and their ability to conceive Beauty in their art. Countee Cullen and Langston Hughes, whether intentionally or not, followed the artistic specifications set forth by W.E.B. Du Bois in their respective creations ?From the Dark Tower? and ?Ballad of the Landlord.?
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Washington and Du Bois, 2006.
A comparison between prominent African-American authors Booker T. Washington and W.E.B. Du Bois.
1,000 words (approx. 4.0 pages), 5 sources, MLA, $ 35.95
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Abstract
This paper analyzes, compares and contrasts their beliefs and writings of African American authors Booker T. Washington and W.E.B. Du Bois. The paper demonstrates how the two were as different in their attitude toward racial progress as they were in their styles of writing. While both men wrote about race and were concerned with bettering the plight of African Americans, the paper explains that they had very different philosophies about how to accomplish social change. Citing their writing, the paper argues that Washington believed the acquisition of jobs for Blacks was most important, because economic freedom would automatically about social and cultural change. Du Bois, on the other hand, believed in careful political organization and individual action for the improvement of the community and the betterment of society at large. The paper concludes with an analysis of Du Bois' theory on double-consciousness, relating it to contemporary author Jean Toomer, a protege of Du Bois.
From the Paper
"Du Bois was committed to an integrationist vision combined with an assertion of a proud cultural heritage; he had a vision of a certain role that the black man should fill in Americans in society; and he believed in full civil liberties, the abolition of racial discrimination. Both men were interested in education. Du Bois believed that education should nurture the growth of culture and felt that education and a university system could transform personal and racial relationships, while Washington favored vocational training for Blacks. Booker T. Washington's "up from slavery" was an overly optimistic account of his life and of race relations in America; it followed the lines of his general philosophy of trusting the paternalism of the southern whites, accepting the fact of white supremacy and accommodating white oppression. Washington emphasized the mutual interdependence of blacks and whites in the south but also felt that they were to remain socially separated."
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W.E.B. Du Bois, 2005.
This paper offers a biography on W.E.B. Du Bois.
1,130 words (approx. 4.5 pages), 4 sources, $ 39.95
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Abstract
This paper is a biography on W.E.B. Du Bois. It deals with the Du Bois' importance and significance to American History. In this article, the writer focuses on Du Bois' public life. The writer also discusses Du Bois' idealogy and his ideas regarding civil rights.
From the Paper
"According to David Levering Lewis in his book 'W.E.B. Du Bois The Fight for Equality and the American Century', William Edward Burghardt Du Bois was born in Massachusetts. Du Bois was graduated from Fisk University and Harvard University and studied two years at the University of Berlin. He was the first black American to receive the degree of doctor of philosophy from Harvard. Du Bois founded the Niagara Movement, a group of African-American leaders committed to an.. "
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"Du Tenth", 2002.
Examines the themes of love and money in Feng Meng-long's book, "Du Tenth" which is set in Seventeenth Century China.
1,650 words (approx. 6.6 pages), 1 source, $ 62.95
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Abstract
Feng Meng-long's fiction "Du Tenth" reflects the social aspects of the time of its making. Late Ming China (17th century) was a society dominated by the commercial culture of China's merchant classes. As a result, in "Du Tenth" money and love are so closely related as to be interchangeable. Money determines the beginning, the development and the end of the relationship between Du Tenth and Li Jia.
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Du Pont, 2006.
This paper chronicles the development of Du Pont's organizational structure early in the 20th Century.
1,150 words (approx. 4.6 pages), 1 source, $ 39.95
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Abstract
This paper discusses Du Pont's organizational structure changes, which resulted in the company's lines, strategies and leadership changing. The author relates the efforts of Du Pont to balance centralization and decentralization.
From the Paper
"In the case study on Du Pont, the growth of the company from an explosives manufacturer at the turn of the century to a company that now manufactures a diverse product line prompted executives to change the company's structure."
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W.E.B Du Bois and "The Souls of Black Folk", 2006.
Examines "The Souls of Black Folk" written by W.E.B. Du Bois on African-American/white race relations.
1,294 words (approx. 5.2 pages), 15 sources, MLA, $ 43.95
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Abstract
In writing "The Souls of Black Folk" (1903) W.E.B. Du Bois saw accurately in his day, present and potential future long-term barriers to racial equality in America. This paper examines Du Bois' personal history and what influenced him to write his famous text on civil equality.
From the Paper
"Perhaps because of his own educational experiences, W.E.B. Du Bois strongly believed that education for blacks should be academic in focus (rather than vocational) like that of whites, so that blacks could then become, through educational equality, equal to whites in every way. While Booker T Washington (Du Bois' rival of the time in terms of their ideas on black-white equality) (Up from Slavery) believed, first and foremost, in vocational training for black as a way for them to be self-sufficient ("Booker T. Washington Delivers the 1895 Atlanta Compromise Speech"), Du Bois felt racial inequality was a flaw in American society that hurt everyone, and that whites and blacks should work equally to fix it."
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Booker T. Washington and W.E.B. Du Bois, 2007.
A discussion of Booker T. Washington and W.E.B. Du Bois' impact on the civil rights movement in America.
1,248 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
This paper discusses the influence of Booker T. Washington and W.E.B. Du Bois on the American civil rights movement. The author argues that their outlooks are still alive today in debates concerning issues such as racial and class injustice and the role of leadership in the African- American community. The paper gives a brief biography of each man and his respective philosophical outlook. The author highlights where Washington and Du Bois' philosophies diverged, and their ultimate impact on racial equality in America.
From the Paper
"The dispute between Washington and Du Bois polarized the leaders into two distinct sides, Washington's conservative supporters and Du Bois' radical philosophy (Two). Du Bois' strategy of agitation and protest led directly into the Civil Rights movement of the 1950's and 1960's. Washington's philosophy is often associated with conservative African Americans such as Justice Clarence Thomas and the Nation of Islam (Two). "
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Meng-long's "Du Tenth Sinks the Jewel Box in Anger", 2008.
This essay is a thematic analysis of Feng Meng-long's "Du Tenth Sinks the Jewel Box in Anger" in terms of gender in 16th century China.
1,759 words (approx. 7.0 pages), 4 sources, MLA, $ 56.95
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Abstract
The essay discusses the themes related to men and women in Feng Meng-long's "Du Tenth Sinks the Jewel Box in Anger", a short story typical of vernacular courtesan romances popular with the 16th century shift towards a business culture prevalent through the Ming Dynasty. Specifically, the author analyzes the relationships between the character of Master Li with his father and with his lover Du Tenth.
Outline:
Introduction
The Economics of Brothels
Male Weakness as Unfeeling Behaviour
Last Remarks
From the Paper
"As a member of Li Zhi's school of writing which stressed human sentiment and behaviour, Feng stressed to the reader how Master Li had acted out of cowardice, thinking that the sale of Du Tenth would permit resolution in the future, that he could return to his family and later have Du Tenth. She is having no part of it, of course, having seen immediately what Sun had placed in Li's mind and how easily he had gone ahead with what seemed a solution. At once, the reader understands that her sentiment has been genuine along with her words, and also, that she is shrewd and when revealing the wealth she had amassed to give to her husband, that she is far better as business woman and person able to manage in the world. For Feng, men are cowardly when ignoring women's feelings, and easily manipulated, or opportunists in the manner of Sun who almost managed to get hold of Du Tenth. Unsurprisingly, in the romantic scheme of things, it is Du Tenth the whore who proves to have nobler sentiment, as well as intelligence. Feng summarized that 'Sun Fu, who thought nothing of throwing away a thousand taels in a plot to steal away a lovely woman, was certainly no gentleman, while Li Jia, who failed to recognize Du Tenth's sincere devotion, was a vulgar person not even worth talking about.' (p.855)
"The crowd wondered why she had not found a mate that suited her beauty and devotion, the whole story most pitiful in that she has suffered for her honesty, risked leaving the brothel behind, believing that she had found her future with Master Li who seems not to appreciate, at all, the radical step that she has taken, placing herself on the winds of fate, willing to go anywhere and face any consequences with the man she loves."
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Cinema du Look, 2003.
An overview of the key features of the cinema movement known as Cinema du look.
1,652 words (approx. 6.6 pages), 6 sources, MLA, $ 53.95
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Abstract
The paper examines how snubbed by French film academics, lovingly received (generally) by the audiences, Cinema du look at first appears as a triumph of style over substance. It systematically identifies the main features of the cinema movementby referencing the works of three main directors (Besson, Beineix and Carax) and demonstrates how the movement is not simply a triumph of style over substance. It shows how beneath the surface of these films (and these directors) is an interconnected postmodern reflection of contemporary society.
From the Paper
"Cinema du look, to some extent, can also be viewed as a return to the early days of cinema, where the spectacle of the movies was paramount. The ?cinema of attractions? as it is known. What is on the screen is there to amaze and astound the viewer, to be pleasing to her eye. Science fiction movies and other spectacle movies like The Fifth Element (1997), which I would argue definitely shares qualities with other cinema du look texts (fantastic colours, the ?Diva? who sings an operatic number, the lack of attention to characterisation and a wafer thin story) are viewed as being in a formulaic genre. The history of French cinema, and accordingly the attitudes of French establishment film critics, is the history of the auteur, and may go some way to explaining the hostility met by cinema du look amongst the French critics of the time."
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Nguyen Du's "The Tale of Kieu", 2004.
An introduction to Nguyen Du's epic poem, "The Tale of Kieu".
675 words (approx. 2.7 pages), 2 sources, MLA, $ 23.95
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Abstract
This paper discusses the Vietnamese epic poem by Nguyen Du, "The Tale of Kieu," that depicts the similarities and differences between its two lovers, Kieu and Kim. The paper examines and analyzes the theme of the poem about the meeting of kindred spirits.
From the Paper
"Nguyet Cam maintains if Shakespeare's work represents the greatest literary achievement in the English language then, Nguyen Du's line masterpiece, "The Tale of Kieu" can be considered the pinnacle of classical Vietnamese literature. The opening of Nguyen Du's "The Tale of Kieu" offers an introductory saying: "Of course when two kin spirits meet one tie soon binds them in a knot none can yank loose". Such kin spirits are Kieu and Kim. Through upheaval of dynasties, murder, kidnapping prostitution and..."
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W.E.B Du Bois' "Notion of the Black Veil", 2006.
An analysis of W.E.B Du Bois' "Notion of the Black Veil" as described in his novel "The Souls of Black Folk".
1,196 words (approx. 4.8 pages), 1 source, MLA, $ 40.95
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This paper discusses how the veil metaphor according to Du Bois represents discrimination based on color and race in all aspects of the African-American's life: socially, economically, educationally and religiously.
From the Paper
"Du Bois borrows the veil notion which belongs to the religious women who cover themselves from strangers; cover their intelligence, beauty, souls and energies. They become not known or realized by others, and some of them may only wonder what's beneath the veil might be but without seeking to discover it. Du Bois uses of the metaphor Veil throughout the various chapters of his book to refer essentially to what separates blacks from whites, but he goes deeper and deeper to make us figure out the ugliest discrimination that based on color or race in the history. They didn't bother themselves to wonder what's beneath this veil, or seek to discover that marvelous beauty of their souls, intelligence, and their humanity; the veil prevents the whites to see the real blacks. "
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Du Maurier's "Rebecca", 2007.
This paper analyzes how the role of the narrator in Daphne Du Maurier's "Rebecca" questions the relationship between subjectivity and femininity.
5,925 words (approx. 23.7 pages), 30 sources, MLA, $ 141.95
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Abstract
The paper explores one of the key concerns of Daphne Du Maurier's novel, "Rebecca": the development of a gendered, specifically feminine, subjectivity. The paper clarifies what is implied by the term 'subjectivity'. The paper examines through a psychoanalytical lens exactly what constitutes femininity and the nature of its relationship to subjectivity. The paper then analyzes how this relationship is questioned by the role of the narrator in "Rebecca." The paper shows how the narrator emphasises the socially constructed nature of femininity, partly through the masquerade of her narrative identity.
From the Paper
"Rebecca, Daphne Du Maurier's fifth and most famous novel , begins with what is perhaps one of the most oft-cited sentences in literature: 'Last night I dreamt I went to Manderley again'. (p. 1) This first sentence immediately introduces the reader to both the nature of the novel and what is ultimately one of the key concerns of the novel: the development of a gendered, specifically feminine, subjectivity. From the very first sentence of Rebecca which is, in Du Maurier's words, a 'psychological' novel, one is invited into the narrator's 'world of dreams and daydreams' and, through Du Maurier's use of a first person narrator, is encouraged to voyeuristically play witness to the narrator's thought processes and developing awareness of what it is to be feminine. It is also through this mode of narration that one is able to perceive the development of a 'normative' femininity and, crucially, witness the relationship taking place between this femininity and the narrator's subjectivity."
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"Les Caves du Vatican", 2004.
A discussion of the duplicity of characters in Andre Gide's "Les Caves du Vatican".
2,344 words (approx. 9.4 pages), 5 sources, MLA, $ 72.95
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Abstract
This paper looks at the various characters and how the characteristics of each are evident in others as well. All of the characters show similar psychological effects as a result of the society in which they live. The paper explains each one's role and the story overall.
Contents
Introduction
Lafcadio
Protos
Amedee
Anthime
Julius
Conclusion
From the Paper
"Les Caves du Vatican" by Andre Gide concerns a variety of characters, and the issue of freedom as exemplified by the main character, Lafcadio. Lafcadio is the main representative of freedom, while the other major characters represent varying degrees of neuroses and bondage imposed by the society in which they live. To demonstrate this, Gide as it were binds each major character to another by providing them with traits at the opposite side of each scale. He does this with the exception of Lafcadio, who being free from convention and all other forms of bondage, is not bound by the author either. Protos, the clever charlatan is then paired with the na?ve and victimized Amedee, while the practically scientific Anthime is paired with Julius, the fanatically religious but also hypocritical novelist."
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