| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "BOTTICELLI S BIRTH VENUS": |
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Botticelli?s "Birth of Venus", 2002.
A study on the Italian masterpiece painting of Botticelli, "Birth of Venus".
1,220 words (approx. 4.9 pages), 4 sources, APA, $ 41.95
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Abstract
This paper examines the sublime quality of Botticelli?s painting "Birth of Venus". The paper provides a summary of the artist?s life in 16th century Italy. The author writes that the theme of the painting is the goddess of love, which is universally understood for all humanity throughout time. The paper continues to describe the imperfects of the masterpiece, which creates an elevated design of Venus's figure.
From the Paper
"Botticelli?s works are some of the most enduring masterpieces today. While many of the old masters? works struggle for relevance into today?s changed times, Botticelli?s works have actually gained understanding and critical acclaim as the centuries progressed.
"Sandro Botticelli was born Alessandro di Mariano di Vanni Filipepi in either 1444 or 1445."
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Botticelli's "The Birth of Venus", 2007.
This paper discusses the painting 'The Birth of Venus' by Sandro Botticelli.
790 words (approx. 3.2 pages), 4 sources, MLA, $ 28.95
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Abstract
In this article, the writer discusses the artist Sandro Botticelli and looks at his most famous work 'The Birth of Venus'. The writer discusses various influences on the work of Botticelli and points out that he combined ideas of mythology with Christian concepts in his painting. The writer notes that the 'Birth of Venus' is believed to be inspired by the Homeric Hymns and Ovid. Furthermore, the writer discusses that in the painting itself, Venus is loosely correlated to the Virgin Mary, while Zephyr and Aura are represented as angels and the nymph Hora, who welcomes Venus, suggests the relationship of St. John to the savior. The writer concludes by pointing out that Botticelli's later works focus on more Christian subjects with traditional themes.
From the Paper
"In his art, Botticelli was truly a Florentine of his time as he spent his whole life there minus one year in Rome where he worked on the Sistine Chapel. Furthermore, the subject matter of his art was influenced by the social and philosophical atmosphere established in Florence by the famous Medici family. Botticelli benefited by a close relationship with that family at the height of their influence on the social and political atmosphere of Florence. Several of his works were painted either directly for the Medici family such as portraits or indirectly through commissions that the Medici family controlled. Without a doubt, Botticelli was a favorite in the family and had access to other artists and thinkers gathered around the family."
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Birth of Venus, 2007.
This paper discusses the painting "Birth of Venus" by Sandro Botticelli.
1,766 words (approx. 7.1 pages), 7 sources, MLA, $ 56.95
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Abstract
In this article, the writer discusses that the "Birth of Venus" by Sandro Botticelli is an important work in the study of art. The writer notes that this late-15th century painting reflects the struggle many Italian artists felt between the great history and traditions of their land, and the strong influence of the Catholic church. The writer points out that both of these influences are present in the "Birth of Venus", even though the painting depicts a pagan theme. The writer concludes that at a time when many pagan works of art were destroyed, including Botticelli pieces, the "Birth of Venus" was somehow spared.
Outline:
Birth of Venus: Specifications
Iconography and Meaning
Style
Historical Context
Conclusion
From the Paper
"Botticelli's depiction of the water on which Venus rides could be described as iconography. While Botticelli paints complex and accurate human figures, the water is very simple; it is a blue field with some lines representing waves, and it looks almost like a blue carpet. When we compare that to how water is often represented in other works of art as a powerful, and sometime dangerous, force, we can conclude that Botticelli made the sea simple for a reason."
"In Roman mythology, the gods had the power to control nature, so it would have been inappropriate for Venus to ride to shore on large and dangerous waves. Botticelli made the water simple, calm and flat to show how it could be completely tamed by the gods."
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Disease and Beautiful Women in Art, 2002.
This paper compares three writers and their definitions of "decadence" in art. It talks about Botticelli's Birth of Venus, the Mona Lisa and how some view them as sick and diseased.
575 words (approx. 2.3 pages), 3 sources, MLA, $ 20.95
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Abstract
This paper was written for a class about decadence in art and discusses Richard Gilman (author of "Decadence: The Strange Life of an Epithet"), Arthur Symon (author of "The Decadent Movement in Literature") and Walter Pater (author of "The Renaissance"). These three authors have differing views on women in artwork including pictures of the Madonna and Christ child, the Mona Lisa and Botticelli's Birth of Venus.
From the Paper
"The most important word used to describe Pater's The Renaissance is "diseased". Symons and Gilman refer repeatedly to the word in describing decadence. "Diseased" is not only the condition of an ill person but also can be the spiritual condition of the mind of a person who sees death and disease in a piece of artwork that most others see as beautiful. Society might construe this deviation from the normal as unhealthy, because, on the whole, society regards anything different from itself as abnormal and thus diseased and in need of being "cured."
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Botticelli: A Neoplatonist, 2005.
A description of Botticelli's life and work and Renaissance Neoplatonism.
920 words (approx. 3.7 pages), 6 sources, MLA, $ 31.95
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Abstract
This paper looks at the life of Botticelli's, his work and Renaissance Neoplatonism. It describes in detail three of Botticelli's Neoplatonic paintings: "The Birth of Venus", "Pallas and the Centaur" and "Primavera". It describes their origins and how Botticelli interpreted the pagan themes with a hint of Christianity thrown in, which was the hallmark of Neoplatonism.
From the Paper
"Born Alessandro di Mariano Filipepi in Florence, Italy in the working class rione of Ognisanti, Sandro Botticelli was an Italian painter of the Florentine school during the Early Renaissance Quattrocentro. Botticelli Sandro Botticelli was first apprenticed ..."
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Botticelli, 2002.
A study of the Italian Renaissance painter Botticelli.
1,875 words (approx. 7.5 pages), 7 sources, MLA, $ 59.95
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Abstract
This paper examines the life and paintings of Sandro Botticelli. It portrays the life of the great Italian Renaissance artist who created the masterpiece "Birth of Venus". The paper analyzes this piece of art and provides its critical reviews throughout time. The author illustrates the intellectual environment of the artist's time, including paganism, theology, and the classical world.
From the Paper
"One of the most important artists to emerge from the early Renaissance and late medieval period in Florence, Italy was Sandro Botticelli. The Renaissance period in Italy and particular in Florence marked an era where for the first time there was a flowering of interest in the pagan, classical era of early Greece and Rome. Botticelli's "Birth of Venus" and "Primavera" paintings emerged quite early from this growing syncretism of medieval and classical interests. They were to become emblematic of a new period of interest in the human form and the human condition, as it might be expressed outside of the narrative constraints of Biblical and iconic art. However, as documented quite poignantly in The Bullfinch Guide to Art History, with the emergence of the High Renaissance style of specific, quite anatomically accurate art at the turn of the 16th century, this artist fell out of fashion. He died in obscurity and was ?only returned to his position as one of the best-loved quattrocento painters through the interest of Ruskin and the Pre-Raphaelites.? (West The Bullfinch Guide to Art History)"
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Botticelli and the Italian Renaissance, 2004.
An examination of how Botticelli's painting, "Mars and Venus", is characteristic of the early Italian Renaissance period.
777 words (approx. 3.1 pages), 3 sources, MLA, $ 27.95
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Abstract
"Mars and Venus" by Sandro Botticelli is a typical example of the art of the Early Italian Renaissance. The writer explains how the painting depicts the relaxed goddess of love, Venus, looking over the sleeping form of Mars, the god of war, showing the power of love to conquer violence and war. It points out that "Mars and Venus" falls neatly within the themes of the Italian Renaissance, which focused on the classical works of both Greek and Roman material. The painting also illustrates Botticelli?s ability to capture muted skin tones and create a fantastic and dreamlike atmosphere.
From the Paper
"Born Alessandro di Mariano Filipepi in 1445 in Florence, Italy, Sandro Botticelli became one of the most noted artists of the Early Italian Renaissance. Botticelli was known for his commissions for major churches in Florence, as well as his famed wall frescos on the Sistine Chapel of the Vatican in Rome. He painted a number of famed religious paintings, including "The Adoration of the Magi", "Madonna of the Pomegranate", "The Cestello Annunciation", as well as a number of paintings that depicted Roman and Greek legends, including "Primavera", "The Birth of Venus", "Mars and Venus" (WebMuseum)."
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"The Toilet of Venus" (1647-51) by Diego Velasquez, 2006.
This paper discusses the gender construction in the painting "The Toilet of Venus" ("The Rokeby Venus") (1647-51) by Diego Velasquez.
2,765 words (approx. 11.1 pages), 9 sources, APA, $ 82.95
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Abstract
This paper explains that Diego Velazquez's "Toilet of Venus", popularly known as "The Rokeby Venus", created a great deal of controversy in the early 20th century. The author points out that, while the artist himself was inspired to create this artwork based on socially acceptable views of women at the time and while it could be featured today in any reputable museum without causing so much as a blink by even the most conservative audience, these perceptions tend to change over time. The paper relates that the gender construction developed by this work of art was deemed sufficiently exploitative that military female activists, known as suffragettes, targeted it for destruction because of its lurid portrayal of the nude female form and its suggestive qualities. The paper includes a picture of the painting and several long quotations, many of which are embedded in the text.
Table of Contents
Review and Discussion
Background and Overview.
Historical Setting and Social Transitions.
Treatment of Gender Construction in Valezquez's "The Rokeby Venus."
Figure 1. Velazquez, "The Rokeby Venus".
Conclusion
From the Paper
"According to Bartley (2003), the Women's Social and Political Union (WSPU) was founded by Emmeline Pankhurst, her daughters and some friends to campaign for votes for women. ... The suffragettes as the WSPU members were called, engaged in a wide range of activities that targeted existing gender disparities, including chaining themselves to railings, writing "Votes for Women" with acid on golf courses that were all-male, disrupted the postal service, verbally and physically attacked members of parliament, put graffiti on government buildings and even church walls and broke windows as well as attacking specific works of art in public galleries and burnt down buildings."
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Vaginal Birth After Cesarean, 2004.
A discussion of the pros and cons of giving birth vaginally after having given birth by Cesarean in a previous delivery.
2,260 words (approx. 9.0 pages), 7 sources, APA, $ 79.95
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Abstract
This paper examines some of the advantages and disadvantages associated with giving birth vaginally after having previously delivered by a Cesarean (VBAC). The paper looks at why doctors try to avoid them, but also gives support from the literature for their safety and success. The paper further discusses contraindications and the major problem which is uterine rupture following prior C-section. It points out that uterine rupture is usually due to Pitocin use, and that VBACs have a 98 percent success rate.
From the Paper
"Vaginal Birth After Cesarean (VBAC) is becoming increasingly popular and the medical profession has tried somewhat to discourage it because of the risk of uterine rupture. While postpartum fever seemed to correlate with uterine rupture at VBAC in a recent study there was no relationship between single or double..."
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Venus in Art, 2004.
This paper explores Venus?s representation in art through the Classical and Renaissance periods and into the 19th century.
2,725 words (approx. 10.9 pages), 1500 sources, APA, $ 81.95
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Abstract
This paper explains that, throughout history, Venus as a representation of love and beauty has been captured in various media, including the visual arts of paintings and sculpture, music, and drama. The author points out that understanding the roles in history and Greek mythology of Venus, an ancient Italian goddess closely associated with fields and gardens and later identified by the Romans, and Aphrodite, the Greek goddess of love, is important for understanding how artists have been able to use her as a representation of love and beauty. The paper relates that artistic representations of Venus have long been associated with female sexuality as embodied in the ?Venus Pudica?, a statue in which Venus stands erect with her face slightly turned away, one hand over her breasts and the other shielding her groin, displaying both modesty and an alluring nature.
Table of Contents
Introduction to Venus and Aphrodite
Venus and her Roles in Classical and Renaissance Art
Venus and Sexuality
Venus, Madonna, Mary Magdalene and the Female Role in Society
Venus in Contemporary Culture
From the Paper
"During the 18th century, the French painter Fran?ois Boucher also captured the charms of Aphrodite, often depicted her in his most notable work ?The Triumph of Venus.? Boucher?s style was considered to be in the Rococo genre. Rococo by nature is light, playful, and can sometimes be a bit frivolous but proved to be a suitable style for depicting the goddess of love and beauty. This painting indeed conveys to the viewer feelings of delight and joy. Another artist who produced works that depicted the birth of Aphrodite was the French painter J A.D. Ingres. Ingres? work is considered more classical in form that Boucher's version and is part of the artistic movement known as Neoclassicism. In addition, Ingres? work draws inspiration from the past as he depicted her as she emerges from the sea."
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Birth Centers, 2002.
This paper examines birth centers, an alternative place to give birth for women who cannot afford or do not wish to have a hospital birth.
2,412 words (approx. 9.6 pages), 11 sources, MLA, $ 73.95
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Abstract
The paper gives a brief history of these types of centers. The writer then brings sources that illustrate the need for alternative birthing options. The paper looks at the history of the development, licensure, accreditation and reimbursement of birth centers and nurse-midwives, and explores the research that gives evidence of the safety, satisfaction to mothers and the economic savings of birth centers.
From the Paper
"The MCA in New York used their own two decades of experience with home birth and the services of these two centers to develop the Childbearing Center to serve women who sought an alternative to the increasing routine medical intervention given during normal births in hospitals (Birth Center 1, 1998, p. 45). Women seeking care at this center were usually well-educated, middle class women with insurance to cover hospital maternity care, and exhibited the same demographics as the previous generation of women who began the childbirth education and breast feeding movement in the United States. These women wanted to make informed decisions about healthcare and wanted more from the birth experience than women had previously."
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Venus of Urbino, 2008.
This paper discusses the painting 'Venus of Urbino' while concentrating on Rina Goffen's work "Sex, Space, and Social History in Titian's Venus of Urbino".
843 words (approx. 3.4 pages), 1 source, MLA, $ 30.95
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Abstract
In this article, the writer notes that Rona Goffen's "Sex, Space, and Social History in Titian's Venus of Urbino" argues that traditional essentialist analysis of Titian's 'Venus of Urbino' have missed key points of textual and historical evidence by concluding that the painting is the equivalent of Renaissance pornography. Instead, the writer points out, Goffen argues, Titian's famous work is actually a marital image that, despite overt sexuality, is nonetheless grounded in the social conventions of marriage during the Renaissance. The writer discusses that drawing on an impressive amount of historical scholarship into the period, Goffen illustrates how our modern conceptions of sexuality and marriage are at odds with those embraced during the Renaissance. The writer maintains that the end result has been a gross misinterpretation of 'Venus of Urbino' that debases the subject of the work without a clear understanding of its social and historical context.
From the Paper
"In other words, the act of sex itself may be biological and omnipresent for all human beings; this is natural. But the attached attitudes, beliefs, and representations of that sexuality is not natural but is instead informed wholly by cultural, social, and historical forces. These forces shape the way that individuals perceive the act of sex and incorporate its presence into their lives.
"Because of this fundamentally cultural basis for attitudes about sexuality, it follows that artistic representations of sexuality will change with time and not necessarily be comprehensible. Goffen argues that any interpretation of the obvious sexuality of Venus of Urbino must be tempered and informed by a clear knowledge of the historical period in which the painting was produced and the prevailing attitudes about sexuality that would have informed the artist and his original audience."
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Developing a Birthing Room at a Hospital, 2007.
An analysis of the benefits of having a well-equipped birthing room in a hospital.
2,252 words (approx. 9.0 pages), 12 sources, MLA, $ 69.95
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Abstract
This paper discusses the increasing preference of women to give birth in birthing rooms. It discusses the benefits of the relaxed and comfortable environment of the birth rooms and how many hospitals are now beginning to build birthing rooms. The paper discusses the necessary amenities that should be available in all birthing rooms for a comfortable, yet safe delivery.
From the Paper
"Recent research has shown that the place of birth has a direct impact on the pace and quality of delivery, and when the woman feels confident and satisfied with the choice that she has made about her place of delivery, then she can be sure that her delivery would be as uncomplicated and natural as she desired it to be. A birthing room in a hospital, with the bare minimum of medical intervention and a homely atmosphere, with provisions for the partner and the family of the woman to take part in the amazing phenomenon of birth would be the ideal option for today's woman having a baby, unless she has had complications during her pregnancy, for which a hospital setting would be a much better option. Having a safe and comfortable and natural delivery is the ideal of every woman on earth, and if a hospital facilitates this, then the woman would be obliged forever to the hospital and the medical team that helped create this setting and put it into action. (Evidence regarding place of birth)"
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Home Birth, 2003.
Defines home birthing.
900 words (approx. 3.6 pages), 9 sources, $ 31.95
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Abstract
Discusses the parents' choice of where their children are born, conditions conducive to home birth, and the advantages of home birth, including privacy and psychological benefits. Examines the disadvantages for at-risk pregnancy and compares home birth to hospital birth.
From the Paper
"For many women, the more they learn about hospital birth the more likely they are to opt for home birth. They prefer the idea of having their deliveries attended, not in a clinical setting surrounded by five or six strangers and ..."
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