| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "BLOOD WEDDING": |
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?Blood Wedding?, 2004.
A review of the play, ?Blood Wedding?, by F.G. Lorca.
706 words (approx. 2.8 pages), 0 sources, MLA, $ 25.95
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Abstract
This paper examines Lorca?s "Blood Wedding", a play that appears, at first, to be based on a fairly straightforward plot of two lovers who defy all social and moral codes of honor by allowing their passion to get the better of them. It looks at how Lorca obviously had quite a different message in mind, given his rather sudden introduction of surreal elements in the last act, and how the symbolism inherent in the young woodcutter as the moon and the Beggar Woman as Death reveals that Lorca was really making a strong comment about the fact that ultimately all human beings meet justice at the hands of Fate.
From the Paper
"Lorca is obviously a master of his craft given the manner in which he artfully sets up his audience to believe that the lovers? fortunes will be dictated by the traditions and demanding laws of honor prevalent in the Spanish society of the time. This is evident in the way he develops the themes of knives, blood, nature and death throughout the play, including his very choice of the title Blood Wedding. In fact, the play begins on an ominous note with the bridegroom?s mother exclaiming, ?Knives, knives./ Cursed be all knives, and the scoundrel who invented them.? (Lorca, p. 34) But perhaps the more ominous note lies in Lorca?s portrayal of the bridegroom?s mother as a woman who has been unable to make peace with the death of her husband and other son in an old family feud. "
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Lorca's "Blood Wedding" and Ibsen's "The Master Builder", 2005.
A comparison and contrast of Federico Garcia Lorca's play "Blood Wedding" and Henrik Ibsen's play "The Master Builder".
1,278 words (approx. 5.1 pages), 2 sources, MLA, $ 43.95
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Abstract
This paper explains that, while on first impression these two plays seem very different, when we focus on the element of tragedy in both plays, we can see the common themes they share.
From the Paper
""Blood Wedding" by Federico Garcia Lorca is one of the most important plays by the Spanish playwright in 1932 and was inspired by a true story. The play revolves around a wedding which leads to betrayal, elopement, bloodshed and tragedy. The few main characters in the play are Bridegroom, Bride, Leonardo and Bridegroom's mother. Henrik Ibsen's The Master Builder was written much earlier in 1892 and deals with complex personality of Harvald Solness, a famous architect who is scared of change. He doesn't let youth prevail for he feels that if younger men enter the field, they would take over his place. He doesn't want to be replaced and is thus paralyzed by his fear of younger generation. "So that is it, is it? Halvard Solness is to see about retiring now! To make room for younger men!" "
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"Blood Wedding" by Federico Garcia Lorca, 2000.
An examination of the play's themes, characters, messages, morality, structure, tragic irony, subjective vs. objective values and perceptions.
2,475 words (approx. 9.9 pages), 4 sources, $ 87.95
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From the Paper
"The purpose of this research is to examine the play Blood Wedding by Federico Garcia Lorca. The plan of the research will be to set forth the thematic pattern of ideas and meanings contained in the work and then to discuss the means by which these ideas are elaborated, with a view toward evaluating why the full effect of the presentation is one of high tragedy and the existence of a major work of world literature.
The themes of Blood Wedding emerge out of a structure of human consciousness that carries the burden of remembered conflict, remembered injury, remembered grief. Grief and loss, indeed, so dominate the Mother's consciousness that there is a tension in her anticipation of her son's wedding. So simple a gesture as giving him his vineyard knife calls to her mind the murders of her husband, long ago, and her other son, more..."
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"Blood of My Blood:The Dilemma of the Italian Americans" by Richard Gambino, 2002.
A look at the themes of Richard Gambino's book on Italian Americans.
1,210 words (approx. 4.8 pages), 3 sources, MLA, $ 41.95
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Abstract
The purpose of this paper is to introduce and discuss the book " Blood of My Blood: The Dilemma of the Italian Americans," by Richard Gambino. Specifically it discusses several important themes in the book in which Gambino attempts to change the publics' perception of Italian-Americans and encourage more empathy with their problems and their culture.
From the Paper
"The book is partly a study of Gambino's own life, growing up in Red Hook, Brooklyn in a "typical" Italian-American family, and partly a study of Italian-Americans as a whole. Gambino speaks of how Italian-Americans tend to cluster together in their own sections of a city, called "Little Italies." Gambino gives us figures and numbers, but more than that, he gives us an intimate look at the family, the culture, and the strong ties to home that each Italian-American carry with them. "At least 85 percent of the total of Italians who immigrated to the United States, and perhaps 90 percent of those who came in the great flood of immigration from 1875 to 1920 were from areas south and east of Rome" (Gambino 3)."
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Wedding Photography, 2004.
An analysis of the changing trends of wedding photography.
5,457 words (approx. 21.8 pages), 18 sources, MLA, $ 133.95
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Abstract
While marriage seems to be exceptionally popular, it is surprising that the primary means of documentation - namely, wedding photography - has received little formal study. To the author's knowledge, no studies exist that indicate the percentage of couples that hire wedding photographers - or in the days before photography, portrait artists. This paper addresses the inception of wedding photography, describes its development and provides a description of recent industry changes including the changes due to digital technology and how other developments have altered the industry.
Outline
Introduction
Inception of Wedding Photography
Traditional Style
Wedding Photojournalism
Black and White Photography
The Artistic Style
Fashion Style
The 35mm Camera Versus the Hasselblad
Digital Photography and the Internet Revolution
The Wedding Album
Conclusion
From the Paper
"Throughout history, the cultural and sacred traditions of marriage have been honored and recorded by most cultures, regardless of religious, political, or geographic differences. It is a relationship that plays an important role in the definition of what a family truly is. Although precise definitions may vary depending on historical era and culture, the concept of marriage typically is a socially sanctioned bond between two people, a bond that unites two people into one ("Marriage", 2004). Given that marriage is universally considered the foundation of family and society, it is not surprising that the documentation of the marriage ceremony and associated celebrations has become an important part of the ritual."
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Wedding Ring, 2005.
This paper discusses that the meaning of the wedding ring.
1,350 words (approx. 5.4 pages), 8 sources, $ 53.95
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Abstract
This paper explains that the wedding ring is one of the most powerful representations of shared meaning in society. The author points out that the cultural discourse surrounding the ring has a long history going back to the ancient Egyptians. The paper relates that, recently, the wedding ring has taken on an entirely new meaning with the legalization of gay and lesbian marriage.
From the Paper
"It is small, weighs almost nothing, and is easily misplaced, but the wedding ring carries enormous social weight. The wedding ring is one of the most powerful symbols in our society. Its meaning is instantly recognized, which illustrates that "culture is about shared meanings" (Hall, 1997, p. 161). It signifies that the person who wears it is not available to other people, and that he or she is committed to a particular person. The wedding ring at one time meant the person is heterosexual. Recently, the wedding ring took on an entirely new meaning with the legalization of gay and lesbian marriage."
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Wedding Plans, 2002.
How to plan a budget for a wedding.
650 words (approx. 2.6 pages), 2 sources, $ 26.95
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Abstract
This paper discusses the important aspects of a wedding plan and budget. A wedding plan should be prepared well ahead of the special day and it should include every important detail such as the cost, guest list and location. If a couple is on a budget, it is important to decide on the expenses and how the cost would be divided between the bride and the groom.
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"The Wedding Band", 2002.
A look at the history and times as implied in the book "The Wedding Band" by Alice Childress.
1,400 words (approx. 5.6 pages), 2 sources, $ 53.95
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Abstract
This paper will discuss the historical era and the book "Wedding Band" by Alice Childress. The historical reflections on the book will be made as well as how the book reflected history in South Carolina, these two will also be compared.
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Lute McNeil in ?The Wedding?, 2002.
The paper examines the character of Lute McNeil in the novel "The Wedding" by Dorothy West.
1,010 words (approx. 4.0 pages), 2 sources, MLA, $ 35.95
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Abstract
The paper focuses on Lute McNeil?s character in the novel "The Wedding" by Dorothy West . It shows that the novel that appeared in 1995 - when the author herself was 87 years old - examines psychological and emotional concerns that emerge when interracial marriages take place. The paper briefly discusses the plot and then studies the various roles of Lute McNeil in the novel.
From the Paper
"He comes into Shelby?s life to serve an important purpose. He enables her to see the truth by delving deeper into the subject of race and interracial marriages. Now we must make it clear that it not exactly Lute who makes her wiser but it is in him that she is able to see that vices can exist in men of any race and thus it was unwise to harbor the notion that black men were better than white in any sense. Through Lute, she realizes that race is no criterion for determining who one should marry, the decision should be based on intrinsic values of love and faithfulness."
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"The Wedding", 2002.
Discussion of Dorothy West's novel "The Wedding" and its portrayal of race and class during the Harlem Renaissance.
1,900 words (approx. 7.6 pages), 1 source, $ 71.95
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Abstract
This essay considers how Dorothy West's novel, "The Wedding," portrays the conflicts of race and class during the 1950s, a time that has been hailed as the Harlem Renaissance. By contradicting the revival of African-American identity, West weaves a complex history of generational identities and relations that reveal the collusion of race and class, where wealth and respect are internalized as synonymous with whiteness.
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My Big Fat Greek Wedding, 2002.
A review of the film "My Big Fat Greek Wedding" directed by Joel Zwick, 2001.
1,655 words (approx. 6.6 pages), 0 sources, $ 53.95
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Abstract
A very personal and positive review of the movie by the writer who claims to have seen it more than once. It discusses the plot and how it is more than a simple ethnic wedding, but teaches one to laugh at one's own mistakes and faults. The movie pushes ethnic tolerance in a funny and charming way and this paper examines how this is done.
From the Paper
"My favorite thing about My Big Fat Greek Wedding was its lack of pretense. There could have been a lot more depth to this movie and its underlying storylines of cultural separatism, the pressure to conform, the will to improve one's lot in life, and final acceptance of self. However, in the end, My Big Fat Greek Wedding is exactly what it should be: a funny story about a Greek American girl, from a traditional Greek family, getting married."
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The Wedding Ceremony, 2002.
A comparison of the differences in culture between the early modern world and the 19th century with an emphasis on the wedding ceremony.
1,400 words (approx. 5.6 pages), 6 sources, $ 53.95
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Abstract
This paper investigates the comparison between the "humanities", such as art, music, and tradition, in the early modern world and the 19th century periods. The example of a wedding is used in order to provide a focus to this discussion.
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Ghosts in "The Member of the Wedding", 2002.
An analysis of how the theme of ghosts is included in Carson McCullers's "The Member of the Wedding".
2,476 words (approx. 9.9 pages), 2 sources, MLA, $ 75.95
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Abstract
This paper analyzes the role of ghosts in the plot, themes, and language of Carson McCullers's novel, "The Member of the Wedding." Using Judith Butler's theories on kinship and queer relationality in "Antigone's Claim," the paper argues that ghosts help the novel to present an expanded vision of the field of human love.
From the Paper
Carson McCullers? The Member of the Wedding is, essentially, the story of a twelve-yeard-old girl named Frankie Addams searching for love and connection in a lonely world. Frankie?s world is frightening, even nightmarish at times, and it is filled with the ghosts that inhabit her imagination and described in the textually ghostly terms of the unknown, the secret, and the unnameable. The figure of the ?ghost? ? as imagined by Frankie and as a primary descriptive device in McCullers? prose ? quite literally haunts the novel, complicating its conceptions of human relationality and connection. The ghosts enable the novel to posit a tenuous definition of what it is to be a living human being; every living figure in the novel is not only deeply aware of the presence of non-living figures but is in constant danger of falling out of the realm of the living, of becoming a ghost, and every relationship between the living is negotiated over the presence of the dead. Ultimately, the novel?s ? and its characters ? ghosts allow for the at once terrifying and redemptive possibility of relationships and identities that transgress not only normative societal boundaries but the boundaries between the living and the dead.
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"The Wedding", 2002.
An analysis of the theme of race relationships in the novel "The Wedding" by Dorothy West.
1,150 words (approx. 4.6 pages), 1 source, $ 44.95
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Abstract
This book report is on Dorothy West's, "The Wedding". The paper discusses the book's focus on the complexities of race relationships and perceptions of people and society on the basis of skin tone. It concludes that the novel successfully guides us to a greater understanding of the idea that it is what it inside that makes the person, not their skin.
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"The Member of the Wedding", 2005.
An analysis of the symbolic use of music in "The Member of the Wedding" by Carson McCullers.
1,500 words (approx. 6.0 pages), 3 sources, MLA, $ 49.95
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Abstract
Carson McCullers' classic novel, "The Member of the Wedding', tells the story of a lonely 12 year old girl, Frankie Adams, suffering from typical adolescence crisis. In the course of being disconnected from the world, she reveals her frustration by not being a member of anything. This paper examines how Carson McCullers throughout the novella uses music to signify Frankie's incomplete development. It looks at how the many versions of music in the novella indicate Frankie's special burden of childhood, ultimately revealing her position of not being ready to become a teenager.
From the Paper
"One of the most important examples of how McCullers uses music to signify Frankie's incomplete development is illustrated through the jazz horn in part one of the novella. When Frankie is visiting John Henry, she overhears someone playing blues on a horn. Her first notion about the tune takes her back to the spring, when all kinds of things began to hurt her. It was known as the season that troubled her: "it was like the telling of that long season of trouble" thought Frankie (44). The sadness of the tune reminds her of her disturbed childhood days. She is able to relate to the grieving tune. Then in a sudden moment the horn plays a wild jazz and Frankie is swept away by the off beat rhythm. "
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