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Analysis of Bertolt Brecht's "Mother Courage and Her Children", 2002.
This paper provides a discussion of Bertolt Brecht?s "Mother Courage and Her Children", focusing in particular on adversity, courage and survival.
1,320 words (approx. 5.3 pages), 1 source, MLA, $ 44.95
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Abstract
An analysis of Bertolt Brecht's "Mother Courage and Her Children", this book report delves into the themes of motherly love, sacrifice, survival, courage and heroism. A close analysis of the book, the relations between the characters, and the messages that author Brecht is sending the reader, this report in particular emphasizes the strength and admirable qualities of the main protagonists.
From the Paper
"Nothing tests our mettle better than adversity, and there is no adversity greater and more trying than war. This appears to underlie Bertolt Brecht?s Mother Courage and Her Children, which is sharply and precisely set against the Thirty Years? War in certain parts of Sweden in 1624 and thereafter. Mother Courage?s valor and grit in nurturing her children and sustaining them by keeping her selling business hefty or surviving have been told and re-told, but the undertones never wear out and continue to reverberate how this brave mother- woman- person?s instinct to survive leads her to be more than herself in each stroke of tragedy. I view Brecht as proposing that the survival instinct will move a person to go quite far and do quite everything ? and anything in any way -- for those he or she loves and for himself or herself, or perish. I view Brecht?s characters Mother Courage and son Eilif as standing firmly for this life as if it is all there is, and with Swiss Cheese and Kattrin doing something else out-of-time and out-of-this-world but more heroic and more memorable."
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Bertolt Brecht's "Mother Courage and her Children", 2002.
Brecht's play which looks at the horrors of war and its effect on children.
1,658 words (approx. 6.6 pages), 5 sources, MLA, $ 53.95
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Abstract
This paper focuses on the main character of the play, "Mother Courage," and shows how the play has generated tremendous controversy among critics. It shows that although Mother Courage demonstrates insight in her perceptive comments about the horrible impact of war on the lives of ordinary people, she remains committed to the war that has taken away her loved ones. It shows how she is at once a heroine and a despicable person, she is a contradictory character that elicits sympathy and admiration, as well as anger and frustration from the audience.
From the Paper
"In spite of Mother Courage?s alertness and good intentions, she is doomed to fail in her fight to determine her fate in war because of her contradictory characteristics: She is both wise and gullible, insightful and blind, perceptive and insensitive. Her tainted character and mercenary intentions undercut her goodness and perceptiveness (Morley 55). Unlike the other characters, Mother Courage possesses the courage to strip away the layers of pomp and propaganda to get to the truth. Although the generals and colonels adulate the glory of war, Mother Courage reveals the mercenary motivations for waging war: "To go by what the big shots say, they?re waging war for almighty God? they?re waging it for what they can get. Else little folk like me wouldn?t be in it at all" (Brecht 48; 3). Yet this moment of insight is marred by her moment of blindness and insensitivity (Speirs 97). In the scene when her daughter, Kattrin, returns wounded by the soldiers, Mother Courage curses the war for the fate inflicted on her daughter: "It?s a historic moment to me when they hit my daughter over the eye. She?ll never get a husband? Curse the war" (Brecht 81; 6). In the next scene at the height of her career, when she is sitting on the wagon pulled by the injured Kattrin, Mother Courage praises the war: "I won?t let you spoil my war for me? War feeds its people better" (Brecht 82; 7)."
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"Mother Courage" (Bertolt Brecht), 1992.
Examines the protagonist's role as a heroine and as a symbol of modern human beings' struggle to survive.
1,800 words (approx. 7.2 pages), 9 sources, $ 63.95
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From the Paper
""MOTHER COURAGE"
The playwright Bertolt Brecht described the title character of his play "Mother Courage" as "a negative, villainous character," yet she emerges for most audiences as a heroine, one who is forced into profiteering and cowardice by war. It is true that Mother Courage is an itinerant merchant who lives off the troops of both sides during the Thirty Years' War. She lives by her wits to make sure that her family remains intact. Her wagon of goods is a symbol of her family's survival, as well as the literal means by which they exist. It is the THESIS of this paper that Mother Courage fits both Brecht's description and her role as a heroine: she is a realist who, because she lives off war, is partially responsible for the death of her family."
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"Robinson Crusoe" and "Mother Courage and Her Children", 2002.
This paper compares the novels "Robinson Crusoe" by Daniel Defoe and "Mother Courage and her Children" by Bertolt Brecht.
1,195 words (approx. 4.8 pages), 2 sources, MLA, $ 40.95
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Abstract
A comparison of Daniel Defoe's "Robinson Crusoe" and Bertolt Brecht's "Mother Courage and her Children". In identifying similarities and differences, the author contrasts numerous topics including-- the role of supporting characters, political inclination, religion, historical tendencies and class structure in both novels.
From the Paper
"Often, a novel ages best as it serves to reveal facts about the historical time and place from which it originates. Particularly, periods that predate electronic recording methods such as photography, video and audio are most appealingly captured by works of fiction. Though characters and events may be fabricated, their respective interactions and occurrences are steeped in a world of the past, now only visible through narrative. While Daniel Defoe?s colorful and inspiring Robinson Crusoe bears little resemblance to Bertolt Brecht?s dark and despairing Mother Courage and Her Children, they are like-minded in their intent. And further, their intents are similarly influenced by the direct pressure of their works? historical contexts."
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Bertolt Brecht's "Life of Galileo", 2004.
An examination of the religious and scientific conflicts in Bertolt Brecht's "Life of Galileo".
1,745 words (approx. 7.0 pages), 1 source, MLA, $ 56.95
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Abstract
This paper examines how in his play, "Life of Galileo", Bertolt Brecht describes the ordeal the famous scientist was forced to undergo as he juggled his personal values and views against those of the mainstream society in which he lived. The paper provides a scene-by-scene examination of Brecht's original play to identify these religious and scientific conflicts, as well as Brecht's treatment of the scientist's response to these conditions.
Outline:
Review and Discussion
Conclusion
From the Paper
"Scene I. Here Galileo introduces his concept of a new age of enlightened learning, where even "fishwives" will enthusiastically attend school and study advanced topics such as astronomy. Galileo states he first became aware that the Old Guard's days were numbered came when, as a young man in Siena, he watched "a group of building workers argue for five minutes, then abandon a thousand-year old method of shifting granite blocks in favour of a new and more efficient arrangement of the ropes. Then and there I knew, the old days are over and this is a new time" (7)."
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Bertolt Brecht, 2004.
An analysis of the literary style of Bertolt Brecht and review of his play, "Baal".
1,000 words (approx. 4.0 pages), 10 sources, MLA, $ 35.95
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Abstract
This paper discusses how Bertolt Brecht is justifiably famous as one of the greatest political dramatists and whose self-contradictory Marxist didactics have made him the subject of a love-hate relationship on both sides of the Marxist divide. It explores how a detailed scrutiny of his earliest works betrays a startling cognizance of his future developments and how, despite the fact that much of his later work was a direct response to world events, one finds that their nature, and, to some degree, the events that inspired them, can be found foretold in the umbra of his origins. In particular, it looks at how the metaphors and mythologies of Brecht?s first play, "Baal", both predict, foreshadow, and, to some degree, determine the political atmosphere and ramifications of his future life and body of work.
From the Paper
"BAAL has also been heralded by many as a nigh-prophetic work in terms of its discussion of the logical extensions of decadence, of revolution, and of the artistic individual within the proletariat mass. This play addresses issues that would not be entirely raised until after the 2nd World War and not fully understood until well into the Cold Wars. Some insight into the way in which Brecht?s earliest work addresses issues budding at the time of his death can be seen by comparing the original BAAL to a latter-day reworking of the play called The Dream Engine (a radical anarchist piece released at Amherst College in 1969 and heralded by some as the first true rock opera)."
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Antonin Artaud and Bertolt Brecht, 2005.
This paper serves as an analysis of the different forms and purposes of theater offered by Antonin Artaud and Bertolt Brecht.
1,350 words (approx. 5.4 pages), 5 sources, APA, $ 47.95
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Abstract
In this essay, the writer analyzes the different forms and purposes of theater offered by Antonin Artaud and Bertolt Brecht in their works and philosophies. The writer discusses the purpose and goals of the two playwrights and their impact on audiences.
From the Paper
"The theater of Antonin Artaud and Bertolt Brecht is radically different with respect to the purpose and goals of the respective playwrights with respect to the impact of their works on audiences and society. If Artaud's theater of cruelty and Brecht's epic theater are distinct then so are their goals for audience impact. Artaud hoped by showing images of man's cruelty to man, audience members would experience a form of delirium whereby they would experience trances and inspiration leading to personal change ... "
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"The Monster" by Bertolt Brecht, 2005.
This paper examines the short story "The Monster" by Bertolt Brecht.
675 words (approx. 2.7 pages), 2 sources, $ 26.95
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Abstract
This paper explains that "The Monster" by Bertolt Brecht tells an important story about human nature through the use of elements such as plot and relationships. The author points out that the plot is important as the impact of the story is heavily dependent upon its structure and, in particular, upon its conclusion. The paper relates that, in a similar way, it is the relationships between the characters in the story that, reinforced by plot, convey the story's theme about human nature.
From the Paper
"The short story "The Monster" tells an important story about human nature through the use of elements such as plot and relationships. As this answer shows, plot is important as the impact of the story is heavily dependent upon its structure and, in particular, upon its conclusion. In a similar way, it is the relationships between the characters in the story that, reinforced by plot, convey the story's theme about human nature. In outline, the story tells of an event at a Russian film studio where a film is being made of a horrible event in Russia's past in which a bloodthirsty governor - the "monster" of the story's title - was responsible for the deaths of many Russian Jews."
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Female Characters in Literature, 2007.
A comparison and contrast of the female characters in Henrik Ibsen's "A Doll House" and Bertolt Brecht's "Mother Courage and her Children".
1,654 words (approx. 6.6 pages), 4 sources, MLA, $ 53.95
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Abstract
The paper relates that "A Doll House" and "Mother Courage and her Children" both have strong-minded women with three children as leading characters. The paper identifies the stark differences in these characters and discusses how Ibsen's Nora is more literal while Brecht's "Mother Courage" is more symbolical and allegorical. The paper portrays how both plays represent extremes of female characterization; Nora develops more fully into her own self, into an independent personality while "Mother Courage" pulls further away from any sense of authentic self.
Outline:
Introduction
Nora's Character
"Mother Courage's" Character
"Mother Courage's" reaction to Kattrin's death
Conclusion
From the Paper
"Henrik Ibsen's A Doll's House (1789), is a play about a young woman named Nora Helmer, a mother of three small children, who is married to an overbearing bank president, Torvald. Nora realizes during the play that she, because of society's repressions, solely domestic expectations of women, has never really grown up into an independent adult human being. Ibsen stated when asked about his reason for writing this particular play: "A woman cannot be herself in contemporary society, it is an exclusively male society with laws drafted by men, and with counsel and judges who judge feminine conduct from the male point of view" ("A Doll's House" Wikipedia)."
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"Mother to Mother", 2004.
An examination of the book, "Mother to Mother", by Sindiwe Magona.
1,057 words (approx. 4.2 pages), 4 sources, MLA, $ 37.95
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Abstract
This paper provides a critical analysis of the book, "Mother to Mother", by Sindiwe Magona. The book, "Mother to Mother", is a touching and elegant story of race relations and misunderstanding in South Africa. The paper explains how the author bases her book on a true incident, but looks at it from the eyes of a mother who loves her son but recognizes his inadequacies. It states that the book is a devastating look at apartheid, violence, and anger in a society long split between black and white.
From the Paper
"This emotional book looks at both sides of a young white woman's murder in a black township in South Africa. The book begins with the haunting line "My son killed your daughter" (Magona 1), and that line grabs the reader from the beginning, and makes them want to learn more about the two families and their responsibilities to themselves, and the their community. The book covers only two days chronologically, but the author skillfully uses flashbacks to look back on her life and the life of her son, to illustrate the hatred and violence at work in South African society that created such a "monster" as her son and the other killers. The mother is not unaware that her child has turned into something she cannot control, but she is also aware that the lifestyle of poor blacks in a dominant white society has been the spark that created the fire under the murderers. Coming from a life without hope, how can they see anything else for themselves?"
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Anti-War Literature, 2005.
This paper compares two anti-war authors: German playwright Bertolt Brecht in "Mother Courage and Her Children" and English poet Wilfred Owen's "Anthem for Doomed Youth".
1,100 words (approx. 4.4 pages), 3 sources, MLA, $ 38.95
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Abstract
This paper explains that German playwright Bertolt Brecht and English poet Wilfred Owen were both deeply personally impacted by war and both felt the need to express their anti-war sentiments and beliefs in their work. The author points out that, in Owen's anti-war poetry, war has destroyed an age of innocence; he express frustration about (1) innocent soldiers hardened by war and eventually killed in many cases, (2) the attitudes of civilians back home and (3) the way many simply ignored the tragic nightmare of the war. The paper relates that Brecht's perspective on war is similar to Owen's in that he is very anti-war; however, his perspective differs because he does not view civilians as ignorant but rather as interested in prolonging the war for their profit.
From the Paper
"Owen's poem appears to be inspired by the many deaths of soldiers he saw each day in the trenches of war. He starts the poem off, describing innocent young men being sent to war like cattle are sent to slaughter. He abandons his original views of war as heroic and glorious, and describes it as one large funeral where young soldiers are not given a proper goodbye. Instead of the typical church bells that are sounded when someone dies under ordinary circumstances, there are only the sounds of gunshots when a soldier dies, he writes."
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Social and Political Criticism in Drama, 1993.
An analysis of social and political criticism in the plays, "A Doll's House" by Henrik Ibsen, "The Cherry Orchard" by Anton Chekhov, "Los Vendidos" by Luis Valdez and "Mother Courage" by Bertolt Brecht.
1,125 words (approx. 4.5 pages), 4 sources, $ 39.95
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From the Paper
"Dramatists often criticize society through the characters and situations they depict on stage. When they do so, they may approach the subject by looking through the world in which they live to what they believe the world should be. They may be writing at a turning point, an era in which social change is in the offing but which is being resisted by the dominant order. They may merely be commenting on aspects of the human condition which persist into their age and which they see as detrimental to society. Whatever their particular situation may be, playwrights criticize society by having characters who represent some social class or ideological position and by using symbolism as well as direct statement to make the audience see something they believe to be wrong. The characters need not themselves have the same realization or understanding of what is wrong in society, and..."
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Politics and Brecht in "The Threepenny Opera", 2002.
A look at how communism and politics are reflected in the opera, "The Threepenny Opera" by Bertolt Brecht.
725 words (approx. 2.9 pages), 0 sources, $ 25.95
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Abstract
The paper discusses Bertolt Brecht?s political opera, "The Threepenny Opera" which was first performed in 1928. The paper shows that during this period of time, three distinct and separate political and economical philosophies were on a collision course in Germany: fascism, socialism and communism. It shows that while Brecht was struggling to write this opera, Hitler?s first attempt attempt to grab control of the government occurred in 1923 and communism was becoming popular. The paper discusses how communism is reflected in two ways: Brecht mocks both class differences and belief in God.
From the Paper
"Brecht reflects elements of both socialism and communism in some points in the play, such as when Peachum is giving out licenses to beg. That the needs of the poor could be so easily corrupted seems to be a condemnation of a government that would allow people to survive by begging. Peachum uses Filch?s need to be allowed to bed as a platform to criticize society?s apathy toward the poor. He describes five types of human misery. Each example is a beggar harmed by something the middle and upper classes view as progress in one way or another: one is in an auto accident while another is wounded in war."
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Brecht?s 'The Good Woman of Setzuan', 2000.
Bertolt Brecht?s 'The Good Woman of Setzuan' portrays the struggle to be good while living in a corrupt society and the delicate balance needed to survive within it.
2,085 words (approx. 8.3 pages), 1 source, MLA, $ 65.95
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Abstract
An analysis of Bertolt Brecht?s play 'The Good Woman of Setzuan'. Throughout the play Shen Te juggles her promise to be good with the necessity to be bad. The author finds through the protagonist and the creation of her doppelganger, 'The Good Woman of Setzuan' portrays the struggle to be good while living in a corrupt society, and the delicate balance needed to survive within it as seen in Shen Te's struggle as a good woman leading the life of a prostitute.
From the Paper
"Shen Te, a good woman, a prostitute, and the only one willing to take three gods into her home is rewarded with 1000 silver dollars, with which she is to ?above all be good?(712). This mission tears her in two. Shen Te and her doppelganger Shui Ta are in a delicate balance of power. Shen Te needs to keep her promise to the gods by being a good woman, helping those around her in need. Because Shen Te is too good, those she helps threaten to ruin her own survival. To remain a good woman Shen Te must create someone to fight for her. Like parents, both Shui Ta and Shen Te make up the whole of one unit. Shen Te is a nurturing, sweet mother-type while Shui Ta becomes a strict, disciplinarian, father-type. Through the protagonist and the creation of her doppelganger, Brecht?s The Good Woman of Setzuan portrays the struggle to be good while living in a corrupt society, and the delicate balance needed to survive within it."
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Stephen Crane?s ?The Red Badge of Courage?, 2004.
This paper discusses Stephen Crane?s ?The Red Badge of Courage?, the story of the life of one Union soldier during the Civil War.
1,005 words (approx. 4.0 pages), 2 sources, APA, $ 35.95
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Abstract
This paper explains that the reader of Stephen Crane?s ?The Red Badge of Courage?, initially notes the theme of courage in the opening scene, when the reader sees Henry regarding the warriors he learned about in school as personifications of courage. The author points out that, throughout the novel, the ability of Crane to describe courage in real, raw terms is particularly striking, especially in the way it evokes the understanding and sympathy of the reader. The paper stresses that, in addition to the strength of Crane?s language in evoking the feeling of courage, the author?s ability to describe the conditions of war with striking realism only serves to underscore the depth of courage it requires from its combatants.
From the Paper
"In addition to Henry?s courage in the face of fear (for he most definitely is afraid after his first day of fighting), there are several other characters in the novel that exhibit courage in different ways. For example, Hasbrouck is not only the personification of bravery in his ability to ?lead his men into battle,? but also in his care of his men. In addition, Henry?s friend, Jim, is almost stoic in his ability to face the reality (and high probability) of death on the battlefield. Even Henry?s mother shows (perhaps the most difficult kind of courage), when she sends Henry to war in spite of her fear, and places her faith in the will of ?the Lord"."
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