| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "BELOVED": |
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"Beloved" and Conscience, 2004.
This paper reviews Toni Morrison?s ?Beloved?, focusing on the character Beloved.
1,550 words (approx. 6.2 pages), 0 sources, $ 50.95
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Abstract
This paper explains that Toni Morrison?s ?Beloved? is a history, memory, and the terrible shadow of the character Sethe's past. The author believes that Beloved is the physical manifestation of Sethe's guilty conscience because Sethe?s desire to protect her children from the horrors of slavery overpowered her humanity; she brutally murdered her baby and buried it under the headstone, "Beloved". The paper relates that Beloved disappears when Sethe is reconnected to the community because she can finally accept her guilt and reattach herself to her conscience, the part of her that Beloved embodied.
From the Paper
"Sethe is relieved, because for her, ?the future was a matter of keeping the past at bay" (52). However, Denver is upset, because Paul D has driven away her only friend, and has begun to come between her and her mother. As a peace offering, Paul D takes Sethe and Denver a carnival, which makes Denver realize that a life with a man around instead of a ghost might not be so bad. But Sethe?s consciences refuses to be banished so easily, and just as things are looking up, it returns to disrupt things, this time in the form of Beloved."
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Toni Morrison's "Beloved", 2004.
An examination of Toni Morrison's "Beloved" as a representation of slavery.
1,364 words (approx. 5.5 pages), 0 sources, $ 45.95
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Abstract
This paper focuses on the symbolism of the character, Beloved, in the book of the same name by Toni Morrison and looks at how slavery's legacy is represented through Beloved's interactions with Sethe and Paul D. Examples that are discussed include Beloved's affect on Paul D's "rusted tin can" heart and how this is representative of slavery's legacy and Beloved's progressing physical state throughout the novel and how it is symbolic of Sethe's ability to cope with her past.
From the Paper
"As Sethe delves further into her past, Beloved?s control over her grows stronger. The relationship becomes more parasitic, with Sethe constantly trying to cope with her horrific past and the gruesome crime she committed. She repeatedly tries to justify her actions to Beloved, like when she says, ?I?ll explain to her, even though I don?t have to. Why I did it. How if I hadn?t killed her she would have died and that is something that I could not bear to happen to her? (200). It seems as if the presence of Beloved forces Sethe to fully disclose her past and, consequently, Sethe learns how to accept it."
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Toni Morrison's "Beloved", 2005.
This paper analyzes the theme of the past in Toni Morrison's "Beloved".
2,025 words (approx. 8.1 pages), 1 source, $ 80.95
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Abstract
This paper discusses the threads of image, Beloved's character, slave life, elements of the past and the culmination of African American identity, which all point to the past life that Sethe has lived and now seeks to make peace with in novel "Beloved" by Toni Morrison. The author points out that, eventually, Sethe receives helps from her neighbors to remove Beloved from her life. The paper relates that Sethe is not an evil woman but reflects the circumstances and injustice that slavery forced upon her.
From the Paper
"This literary analysis reveals the differing aspects of African American life within Beloved by Toni Morrison. The idioms of image, Beloved's character, slave life, elements of the past, and the culmination of African American identity within the racist South of United States. By realizing the different attributes of life for the African American in Morrison's novel, one can realize the terrible past that has haunted African Americans due to their lives as slaves in the 19th century. When Sethe has murdered her oldest daughter when slave owners seek to take her four children away, one can learn of the painful past that African Americans possess. Sethe cannot be seen as a wrongful or immoral woman, due to the horrors she has seen while being a slave."
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"Beloved" by Toni Morrison, 2006.
This paper reviews and analyzes Toni Morrison's novel "Beloved" while focusing on the author's depiction of African culture through ancient folklore and superstition.
969 words (approx. 3.9 pages), 6 sources, MLA, $ 34.95
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Abstract
The writer of this paper examines the plot and main characters of Sethe and Beloved in Morrison's novel. This paper details Morrison's unique manner of incorporating mythology and superstition in this particular novel, while also discussing its significance in ancient African culture. Morrison's novel illustrates the horrors of slavery as seen through the eyes of Sethe, a slave struggling to gain her freedom and Beloved, a ghost wracked by the pain of slavery and death. This paper also delves into African views regarding death and the afterlife by focusing on Beloved's spirit which is connected to slavery as a collective whole. The writer contends that Morrison's use of mythical images unites African heritage and culture resulting in a novel that his both authentic and believable.
From the Paper
"In connection with Sethe and her journey, we discover that the promise of freedom is often prettier than the reality of it. Sethe was soon found out by Schoolteacher and rather than go back with him to Sweet Home, Sethe decides that jail time would be a better choice for her and her small baby. Here we see the devastation of slavery portrayed in Sethe's short response to Paul D when she tells him, "Any life but that one. I went to jail instead." Here we discover an interesting aspect about Sethe and he search for freedom--even though the dream did not turn out as she once intended, it was still better than the life she once knew. Beloved explores many different realms, the most predominant being that of the supernatural. Morrison successfully captures how the African culture readily accepted the notion of a ghost or premonition, thus articulating the mythological presence in African culture."
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Lessons From "Beloved", 2008.
An analysis of the universal lessons that can be learned from Toni Morrison's "Beloved".
949 words (approx. 3.8 pages), 1 source, MLA, $ 33.95
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Abstract
This paper discusses how in Toni Morrison's novel "Beloved", the ghost character of Beloved relays not only the horrors of slavery but also many universal lessons - specifically that it is important to let go of the past and focus on the present and future, that acceptance without thought can be dangerous, that short-term gain leads to long term consequences and, finally, that revenge can be very real. The paper also looks at how these lessons are usually imposed upon the character of Sethe, and how it is ironic that not only is she the victim of the ghost, but she is also the ghost's creator.
From the Paper
"Another lesson developed through Sethe's ignorance is the problem of acceptance based solely on emotion or greed and not on thought or reason. When the strange girl Beloved appears, Sethe accepts the girl into her house without question, despite the strange circumstances. Denver also refuses to think it through logically and acts simply out of emotion. Paul D is suspicious, having seen Beloved "pick up the rocker with one hand" (Morrison 56). But Sethe outright tells him "[you] didn't [see that]" (Morrison 56), and Denver lies about seeing it. Both Sethe and Denver side with the ghost when they know far more about the credibility of Paul D than they do Beloved. A universal parallel, one using the issues in the novel, would be the early acceptance of slavery by the African community. For money and safety the Africans on the West Coast began selling men from rival tribes into slavery, without the slightest hesitation to think about the consequences."
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?Phaedo? and ?Beloved?, 2002.
An examination of the similarities and differences between Plato?s "Phaedo", and Toni Morrison?s "Beloved".
1,371 words (approx. 5.5 pages), 2 sources, MLA, $ 45.95
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Abstract
The paper shows that the mind in terms of memory and knowledge, the body and love are all themes that are tied closely together in both "Phaedo", by Plato, and "Beloved", by Toni Morrison. Both works focus intensely upon these themes and demonstrate that the corporeal life and existence are separated from our minds and thus our souls. The paper examines how love and that which we know (and forget) are independent of our corporeal selves ? as is demonstrated in both works though an emphasis on discussing the supernatural. The ghosts in "Beloved" and the sentient souls in "Phaedo" both represent the separation of the contents of the mind and heart from their physical containers. The paper shows, however, that Plato?s discussion is one of academics. His intent was not to soothe, but to instruct. Morrison, on the other hand, takes a very different approach, one of spirituality as being separate from intellectuality. The paper concludes that the effect is that while both authors say the same thing, they do so in such a different manner as to make the same theme in both works to be quite different.
From the Paper
"Toni Morrison?s Beloved, centers itself, brilliantly, upon this very dialogue ? what is the truth? What is it that we know, what is our memory? What is death? The idea of death and memory, thus the loss of that which makes a person once their soul has departed ? a concept that is reinforced at the very beginning of the story when Baby Suggs talks of her sorrow that she can only remember ?scraps? of her eight children. Here, death is understood, as in Phaedo, as that which separates the person, that which we remember, from their bodies. Memories provide a way for the soul to ?revisit? the living. They change how we view the now. As the memories of a person are separate from that person, then they, in effect, like the soul, are immortal."
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Toni Morrison?s "Beloved", 2005.
This paper discusses one of the predominant themes in Toni Morrison's novel "Beloved" - self-discovery.
1,250 words (approx. 5.0 pages), 4 sources, APA, $ 42.95
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Abstract
This paper explains that, to develop a sense of self, the characters in Toni Morrison's novel "Beloved" must discover who they are amidst the tumultuous experience of being a slave. The author points out that this recognition of the past is essential to some kind of closure; in order to heal, these characters must face certain aspects of their past, which can be painful. The paper concludes that another aspect of self-discovery is remembering the past; "Beloved" is an account of slavery, which helps the reader understand the importance of memory and how it contributes to one's sense of self.
From the Paper
"It is a history that should not be forgotten because of what it means to every human being. More importantly, it should not be forgotten because, as Morrison demonstrates, it is essential for self-discovery. As Simpson puts it, "By allowing the truth about the past to resurface, Sethe and Toni Morrison bring about the possibility for healing. Morrison creates a parable for twentieth-century readers and serves as a medium so that we will not 'pass' on the experience." The novel indicates the importance of history in many ways."
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Beloved: Supernatural Occurrences., 2002.
A look at Toni Morrison's Pulitzer Prize winning novel, "Beloved".
1,400 words (approx. 5.6 pages), 1 source, $ 53.95
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Abstract
This six-page undergraduate paper discusses the supernatural occurrences in Toni Morrison's Pulitzer Prize winning novel, Beloved, and analyzes her use of ghosts, the appearance of Beloved, and the exorcism scene at the end of the book.
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Toni Morrison's "Beloved" and "The Epic of Gilgamesh", 2008.
Compares Toni Morrison's "Beloved" and "The Epic of Gilgamesh", translated by N. K. Sandars, as heroic literature.
1,450 words (approx. 5.8 pages), 4 sources, MLA, $ 48.95
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Abstract
This paper introduces the heroic elements of the plots of Toni Morrison's "Beloved" and "The Epic of Gilgamesh", translated by N. K. Sandars. The writer explains that "The Epic of Gilgamesh", considered to be the first tale of a mortal hero, contains themes similar to biblical stories just as Morrison uses similarities of the biblical Cain to shape her main protagonist Sethe. The writer also explains that Morrison tries to break stereotypes through Sethe; while, Sanders in the "Epic" attempts to shatter the image of the vulnerability of male heroes. Both stories can be treated as literary landmarks because these characters defy the convention of a typical hero.
Table of Contents:
The Gilgamesh Epic
The Tale of Beloved
The Ideas of a Hero/Heroine
From the Paper
"Morrison also shows indebtedness to African American and African traditions and mythologies. Toni Morrison in her book has given a new style to fiction and the whole work is very imaginative and thought provoking. The typical master slave image of a strong man or a woman with a strong and healthy body but with a very servile attitude was prevalent but came the decade of 1910s that the African Americans started rebelling against the stereotypes and typical gender and racial roles associated with them. Toni used flight of the imagination and mythic elements along with realistic portrayal of racial, gender and class conflict."
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?Beloved?, 2002.
A review of Toni Morrison?s novel ?Beloved? with an emphasis on the mother-daughter bond.
1,045 words (approx. 4.2 pages), 1 source, MLA, $ 36.95
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Abstract
This paper examines Toni Morrison?s novel ?Beloved?, about the terrible consequences that ensure when the mother-daughter bond is fractured by the horrible and inhumane forces of slavery. It discusses how the main characters Sethe and Beloved are deeply joined by the closeness of the mother-daughter relationship, as well as the terrible and violent losses and betrayals that they endure over the course of their lives. It illustrates the universality of the mother-daughter bond and the terrible sadness and fragmentation that can result when society interferes in this profound and instinctual connection.
From the Paper
"Sethe?s loss of her own mother greatly influenced her own attitudes toward her children. Sethe was taken from her mother as an infant, and Sethe only saw her own mother a handful of times in her life. As a child, Sethe was hurt and confused by her mother?s absence. This profound sense of abandonment and loss continued even into adulthood, and likely influenced Sethe?s strong desire to love and care for her own children. Aware of her own mother?s inability to protect and love her children, Sethe still struggles to love and care for her children, despite the horrible realities of slavery. "
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"Beloved", 2007.
This paper examines Toni Morrison's novel "Beloved" about slavery and racism.
1,654 words (approx. 6.6 pages), 5 sources, MLA, $ 53.95
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Abstract
The paper discusses the life of well known author Toni Morrison and her book "Beloved." The paper describes the novel's focus on the institution of slavery. The paper portrays how Morrison uses the work to illuminate the plight of the slave and illustrate the human ability to act both humanely and inhumanely at the same time.
Outline:
Introduction
Morrison
Beloved and Slavery
Conclusion
From the Paper
"Many authors use their work to convey a feeling, a belief or a value, but every once in awhile the world is treated to an author that knows exactly how to convey the human spirit, both in the negative and positive light. This is the case with well known author Toni Morris and her work Beloved. Morris uses the work to illuminate the plight of the slave, and the ability for humans to act humanely and inhumanely at the same time. The work is important to the history of America as it blueprints a time and attitude that should never be repeated."
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Toni Morrison's "Beloved", 2002.
This paper applies the theories of Jacque Lacan to Toni Morrison's "Beloved".
2,900 words (approx. 11.6 pages), 5 sources, $ 106.95
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Abstract
This paper considers the ways in which the theories of Jacques Lacan 1901-1981) can be applied to Toni Morrison's "Beloved". This author discusses Lacan evaluation of Toni Morrison's "Beloved" as being "said softly and with such kindness".
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"Immortal Beloved", 2006.
This paper discusses the accuracy of the film "Immortal Beloved" (1995), directed by Benard Rose, which depicts the life of Ludwig van Beethoven.
1,350 words (approx. 5.4 pages), 5 sources, APA, $ 45.95
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Abstract
This paper explains that the movie "Immortal Beloved" is an attempt to summarize Beethoven's life and give an in-depth look at his identity and struggles; furthermore, this film is an attempt to solve the riddle of Beethoven's most meaningful love affair. The author concludes that, even though this film is not an exact historical representation of the composer, it gives a rather accurate portrayal of Beethoven. The paper states that the film depicts rather accurately Beethoven's response to deafness, his relationship with his nephew and his attempts to guess the identify of the "Immortal Beloved" but she was not identified correctly.
From the Paper
"The identity revealed in the movie of the "Immoral Beloved," is one that is historically questionable. There is no single truth of the hidden identity of the "Immoral Beloved." Even though some believe that Johanna could not have been his "Immortal Beloved", no one can say for sure. Many speculate who the "Immortal Beloved" really was, but no one can yet prove it. Also, the conception of Johanna bearing his child, and it being his child he was supposedly taking care of instead of his nephew, is a position that is very hard to prove. Much of Beethoven's life remains a mystery."
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Archetypes in Toni Morrison?s "Beloved", 2001.
This paper discusses Toni Morrison's systematic use of archetypes in her novel, "Beloved."
2,315 words (approx. 9.3 pages), 3 sources, $ 71.95
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Abstract
This paper examines the use archetypes of ghosts and premonitions in Toni Morrison's "Beloved." It shows the influence of Dr. Carl Yung, and how the human psyche is easily manipulated. It explores the context and background of the story and how the use of archetypes plays into the character traits and storyline.
From the paper:
"'Dreaming men are haunted men,' wrote Stephen St. Vincent Benet, and the characters in Toni Morrison?s 'Beloved' might well agree with the poet?s statement. Of course, most of us are dreamers, and we therefore might well posit that we are haunted by dreams. What sets each of us apart is the things we dream about ? and so the things that we are haunted by. Our dreams ? our hauntings ? are specific to our own lives, our own experiences. But they may also be far more general than we suppose them to be, the result of what psychologist Carl Jung would call archetypes, a term made generally popular by Joseph Campbell in his exploration of commonalities that he discovered in the myths, religions, and arts of what are in many ways widely divergent cultures."
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