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Simone de Beauvoir, 2002.
Discusses the life and philosophy of Simone de Beauvoir with special emphasis on de Beauvoir's relations to existentialism.
1,400 words (approx. 5.6 pages), 3 sources, $ 53.95
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Abstract
This essay considers the life and philosophy of Simone de Beauvoir. A brief overview of de Beauvoir's life is offered here, followed by a critical consideration of de Beauvoir's relations to existentialism.
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Simone de Beauvoir, 2002.
A look at the work of Simone de Beauvoir in respect to feminism, self- empowerment and psychology.
2,650 words (approx. 10.6 pages), 10 sources, $ 97.95
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Abstract
This paper addresses the life and works of the philosopher Simone de Beauvoir, providing the reader with a summary of her accomplishments. A focus is provided to what Beauvoir has contributed to the field of modern psychology, where her involvement with Sarte shall be examined.
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Writing of Simone de Beauvoir., 2002.
A literary review of Simone de Beauvoir's works including 'Memoires of a Dutiful Daughter', 'The Second Sex' and 'A Very Gentle Death'.
2,124 words (approx. 8.5 pages), 6 sources, MLA, $ 66.95
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Abstract
This paper offers a detailed analysis of Beauvoir's writing with particular reference to 'Memoires of a Dutiful Daughter', 'The Second Sex' and 'A Very Gentle Death'. It examines the question of Beauvoir's complicity in a patriarchal society and draws on the criticism of Levinas, Judith Butler and Toril Moi. This paper discusses that much radical-seeming women's writing in modern France is produced under the uncriticized influence of patriarchal ideology.
From the Paper
"Despite persistent attempts, Beauvoir's writing belies inclusion in any definition of 'women's writing', if such a genre can be said to exist, beyond one that simply refers to writing that has been undertaken by a woman. Whilst her position as a woman informs her writing and occupies much of her thinking, she is not situating herself within a concept of 'women's writing' and nor indeed can her readers pigeonhole her so easily. Her writing remains solely her own, whatever it may owe to her gender. Having said that, women dominate her texts, male-female relations dominate her philosophical outlook and her situation as a woman who is acutely aware of the role society expects her to perform clearly dominates her attitude towards life. Beauvoir struggled with the limitations of her position as a woman and when she was confronted with the disadvantages and prejudices facing women she vented her anger through her writing. Despite the obvious frustrations felt by Beauvoir, however, her critics have suggested that, far from attacking and undermining the patriarchal ideologies to which she objected, she in fact came to subscribe to them. In other words, she became as complicit through her writing as the women she herself criticised in society as a whole because she sought to radically overturn the perceptions of women but never lived up to the promise of her aim."
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Existentialism & Human Emotions by Jean-Paul Sartre & Ethics of Ambiguity by Simone De Beauvoir, 1996.
Compares French philosophers' ideas on being, ethics, subjectivity, humanism, freedom, responsibility, metaphysics, Marxism.
3,825 words (approx. 15.3 pages), 2 sources, $ 135.95
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From the Paper
"The purpose of this research is to examine Sartre's Existentialism and Human Emotions and de Beauvoir's The Ethics of Ambiguity. The plan of the research will be to set forth the general pattern of ideas in each work, and then to compare and contrast the means by which the ideas emerge.
The pattern of ideas in Existentialism and Human Emotions is an elaboration of existentialist thought, as both protest against previous modes of philosophical discussion and meditation on the human condition in the modern period. Sartre's enterprise is to describe in objective terms the philosophical platform of intensely subjective human ontology, or conception of the nature of human being-ness or reality, that existentialism proposes. He then develops an existential interpretation of such being-ness around the familiar subjects of human concern: freedom and responsibility, the ..."
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Foucault, De Beauvoir and Sexuality, 2002.
Discusses and compares how French philosopher, Michel Foucalt and French feminist author, Simond de Beauvoir viewed sexuality and the politicization of the body.
1,150 words (approx. 4.6 pages), 3 sources, $ 44.95
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Abstract
French philosopher Michel Foucault and French writer Simone de Beauvoir were both interested in how sexuality and the body had become the sites of power and politics in Western society. Both focused on the socially imposed structures that objectified sexual identity and gender differences. Foucault became interested in the language that was used by elites to objectify sexuality. Thus, he was more focused on the elites that appointed themselves as the arbiters of what was "normal" and "abnormal" in sexuality. De Beauvoir, meanwhile, was interested in how elites shaped sexuality to the disadvantage of women.
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Paul Valery's "Introduction de la Methode de Leonard de Vinci", 2002.
This paper compares a quote taken from Paul Valery's "Introduction de la Methode de Leonard de Vinci" and to Salman Rushdie's "Haroun and the Sea of Stories".
1,090 words (approx. 4.4 pages), 5 sources, MLA, $ 38.95
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Abstract
This paper reviews the specific pieces by Valery and Rushdie and other pertinent supportive material. The paper concludes that Valery was a man of words who often felt that those who used them didn't know their power. The author feels that Valery knew the power of words but often felt the "gift" to write was not empowering.
From the Paper
"His quote, "Beauty is a way of death. The novelty, the intensity, the strangeness, in a word, all the values of shock supplant it", can be likened to the hunter who loves the hunt more than the eventual catch. So it is with words for Valery. It is the process, the thinking, the effort that fascinates him-not the work itself. Perhaps that is because he left the world of literature for the analytical and precise world of science."
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'Middle Passage' and 'The Second Sex', 2006.
An analysis of Charles Johnson's novel 'Middle Passage' in terms of Simone de Beauvoir's conception of 'otherness' in her novel 'The Second Sex'.
1,042 words (approx. 4.2 pages), 3 sources, MLA, $ 36.95
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Abstract
This paper analyzes the novel 'Middle Passage' by Charles Johnson, using Simone de Beauvoir's book 'The Second Sex' as a basis of the analysis.
From the Paper
"Just as Simone de Beauvoir describes women as "the other" vis-a-vis men within The Second Sex, Charles Johnson's character Rutherford Calhoun in Middle Passage (1990) also arguably represents "the other", in much the same way: in fact vis-a-vis everyone onboard the Republic. First, for example, Rutherford Calhoun is "other" because he is a stowaway, e.g., Rutherford is not legitimately onboard. Meanwhile, since Falcon (much like Melville's Ahab) is a sadistic egomaniac, his crew (of which Rutherford is not a legitimate member) is on the verge of rebellion against Falcon's tyrannical authority. The slaves onboard (among whom Rutherford is also not a member, and therefore, "other" as well) themselves are also planning to rebel against Falcon, and to take over the ship. "
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Feminine Inequality, 2004.
An examination of Simone de Beauvoir's claim of feminine inequality.
678 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
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Abstract
This paper offers a personal response to Simone de Beauvoir's discussion of a woman being perceived in mythic, instead of realistic terms.
From the Paper
"Whatever else Simone de Beauvoir wants to accomplish in the essay "Woman Myth and Reality," she supplies a critique of the myth of the eternal feminine that vividly demonstrates how intractable and frustrating women's search for social and economic justice and equality continues to be. The problem as she explains it comes down to the fact that social control resides with men."
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The Reproduction of Mothering, 2004.
Discusses the theories of Nancy Chodorow and Simone De Beauvoir regarding women's position in society.
1,397 words (approx. 5.6 pages), 6 sources, MLA, $ 46.95
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Abstract
This paper outlines and compares the explanations Nancy Chodorow, a preeminent social scientist, and Simone De Beauvoir, feminist author and historian, offer for the subservient role of women in society.
From the Paper
"In, "A Room Of Her Own," the feminist novelist and author, Virginia Woolf demonstrated that one of the reasons why women writers were in overwhelmingly low numbers than their male counterparts was because of the lack of economic opportunity. (Woolf, 1991) Victorian perceptions also saddled women with the responsibilities of motherhood and domesticity. This took away the opportunity for women (except for a few) to truly come into their own. Nancy Chodorow, a preeminent social scientist addresses the issue. (Chodorow, 1999) She does not get caught up in the traditional feminist or socialization mindset. Even psychologists, Chodorow avers, have not pursued the matter at a higher granularity. All can agree that, explicitly or implicitly, women have been subjugated. Chodorow addresses the problem using psychoanalysis."
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Inequality, 2002.
A literary discussion on the origins of inequality drawing upon the work of Simone De Beauvoir, W.E.B. DuBois, and James Baldwin.
1,650 words (approx. 6.6 pages), 8 sources, $ 62.95
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Abstract
This paper takes up the argument that the origins of inequality are found within society. It uses examples of Simone De Beauvoir, W.E.B. DuBois, and James Baldwin as contributors to the understanding that inequalities do not have a natural or biological origin. It also includes a personal perspective on the origins of inequality and why they have been quite difficult for people to accept.
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Transcendence and Immanence, 2007.
An analysis of the concepts of transcendence and immanence in terms of Simone de Beauvoir's feminist analysis.
1,389 words (approx. 5.6 pages), 4 sources, APA, $ 46.95
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Abstract
This paper explores the concepts of transcendence and immanence in terms of Simone de Beauvoir's feminist analysis. In this context, it argues that Beauvoir's use of these concepts to describe how the lives of women and men in society are distinctly culturally gendered, is not only substantiated when considered in its own historical context, but also illuminates our understanding of gender roles in Western society in the early 21st century.
From the Paper
"In conclusion, while it may justly be said that Beauvoir is "biased" in her use of the concepts of "transcendence" and "immanence" as descriptive models of the structures that support the oppression of women in everyday life, and in her objectives to subvert this oppression and promote the liberty of women, it cannot be said that her work display "gender bias" in this area. This term implies a level of "prejudice" that potentially undermines the value of a work given the particular interests or agenda of the author. Given the extraordinary care and attention of Beauvoir in her use of these concepts to reinforce her arguments with respect to the oppression of women in Western society, and the fact that these arguments have withstood the text of time and the critique of leading authorities and scholars over the past half-century, Beauvoir's use of "transcendence" and "immanence" cannot be represented as displaying "gender bias"."
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Feminist Theories, 2005.
An analysis of Katherine Mansfield's story "Bliss" and how it represents some of the key feminist theories outlined in Simone De Beauvoir?s work "The Second Sex".
2,606 words (approx. 10.4 pages), 3 sources, MLA, $ 78.95
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Abstract
This paper looks at Katherine Mansfield's work "Bliss" to identify if any of De Beauvoir's theories in "The Second Sex" can be drawn from it. It examines the relationship between Bertha and Miss Fulton and her husband Harry in "Bliss" in order to highlight some key theories of "The Second Sex" and demonstrates how "Bliss" can be viewed as a literary response to feminism which attempts to present women's oppression.
From the Paper
"In the opening lines of Bliss, the reader is given an insight into Bertha's happy state and her analysis of her own blissful feelings: 'there is no way you can express it without being "drunk and disorderly." How idiotic civilisation is! Why be given a body if you have to keep it shut up in a case like a rare, rare fiddle?' This suggests that, as opposed to drunkenness and disorderliness, the accepted norms of behaviour for the female character are dignity and self-control. The reader is given the first clue as to a class prejudice, for Bertha is reflecting the viewpoint of her world and environment. It can therefore be assumed that she comes from a middle-class, bourgeois background."
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Female Friendships in Literature, 2008.
This paper contrasts the importance of female friendships as described in J. Bauman's "Winter into Spring" and despaired of in "The Existential Paralysis of Women" by Simone de Beauvoir.
1,365 words (approx. 5.5 pages), 3 sources, MLA, $ 45.95
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This paper explains that, although male dominated society excludes and exploits women, as portrayed in Ibsen's "A Doll House", the importance of friendship between women can overcome their marginality and restore women to the center of a husbanding society. The author compares Bauman's work to Beauvoir's and points out that Beauvoir writes about the exploitation of women in Western bourgeois society; whereas, Bauman recounts the trials of women in the void of that society smashed to pieces by the Nazis. The paper relates that Beauvoir sees the "eternal feminine" nature of a woman as shaped by the male dominated, patriarchal social structure even if women join together to off set the "masculine universe". The author thenstates that, in contrast, in Bauman's existential account of WWII, the friendship of five women who do "band together" to establish a "counter-universe" and survive is not only important but also vital.
From the Paper
"The women in Mrs. Pietrzyk's room joined their common longings for life and love to link themselves back into the woman's world of hope, mystery, the sway of her body moving through the ebbs and tides, and the attainment of woman's wisdom. They did this with nothing but their hearts in a time of death. The rejected martyrdom and the paralysis mold. De Beauvoir says the lot of woman's life is passive waiting, but in truth nothing is more powerful: "I've been thinking now about this glorious future that I dreamed up last night. Will it come true? Shall I ever live a free, useful, happy life with someone I love and who loves me? "
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"The Romance of the Rose" by Guillaume De Lorris and Jean De Meun, 1993.
A look at the duality of men's attitudes toward women (worship vs. contempt) in the novel about the Middle Ages.
1,125 words (approx. 4.5 pages), 1 source, $ 39.95
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From the Paper
"This study will analyze the duality of men's attitudes toward women as portrayed by Guillaume de Lorris and Jean de Meun in The Romance of the Rose. The study will consider the reasons that men worshipped women while at the same time having contempt for them, and will explore how this duality of attitude and practice helped shape the code of chivalry which men lived by during the Middle Ages.
In the Introduction to the book, we read that the story is told rather straightforwardly: "A Lover wishes to win his Lady (the Rose); her responsiveness (Fair Welcome) encourages him; her sense of modesty (Shame) fends him off; the dominance she exercises upon him (Danger --- a French form of the Latin word dominarium meaning 'domination') blocks his advance. Modern readers, accustomed to similar Freudian abstractions, can hardly..."
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"A Woman Destroyed", 2002.
An analysis of "A Woman Destroyed" by Simone de Beauvoir.
1,400 words (approx. 5.6 pages), 3 sources, $ 53.95
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Abstract
This study will seek to uderstand how Beauvoir portrays existentialism thruogh her book A Woman Destroyed. By these means, we can see how the idea feminine self and other can be revealed in the text.
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