| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "BEAT DRUMS": |
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To the Beat of the Drums, 2001.
The following paper takes a look at the influence Latin American Music had had on American Music and culture.
1,545 words (approx. 6.2 pages), 5 sources, APA, $ 50.95
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Abstract
This paper examines the history of Latin American music and the influence it has had on American culture, looking at the particular forms that have had the most influence as well as some of the particular personalities that have been the most influential in bringing Latin American music to the United States.
From the Paper
?It would be hard to find any area of 20th-century American pop music ? and now 21st century ? that has not been affected by Latin American music, including Tin Pan Alley, stage and film music, jazz, rhythm and blues, country music, and rock (Roberts, 1998, p. 14). The musical voices of Brazil, Cuba, and Mexico have made their way into each of these American forms, which have been influenced not only by Latin American rhythms and musical forms but also by individual musicians and bandleaders who came to play an important role in shaping American culture (Roberts, 1998, p. 19).?
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"Drums Along the Mohawk", 2007.
A review of the arguments in Robin Wood's essay, "Drums Along the Mohawk".
1,519 words (approx. 6.1 pages), 2 sources, MLA, $ 50.95
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Abstract
This paper discusses Robin Wood's essay, "Drums Along the Mohawk", in which he presents a wide-ranging critical analysis of the work of John Ford in his 1939 drama of the same name. The paper describes Wood's analysis of the film and the arguments that he presents. It then critically analyzes the article and presents the writer's point of view as to the article's validity.
From the Paper
"These strengths related to the conceptual framework of the film also highlight a key weakness in Wood's text: its lack of extensive discussion of the cinematic aspects of the work. Indeed, with the exception of a brief discussion of composition in Ford's work (Wood 176), there is little discussion of the film as film instead of in terms of its conceptual framework. Despite film being a visual medium, with only a handful of exceptions Wood's text does not address the visual qualities of Ford's achievement."
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Drums, 1983.
This paper discusses how drums are made, how they produce sounds and how they are integrated into music composition.
1,125 words (approx. 4.5 pages), 3 sources, $ 39.95
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From the Paper
"The production of music begins with notes written on paper which become sound through the use of an instrument and are translated into meaning by the human hearing mechanism. There are many different combinations of notes just as there are many different instruments from which to choose. A personal favorite is the drum. How this instrument creates sound and how it is heard will be explored in this analysis.
There are four classes of musical instruments: strings, winds, percussion, and electrical. Drums fall into the percussion category. The instruments classified within this group create music when struck, and include bells, triangles, tambourines, xylophones, and drums. Drums are built in varying sizes and with varying materials but share some basic ... "
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The Pearl Drum Company, 2004.
An overview of the business strategies of the Pearl Drum Company.
961 words (approx. 3.8 pages), 2 sources, MLA, $ 34.95
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Abstract
This paper examines the Pearl Drum Company, which began in Japan in April 1946, initially as a manufacturer of music stands and, eventually, as a producer of bass and snare drums and stands. It looks at how Pearl drums are created to be a product that consumers will be proud to purchase and the importance to the company that musicians want to be associated with them. It looks at how they focus strongly on producing quality products and on being perceived as one of the best companies in the industry. It also shows how they also focus on creating an image for the company that matches what musicians are looking for, an image of success, and an image closely linked with the high energy world of the music industry.
From the Paper
"The Pearl Drum Company has also been aware that the best option for promoting their products is to have significant bands using them. This has resulted in the company supporting and sponsoring various bands and musicians. When these bands are successful, the Pearl name is effectively promoted. For the average consumer, they might see the Pearl name on the drum set at a concert or on a film clip. This is an effective promotional option from Pearl, and one that costs less than actually creating advertisements. In addition, Pearl also reaches the market of musicians and drummers by this method. In the music industry, it is often known which brand of drums musicians use. The Pearl Drum Company supporting a drummer who is respected by other drummers is an effective promotional strategy."
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Buddhism and the Beats, 2001.
A study of Buddhism American-style and its evolution out of the Beat generation as a socio-religious scene.
8,045 words (approx. 32.2 pages), 25 sources, MLA, $ 173.95
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Abstract
This paper is an in-depth examination of the emergence of Buddhism on the American cultural scene in the 1950s. It discusses Beat literature, the origins and aspects of the Beat Generation, and their effect on American culture. The author illustrates the works of Jack Kerouac's "On the Road" and Allen Ginsberg's "Howl". It analyzes the friendship between the close-knit group of friends and their rise to literary fame, both individually and as a group. It demonstrates how personality and drug addiction is seen in their writing style. This paper also describes the permanent place of Buddhism in American society as a result of the culture of the Beat artists
From the Paper
"Historical events are usually much more complex than the annals of the past can easily demonstrate. The average person has only a cursory knowledge of most historical episodes, leaving intellectual movements like scientific advancements, philosophical developments, and social reforms largely incomplete and misunderstood from a ?public relations? standpoint. For example, a common definition for Buddhism might read something like this: A philosophy dedicated to the realization of the essence of life, leading to true selfless enlightenment and the reconciliation of suffering. Now of course that definition leaves an enormous amount of leeway for the real body of experiences and thoughts that are Buddhism. Likewise, the average person might reflect upon the Beat Generation as a social and literary movement motivated by personal escape from the monotony of 1950's American society. But as much as I know about these two subjects (which admittedly I am no expert at but am a learned student of), I cannot develop a brief definition that can come close to adequately representing these topics."
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The Steel Drum, 2005.
An examination of the musical instrument known as the steel drum.
1,547 words (approx. 6.2 pages), 6 sources, MLA, $ 50.95
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Abstract
The steel drum, or steel pan, is a unique instrument commonly heard in Caribbean music today, and is one of the most recently "invented" instruments in the world, when taken in its current form. However, the roots of the instrument date as far back as the 18th century. This paper examines the roots of the steel drum, as well as the evolution of the instrument its self. Additionally, this paper examines the steel drum's impact on the Trinidad society.
From the Paper
"The steel drum claims origin on the island of Trinidad, located in the Caribbean Sea, off the coast of Venezuela. This island and the smaller island of Tobago, located 19 miles northeast of Trinidad, make up the single nation state of Trinidad and Tobago. To understand the evolution of the steel drum in this area, it is important to evaluate the political history of the islands, since it was that very political situation which helped the area to develop the instrument (Goddard, 1991). "
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The Cavaliers Drum and Bugle Corps, 2004.
An overview and history of the Cavaliers Drum and Bugle Corps.
848 words (approx. 3.4 pages), 2 sources, MLA, $ 30.95
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Abstract
This paper looks at the Cavaliers Drum and Bugle Corps, which got its start in 1948 and was originally called the Boy Scout Troop III Drum and Bugle Corps. In particular, it shows how the Cavaliers? pursuit of excellence explains its more than five decades of continued activity filled with extraordinary examples of success in a highly competitive arena.
From the Paper
"In 1950, the Cavaliers were just a parade corps with hand-me-down uniforms from the more seasoned Bell Corps that consisted of Eisenhower jackets, shakos & plumes. But, they would soon learn a drill and enter big-time competition. They had taken on the Cavalier name and logo from a new cigarette. The logo was a cavalier with a plumed hat, sword and cape. The cigarette company, as part of its promotional campaign, had made available a costume jewelry pin of the logo which the Cavaliers would wear on their hats. After a summer full of parades, contests and other appearances in 1950, the Cavalier?s treasury was sufficient to allow new uniforms for 1951 that were Kelly Green. The Cavaliers would soon earn the reputation as an up- and-coming corps."
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"The Tin Drum", 2002.
A literary review of "The Tin Drum" by Gunter Grass.
1,836 words (approx. 7.3 pages), 2 sources, MLA, $ 58.95
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Abstract
The purpose of this paper is to discuss and analyze the book "The Tin Drum" by Gunter Grass. Specifically, the paper focuses on two particular chapters. Firstly, Chapter 27 (Inspection of Concrete, or Barbaric, Mystical, Bored), and Chapter 28 (The Imitation of Christ). Gunter Grass' "The Tin Drum" is an historic look at a Polish family with a young son stunted by an accident. Oskar turns out to be a performing midget, who is ludicrous and yet endearing. The writer claims that the themes of the book are complex and the style is demanding, but it is a rewarding read that causes the reader to think, to feel, and to sometimes agree with the author's clearly defined themes.
From the Paper
"Chapter 27 of "The Tin Drum" is entitled "Inspection of Concrete, or Barbaric, Mystical, Bored," and in it, Oskar's theatre troop inspects several German concrete bunkers along the Atlantic Wall. During their visit, the groups inspects the fine concrete of the bunkers, (inlaid with shells from the nearby beaches), and discovers one of the soldiers was an artist before the war. The artist, named Lankes, titles one of his "Oblique Formations" (pillboxes) "Barbaric, Mystical, Bored" (Grass 337), and the troupe leader Bebra replies, "You have given our century its name" (Grass 337). Grass uses the pillboxes as an art form to signify the sheer waste of war."
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"Drum Taps", 2006.
An essay discussing two poems in Walt Whitman's work about the Civil War, "Drum Taps".
995 words (approx. 4.0 pages), 1 source, MLA, $ 35.95
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Abstract
This paper analyzes the poems "Come Up From the Fields Father" and "Vigil Strange I Kept on the Field One Night" from Walt Whitman's "Drum Taps", explaining that Whitman uses the tool of contradiction to make the point about the universal tragedy of war.
From the Paper
"The introductory poem in "Drum-Taps, "First O Songs for a Prelude" is a remembrance of the patriotism and sacrifice of individuals in answering the country's call to war. It was written after the war as a paean to the patriotic spirit and selfless enthusiasm with which the country took up arms in defense of a principle. Yet it is presented first in this collection, and this positioning makes an eloquent setting for the tragic two stories in the poems "Come Up From the Fields Father" and "Vigil Strange I Kept on the Field One Night.""
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The Beat Generation, 2004.
This paper discusses Jack Kerouac?s ?On the Road?, Allen Ginsberg?s ?Howl?, and William Burroughs?s ?Naked Lunch? as examples of the literary, 1950s Beat Generation.
2,225 words (approx. 8.9 pages), 3 sources, MLA, $ 69.95
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Abstract
This paper explains that Jack Kerouac, Allen Ginsberg, and William Burroughs were the galvanizing forces behind the Beat Generation; their writings and revolutionary narrative techniques created a national sensation that is still debated in modern literary circles. The author points out that Kerouac?s ?On the Road ?, the most respected work of the group, at first glance seems incoherent; but, as the novel progresses, we discover the story moves from a superficial sense of order to a deeper, more penetrating sense of openness. The paper relates that ?Howl? is not the work of an angry young man; Ginsberg emerges from this rather long poem as a rancorous and somewhat gloomy mystic seer as opposed to a deferential and conventional kind of person that had symbolized the youth of the post-WWII period.
From the Paper
"The sex that is virtually dominant in the world of "Naked Lunch" appears to reflect the sex that Freud revealed as the ultimate cause, means, and end. Anything goes in Interzone, and the sex is there in all varieties and expressions. However, it is ?junk? which sufficiently separates the narrator from the group consciousness to let him have this vision of things as they are. Junk has its literal importance as a stimulus, but it is also important as a symbol. In general, it is a symbol of meaninglessness, or life as the be-all and end-all of an evolving world. Only be coming into ultimate contact with junk, by knowing it as a symbol, one can realize the separate life."
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The Beat Generation, 2005.
A discussion of the 'Beat Movement' of the 1950s and how it gave rise to a new counterculture movement.
3,459 words (approx. 13.8 pages), 12 sources, MLA, $ 97.95
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Abstract
This paper explains how the Beat Generation came about, tells how this generation got its name, explains why and in what way it was a counterculture movement that challenged the mechanical existence of the majority and talks about how it effects American society even to this day.
From the Paper
"According to modern mythology, it has been said that the birth of the Beat Generation can be traced back to the year 1944. World War II raged throughout Europe. This was the year of the D-Day landing, and this was the year that the United Nations first came to power, and this was the year that "Lady Chatterly's Lover" by D. H. Lawrence was found to be obscene in the United States, and this was the year in which New York City was flooded by European Surrealists gathering together with American artists and writers, influencing the thoughts and works and direction of the art movements nationwide. This was also the year that Jack Kerouac, Allen Ginsberg, William S. Burroughs, and Herbert Hunckle met in New York City among the artists gathered there, and this meeting around Columbia University and Times Square would lead to the writing of one of the great Beat Generation novels."
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?The Tin Drum?, 2004.
An analysis of the character of Oskar in ?The Tin Drum? by Gunter Grass.
2,077 words (approx. 8.3 pages), 2 sources, MLA, $ 65.95
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Abstract
This paper examines how "The Tin Drum", written by Gunter Grass, is one of the most outstanding novels that represents the cruelties inflicted by the German army on others. In particular, it looks at how the prime character in the story is Oskar Matzerath, who, as a result of the hard German regime and cruelties, repudiates to grow up in protest of the Germans. It attempts to explain the psyche behind Oskar?s thinking and why he became the sort of person he was. It primarily emphasizes the main theme of the book, i.e. guilt, and explains whether this feeling turned Oskar into a better person or just caused an evasion in his personality.
From the Paper
"The novel starts by introducing to the audience a vague character named Oskar who is instituted in a mental asylum. Though every once a week people visit him, he finds no joy in that. His only friend is his watcher and caretaker named Bruno Munsterberg. His decision to stop growing up was adamant. ?For many years I not only stayed the same size but clung to the same attire? (Gunter Grass, The Tin Drum). Throughout the novel the audience feels that Oskar liked to give a rational interpretation of the actual events in his life. He gave these incidents his own spice so that he could become the hero of his own play. He is even told by his watcher to stop dreaming. In some points in the novel, Oskar while relating stories to his audience realizes that he has exaggerated the truth a little too much and then backtracks to tell what the actual truth was."
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Literature in the Beat Generation, 2005.
Examines the works of Jack Kerouac and William Burroughs during the time of the Beat Generation in American history.
1,757 words (approx. 7.0 pages), 7 sources, MLA, $ 56.95
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Abstract
In the late 1950s groups of young people decided to "drop out" of society and questioned the right of authority to determine what morality was. This paper examines the writers who represented this time in U.S. history, later know as the Beat Generation. The paper looks specifically at the works of Jack Kerouac and William Burroughs, but also mentions Allen Ginsburg and Gregory Corso.
From the Paper
"The Beat movement was especially valid on college campuses, which may seem strange (as it did at the time) to parents whose hard work had scraped up tuition money so their kids could get a better education. The fact that these kids were now reading "Naked Lunch" by William Burroughs, and reading whatever Ken Kesey wrote (including "One Flew Over The Cuckoo's Nest) and were flocking to "road" movies like "Easy Rider" was something the older generation simply could not understand. Why would these kids, brought up in nice homes, with doting parents, want to rebel against the system that got them to college in the first place?"
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?Bang the Drum Slowly?, 2002.
A review of the novel, ?Bang the Drum Slowly?, by Mark Harris.
1,258 words (approx. 5.0 pages), 0 sources, $ 42.95
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Abstract
This paper examines the novel, "Bang the Drum Slowly" by Mark Harris, a fictional story about two major league ball players. The two main characters are Henry ?Author? or ?Arthur? Wiggen, a pitcher who sees himself as bright, witty, and competent, and his friend, Bruce Pearson, a catcher, who is clearly a little slow mentally, although apparently a good ball player. He is also rigid in his thinking, can bat only one way, and is determined that only his friend Henry, whom he calls ?Arthur? instead of ?Author,? knows that he is dying of Hodgkin?s Disease. It analyzes the predominant themes in the story, which are the strength of their friendship and loyalty and how Arthur must lie to protect his friend's secret.
From the Paper
"Earlier in the book, Henry has said that life is just one big problem after the other, and his difficulties keeping his promise to Bruce are growing. Henry value?s Joe?s friendship, but when Bruce, imagining that he can really play the card game, asks to join, Henry stops playing, offending Joe, who starts calling Henry and Bruce ?Romeo and Juliet.? It ends his close friendship with Joe. Henry is torn by the complications presented by keeping his promise to Bruce. He says, ?Suppose you were up to your neck in a barrel of shit and a fellow was tossing baseballs at you. What do you do? Do you duck?? (p. 117) But eventually he has to tell another team member, Goose, so he will have a little backup protecting Bruce from the incessant teasing. Goose has been teasing Bruce, and defends it by saying, ?A man has got to have a little fun.? ?He is dying,?) Henry says. (p. 133) Eventually, Goose will tell his roommate."
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The Process Of Death After The Heart Stops Beating, 2002.
Describes the make-up of the heart.
2,475 words (approx. 9.9 pages), 7 sources, $ 87.95
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Abstract
Describes the make-up of the heart. Role that oxygen plays. How circulation works. What happens when the heart stops beating. Cell death. Diagnosing the moment of death; what criteria to use. Brain-dead condition. Tests used to determine when a person can be called dead. Somatic (reversible) death; molecular (irreversible) death. Organ donations. Issue of quality of organs donated for transplants.
From the Paper
"Most people accept that when the heart stops beating, a person dies. In the general sense, this is true, although with today's resuscitation techniques, the heart can be restarted if treatment is given quickly. The reason people die when the heart stops beating and is not resuscitated within a few minutes is that to stay alive, all tissues in the body require oxygen. When we inspire (breathe in), the lungs fill with air, and the oxygen, which is at a greater concentration in the air than in the blood circulating in the capillaries in the lungs, crosses the thin membranes of the lung tissue and the fine capillaries and enters the bloodstream. Erythrocytes (red blood cells) in the bloodstream contain a pigment called hemoglobin, which binds oxygen, and this pigment allows the erythrocytes to transport it to the tissues. When the oxygen-rich blood reaches the tissues and ..."
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