| Papers [1-14] of 14 | Search results on "BARCELONA PAVILION": |
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Barcelona Pavilion, 1997.
Examines German architect Mies van der Rohe's 1929 edifice. Looking at his views on the spatial concept, lighting, commission, site, construction and materials.
2,250 words (approx. 9.0 pages), 13 sources, $ 79.95
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From the Paper
"INTRODUCTION
Studies of Mies van der Rohe's Barcelona Pavilion concentrate on the architect's innovative spatial concept. The fluid, continuous space and the carefully considered reduction of the interior-exterior distinction made the Pavilion a landmark in architectural history. Less attention has been paid to the vital role that natural illumination plays in Mies' concept. Working with very little electrical light and with reflections from water and the varied materials of the walls and windows, Mies created a refuge from the blistering Spanish sun that is, paradoxically, lit primarily by sunlight.
COMMISSION, SITE, CONSTRUCTION, AND MATERIALS
The German Pavilion at the Barcelona International Exposition of 1929 was designed by Ludwig Mies van der Rohe. The.."
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"Barrio Chino, Barcelona, Spain, 1933", 2002.
This paper analyzes Henri Cartier-Bresson's photo, "Barrio Chino, Barcelona, Spain, 1933" in its socio-historical context, revealing how the imagery of the photo relates to its context of Depression-era Spain.
1,270 words (approx. 5.1 pages), 7 sources, MLA, $ 43.95
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Abstract
This paper explains that, after returning from Africa in the early Thirties, Cartier-Bresson was influenced by the vivacity of primitivism and tried to find its counterpart in some of the poor neighborhoods of Europe. The author points out that the artist's choice of camera, the small-format Leica, allowed Cartier-Bresson the freedom to shoot quickly and with minimal camera resetting time (i.e. advancing film, changing film). The paper relates that the rising presence of magazines and photojournalism in the 1930s generously supported Cartier-Bresson financially and allowed him the economic freedom required for him to travel the world taking pictures.
From the Paper
"The tired, desperate look on the man's face coupled with the look of shock on the face of the drawing, paint a profound picture of desperation. What seems like merely a "snapshot" photograph can be deeply analyzed to reveal an insightful comment on the poverty and hopelessness so prevalent during the depression. In an era when most cameras were large, and bulky, it doesn't seem possible for a photo such as this one to be taken off the cuff and un-posed. But the fact is that Cartier-Bresson's photos were not posed and the next paragraph will discuss how new camera technology allowed him the freedom to take pictures like this one taken in Spain in 1933."
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Sidney Smith Hall Examined as Modern Architecture, 2008.
An examination of Sidney Smith Hall in Toronto as modern architecture in relation to two other buildings, Villa Savoye in Poissy and the German Pavilion in Barcelona.
1,250 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
This paper approaches three examples of modern architecture that seem dissimilar at first, Sidney Smith Hall at the University of Toronto, the Villa Savoye near Paris, and what is known as the Barcelona Pavilion. The paper holds that despite their different purposes, they are similar structures according to principles of the modern movement. To conclude, it states that Sidney Smith Hall is significant in a Toronto environment much given to the preservation of architectural heritage, but that has often failed to appreciate its examples of the modern style.
Outline:
Introduction
Sidney Smith Hall, University of Toronto, 100 St. George Street
Villa Savoye, Poissy, nr. Paris 1920-1930 (Le Corbusier)
German Pavilion, Barcelona Exposition, (Mies van der Rohe)
Concluding Remarks
From the Paper
"As an example of the International Style much pursued by the modern movement, one realizes that the same structure with minimal adjustment could be placed anywhere. (See Khan 1998) Erected in any country in the world, Sidney Smith Hall would offer the same economy of line combined with a feeling of spaciousness and accessibility, its terrace areas suited to the climate of a central Canadian city as much as entirely different settings. This theme of universality was a favourite of both Mies van der Rohe and Le Corbusier as discussed below. (Padovan 45-48) As a contribution to the international style, Sidney Smith Hall may have shown its ongoing adaptability in the 2003 enclosure of one terrace that was opposed by some but does not seem to have altered greatly the sense of access the architect intended."
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EU Power Play in the Middle East, 2005.
Paper discusses the prospects of the post-Barcelona Treaty and the EU engaging in the Middle East peace process as a neutral mediator.
3,791 words (approx. 15.2 pages), 14 sources, MLA, $ 104.95
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Abstract
This paper explains that the Barcelona Declaration, and the Barcelona Process that came out of it, marks a new phase in Europe's foreign policy. It explores how this is a stage in which the European Union is announcing that it cannot afford the continuing conflict in the Middle East and that peace is the only option. This peace is an important factor in the EU's foreign and security policy. It concludes that, even though the EU is not challenging the role of the United States, it is working for peace, not just following in the U.S.'s footsteps.
From the Paper
"The reason why the European Union is placing a high level of importance on the Middle East Peace process is that it is related to its own security. This is admitted in the Common Foreign and Security Policy, and explained in the EU's 1999 statement on peace in the Middle East. As the CFSP openly seems to declare, the security interests of the EU cannot be divorced from the Middle East situation, not just because of the close geographic relation between them but because this area provides the EU with the majority of its energy needs and counts as a major trade partner, not to mention a leading source of investment in Europe (16). Therefore, the close geographic and economic relations between the two regions have placed the EU in a position in which it needs to give a status of priority to the Middle East Peace process. It is as such that the EU's resolution on peace in the Middle East firmly calls for the establishment of a Palestinian state, the removal of illegal Israeli settlements and the return of all occupied Arab territories (""EU European Parliament: Resolution ..."). The fact that the EU stresses these points is because it understands that the realizing of these goals is the only way to stabilize the region, thereby creating a peaceful and stable neighborhood for the EU."
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The European Union.
This paper discusses the European Union's power play in the Middle East.
3,740 words (approx. 15.0 pages), 14 sources, MLA, $ 103.95
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Abstract
This paper takes the position that the more interesting and pressing question is not the way in which the European nations will benefit from membership in the E.U., but how the development of the E.U. will influence the foreign policy framework of the region. The author points out that the Barcelona Declaration and the Barcelona Process, which came out of it, marks a new phase in Europe's foreign policy in which the European Union is announcing that it cannot afford the continuation of conflict in the Middle East and that peace is the only option. The paper relates that the Barcelona Declaration is ambitious because it basically aims to reshape the Middle East in economic and political terms, democratizing its political systems, liberalizing its economies, and promoting stable peace; these aims require a great deal of time, effort, and economic support from the E.U.
Table of Contents
Barcelona Declaration
Goal of the Barcelona Declaration
Democratization Policy
Conflict Resolution
Conclusion
From the Paper
"As stated in a paper prepared by the Research Group on European Affairs, a number of international factors determined the signing of the Barcelona Process in 1995. In the first place, changes in the international political atmosphere and increasing conflict, transitions and even destabilizations of countries in Eastern Europe, the Southern Mediterranean and North Africa, forced the Union to reconsider the nature of "its foreign policy making instruments". That is the EU had to re-define its foreign policy and the way that it planned and carried out this foreign policy so that it would be more in line with the changing international political atmosphere. In the second place, the continuation of instability and social, economic and political problems in the Middle East, which the United States took the lead in resolving and was failing to do so, was having a negative influence on the EU itself, on both the economic and political levels."
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Antonio Gaudi, 2004.
An analysis of Spanish architect, Antonio Gaudi, and his connections to his birthplace, Barcelona.
4,010 words (approx. 16.0 pages), 6 sources, MLA, $ 108.95
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Abstract
This paper discusses Barcelona's famous architect, Antonio Gaudi. The intrinsic relationship between the city and the architect is explored in the paper. The paper presents a brief biography of Gaudi and examines the general characteristics, influences, and styles of his work and creations. The paper describes three of Gaudi's many projects in Barcelona: the Sacred Family (La Sacrada Familia), La Pedrera (Casa Mila), and the Guell Park.
From the Paper
"As some who has visited Barcelona, one would perhaps always remember the historical area around Los Ramblas, the old Gothic Cathedral or the Olympic Stadium, as well as the special charm of the city, proud in its Catalan spirit, but there is little chance that something is likely to impress you more than the presence of Antoni Gaudi in the city, his modernist creations, his dedication to the city and, even more so, the intrinsic relationship between the city and the architect. Indeed, Gaudi has only worked and created in Barcelona and the city represented to Gaudi something that Aix-en Provence was for another artistic genius, Cezanne : place of inspiration and artistic evolution, but probably also the only place where the interior effervescence could be properly exploited."
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Architecture Analyze, 2002.
An analysis of Bruno Taut's 'The Glass Pavilion' (1914) and Antonio Sant'Elia's 'Citta Nuova' of the same year.
1,150 words (approx. 4.6 pages), 2 sources, $ 44.95
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Abstract
This paper will discuss Bruno Taut's 'The Glass Pavilion' of 1914 and Antonio Sant'Elia's 'Citta Nuova' of 1914. By discussing these great buildings, we can see how their creators envisioned the future of architecture.
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Bridal Du and Oriole, 2002.
An examination of character changes in Bridal Du and Oriole in the Yuan Dynasty Chinese plays "The Story of the Western Wing" and "The Peony Pavilion".
765 words (approx. 3.1 pages), 0 sources, $ 27.95
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Abstract
This paper was written for a class in Yuan Dynasty Chinese drama. It examines the character changes that Bridal Du and Oriole go through in the plays "The Story of the Western Wing" and "The Peony Pavilion" and what this reveals about Chinese culture at that time.
From the Paper
"Oriole and Bridal Du both go through transformations during the plays "The Story of the Western Wing" and "The Peony Pavilion". Bridal Du's transformation from sexually open person to a proper, virginal person is made explicitly clear through her transformation from spirit to human and from her transition from existence in the world of the dead to the world of the living. Oriole's transformation on the other hand, involves her change from a modest and proper young woman to one who goes against her mother's wishes and has sex with a man of her choosing so that she secures a marriage with him. Each woman's transformation either from sexual being to virginal being, as in the case of Bridal Du, or from virginal being to sexual being, as in the case of Oriole can be clearly seen through each woman's views and actions regarding pre-marital sex and the respective degrees to which each breaks Chinese rules of propriety. Both women become respectable in the eyes of the theater-goer through their eventual marriages. By placing the sexually active women in the sphere of marriage, the women re-enter into a proper role that both of them had broken out of by choosing their own husbands and having sexual relations with these men. "
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The Rules of Landscape Painting and the Poetic Practice of Xie Ling-Yun, 2002.
A review of Xie Ling-Yun's poem "Visiting the Southern Pavilion" in light of the generic rules of landscape painting.
1,400 words (approx. 5.6 pages), 2 sources, $ 53.95
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Abstract
This paper will discuss the representation of the natural landscape in Xie Ling-yun's poem "Visiting the Southern Pavilion". It will be shown, through a comparative analysis of Chinese texts on landscape painting, that Xie Ling-yun's poem plays with, and is juxtaposed against, the generic rules of landscape painting. The poetic landscape, which appears to be a celebration of the beauty of summer, is actually a reflection upon mortality and suffering. From this perspective, Xie Ling-yun's poem may be seen to have philosophical depth lacking in most landscape painting.
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Ludwig Mies van der Rohe, 2004.
Examines two works by minimalist architect, Ludwig Mies van der Rohe.
1,871 words (approx. 7.5 pages), 4 sources, MLA, $ 59.95
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Abstract
More than any other architect of the 20th century, Ludwig Mies van der Rohe represents the ascendancy of Modernism in its most Minimalist incarnation. While this emphasis on the importance of spare lines and lack of fussiness is understandable, given what had come before in terms of both architecture and decorative arts, this does not necessarily make it more palatable from the perspective of the 21st century. This essay focuses on two specific buildings by Van Der Rohe: the 1930 Tugendhat house in Moravia and the 1929 German Pavilion that he designed for the International Convention in Barcelona, Spain, as a way of delineating the strengths of his work, as well as serving as a reminder of the distinct limitations of Minimalism within the realm of architecture.
From the Paper
"When we look at Tugendhat House what we see is a building that rather aggressively protrudes from the hill to which it is anchored. Mies set the building apart from the hill both in terms of color - it is gray and black, entirely lacking in the greens and earth-tones of the surrounding hillside - and in terms of form. The hill is rounded, gently sloping, its curve emblematic of the ways in which water and geological stratigraphy and wind shape the earth. The building's exterior is none of these things: It is not only rectilinear (as are most structures in the modern world) but it flaunts this rectilinearity. Its solidity emphasis the human-constructed nature of the structure: We would never (no matter from what distance we viewed this building or from what angle) confuse this with something created by nature."
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Inventory Managers, 2003.
Discusses career opportunities for inventory control managers.
1,350 words (approx. 5.4 pages), 4 sources, $ 47.95
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Abstract
Considers the personal attributes needed for the job, working conditions, necessary skills, pay range, and gives the example of the Shoe Pavilion as a company with good opportunities.
From the Paper
"Operations managers plan, direct and/or coordinate the operations of a company or organization. Operations managers are typically involved in the layout of a facility, policy formulation, inventory ..."
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Hosting an Olympiad: Costs and Benefits., 2002.
Overview of the economic pros and cons of hosting the Olympics in Toronto.
1,650 words (approx. 6.6 pages), 6 sources, $ 62.95
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Abstract
Proponents of Toronto's Olympic bid argue that it will be an economic windfall for the city directly and indirectly. Its opponents argue that it will be economically costly and that it represents misguided public policy and expenditure. The experience of another Olympic venue (Barcelona, 1992) is outlined and then the debate about potential costs and benefits for Toronto is examined.
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Anarchism, 2003.
A brief introduction into the anarchist ideology and its relevance to the appreciation of political science.
1,602 words (approx. 6.4 pages), 9 sources, APA, $ 52.95
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Abstract
This paper provides an introduction of the ideology of anarchism, where the government is typically perceived as evil as well as wholly unnecessary. It includes a background to the development of the theory and its main principles and assumptions. It also looks at a number of key examples throughout history such as Barcelona during the Spanish Civil war and the Paris Commune as well as the current standing of anarchism today.
From the Paper
"The individual within the Anarchism ideal is thus rational, but must also be to an extent compassionate, as Buchanan proposes in "The Limits of Liberty" individuals should be 'dictated by mutual tolerance and respect'. So with this understanding of the individual within anarchic society as a basis, a perception of Anarchism can be developed. Anarchy is most often defined as the "Lack of a centralized authority." Government is typically perceived as evil as well as wholly unnecessary. This can often have negative connotations, suggesting a lack of social direction and stability. Yet as Herbert Read proposes in his script, "Anarchy and Order", anarchy "is ambiguous - for . . . 'without ruler', the literal meaning of the root of the word, is not necessarily 'without order', the meaning often loosely ascribed to it.""
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Pablo Picasso, 1999.
This paper looks at Picasso's works before Cubism.
910 words (approx. 3.6 pages), 1 source, MLA, $ 32.95
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Abstract
This is a brief analysis of Picasso work in the first half of the 20th Century. It looks at the progress of his work and what influenced them. From his time in Paris to his stint in Barcelona, this paper offers insight to the first half of Picasso's incredible career.
From the Paper
"Pablo Picasso's literary friends, Guillaume Apollinaire and Alfred Jarry, influenced his work. These new acquaintances, whom he met in Paris after his return in 1904, influenced three, if not more, paints: Women in a Chemise (1905), Self-portrait (1906), and Ubu (1937). The Women in a Chemise and Ubu were attributed to the artistically written piece of both men, but Self-portrait might have been a response to a review, of Picasso, by Apollinaire. Picasso's association with these two gentlemen can be seen in some of his work."
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