| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "ARCHITECTURAL FORMS": |
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Architectural Forms, 2002.
A comparison of various architectural forms.
650 words (approx. 2.6 pages), 5 sources, $ 26.95
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Abstract
This paper compares the manifestos on twentieth century architecture. Walter Gropius proposed an architectural form that was purely functional, and based on art and engineering. De Stijl's movement proposed abstraction and simplicity. Kasimir Malevich believed in minimal art in the form based on his ideas. Theo van Doesburg proposed elemental and functional architectural form. Antonio Sant'Elia's architectural form was the only negative and revolutionary one.
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Form And Function in Architecture, 2004.
An essay using examples of modern technology to argue in favor of function following form in architecture.
678 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
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Abstract
This paper is an essay using examples of modern technology to argue in favor of function following form, even though there can be cases when form and function are one.
From the Paper
"The debate about form and function is an ongoing one. Some argue that form follows function; others like architect Frank Lloyd Wright, believed that form and function are one. However, in contemporary society, there is ample evidence that function follows form, for without an understanding of form, we cannot derive function. Even so, there are some cases when form and function are one. Body In Leach's 'Rethinking Architecture' (Umberto Eco) provides an example of form and function via a story about an elevator."
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Gothic Architecture and Renaissance Architecture, 2005.
A comparative analysis of Gothic and Renaissance architecture.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
This paper compares Gothic architecture and Renaissance architecture, showing the change that came over architecture with the shift from the more massive and decorated style of the Gothic to the cleaner classical lines of the Renaissance, a period which also borrowed from the Moslem style to make new use of the dome, as in religious buildings by Brunelleschi.
From the Paper
"Gothic architecture developed from the Romanesque style and emerged in the twelfth century. It prevailed until the Renaissance beginning in the fifteenth century. Gothic architecture was marked by size and elaborate decorations. However, Gothic architecture was first defined in terms of a change in Romanesque church architecture diagonal ribs were added to the groin-vault, as was first seen at the Abbey Church of St. Denis near Paris (Frankl 1). In part because of its origins, Gothic architecture has long been associated with France and is considered a French style, though in fact, others used it as well. Gothic architecture is probably represented for many people by Notre-Dame de Paris, a facade known from countless stories and other representations as well as for itself. "
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Timber in Tectonic Architecture, 2006.
An explanation of tectonic architecture and how this form of architecture can make use of timber.
2,245 words (approx. 9.0 pages), 7 sources, MLA, $ 69.95
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Abstract
This paper explains what tectonic architecture is, examines the trend towards this form of architecture, discusses its history, describes the different modes of tectonic architecture and looks at the role that timber can have in tectonic architecture. The paper further explains why a return to tectonic architecture is an environmentally sound move and why timber is an appropriate material to use in tectonic construction.
From the Paper
"There is a growing movement towards tectonics in architecture, a return to the basic form and styles of the old schools of architecture. This movement has occurred as a result of the current tendency to reduce architecture to scenography. Architecture at the end of the 20th century has mostly been treated as a large commodity, with attention to cultural details minimized. Kenneth Frampton says that "among the seductions of the scenographic is the fact that the results are eminently amortizable, with all the deleterious consequences that this attitude entails for the future of the environment." Architecture of this century has been subject to the concept of spatial invention as an end in itself, with abstract art and visual obscurity the high points. The movement back to using the structural unit as the essence of architectural form is gaining strength."
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An Architectural Slide Presentation, 2002.
Reports five different responses to the same architectural slide presentation.
2,650 words (approx. 10.6 pages), 7 sources, $ 97.95
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Abstract
This essay consists of five different responses to a slide presentation, where different images of a particular sculpture, structure, or building are identified in relation to architectural styles, influences, and locations. Each response identifies the architectural style and influences (e.g., Baroque, Gothic) as well as identifies the cultural and historical location of the particular example, including the years during which a particular architectural style can be attributed.
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Architectural Design, 2001.
A look at architectural design, the Horyuji temple in Japan, and how it reflects culture
2,040 words (approx. 8.2 pages), 6 sources, $ 64.95
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Abstract
A look at changes in architectural design. The author focuses on the way architecture reflects culture with focus on the Horyuji temple in Japan which expresses the culture of the time in which it was built.
From the Paper
"Throughout history, architectural design has undergone progressive changes in style based on a variety of factors. One of the most significant transitional phases in Japan includes the Asuka period in which Buddhism dramatically influenced the essence of the dialectic between form and function. A prime example of this profound style is the Horyuji Temple. Although the relationship between Buddhist philosophy and architectural design is unquestioned throughout this period, the origins of this relationship are intriguing. What factors led to the development of the Buddhist influenced structures? How significant are the features of the Horyuji in creating allusions to Buddhist ideology? To what extent is the Horyuji Temple ?Japanese? versus Buddhist?"
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Fashion and Architectural Design, 2007.
This paper explores the relationship between fashion and architectural design, viewing garments as portable dwellings.
1,431 words (approx. 5.7 pages), 6 sources, APA, $ 47.95
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Abstract
This paper examines the relationship of fashion and architectural design from anthropological and philosophical perspectives. Art is considered as a function of the society that produced it. The Victorian Era is cited as an epoch in which architecture and fashion were interconnected. This paper includes an annotated bibliography.
Outline:
Background
Research Design
Outline and Research Structure
Annotated Bibliography
From the Paper
"An age-old argument among scholars has been whether art influences society, or whether art is a reflection of the society that produced it. When one examines art as an expression of self, it is difficult to view it as anything other than an expression of society. Popular designers in architecture and fashion design works that achieve public acceptance. Therefore, it stands to reason that trends in architectural design and fashion design are a reflection of the society that surrounds them. This research will explore the link between fashion design and architectural design with an emphasis on the use of fabric and building materials as the medium. "
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Postmodern Literature, Architectural Thinking and Experience, 2005.
The influence of postmodern literature upon architectural thinking and experience in the post-modern age.
900 words (approx. 3.6 pages), 4 sources, $ 35.95
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Abstract
The paper examines the correlation between postmodern literature and postmodern architecture by reviewing three notable postmodern literary works and how their features (principally a disavowal of traditional, historical myth) may be found in three post-modern architectural marvels of today. These two disciplines are at the forefront of a new age of meta-cognition, one that rebuilds the past by de-constructing it.
From the Paper
"There is, perhaps predictably, a strong relationship between postmodern literature and postmodern architecture. One says "predictably" because architects and literary artists are both sculptors and creators and are thus subject to the same broad intellectual fetishes or contretemps. With this in mind, the following paper will examine the correlation between postmodern literature and postmodern architecture by reviewing three notable postmodern literary works and how their features (principally a disavowal of traditional, historical "myth") may be found in three post-modern architectural marvels of today."
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Spacial and Architectural Codes, 2005.
A discussion on the spatial and architectural codes of Nathan Phillips Square in Toronto.
1,125 words (approx. 4.5 pages), 1 source, $ 44.95
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Abstract
This essay explores the architectural spatial codes of Nathan Phillips Square in Toronto. It focuses on who the square was designed to be used by and what the space is currently used for. The essay also discusses if the square's significance has changed over the years and if it now or ever really served the citizenry of Toronto.
From the Paper
"Spatial and Architectural Codes of Nathan Phillips Square Nathan Phillips Square was envisioned and designed in conjunction with the Toronto City Hall buildings, and is located directly in front of and south of City Hall at the northwest corner of Bay and Queen Street ("Viljo Revell" n.p.). Opened in 1965, Nathan Phillips Square was named in honour of Nathan Phillips who served as mayor from 1955 to 1962 ("Toronto City Hall Tour" n.p.). The space consists of a large open area containing a reflecting pool that transforms to a skating rink in winter, a large ramp leading to the second level demonstration gardens of City Hall, Peace Garden, sculptures, and a speakers' corner podium.
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Architectural Acoustics of Concert Halls, 2002.
Explores the challenge of architectural acoustics faced by architects when designing concert halls.
650 words (approx. 2.6 pages), 4 sources, $ 26.95
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Abstract
The term architectural acoustics refers to the creation of rooms or concert halls that provide musical sound of high quality. Acoustics are a challenge to all designers of concert halls. The architect aims for the best possible clarity of sound for a knowledgeable listener will hear immediately if the sound of a note is distorted by the interior of the place in which it is played.
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Architectural Strategies of Charles W. Moore., 2002.
Describes the architectural design strategies of Charles Willard Moore, one of the most notable architects of the Post-Modern era.
2,150 words (approx. 8.6 pages), 5 sources, $ 80.95
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Abstract
Three famed examples of Charles Willard Moore's ingenious work will be selected during the course of the paper and his core strategies will be described in that backdrop. During the course of the paper, an attempt will also be made to show how his work qualifies as belonging to the Post-Modern era of architecture.
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A Study of the Architectural Column., 2006.
An in-depth review of all aspects of the column, history and architecture.
1,470 words (approx. 5.9 pages), 3 sources, MLA, $ 48.95
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Abstract
In this paper the author centers on the column as an integral part of architecture through the ages. He commences with an explanation of the main parts of the column and each of the names associated with these parts.The paper then goes on to describe the uses and appearances of the column through the ages right up until modern day and its importance to architecture.
From the Paper
"There is no base to spruce up this basic design which leaves this column with a very straight forward but powerful presence in its design. During the early sixth century B.C., Doric columns were shorter compared to their height and diameter. Doric capitals showed an evolution from a broad flaring to a more compact form. Doric, like most Greek styles, emitted a strong horizontal presence in its architectural design."
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Architectural Design, 2005.
A discussion on systems thinking in architecture.
3,450 words (approx. 13.8 pages), 11 sources, MLA, $ 119.95
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Abstract
This paper discusses the systems theory as understood and expressed in comparative architectural design history. It offers the theories of the Archigram in the West and the Metabolism Movement in Japan to qualify the author's discussion.
From the Paper
"The objective of systems thinking is a methodology to solve problems. It follows two basic premises first that reality is regarded in terms of wholes. Gestalten' and that the environment is an ..."
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Architectural Literature, 2007.
This paper compares and contrasts Sai Mustafa Celebi's "Memoir of Sinan the Architect" and Andrea Palladio's "Four Books on Architecture."
1,037 words (approx. 4.1 pages), 4 sources, MLA, $ 36.95
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Abstract
The paper discusses how Palladio was informed by the Western, classical tradition of thought which is demonstrated in his style as well as in his subject material. Sinan's biographer, however, relied on a more fluid and poetic Eastern tradition in both description and focus. The paper examines how, influenced by the burgeoning Italian Renaissance of the time, Palladio's treatise is a critical examination of classical architecture. "Memoirs of Sinan," however, represents a holistic examination of the architect's life. The paper reveals that due to the fact that Palladio's text is written in a very familiar style, researchers and students might well have the tendency to focus on it while ignoring the more complex and holistic text about an architect from Turkey.
From the Paper
"To begin with, consider Andrea Palladio and his Four Books of Architecture. Palladio is one of the most famous Western architects. He constructed buildings of many types in Venice and other parts of Italy during his lifetime, 1508-1580. His Four Books on Architecture was printed in Venice in 1570 and describes a variety of aspects of classical architecture, as it was known at the time. Book I examines the preparations necessary for architectural construction as well as materials employed. Book II discusses ancient Greek and Roman private houses. Book III describes public works and civic architecture, while Books IV is specifically devoted to a discussion of ancient Roman temples and places of religious worship."
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The International Style of Architectural Design, 2002.
Examines how architects Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier helped shape the modern city with their innovative styles .
1,400 words (approx. 5.6 pages), 4 sources, $ 53.95
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Abstract
What now seems repetitive was once radically innovative when architects, such as Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier, attempted to reshape the urban metropolis in order to reflect the aesthetic principles of an industrial, democratic age. This paper will examine the achievements of the three architects noted above. Their works will be examined with respect to both theory and practice. It will be argued that, while their legacy in the field of architecture remains controversial to this day, their contributions to the establishment of the International Style fundamentally altered the landscape of the modern city.
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