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Act Two, Scene One ? ?A Midsummer Night?s Dream?, 2002.
A detailed analyis of act two, scene one of William Shakespeare's "A Midsummer Night's Dream.
2,815 words (approx. 11.3 pages), 0 sources, $ 83.95
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Abstract
The paper discusses why Act two Scene one of Shakespeare's "A Midsummer Night's Dream" is a very important scene. In it all the major and minor themes of the play as a whole can be found, through a detailed analysis of the characters, their speech and the imagery the scene contains. Among other things, jealousy, the supernatural/natural world and love in all its different forms are explored in this essay. The paper contains a thorough analysis of the characters, imagery and ideas all contained within the scene, which can be applied to to the rest of the play as a whole.
From the Paper
"Cupid?s ?fiery shaft? renders the idea/theme of love as a fiery, passionate and heated affliction, that literally pierces the heart in a shower of flames. This idea foretells the lovesick hysteria that is soon to enfold the young Athenians, and can especially be seen in Helen as she traipses after the desperate Demetrius. The ?shaft? itself is contrasted with the description of the moon, which is ?chaste? and ?watery?, a hazy image in comparison to Cupid?s blazing arrow. The sing-song alliteration mirrors the maiden?s carefree state, in which she carries on unscathed by Cupid?s plan. The notion of love as an infliction (albeit a desirable infliction) is stressed once more by Oberon?s description of the ?love-in-idleness? as ?a little western flower? which has been turned ?purple with love's wound?."
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Transformations in "A Midsummer Night's Dream", 2002.
This paper examines the recurring changes of the moon and the transformation of the characters in "A Midsummer Night's Dream".
1,465 words (approx. 5.9 pages), 4 sources, $ 48.95
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Abstract
This paper analyzes one of William Shakespeare?s most celebrated comedic plays, "A Midsummer Night?s Dream". The author examines how the throughout the play the characters attempt to find a way to understand the mechanism of love in a rational way and experience self-alterations that they believe to be a dream in the end. The paper also looks at how the recurring reference to the ever-changing moon parallels the transformation of the characters in "A Midsummer Night?s Dream".
From the Paper:
"A Midsummer Night?s Dream" brilliantly expresses the profound human uncertainty about love. Dream world and reality merge undetectably so that the characters are not sure themselves in which sphere they move, nor whether what they have experienced has been imagination or truth. What seems to be a fantasy or a dream for the characters in "A Midsummer Night?s Dream" is actually reality. However, the dreamlike atmosphere of the play accentuates the fact that the lovers appear to be quite removed from any criteria applicable to reality."
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"A Midsummer Night's Dream", 2002.
An examination of the themes of magic and imagination in Shakespeare's play "A Midsummer Night's Dream".
1,900 words (approx. 7.6 pages), 5 sources, $ 71.95
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Abstract
Specifically, this paper presents a thesis that magic and imagination drive the events of the story in "A Midsummer Night's Dream" more than in any other Shakespearean play, thus making "A Midsummer Night's Dream" Shakespeare's only play of pure fantasy.
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William Shakespeare's "A Midsummer Night's Dream", 2006.
This paper analyzes the use of comedy in William Shakespeare's "A Midsummer Night's Dream" as presented in the play-within-a-play, 'The Most Lamentable Comedy and Most Cruel Death of Pyramus and Thisby', in Act V.
1,495 words (approx. 6.0 pages), 3 sources, MLA, $ 49.95
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Abstract
This paper describes William Shakespeare's "A Midsummer Night's Dream as preposterous, and arsy-versy. The author points out that, by using the rude mechanicals, Shakespeare seems to be arguing that arsy-versy can turn even the most lamentable tragedy into a roaring comedy. The paper relates that an example of arsy-versy of one of the rude mechanicals is called Snug the Joiner, whose rhetoric is so slow and disjointed that he asks for his lines written in advance. The author also then discusses Titania as an example of preposterousnous, explaining that she is the fairy goddess who falls deeply in love with Bottom despite his having an ass for a head of which he is unaware. The paper concludes that the backwards reaction to the events of the play-within-the-play points to Shakespeare's message that people are insensitive to their own follies and yet are very perceptive of the same follies found in others.
From the Paper
"As the play begins, the preposterousness of the presentation is immediately shown in the prologue, which the rude mechanicals took great care to write so as not to offend the court. Peter Quince's delivery of the prologue presents a message opposite from the intended one. "If we offend, it is with our good will," he says, unfortunately telling the court that his intent is to offend. "All for your delight," he later says, "we are not here". The players then continue to present their play in a rather backwards manner; by making it crystal clear to the court that what they see in front of them isn't real."
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Comedy in "A Midsummer Night's Dream", 2006.
An analysis of William Shakespeare's use of comedy in his play "A Midsummer Night's Dream".
1,487 words (approx. 5.9 pages), 1 source, MLA, $ 49.95
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Abstract
This report looks at Shakespeare's play "A Midsummer Night's Dream" from the perspective of how the author uses comedy in the play to achieve plot and character development. It primarily looks at Shakespeare's ironic references but also considers more serious themes in the play. For example, when Shakespeare refers to the players as asses in the work, this highlights the ridiculousness and humorous aspects of the scene. The paper concentrates on such scenes, around the general theory that Shakespeare used comedy to further some contrast to the serious scenes in the play.
From the Paper
"In the first scene of Shakespeare's A Midsummer Night's
Dream, the character Helena, after the other characters have gone offstage, continues to speak to the audience about her conception of love. She seems to contradict herself, first saying that love is born of the mind and then stating its blindness and irrationality. This
is showing some humor already in that there is a willful contradiction for the audience. More seriously, her idea of love is one that is mixed up in power and revenge, and these themes come into play later on in the work, when Oberon and Titania have their own schemes of power and revenge in the forest."
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Shakespeare's "A Midsummer's Night Dream", 2007.
This paper compares and contrasts Shakespear's original version of "A Midsummer's Night Dream" with the film version.
990 words (approx. 4.0 pages), 2 sources, MLA, $ 35.95
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Abstract
The paper discusses how both the film and the original version of William Shakespeare's romantic comedy "A Midsummer's Night Dream" use the same words to tell a tale of temporarily thwarted young love. Yet, there are many differences the paper illustrates. The paper explains that because the film uses visual images to illustrate the words of the Shakespearean play and makes use of selective cutting to emphasize certain scenes over others, the film offers a more selective view of dreams and dreaming as opposed to the play that is viewed in its complete and uncut form.
From the Paper
"The nature of cinema allows the director of "A Midsummer's Night Dream" to make the fairies, such as Titania, Oberon, and Puck seem much more fantastical in contrast to the earth-bound mortals. The fairies float; strange, beautiful lights surround them. Yet in this rendition, they lose some of the earthier, humorous, and more interesting mortal qualities in contrast to the warring fairy characters in the play."
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Film Adaptation of "A Midsummer Night's Dream", 2002.
Comparison of Shakespeare's original play "A Midsummer Night's Dream" with the 1999 film adaptation by Michael Hoffman.
1,150 words (approx. 4.6 pages), 3 sources, $ 44.95
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Abstract
This paper looks at and compares Shakespeare's play, A Midsummer Night's Dream, with Michael Hoffman's 1999 film adaptation. Looking at how specific differences such as language and scenes differ from interpretations, and how if there is any suggestive influence that enables us to better understand the original play.
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"A Midsummer Night's Dream", 2006.
This paper discusses and analyzes the play "A Midsummer Night's Dream" by William Shakespeare.
1,050 words (approx. 4.2 pages), 2 sources, MLA, $ 36.95
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Abstract
The writer of this article studies various acts of Shakespeare's play "A Midsummer Night's Dream". The paper provides a view of one of Shakespeare's most famous and most loved works. In particular, the paper looks at how an all-male cast affects three pivotal scenes and explains how this staging tactic demands that audiences respond in a particular way. The writer explains that using only men in all the roles would have been common in Shakespeare's time, but today, it seems to take away from the impact and humor of the play.
From the Paper
"Clearly, the implications and consequences of the play are different when all the cast members are one gender. Some of the passion goes out of the play, and some of the scenes may even seem ridiculous or far-fetched. Personally, the play is funny and emotional, and some of that might just seem like farce to the audience when the cast was all male. It might seem more like "The Bird Cage" or other gay films. Giving hints of femaleness may work with some of the cast, but in other scenes, giving hints may simply take away the dramatic effect and lessen the impact of the play. The femaleness of the female characters is very important to the play, but it can be overcome with actors who believe in what they are doing and deliver their lines with conviction. Tongue-in-cheek lines will ruin the entire meaning and impact of the play."
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"A Midsummer Night's Dream", 2005.
An analysis of the meaning of the title of William Shakespeare's "A Midsummer Night's Dream".
690 words (approx. 2.8 pages), 2 sources, MLA, $ 23.95
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Abstract
The purpose of this paper is to understand what Shakespeare meant by the title "A Midsummer Night's Dream" following the clues in key speeches. It also looks at the theme of the title, midsummer madness and supernatural elements.
From the Paper
"The themes embodied in Shakespeare's comedy A Midsummer Night's Dream recall the line that questions whether all that we see or seem is merely a dream within a dream. Unlike his other plays the title of Shakespeare's fantastic..."
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"A Midsummer Night?s Dream", 2004.
A look at the themes of dream and reality in Shakespeare's "A Midsummer Night?s Dream".
1,587 words (approx. 6.3 pages), 4 sources, MLA, $ 51.95
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Abstract
William Shakespeare?s play, "A Midsummer Night?s Dream", creates a dream world fused with reality. Shakespeare successfully makes the world of Puck and other sprites realistic by employing powerful, vivid text in the play. The paper explains that, through his creative use of language, Shakespeare creates a world of illusion where things are not what they seem, and imagination pushes the limits of fact. The result of powerful language aided by our own imagination allows this enchanted world to appear real in the moonlit forest. It examines how the text of the play is constructed in such a way that we not only visualize the setting of the play, but we also come to know each character.
From the Paper
"The interplay between Puck, Lysander, and Demetrius demonstrates the contrast between mortals and fairies. Puck successfully misguides the two men until they become confused and lose their sense of direction. Puck has an added measure of fun when he tells Demetrius to follow his voice. While Lysander tries to follow that voice, he describes Pucks? nature almost perfectly. He states that the villain is ?much lighter-heeled? Shakespeare (III.ii.416) than he is and though he followed the voice fast, ?faster he did fly? (III.ii.417). Similarly, Demetrius encounters the same type of confusion with Puck."
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"Midsummer Night's Dream", 2005.
A discussion on the main themes in Shakespeare's "Midsummer Night's Dream".
920 words (approx. 3.7 pages), 3 sources, MLA, $ 31.95
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Abstract
This paper discusses the whirling relationships between the four lovers in Shakespeare's comedy "Midsummer Night's Dream". It illustrates the theme of rash love's delusions versus mature, realistic love. The author explores the impact of midsummer madness on behavior.
From the Paper
"In Shakespeare's, "Midsummer's Night Dream" the pivotal word is dream-in the sense of illusion and irrational behavior. The enchanting comedy seems like a romp of intoxicated imagination in which deluded lovers end up in ..."
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Fantasy in "A Midsummer Night's Dream", 2002.
Examines the way Shakespeare uses the concepts of mystics and fantasy in his play "A Midsummer Night's Dream".
806 words (approx. 3.2 pages), 1 source, MLA, $ 28.95
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Abstract
This paper briefly discusses how the fantasy in "A Midsummer Night's Dream" involves magic and a belief in fairies and sprites. It explains that the first of several conflicts of opposites in the play is between reality and fantasy, between the reality of life in the city and fantastic nature of life in the woods.
From the Paper
"In A Midsummer Night's Dream, one reason for the fantasy element is to create a dramatic stage on which to test human constancy and human worth. Lysander states that "the course of true love never did run smooth" (I.i.134), and this represents a theme that runs through many of Shakespeare's plays and indeed through much of world literature. The statement itself embodies several ideas. First, it assumes that there is such a thing as true love and that it is a conception based on the idea that two people are literally meant for each other. Second, it states that these two people, though meant for each other, may have to endure a good deal before they can actually achieve the love that is their destiny. In terms of A Midsummer Night's Dream, this statement helps characterize Lysander in a way that makes it evident the objections raised to the young man by Egeus are wrong and that Lysander is not one to feign love at all as Egeus believes he is doing. Lysander does indeed love Hermia as she loves him."
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"A Midsummer Night's Dream", 2006.
An examination of Shakespeare's "A Midsummer Night's Dream".
1,140 words (approx. 4.6 pages), 1 source, MLA, $ 39.95
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Abstract
This paper examines Shakespeare's play "A Midsummer Night's Dream". Specifically, it focuses on the character of Puck and his last speech which he presented before he died.
From the Paper
"The answers to these and many other questions put forth by the Bard so long ago begs our response and until that response is forthcoming the cries of anguish throughout the world shall die in the wind. Although The Puck, Robin Goodfellow was alone upon the stage his last words are still heard loudly throughout the world and what he's telling us is that the last word, quite literally belongs to us, and that word or words must be words of action!"
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"A Midsummer Night's Dream", 2004.
An analysis of "A Midsummer Night's Dream".
1,125 words (approx. 4.5 pages), 3 sources, MLA, $ 39.95
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Abstract
This paper presents an analysis of William Shakespeare's comedy, "A Midsummer Night's Dream", that rejects critical analysis that views the play as evidence of male dominance over women in the era depicted.
From the Paper
"A Midsummer Night's Dream is a play that revolves around love sex and marriage. The plot revolves around two sets of lovers Hermia and Lysander and Helena and Demetrius whose complicated romantic relations are made more complex by their arrival in the fairyland woods. Here the King and Queen of the Fairies Oberon and Titania rule and are involved in a battle themselves over the custody of a young changeling boy in Titania's care. A majority of critics contend that the play reflects certain characteristics ..."
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"A Midsummer Night?s Dream", 2004.
A review of William Shakespeare's "A Midsummer Night's Dream".
1,070 words (approx. 4.3 pages), 0 sources, $ 37.95
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Abstract
This paper discusses the play, "A Midsummer Night's Dream" by William Shakespeare. The paper examines how the play employs the same parallels that exist in reality within the make-believe world of the enchanted forest. The paper explains how the placement of a play within a play superimposes life's small episodes within the larger framework of reality. While the play is a comedy about life, the paper contends that it also alludes to the absurdity of resolving conflict.
From the Paper
"The two sets of lovers that enter the forest leave the reality of Athens for the magic of the fairyland. Unbeknownst to them, it is the magic of the fairies that sorts out their tangled relationships while they sleep. In the real world of Athens, the harsh reality is that Hermia must either wed the man her father wishes her to, live the life of a cloistered celibate, or be put to death. The acquiescence of Theseus and his persuasion of Hermia's father to permit the wedding between Hermia and Lysander, allow the returning lovers and Demetrius and Helena to remain partners. The four lovers are changed from an uncertain future in Athens to a life together after spending the night in the forest. This is a fairy-tale story from many viewpoints. It is the fairies that have worked their magic on the couples making the outcome viable. The pairing that results is the best for all involved. Although it appears Demetrius remains under the spell of the love juice even after they return to the city, the other individuals are now guided by their own passions, and any misguided love has been redirected to the appropriate partner."
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