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Tragedy in Literature, 2006.
A study of the concept of tragedy in "Hamlet, Prince of Denmark" by William Shakespeare and "Death of A Salesman" by Arthur Miller.
900 words (approx. 3.6 pages), 2 sources, $ 35.95
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Abstract
In this paper, the theme of tragedy is analyzed in relation to "Hamlet, Prince of Denmark" by William Shakespeare and "Death of A Salesman" by Arthur Miller. The paper describes how in many ways, the psychological character flaws within Willy and Hamlet reflect a saddening demise to essentially good men. They both exhibit a tendency to rise above their station, but there is usually no consistency or rationale for their self-destructive behaviors.
From the Paper
"This study will analyze the theme of tragedy within "Hamlet, Prince of Denmark" by William Shakespeare and "Death of A Salesman" by Arthur Miller. By realizing the often noble and courageous beliefs of Hamlet and Willy Loman, they invariably do not have the ability to overcome their own personal weaknesses. In the noble Hamlet, one can find psychological madness and isolation as a tragic perspective; as one can find in the self-destructive tendencies of Willy Loman in Miller's tragedy. In essence, the personality flaws found within these two characters often reflects a saddening and 'tragic' fall of good men that seek to rise above their station in life. The play "Hamlet" is similar in how usurpation of power is a clear motivation for Hamlet's love for his father and family.
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Nobility and Power, 2006.
This paper examines the theme and setting for the usurpation of power in "A Midsummer Nights Dream" by William Shakespeare.
675 words (approx. 2.7 pages), 1 source, $ 26.95
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Abstract
The paper discusses how the complex variables of oligarchic settings in this play reveal the constant flux of power that exchanges hands within this family. In many ways, power is a relative abstraction that goes beyond title or other means of status that exists within the many lovers in this comedy. The paper shows how the often hilarious setting makes a buffoonery of nobility and its supposed power in society, marking a trend toward love as the real power center in regards to usurping power over one another.
From the Paper
"This drama study will analyze the setting and theme for the usurpation of power in "A Midsummer Nights Dream" by William Shakespeare. The key thematic connection of the usurpation of kingly power is a central focus in Shakespeare's characters in this play. By integrating the theme of love in this analysis, one can realize the trickery and guises through romance that instigate plot tension within these works by William Shakespeare. In essence, the setting and theme of Shakespeare's play reveals the revolving door of leadership in the usurpation of power in "A Midsummer Nights Dream." The usurpation of power in the play "A Midsummer Nights Dream" is a patriarchal issue that relates to Egeus and his daughter Hermia."
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Program Music v. Absolute Music, 2006.
This paper examines the Verdi aria "Ave Maria" from "Othello," highlighting the debate between program and absolute music.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
The paper outlines the importance the aria holds for the opera and for music in general. The paper then outlines the debate depicting how music ought to be considered. Finally it considers whether the aria better fits one or the other of the arguments. The conclusion of the paper is that program music better explains the piece.
From the Paper
"In Verdi's "Ave Maria," from "Othello," Desdemona sings what is perhaps the opera's greatest addition to the storyline already laid out so brilliantly by Shakespeare. In a lilting, soaring soprano, Desdemona presents this liturgical prayer for the humble, the innocent and the oppressed in such a beautifully supplicant manner that the listener feels her purity and honesty pouring through her tender prayer. The story wins the listener over to the character, particularly as the music is juxtaposed to the hard declamations of the evil Iago. Though the character has a name that is purposefully indicative of demons, and the tragedy that befalls her later in the opera stems from the misunderstanding of her connection to evil, the listener knows from the moment that Desdemona has sung the "Ave Maria" that the character is pure of heart and gentle of spirit."
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Oedipus and Hamlet, 2006.
A comparison between Sophocles' 'King Oedipus' and Shakespeare's 'Hamlet'.
1,350 words (approx. 5.4 pages), 2 sources, $ 53.95
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Abstract
This paper discusses how the role of fate in determining an individual's destiny is a question that has preoccupied humanity for millennia. The paper goes on to discuss two of the most prominent tragedies in global literature, Sophocles' 'King Oedipus' and Shakespeare's 'Hamlet'. From these two examples, we can see how two authors - separated by centuries and vast cultural differences - approached this question in similar, yet distinct, ways. This essay argues the thesis that while the protagonists of each play, Oedipus and Hamlet, are victims of fate, the latter character is distinguished from his Greek counterpart by his complex reflections upon his condition and his efforts to resist his destiny.
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'Othello' by William Shakespeare., 2006.
A review of the submissive female gender role of Desdemona in 'Othello' by William Shakespeare.
675 words (approx. 2.7 pages), 1 source, $ 26.95
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Abstract
This paper discusses the submissive victim role played by Desdemona in 'Othello' by William Shakespeare, and how it is the central aspect of Othello's demise. She is privately inquisitive as to why Othello is angered at her, but she cannot properly stand up to her husband and fend off the allegations set against her by Iago. This provides the various episodes of jealousy and rage that will culminate in the destruction of their marriage.
From the Paper
"In this drama study, the character Desdemona in Othello by William Shakespeare will be analyzed for her various submissive roles as the wife of Othello. In many ways, she does portray a victim role, as she is clearly unaware of the seriously necessity to confront her husband. Although she is at once penetrating in her thoughts about her husband inwardly, she does not publicly surmise the danger of her husband's anger throughout much of the play. In essence, Desdemona is a submissive victim role character that cannot reveal the plot set against her by the vicious Iago. "
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'Othello' by William Shakespeare, 2006.
A review of the jealousy, submissive female gender roles and race in 'Othello' by William Shakespeare.
675 words (approx. 2.7 pages), 5 sources, $ 26.95
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Abstract
This study examines the role of jealousy, submissive female gender roles, and racism within Othello by William Shakespeare. In many ways, Desdemona pays a submissive role to Othello, as she cannot rise above her fears and confront her husband on the grave error of his theories about her infidelity. Furthermore, the issue of race helps Iago deploy his plan, as both he and Desdemona's father are racist in their jealousy of Othello's success. In this manner, jealousy, submissive female gender roles, and racism are constructed to bring a tragic ending to the once hopeful marriage of Othello and Desdemona. The issue of jealousy begins with Iago's anger at Cassio getting a promotion in Othello's elite guard.
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Complexity of Human Society, 2006.
This paper discusses the issue of the significance of human life considering the complexity of human society.
1,800 words (approx. 7.2 pages), 2 sources, $ 71.95
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Abstract
In this article, the writer discusses whether there is any significance in human life. This essay shows, through reference to five passages - from Shakespeare, Ibsen, Kafka, Dostoevsky, and Nietzsche - that this issue has preoccupied writers and philosophers for centuries. The writer points out that through the voices of dramatic and fictional characters, as well as through the direct authorial voice, these men expressed a range of perspectives on this topic.
From the Paper
One of the central questions of life in the modern age is whether there is any significance in our lives given the complexity of human society and how it seems to limit and restrict our freedom.
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Theme of Insanity in Hamlet, 2006.
This paper discusses the theme of insanity in the character Hamlet in the tragedy of Hamlet, Prince of Denmark by William Shakespeare.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
In this paper, the writer demonstrates that Hamlet has ultimately realized true insanity, as he has acted out his madness in a disguise that has failed on a large scale. The writer discusses that in this manner, the critical views of Grady offer greater insight into a psychological case for insanity for Hamlet in the play. The writer also shows that critic Harold Bloom does show a variety of behaviors that might present Hamlet's insanity as a disguise.
From the Paper
"This study reveals critical theory and interpretation that often revolves the character Hamlet in William Shakespeare's play The Tragedy of Hamlet, Prince of Denmark. By assessing modern critical theory on Hamlet's character, one can understand that many critics agree on Hamlet's insanity within the play, and how this links to his own tragic fate in the play. By offering different theoretical analysis of this aspect of Hamlet's character, we can understand why psychology--via madness and insanity--are how twentieth century critics view Shakespeare's portrayal of Hamlet in critical perspectives. In the first appearance of the Ghost (Hamlet's dead father) in the beginning of the play, reveal the first delusional image that Hamlet receives."
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Shakespeare's Astrology., 2006.
A discussion regarding the theme of astrology and astronomy in the plays of William Shakespeare.
1,125 words (approx. 4.5 pages), 1 source, $ 44.95
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Abstract
This paper discusses that idea that the basis of science in Shakespeare's plays does not hold a solid empirical view of the heavenly bodies, but certainly astronomy had a predecessor in astrology. By learning of the affect stars, planets, and the zodiac has on these the various characters Shakespeare brings forth, one can realize how magic and the desire for good fortune were central aspects of faith in these plays.
From the Paper
"In this drama study, the basis of science and pseudo-science is brought forth in the dramatic works of William Shakespeare. In early astronomy, the use of astrology is communal used as a guide for many of the characters that Shakespeare used in his plays. In this analysis, the lack of real science in the plays of Shakespeare is evident, but surely, the precursor to modern astronomy is mentioned through his various quotes related to astrology. In essence, astrology is a form of science used in Shakespeare's plays that acts as a forerunner to the modern development of astronomy in 16th and 17th century England. The moon and the sun were visible guides for astrologers who wished to learn about how their future may unfold before them. "
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'The Tempest', 2006.
A discussion regarding the theme of political corruption in the play 'The Tempest' by William Shakespeare.
675 words (approx. 2.7 pages), 4 sources, $ 26.95
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Abstract
This drama study examines the play 'The Tempest' by William Shakespeare. The paper discusses how by unveiling the political corruption that Prospero must face with Caliban, Shakespeare brings forth plans of murder and usurpation within the plot of the story. Although many attempts are made to steal the power that Prospero's Dukedom offer, the play ends with the triumph of royalty over political rivals. In essence, 'The Tempest' offers a great deal of political corruption as the island survivors of the shipwreck battle for power.
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Macbeth's Clothing, 2006.
An analysis of the theme of ambition within three motifs of clothing in 'Macbeth' by William Shakespeare.
900 words (approx. 3.6 pages), 1 source, $ 35.95
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Abstract
This paper analyzes the three motifs of clothing used to help explain the ambition within the play 'Macbeth' by William Shakespeare. The symbolic use of clothing often helps provide a deeper meaning to why Macbeth seeks to gain the throne and at any cost. The paper further discusses how his ambition is not completely self reliant as his wife, Lady Macbeth, ridicules him and forces him into complying with the murder of Duncan.
From the Paper
"In this drama study, the theme of ambition will be analyzed in the play Macbeth by William Shakespeare. By analyzing three motifs of clothing within this tragedy, the theme of ambition will be revealed in how Macbeth yearns for power as the King of Scotland. By observing Shakespeare's use of symbolism in clothing, one can realize the message that is being presented throughout the play that realizes the greed for power that Macbeth desires. In essence, the motif of clothing will bring forth the theme of ambition within this Macbeth by William Shakespeare."
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Shakespeare's Sonnets, 2006.
A discussion regarding some of Shakespeare's sonnets.
1,575 words (approx. 6.3 pages), 4 sources, $ 62.95
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Abstract
This paper discusses Shakespeare, who usually known for his plays, also wrote over one hundred and fifty sonnets. The paper takes a look at how, in some of these sonnets, like the beautiful and ethereal Sonnet 18, "Shall I Compare Thee to a Summer's Day?" we find Shakespeare following the Petrarchan model of regarding the beloved as the Donna Angelicata. However, in Sonnet 130, "My Mistress' Eyes are Nothing Like the Sun," Shakespeare clearly moves away from the earlier model and presents a lover that is both more realistic, and human.
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Shakespeare's Touchstone, 2006.
A discussion regarding the use of humour in Shakespeare's work, focusing primarily on the character of Touchstone from 'As You Like It'.
1,125 words (approx. 4.5 pages), 1 source, $ 44.95
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Abstract
This paper discusses the work of William Shakespeare, focusing primarily on one of his trademarks, the use of humour and wit. From Falstaff to Beatrice, Shakespeare's wittiest characters set the bar for scathing humor that is still unmatched to this day. The paper then discusses one of Shakespeare's most humorous plays, 'As You Like It', which contains perhaps two of his wittiest characters, Rosalind and Touchstone. While Rosalind is the heroine and the focus of the play, and one of Shakespeare's most charming creations, Touchstone, the jaded and cynical clown, is perhaps the wittiest character in the play.
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Shakespeare's "Titus Andronicus" and "Henry IV", 2006.
A look at how Shakespeare was influenced by medieval dramaturgy when he wrote "Titus Andronicus" and "Henry IV".
2,250 words (approx. 9.0 pages), 4 sources, $ 89.95
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Abstract
This paper examines two plays by William Shakespeare, "Titus Andronicus" and "Henry IV", and details how each is indebted to medieval dramaturgy. To begin with the paper starts by reviewing the pyramidal construction of Shakespeare's "Titus Andronicus" and how this organization of the plot owes much to earlier medieval plays. Among other things the paper suggests that the play arrangement and sequence serves not only to heighten audience interest in the stage play but also serves to stoke the desire of theater goers to vicariously participate in the final denouement through a desire to see the wrong doers punished.
From the Paper
"The following paper examines two plays by William Shakespeare - Titus Andronicus and Henry IV - and details how each is indebted to medieval dramaturgy. To begin with, the paper starts by reviewing the "pyramidal construction" of Shakespeare's Titus Andronicus and how this organization of the plot owes much to earlier medieval plays. Among other things, the paper will suggest that the play's arrangement and sequence serves not only to heighten audience interest in the stage play but also serves to stoke the desire of theater-goers to vicariously participate in the final denouement (through a desire to see the wrong-doers punished). Beyond that, the play's pyramidal organization allows Shakespeare to also express in more subtle fashion his own classical sensibilities. Proceeding onward, the second part of the paper will be devoted to exploring Henry IV and how the "stock..."
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Visions of Death in Literature, 2006.
Compares and contrasts the themes of death in William Shakespeare's "Fear No More the Heat O' the Sun" and Robert Herrick's "To the Virgins, to Make Much of Time".
675 words (approx. 2.7 pages), 2 sources, $ 26.95
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Abstract
This paper compares and contrasts the treatment of the themes of death in two English poems, one by William Shakespeare and one by Robert Herrick. The paper argues that in "Fear No More the Heat O' the Sun" by Shakespeare death is approached as something positive, not to be feared but embraced and looked forward to whereas Herrick, in "To the Virgins, to Make Much of Time", treats death as something to be feared and avoided, viewed in a much more negative light.
From the Paper
"This paper looks at two famous poems written in the 16th and 17th centuries that both deal with the prospect of death. One is by William Shakespeare, titled "Fear No More the Heat O' the Sun," and the second is Robert Herrick's classic "To the Virgins, to Make Much of Time." These two poems have certain elements in common, and others that are very different, which this paper will discuss. The first and most obvious similarity between these poems is the use of the theme of death and the inevitability of death for each and every person. In the times these poems were written, health and life conditions were much worse than they are today, and death was a common aspect of daily life. Both poems point out that although death will take us all eventually, there is still life to be enjoyed and made the..."
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