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Music in Society, 2004.
A brief analysis of music in society.
730 words (approx. 2.9 pages), 3 sources, MLA, $ 26.95
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Abstract
This paper discusses the effect music has on society and the effect society has on music. The paper present a review of the book ,"The Politics of Music", written by Michael Linton, which claims that music cannot influence society. The paper contends that music is shaped by society, and society is shaped by people.
From the Paper
"However, even Linton back-stepped a bit when he revealed that there was one area of life in which music apparently had the ability to affect people's behavior, grocery shopping (Linton pp)! Several studies reveal that faster paced music tends to make American shoppers walk down the aisles more quickly than slower paced music (Linton pp). Apparently Holloway believes that society can be transformed by the cultivation of the right kind of music, just as Plato believed a return to the older kind of music would be instrumental in reinstating the ancient virtues, while Linton believes this is just not going to happen, period (Linton pp)."
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Congado, 2004.
A look at the music rituals of the Afro-Brazilian group that holds the "Ceremony of Congado".
986 words (approx. 3.9 pages), 1 source, MLA, $ 35.95
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Abstract
This paper examines how, each year, religious musical festivals take place in Minas Gerais, Brazil, in which musical worship is the focus. In particular, it discusses the musical worship is known as "Congado" with thousands of people coming from the small villages in which they live to take part in the ancient memorial.
Outline
Statement of Thesis
Introduction
Congado
Candombe: The Father
The Lady in the Sea
Conclusion
From the Paper
"The basis for the festival is the creation story. There is a legend told that during the time of slavery that "Our Lady of the Rosary" materialized out in the sea. In this legend the black people rescued "Our Lady of the Rosary after the whites failed in their rescue attempt. The Congado ceremony begins at the ending of Holy Week, which corresponds with Easter Sunday in the U.S. The first ceremony in the festival is the "congadeiros" meaning "The Opening of the Reign". The festival goes until sometimes in October or November. The most anticipated festival is the rosary festival which last three days and requires a month's preparation."
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Beethoven's Music, 2005.
A look at the impact that Beethoven had on the history of music.
2,251 words (approx. 9.0 pages), 4 sources, MLA, $ 69.95
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Abstract
This paper looks at how Beethoven brought to the art of music new depths of expressiveness that were not known before his time and also brought new richness of speech to every instrument for which he wrote his symphonies and other musical pieces. In essence, it explains how Beethoven was highly influential in bringing modernity to the art of music and could definitely be seen as a heroic figure in Western music due to his bravery and desire to explore new musical domains.
From the Paper
"Beethoven's artistic career seems to have greatly expanded during his second period of creativity. Between 1803 and 1804, a period accentuated by his deafness which seems to have affected his musical output very little, Beethoven produced sonatas for violin and piano and the famous Eroica Symphony, not to mention composing the Fourth, the Fifth and the Pastoral symphonies, the opera Fidelio, the Rasumovsky Quartets, the Fourth and Fifth piano concertos and the Violin concerto. With these works, the musical form was raised to its highest point of development, but more importantly, Beethoven had refined and enriched his own music to where it was now imbued with lyrical poetry, much like the heroic motifs in such poems as "Don Juan" and "Manfred" by Lord Byron. As George R. Marek notes, Beethoven's music during this second period "was marked by heroic elements that were sonorous, pure and simple, but also contained abstract ideas that made it possible for the further development of harmonic music" (58)."
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'The Beatles', 2004.
A brief overview of the history and artists of this British pop group.
750 words (approx. 3.0 pages), 2 sources, APA, $ 26.95
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Abstract
'The Beatles' changed our world by introducing a new musical style and sense of creativity in popular culture in the 1960s. This paper looks at the history of the group and examines the four singers who made up the most famous quartet in world pop music.
From the Paper
"The Beatles, through their music and lyrics, articulated the needs and frustrations of the youth and became an integral part of a new cultural movement. Their music reflected the rebellion of the youth of the 1960's against the governments and leaders and the type of thinking that had plunged the world into two world wars. The titles and lyrics of their songs reflected the desire for change and for peace in the world."
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Rachmaninoff's Piano Concerti, 2005.
This paper introduces, discusses, and analyzes the topic of the composer Sergei Rachmaninoff.
1,058 words (approx. 4.2 pages), 4 sources, MLA, $ 37.95
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Abstract
This paper discusses Rachmaninoff's piano concerti. It explains how Rachmaninoff is one of the world's best-known composers and wrote numerous pieces for concert and stage. Some of the most famous are the four piano concerti, which all highlight his talent and his high opinion of the piano as a concert instrument.
From the Paper
"Third in these four works is the Piano Concerto No. 3 in D Minor, which was written in 1909, and written specifically for Rachmaninoff's first concert tour in the United States. Many people believe this is "probably the composer's best unified longer work" ("Webring"), but it did not receive good notices from the critics when it was first performed ("Piece Details"). Another critic notes this piece "rises to another of those pinnacles which form the landmarks in his career...Conscientious historians may one day consider this concerto as the beginning of a 'third period' of the composer's life" (Veinus 350). This piece shows a true unity some of his other pieces lack, and indicates how Rachmaninoff grew as a composer as his career continued. The opening of the piece is quiet and hushed, and seems far different from the more strident first two concertos. While this piece starts simply enough, it grows to emphatically highlight the piano, and so calls for great talent from the pianist. The last movement is a virtuoso section that is quite alluring and entertaining, which rises to a soaring and elegant coda. There is also a memorable fanfare in the piece that could be a strong composition on its own. It is a very long piece, nearly 40 minutes, and consists of three distinct movements. It is still performed enthusiastically today by orchestras around the country."
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The Internet and the Music Industry, 2004.
This paper argues that music downloads and online radio have a positive effect on the music industry.
2,725 words (approx. 10.9 pages), 5 sources, APA, $ 81.95
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Abstract
This paper explains that online radio, which simply rebroadcasts the content from existing, traditional radio stations or is solely virtual, has done the music industry much more good than harm because it is able to expose a greater diversity of people to artists and a greater diversity of artists to people. The author, using statistics, points out the correlation that the more you burn from the Internet, the more CDs you buy; therefore, the author seeks other causes for the lagging sales in the music industry, such as the recession, competition from other forms of entertainment, consolidation of radio stations, the ever-increasing CD prices, and even cellphones. The paper relates that the music industry's legal campaign against downloading is being circumvented by new technology, such as "Grouper", which only allows users to 'stream' songs from a peer and, thus, operates legally under the 'private performance' section of the copyright law.
Table of Contents
Introduction
History of Online Radio
History of Music Downloads
Effects of Online Radio on the Music Industry
Effects of Music Downloads
Current Legal Status of Downloading
From the Paper
"As technology increased, so did the popularity of file sharing software like Napster. Although the use of such file-sharing software to download non-copyrighted material is not illegal, the propensity was for users to download copyrighted materials ("File Sharing"). For the last few years, the legalities of file sharing have made the issue one of the central debates. Record companies and musicians argue on both sides of the issue. Most, however, feel that unauthorized music downloads infringe on their livelihood and have negatively affected the profitability of the music industry as a whole. However, this may not be true."
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Music and Song in "Othello", 2005.
A look at Shakespeare's use of song in his play, "Othello", as a way for the audience to better understand the characters in the play.
1,134 words (approx. 4.5 pages), 4 sources, MLA, $ 39.95
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Abstract
This paper explains how Shakespeare's use of music and song in "Othello" strengthens our perspectives of the characters in the play and reveals the very distinct and opposite characters of Iago and Desdemona. On the one hand, the paper points out Iago's songs reveal the depth to which he will go to manipulate others and control situations, while Desdemona's songs, on the other hand, reveal her innocence. Finally, the paper concludes that, in "Othello", Shakespeare demonstrates the power of music through the songs the main characters sing, while also illustrating that there can be more to music than meets the eye.
From the Paper
"In his play, Othello, Shakespeare presents us with unusual opportunities to understand character through song. While we often think of music as a form of entertainment, Iago and Desdemona demonstrate another use of music with their songs. Iago successfully uses his songs to further his evil desires. In short, his songs are trick to get Cassio drunk. In contrast, Desdemona sings as a form of expression to release her inner feelings, most of which she cannot understand. Both of these characters demonstrate that the power of music not only lives beyond words but it can also change lives. Iago and Desdemona reveal more of their true selves through song."
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The Importance of Mythology, 2004.
An analysis of the study of mythology.
2,635 words (approx. 10.5 pages), 2 sources, MLA, $ 79.95
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Abstract
This paper discusses the importance of studying mythology. A definition of mythology is presented. The ancient and modern aspects are outlined in this paper. The paper describes the importance of mythology as a teaching tool. The cultural and religious facets are also explored.
Outline
Defining Mythology
The Lessons of Mythology
Mythology as a Cultural Paradigm
Mythology as a Human Paradigm
Mythology and Conflict
Mythology as Religion
Conclusion
From the Paper
"The study of mythology is important for both individualistic and collective reasons. On an individual level, mythology could teach moral or human truths, whereas on a collective level mythology could be used to keep people in touch with their origins. Mythological stories could then be used to teach children values such as hard work, diligence and obedience. Role models are created through mythological figures. Also, the mythology of different cultures can serve to teach the student about the values of that culture. This is particularly important in the world today, since advancing technology and phenomena such as globalization has brought foreign cultures much more frequently in touch with each other than was previously the case. It is therefore important to study mythology for the values that it can teach both children and adults, and also for understanding the heritage inherent in these stories."
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Eastern Religion and U.S. Pop Culture, 2004.
A look at how Eastern Religion, Eastern mysticism, and magic influence the pop culture in America.
2,213 words (approx. 8.9 pages), 12 sources, MLA, $ 68.95
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Abstract
This paper examines how "Eastern religion", also alluded to as "Eastern mysticism" and "mysticism" and the occult, along with magic and its many off-shoots, have had a considerable influence on American pop culture over the past few decades. It looks at how movies, books, and music all have been touched and enhanced by mysticism and its cousins.
Outline
Introduction to Eastern Religion, Eastern Mysticism and Magic
The Beatles and Transcendental Meditation: Rock Superstars Dipping into an Ancient Mysticism to find Peace in a World Drenched in Chaos and Materialism
Martin Scorsese and Eastern Mysticism
Harry Potter's Magic as a Mystical Force in Pop Culture
From the Paper
"For many people who came of age and got into rock music in the 1960s and 1970s, and perhaps smoked some marijuana and even experimented with LSD, their interest in eastern religion and mysticism began with the Beatles' fascination with - and association with - the Maharishi Mahesh Yogi. It was John Lennon and George Harrison, in particular, who embraced the Maharishi in the late 1970s and early 1980s, in the town of Rishikesh, deep in the Himalayan foothills of northern India. The media clamored for photos of the Beatles hanging out and drinking in the good vibes of this holy man in white robes who preached peace through self-awareness and higher consciousness through meditation."
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The 2003 Detroit International Jazz Festival, 2005.
Positive review of the Ford Detroit International Jazz Festival held in Detroit, Michigan.
915 words (approx. 3.7 pages), 7 sources, APA, $ 32.95
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Abstract
This paper describes the author's experience at the Detroit International Jazz Festival. The paper describes the musical program during the festival, the types and range of artists performing, and the venue. Additionally, the author suggests that the festival is an excellent musical experience for anyone, from a newcomer to jazz to a long-time jazz fan.
From the Paper
"Officially titled the Ford Detroit International Jazz Festival, the Festival first began to bring jazz to the city of Detroit in 1980. It was founded by the Detroit Renaissance, and has seen tremendous success since that day. Since 1994, the Festival has been produced by the Music Hall Center for the Performing Arts. The Festival was originally called the Ford Montreux Detroit Jazz Festival ."
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Jazz in New Orleans, 2004.
A look at New Orleans as a focal point in the development of jazz.
2,197 words (approx. 8.8 pages), 3 sources, MLA, $ 68.95
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Abstract
This paper examines how New Orleans is known as a melting pot of culture and music and how it has played a major role in the early development of jazz. It looks at how it was full of opportunity and rich with the fine arts of music and dance, while offering a breeding ground for innovation. The paper explores how, in the back alley city streets, clubs and saloons, basements of homes and African-American dance halls, jazz was born. It focuses on the importance of New Orleans, which was home to Joe "King" Oliver and his leading student, Louis Armstrong.
From the Paper
"Congo Square, a modest corner of the French Quarter, is considered by many scholars to be the birthplace of jazz. It was in the Nineteenth Century in Congo Square in New Orleans that observers heard the beat of the bamboulas, the wail of the banzas and saw the multitude of African dances that had survived through the years. During these antebellum times, slaves would meet here on Sundays and play traditional African songs while women slowly swayed to the rhythms. Congo Square was a weekly refuge from the drudgeries of slave life. It was a place where music created a special freedom that didn't exist elsewhere. This square was used as a gathering place for the residents of New Orleans almost since the city began and located across Rampart Street on the backside of the French Quarter."
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"Pop" Music Queens, 2004.
This paper discusses the sexuality in the music. especially the lyrics. of music performed by three "pop" music queens.
1,780 words (approx. 7.1 pages), 6 sources, MLA, $ 57.95
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Abstract
This paper explains that the songs. "Genie in a Bottle," sung by Christina Aguilera, "Boom, Boom", sung by Britney Spears. and "Naughty Girl", sung by Beyonce Knowles. are among the "Top 40" pop songs that have heavy sexual references, which many people may not even notice. The author points out that all three pieces have blood-pumping music and a sort of seductive melody, which seem to inspire highly sexually suggestive movement. The paper concludes that, while there's nothing particularly wrong with sex or with art that displays sex, it seems strange that "Top 40" songs that are played everywhere, especially by teenagers, would be quietly pumping in lyrics about mutual masturbation, prostitution, and orgies.
From the Paper
"Aguilera's character seems to maintain a temporary morality, saying "that don't mean I'm gonna give it away" to which she has already added "baby, baby, baby" as an indication that she is already losing control of her body. This loss of control is soon made explicit as she says "My body's saying let's go" (assumably to "give it away"). That this is sexual is so obvious that, when Disney wanted to show the video to children, they required Aguilera to change the lyrics to "My friends are saying let's go." as if to pretend that she was going to leave, rather than going to have sexual intercourse."
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Avant-Garde Jazz, 2004.
An examination of the contribution that the avant-garde genre had to jazz music.
1,024 words (approx. 4.1 pages), 8 sources, MLA, $ 36.95
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Abstract
This paper examines how the avant-garde movement in jazz is important because it represents the departure from traditional forms of jazz into a more free-flowing form that allowed musicians to express themselves in a way that they had not done before. The writer argues that many jazz greats have contributed to this movement, and many critics feel that it is a shame to ignore the significance of the jazz avant-garde movement.
From the Paper
"Musicians that illustrated a departure from traditional jazz and regularly included bebop into their music are Ornette Coleman, Wilbur Barr, Ed Blackwell, and Billy Higgins. An interesting characteristic of bebop is the type of singing that generally accompanied songs. Much like scat singing, bebop singers would incorporate "something like chants and field hollers" into the music. This freedom allowed the musical instruments to carry the "entire rhythmic impetus of the music" (226). This type of rhythmic freedom and diversity is what Jones claims is the "valuable" legacy of bebop. Gottlieb claims that the Hard Boppers" wanted to revolutionize jazz but did not go far enough. What was seemingly lost in the 1940s was rediscovered in the 1960s. "Because rhythm and melody complement each other so closely in the latter style, the drummer and bass player were better able to play melodically. There was no longer a concern with continuing the beat in a song."
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Angela Davis, 2004.
A review of the book, "Blues, Legacy and Black Feminism", by Angela Davis.
843 words (approx. 3.4 pages), 1 source, MLA, $ 30.95
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Abstract
Angela Y. Davis was one of the founding mothers of the radical black feminist and civil rights movement. Her participation in these movements was not simply vocal and intellectual, but profoundly political as well. In particular, it examines how a different, more artistic side of her political interests comes to light regarding Davis' works in "Blues, Legacy and Black Feminism", in which she shows an interest in black feminist works beyond that of the purely verbal and prosaic.
From the Paper
"Perhaps inevitably, the second half of the work and its project falls a bit short. The main problem with the methodology of emphasizing lyrics is that it tends to bring 'the word' or a literary rather than a musical perspective to the forefront in understanding these performance artists. This bias may be inevitable, given Professor Davis' own background. But these women were not of the academy-their music was performed as a living text. However, although the inclusions of the lyrics and the lyrical analysis is not as strong as the first more historically oriented part of the book that seems to be more in line with Davis' abilities as an historian, the analysis of the lyrics does reveal that these artists did discuss issues of domestic violence and transgressing lesbian love in a way that is seldom given credit."
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History of Musical Theater, 2004.
An examination of the history of musical theater in the United States from 1864-1950.
812 words (approx. 3.2 pages), 1 source, MLA, $ 28.95
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Abstract
This paper explores some of America's most important musical styles, which were usually found outside of the concert hall and represented such genres as comic opera, operetta, and other types musical revues. It looks at how these were usually located in the major cities like New York, Chicago, Philadelphia, Boston and San Francisco. This paper provides a brief discussion of the history of these musical styles.
From the Paper
"The "Great Depression" years, circa 1929 to 1940, created a huge impact on American music, for some long-existing institutions were forced to close their doors due to financial difficulties. The genre of the musical revue was also affected because of nationwide radio broadcasts that severely limited the number of people that attended live musical performances. As an example, "between 1929 and 1934, about 70 percent of all musicians in the United States were unemployed" (Crawford, 2001, 590). Thus, with the advent of radio and later television, the true musical revue and its related genres were doomed, and in light of today's technology have never fully recovered."
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