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John Dunstable's Cyclical Mass, 2006.
An examination of the works of the composer John Dunstable.
1,247 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
In this paper the author examines the works of John Dunstable centering on his compositions that were written specifically for the Church. The author looks at Dunstable as one of the great contrapuntalists working in classical music during the Renaissance pointing out that he is known for his work in the motet form, a product of the fourteenth and fifteenth centuries. The author defines the motet as a composition for unaccompanied choir with sacred text sung in Latin, since it was designed to be performed in Roman Catholic liturgical services. He then goes on to describe the different methods with which Dunstable's work can be performed and the developments in music that occurred as a result of his works. In conclusion the author looks at Dunstable as a standard setter for future Masses that were treble-dominated, as well as the harmonic innovation that resulted in the first form of the modern triads that form popular and symphonic music today.
From the Paper
"The mass is a suite that is presented throughout the Latin Mass, a service containing a set series of segments, each addressing a particular aspect of Catholic belief. Dunstable's Missa Rex saeculorum has sometimes been ascribed to Leonel Power, who composed the earliest tenor Mass extant today. In this work, the Kyrie is eliminated, as is common in most cyclic Masses of English origin. There are two long sections in triple and duple meter set against an isorhythmic tenor line. In its compositional structure, the phrasing of the text is ignored and the notes are used as structural support for the piece. Sometimes a phrase breaks off mid-word, taking the chant out of its proper mode The duet sections are written in a form strictly identified with English composers, and the tenor voice provides a unifying factor."
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"Karaoke Nights", 2006.
A book review of the popular book " Karaoke Nights" by Rob Drew.
966 words (approx. 3.9 pages), 1 source, MLA, $ 34.95
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Abstract
In this book review the author starts with a look at the background behind the writing of the book "Karaoke Nights" by Rob Drew. He highlights how Drew was originally drawn to the topic of his book as a research subject only but as he learned more, he elaborated on the karaoke phenomenon. The paper looks at how "Karaoke Nights" is an observation on the external behavior of deejays, performers, and audiences and an intimate portrait of the emotional roller coaster that is the internal life of a karaoke singer. The author also examines how Drew provides an analysis of the varied roles karaoke plays in popular culture and how karaoke can guide to an understanding of local music and culture. The book review concludes with a summary of how karaoke has had a great impact on the American culture at weekends giving people a motive to act out a part and have fun at the same time, as described in "Karaoke Nights".
Table of Contents
Introduction
History of Karaoke
Karaoke Nights
Conclusion
From the Paper
"Another point that Drew make in his book that American culture relies on a good time Saturday nights so that they relax after a hard week's work. And, ten years ago, karaoke caught on in America after being in Japan for many years before. Drew describes this craze from Japan a great way for people get together and live out some of their fears by singing songs in a public place where others could easily make fun of them. However, everyone in that local karaoke bar is feeling the same fears so they respect the person's feelings and not torment them while they are on stage singing out of tune. Most people do sing out of tune as Drew points out but karaoke is all about having fun and doing something some people would not normally do in front of others."
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"Miles Davis: A Biography", 2005.
An overview of this biography about jazz trumpeter Miles Davis by Ian Carr.
1,200 words (approx. 4.8 pages), 1 source, MLA, $ 41.95
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Abstract
Jazz is the dynamic tension between the expected and the improvised. Miles Davis was brought up torn between his well-to-do white-emulating upbringing and his black heritage. Davis not only bridged this gap but helped create entire new musical vocabularies throughout his long and varied career as a jazz trumpeter. This report shows his evolution and his continuing influence on other musicians, as described in his biography, "Miles Davis: A Biography," written by Ian Carr.
Paper Outline:
Abstract
Introduction
Childhood
Further Development
Evolution, Addiction, & Resurrection
His Influence on Music Today
Concluding Remarks
References
From the Paper
"He worked with and was a catalyst for Tony Williams, Jack DeJohnette, Herbie Hancock, Chick Corea, Wayne Shorter, Ron Carter, and countless others(p234). Many times in his career it had been declared that he already "peaked" and was a remnant of the 50's, of bebop, of cool jazz, of fusion jazz. But he never let himself grow complacent and become an icon of the past. By not producing unless he had something new to say, he was able to continually stay relevant, and re-invent himself every few years (p183). "
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Mozart, 2006.
A discussion about the lieder (songs) which Mozart wrote and the influence these compositions had on future composers.
1,726 words (approx. 6.9 pages), 6 sources, MLA, $ 55.95
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Abstract
The paper discusses the sixteen German lieder (songs) which are largely unknown works of Mozart. The paper explains that Mozart was a forerunner for German lieder and that his influence is seen in many of Franz Shubert's early works. The writer describes some of the stories told by Mozart's songs and compares "An Chloe" to "Abendempfindung", written on the same day, yet polar opposites. The writer explains that "An Chloe" is about the love of a shepherd for a shepherdess and "Abendempfindung" is a reflection on death. The paper compares the styles of Mozart and Schubert's songs. In conclusion, the writer posits that Mozart helped build the foundation for German lieder and although his songs are not the most frequently performed in this genre, they were very important in establishing the tradition of German lieder.
From the Paper
"In "An Chloe", Mozart once again crafts the music exquisitely around the poetry. "An Chloe" is a pastoral poem. Damon, a shepherd, is in love with Chloe, a shepherdess. This song has a six-measure introduction closing with a cadence and is primarily in the tonic. There is a measure of dominant in the third system and the first phrase ends in a cadence. The second phrase moves to the dominant and chromatic elements are presented with the introduction of "und ich halte dich... (and I hold you and kiss...)." This is the beginning of the real passion of the song and it is fitting that the chromaticism begins here. The beginning of the song is repeated in measure 28, but begins to be varied chromatically in measure 35 as the shepherd talks about holding Chloe tightly to his breast. The broken rhythms in measures 41-43 show the breathlessness of anticipation before the soaring vocal line for "eine dustre Wolke mir (a gloomy cloud to me)." The same idea of breathlessness is repeated in measures 49-51 and 56-59 before the climax of the song in measures 62-66. This climax has the most operatic vocal lines so far. The shepherd is saying "aber selig neben dir (but blissful beside you)". The song ends with a final cadence."
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The Finale of Beethoven's Choral Symphony, 2006.
A look at how Beethoven's Choral Symphony helped shape the genre of the classical symphony.
910 words (approx. 3.6 pages), 4 sources, MLA, $ 32.95
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Abstract
This paper examines the great impact that Beethoven's Choral Symphony had on the genre of the classical symphony. The paper explains how, despite of all the criticisms of the Choral Symphony that continue to this day, in writing it Beethoven helped the genre of classical symphony evolve, translating it from the Classical to the Romantic.
From the Paper
"In addition, recent studies on the sketches have been difficult, as some sketches were lost, sold, or found to be out of their original order (Levy 19). It is evident from what has been found and deciphered that Beethoven's original intention was to write two separate symphonies, and the Ninth is what resulted from his simultaneous work on both. Evidently, he intended his two symphonies to consist of a London symphony, which would be instrumental; and a German symphony, setting Schiller's "An die Freude" to a different tune than the one he finally used in the Ninth (Cook 13-14)."
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The Two Dylans, 2006.
A comparison between poet Dylan Thomas and singer/songwriter Bob Dylan.
2,400 words (approx. 9.6 pages), 9 sources, MLA, $ 73.95
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Abstract
This paper compares the life, work and impact of the Welsh poet Dylan Thomas and the American folk rocker Bob Dylan. The paper begins with a thorough overview of the development of Thomas' original writing style. The paper also discusses Thomas' unsurpassed ability to touch raw human emotion and his influence over a generation of artists to come. In this section, the paper analyzes one of Thomas' many well-known poems, "Fern Hill". Next, the paper analyzes Bob Dylan's songwriting style, his development as an artist and the influences over his writing. According to the author, one of Dylan's greatest influences was Thomas. In this section, the paper quotes from the Dylan songs "Subterranean Homesick Blues" and "Sad Eyed Lady of the Lowlands". Finally, the paper compares the writing styles of the two artists, explaining that both were able to gain popularity with art mediums that were thought be almost extinct. Other similarities discussed include the vague obscurity in their language, the deep meaning in their verses and the impact of their similar childhoods on their writing.
From the Paper
"Dylan Thomas, probably one of the best known British poets of the 20th Century, was born in Swansea, Wales, on October 27, 1914. At a very early age Thomas possessed an unusual gift in the use of poetic diction and imagery. As a student, Dylan was said to have been ludicrously bad every subject except English. Thomas' exceptional gift for poetry was finally discovered during a poetry competition. Dylan submitted his poetry to a column called "Poet's Corner." Prizes were awarded to the best poem over a six-month period, and the prize was that the Sunday Referee would publish the winning poet's work in book form. Thomas won the contest with his obscure poem, "The Force that though the Grass Fuse Drives the flower." The book was not immediately published however, because of its obscurity. Eventually, David Archer of the Parton Bookshop agreed to have the book printed. 500 copies were printed, and 250 were later bound and issued in December 1934. The book named "18 Poems", was praised for it's obscurity and originality. In the two years that followed Dylan wrote and published another collection of poems entitled "25 poem." These two early works gave Dylan critical acclaim and brought him into the limelight. Dylan's poetry had the ability to recreate the readers own experiences of both happiness and defeat. One critic wrote about Dylan's musicality and his laughingly lifting language. A great example of this in Dylan's work can be seen in this portion of his poem 'Fern Hill.'"
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Claudio Monteverdi, 2006.
This in-depth paper explores the life and many accomplishments of composer and musical genius Claudio Monteverdi, also known as the transformer of European music.
4,344 words (approx. 17.4 pages), 12 sources, MLA, $ 114.95
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Abstract
This well-researched paper chronicles the life of classical composer Claudio Monteverdi, beginning with his birth in 1567, in northern Italy. Monteverdi was labeled a creative and dominant musical genius while still a child. The writer of this paper discusses the external influences in Monteverdi's life that motivated and aided in his creating and composing musical masterpieces which garnered him well deserved respect and fame as an influential composer. Monteverdi published two books detailing his madrigal music in 1603 and 1605 respectively. Both pieces of music integrated the avant-garde manner with the composer's idiom. The writer examines the creation of "The Opera of Orfeo" which cemented Monteverdi's status as a talented and influential composer. This in-depth paper contains much research and information regarding the various works of music created and composed by Monteverdi which explains why he was and still is considered the transformer of European music.
Table of Contents:
The Early Years
The World Beyond Home
The Madrigal Masterpieces
The Grief - Composition of "L'Arianna"
A Toil in Vain - Composition of Counter-Reformation
The Golden Period - Appointment at St. Mark's
The Commissions
The Last Decade
The Madrigal
The Artusi-Monteverdi Controversy Over Monteverdi's Madrigals
"Mantuan Context" for Monteverdi's Madrigal Composition
The Inspirations of Monteverdi
Marc'Antonio Ingegneri
Giaches de Wert
Wert & Monteverdi
Conclusion
The Esteem in Art History
The Fortunate Opposition
Monteverdi's Madrigals
Monteverdi - A Teacher for Generations
References
From the Paper
"The Opera of Orfeo established Monteverdi's status as a talented composer. This opera established that the composer knew much more about this music genre than his forerunners ever did. For example, his recitative was suppler and representative than any of them had. Monteverdi's recitatives were on the basis of the oratorical melody of his madrigals, instead of being found on the ancestor's theories of sensitive speech. After the passage of few months since the production of Orfeo, Monteverdi's wife, Claudia Cattaneo, passed away when she ultimately surrendered to months of sickness. This impelled Monteverdi, in an unhappy condition, to return to the home of his father to lament the death of Claudia."
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Elvis Presley , The Legend, 2006.
An exploration of Elvis Presley, the man and his music.
3,194 words (approx. 12.8 pages), 13 sources, MLA, $ 92.95
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Abstract
In this paper the author takes an in-depth look at Elvis Presley from his roots and early childhood right through until the day he died. The paper explores all aspects of Presley's life, including the influences that made him the legend he became. The author highlights many of Presley's songs and movies and the attitudes to them from all walks of life. The paper concludes with the undoubted opinion that Elvis Presley was the first rock and roll star and remains a legend today.
From the Paper
" Meanwhile Presley's personal life had become the subject of countless tabloids. In February 1972, Presley separated from Priscilla and on his birthday in 1973, filed for divorce. Less than a week later the TV special Elvis: Aloha from Hawaii was broadcast over satellite to over a billion people in forty countries, an indication of his international appeal although, with the exception of three dates in Canada in 1957 and an impromptu performance in Paris while on leave in 1959, Presley never performed outside the United States. "
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The U.S. National Anthem, 2005.
This essay argues that the national anthem of the United States and its imperial thinking should be changed.
1,465 words (approx. 5.9 pages), 2 sources, MLA, $ 48.95
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Abstract
This paper argues that Francis Scott Key's 'The Star Spangled Banner' is an elegant and patriotic tribute to the United States, but the fact is that in our modern era, as leaders of the free world, our national anthem should not be a tribute to victory in war, which is not an acceptable message for the "leader of the free world" to maintain. The author states that, instead, the United States should adopt a national anthem that promotes (1) equality among all men and women of all races and (2) peaceful world diplomacy. The paper stresses that America's fundamental ideology of extending its powerful influence all over the globe, continuing the long-standing tradition of imperial thinking, must change if it is avoid catastrophe: Changing its imperialistic war anthem is a small but significant step.
From the Paper
"Part of the problem is that this tendency of Americans to have a superiority attitude is so deeply ingrained that we are not even aware of its dangers. The perception among Americans that we have the right to interfere in other countries affairs is so fundamentally ingrained in the way we view the world that many of us are unaware of it. Furthermore, it is little things which subtly shape our views of the world - our national anthem could certainly be included among a long list of American traditions that uphold this traditional ideology. But now, as we move into the new millennium, the way in which we handle foreign affairs is unacceptable, and a change in our national anthem would be a message not only to other countries, but to ourselves, that we do not intend to support or participate in imperialistic bomb diplomacy."
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"Cats", 2006.
Examines the history of the world's greatest musical, written by Andrew Lloyd Weber.
2,348 words (approx. 9.4 pages), 4 sources, APA, $ 72.95
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Abstract
The paper discusses the musical "Cats", based on a series of poems by T.S. Elliot and later to become the most popular musical in world history. The paper examines the beginnings of the play at the New London Theater, until it was taken to Broadway in the United States. The paper examines why the play was so popular, as well as the many awards that it won.
From the Paper
"To look at the pre-production problems, the rehearsals with cast changes, the unenthusiastic reviews by many critics, and the enormous expenses of mounting the show, what is it that really has made "Cats" successful. The simple answer is- it is an "audience pleaser". There is no heavy plot line to focus on. The stage and staging are so unusual, as to continue to amaze the audience and to capture their attention. Nobody comes out of a theatre "humming the scenery" as a cynic might remark. But the song, "Memory" heard over and over again on radio stations is the sort of hit that people will remember."
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Russian Association of Proletarian Music (RAPM), 2004.
This paper discusses the history of the Russian Association of Proletarian Musicians (RAPM) in the context of the Soviet Cultural Revolution.
1,305 words (approx. 5.2 pages), 5 sources, MLA, $ 44.95
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Abstract
This paper explains that, rather than being an essentially creative force, the primary objectives of the Russian Association of Proletarian Musicians (RAPM), who were of the intelligentsia rather than the working-class, were to secure the hegemony of the proletariat in music, to bring culture to the aesthetically backward and to provide an ideological framework for the musical aspect of the Cultural Revolution. The author points out that RAPM differed with Stalin's regime and could not co-exist peacefully because they wanted to define musical policy themselves. The paper relates that, when Stalin's government attempted to co-opt the arts and force them into a propagandist role, which was essentially separate from and counter to the interests of the people, the RAPM was eliminated.
From the Paper
"It is crucial to remember that the RAPM was founded in 1923, a year before Lenin's death and Stalin's rise to power. Thus, Stalinism had not yet taken shape, much less become apparent in society at large. Marxism-Leninism, then, was the primary ideology behind the rise of the RAPM and similar cultural organizations. The focus on the proletariat in the RAPM is no surprise. The dominance of the proletariat in all realms of life is required by Marxist theory and groups like the RAPM sought to actualize this ideal in their specific areas of expertise."
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The Music of Today's Youth, 2006.
An examination how music is affected by situations.
923 words (approx. 3.7 pages), 2 sources, MLA, $ 32.95
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Abstract
In this paper the author examines how music is affected by situations and not situations by music. He highlights Rap music as the street music of the ghetto and mainstream pop music as that of the more affluent segment of society. He then examines punk rock as sharing a defiant tone that is characteristic of rap, but considered the music of white alternative rockers.The paper concludes with observation that music can tell a story if anyone listens.
From the Paper
"While it is true that songs like "Cop Killer" contain language that is objectionable and an exhortation to violent reactions to the injustices around them, most of those who listen to rap understand the nature of the lyrics. While parents of middle class and upper middle class teens worry that they will be influenced by the sordid nature of the music, those in the black neighborhoods know that this music is a predictable response to what ghetto teens see around them every day."
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Gustav Mahler, 2006.
This paper examines the life of the famous and controversial composer Gustav Mahler.
1,452 words (approx. 5.8 pages), 6 sources, MLA, $ 48.95
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Abstract
This paper details the life and work of Gustav Mahler, one of the most famous composers and conductors of all time. The writer of this paper probes into the tragic events of Mahler's early life which influenced his music despite the undertones of joy and hope in some of his pieces. This paper also details Mahler's style of music which is considered dramatic with enormous contrasts in sounds and moods.
From the Paper
"The orchestra's archivist and historian, Dr. Clemens Hellsburg, recalled that Mahler was incredibly demanding and impolite. Many of the musicians resented him. Finally, in 1900, the orchestra went to Paris, where it had huge artistic success, but horrible financial failure. In fact, there was not even enough money to transport the ensemble back to Vienna."
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Bob Dylan, 2006.
This paper explores the life of influential musician Bob Dylan from his birth in 1941 up to 1971.
2,545 words (approx. 10.2 pages), 1 source, MLA, $ 77.95
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Abstract
The writer of this paper examines not only the motivations and methods behind Bob Dylan's music but also the man behind the myth. This paper focuses mainly on Anthony Scaduto's biography "Bob Dylan: An Intimate Biography." The author's biography details Dylan's life, during a 30 year span from 1941-1971, as a brilliant and talented musician struggling to come to terms with himself and his music.
From the Paper
"Dylan's fame though, was increasingly getting to him, and he was having difficulty dealing with the pressures of being an icon. Dylan and Joan Baez where being hailed as the King and Queen of protest music, and there relationship began to intensify. If anything, Dylan began to feel that he was loosing himself, turning to drugs as a way to find what was missing. While he continued to play protest music, he was becoming ever more disenchanted."
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"Preludes No. 12 - 19" by Fryderyk Chopin, 2006.
A study of Fryderyk Chopin's Opus 28, Preludes No. 12-19.
1,150 words (approx. 4.6 pages), 4 sources, APA, $ 39.95
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Abstract
This paper analyzes Fryderyk Chopin's Opus 28, his Preludes No. 12-19. Preludes were improvised or written by composers of the romantic period to be used as brief introductory pieces played before the performance of a major work. The author of this paper examines the preludes structural, tonal and stylistic elements. Then, the paper compares and contrasts the performance of these preludes by three different pianists: Martha Argerich, Howard Shelley and Alfred Cortot.
From the Paper
"Structurally, they use and ABA cycle and move swiftly from andante to legato and back. Each of these "miniatures" is characterized by rapid arpeggios played against block chords, much as many of today's improvisational jazz pianists employ. Erroll Garner popularized this style of improvisation in the 1950s. The compositions achieve their characteristic tonality from the exploitation of the natural tonal qualities of their respective keys. No. 13 captures the warmth of F sharp while No. 14 utilizes the dark turbulence E flat."
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