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Gender in "Twelfth Night", 2007.
This paper explores the issue of gender from the perspective of the character of Viola in Shakespeare's "Twelfth Night".
1,657 words (approx. 6.6 pages), 2 sources, MLA, $ 53.95
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Abstract
The paper discusses Viola's presentation of gender in "Twelfth Night", which implicitly challenges the strict binary gender system that prescribes different and opposite behaviors for the two genders. The paper shows how the character of Viola stands in stark contradiction to long-standing prejudices about the weaknesses and frailty of women. The paper also points out, however, Viola remains a victim of the prejudices of her society, in that from her own perspective, she continues to see women as frail.
From the Paper
"In Twelfth Night, Viola and Sebastian are twins, but they are separated in a storm at sea. Viola adopts male garb, and the name Cesario, as a survival strategy - to enable herself to get a job working for the Duke Orsino. Thus, Violet is not explicitly making a statement about gender when she begins passing as a male - rather, she is simply making a statement about wanting to survive. However, the necessity for her to adopt this strategy does of course arise from the strict sex-based segregation of the times. Despite the fact that Viola does not intend to buck the binary-gender system in any way, she certainly seems to enjoy "being a man," and moreover, the fact that she adopts a male persona inevitably leads to gender-based complications. For example, the Countess Olivia falls in love with her, while "Cesario" falls in love with Duke Orsino, and "Cesario" is challenged to a duel by the jealous Sir Andrew. Viola's gender switch thus lays the foundation for much of the plot. However, despite being a plot device, it also makes it possible for Viola to present an alternative representation of gender."
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"Bartleby, the Scrivener", 2007.
An analysis of the story "Bartleby, the Scrivener" by Herman Melville.
974 words (approx. 3.9 pages), 5 sources, MLA, $ 34.95
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Abstract
This paper discusses how Herman Melville's story "Bartleby, the Scrivener", is an unusual story without a clear meaning. The paper relates that critics have tried to interpret the story in several ways, one of which would hold that the conflict with Bartleby causes his employer to undergo a spiritual change. The paper then shows that, on the contrary, an examination of the story suggests that the employer is left more puzzled than changed and that he may see something spiritual in Bartleby but not so that he himself changes.
From the Paper
"The lawyer is a man who likes things to work smoothly and who at the same time tries to greet every even with equanimity, not wanting to let things bother him. He seems to have a nice position, but in truth he has followed the usual route in life--he has compromised with his dreams. He has come to accept what he is and tries not to miss too much the heights he may have dreamed of achieving when he started. Bartleby may also be a man with failed dreams, though if he has dreams we never learn what they are. He has apparently not accepted his lot in life, however, for he seems instead to have been imprisoned by some failure so that now he merely withdraws within himself. "
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Contemporary Feminism, 2007.
An analysis of "Others in their Own Land: Second Generation South Asian Canadian Women, Racism and the Persistence of Colonial Discourse" by Angela Aujla, "Why I'm a Feminist" by Lauren Anderson, and the film "Iron Jawed Angels" by Katja Von Garnier.
1,507 words (approx. 6.0 pages), 4 sources, MLA, $ 49.95
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Abstract
The paper examines two articles and a film: Angela Augla's article, "Others in their Own Land: Second Generation South Asian Canadian Women, Racism and the Persistence of Colonial Discourse", Lauren Anderson's article, "Why I'm a Feminist", and the film "Iron Jawed Angels" directed by Katja Von Garnier. The paper focuses on key concepts in these texts and explains how they are significant for contemporary feminism. The paper discusses Aujla's concept of "othering", Anderson's talk of solidarity, and the film's portrayal of the many enormous challenges to solidarity among women.
From the Paper
"In her article, Aujla focuses on how racist and colonial discourses inherited from the past continue to influence dominant discourses today, and on the way in which South Asian Canadian women are still perceived by the dominant culture. These discourses function to keep South Asian Canadian women marginalized within Canadian society, and ensure that no matter how many generations of their family have lived here, they are still never truly Canadian enough, or white enough, to be part of the dominant culture and dominant discourse. They are thus permanent "others" in their own countries."
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Cybertext, 2007.
An overview of cybertext, ergodic literature and the role of the "reader".
2,298 words (approx. 9.2 pages), 11 sources, MLA, $ 70.95
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Abstract
This paper examines the debate over the concepts of cybertext and ergodic literature with particular reference to electronic games. The thesis is argued that the key aspect of cybertext is the reader's capacity for choice as the primary narrative determinant. As is seen, an emphasis upon this aspect causes us to understand cybertext as a narrative strategy that, while facilitated by electronic media, nonetheless transcends it. The paper also discusses how, from this perspective, cybertext may be understood as a process of engagement between individuals and texts that supports individual agency as the determinant of textual meaning and narrative progression.
Outline
Introduction
Cybertext and Ergodic Literature: The Critical Controversy
Reader's Choice and Electronic Gaming
The Value of Ergodic Literature
From the Paper
"A demonstration of how "revolutionary" such games can be may be seen in the controversy over a user-mod to Grand Theft Auto: San Andreas which allowed players to access a sexually explicit cutscene that was not previously accessible. While this level was part of the code for the game, public access was clearly not intended by either the game designers or the manufacturers. In fact, the widespread public controversy over the revelation of how to access this part of the game led to the producer ceasing manufacture of the game, as well as it having to absorb an estimated US$50 million in losses (CNNMoney.com). When a game narrative facilitates player choice to such a degree that it negatively impacts the game designers themselves, we can appreciate the revolutionary nature of such cybertexts. "
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"Hairball", 2007.
An analysis of the story "Hairball" by Margaret Atwood.
801 words (approx. 3.2 pages), 2 sources, MLA, $ 28.95
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Abstract
This paper discusses how, in Margaret Atwood's haunting story "Hairball," a hard-edged magazine editor realizes some important things about her life when her married boyfriend betrays her. The paper discusses how "Hairball" is the story of a woman who is learning to accept past failures, even though they appear crushing, and to move on with her life.
From the Paper
"Naming the 'tumour' Hairball is important in the accruement of meaning of this object. Hair is an important symbol in Kat's life as her work in the magazine world indicates. As well, she has shaved most of her own hair off since moving back to Toronto, in order to show how counterculture she really was. Ger, the married man whom she seduces, has a wife who Kat sees as being totally different from herself partly due to the fact that the wife's hair is so terribly old-fashioned (19)."
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Relationships between Women and Men in Literature, 2007.
A comparison of the male-female relationships in Flannery O'Connor's "A Good Man is Hard to Find" and Margaret Laurence's "The Loons".
1,196 words (approx. 4.8 pages), 5 sources, MLA, $ 40.95
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Abstract
This paper discusses the portrayal of the relationships found between men and women in literature and how this portrayal is influenced by the society of the time. Specifically, the paper compares Flannery O'Connor's "A Good Man is Hard to Find" and Margaret Laurence's "The Loons" with the aim of fully understanding the female-male relationships in these texts.
From the Paper
"While Piquette and the narrator's father in Laurence's story do not share a connection as complex as that of the Misfit and the grandmother, nonetheless their connection is important. As Piquette confesses to the narrator when they later meet: "Your dad was the only person in Manawaka that ever done anything good to me" (Laurence 59). The narrator admits that she was repelled by the neediness and the "terrifying hope" in Piquette's relationships with men (Laurence 59). Her father saw something admirable in Piquette that was worthy of his intervention to help her and, unlike all of the other men in her life, he helped her selflessly and did not see her in common stereotypes employed by his daughter and the other townspeople (Notes). The symbol of the loon, which the father identifies and the story implies Piquette represents, reflects how the central meaning of the story lies in the complex interaction of these two characters."
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"Matilda", 2007.
A analysis of the characters, Miss Honey and Mr Wormwood, in Roald Dahl's book "Matilda".
1,341 words (approx. 5.4 pages), 1 source, MLA, $ 45.95
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Abstract
This paper discusses the characters of Roald Dahl's books and suggests that he pens characters who are either wholly good or wholly bad. The paper focuses on Dahl's book "Matilda" and compares Miss Honey, one of the good characters, with Matilda's father, Mr. Wormwood, one of the bad characters. The paper shows that both of these characters make a big difference in Matilda's life and are an indication of what Dahl considers to be good, praise-worthy adult characteristics.
From the Paper
"In conclusion, Mr. Wormwood is a dishonest, unloving man who does not notice children or understand them. Miss Honey is an honest, brave, warm and loving woman who notices children and understands them. Miss Honey seems to have many of the characteristics that Dahl considers to be important for adults, and because of this, she is a good and enriching influence in Matilda's life. She shows Matilda that good adults exist, and provides a good role model for Matilda. On the other hand, Mr. Wormwood's bad characteristics cause Matilda to rebel against evil, and so she finds her power."
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Alice Munro, 2007.
An analysis of the impact that growing up in small town had on Alice Munro's stories.
716 words (approx. 2.9 pages), 4 sources, MLA, $ 25.95
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Abstract
This paper examines how growing up in a small town influenced Alice Munro's stories in many important ways. It looks at how at times it disempowers her characters, at other times it motivates them so much that the town itself becomes a major factor in driving the plot. It also discusses how on a more complex level, the setting impacts the story in the sense of being a foil against which Munro can juxtapose the more bizarre elements of her stories, as her characters reflect their author's alienation from their prosaic settings.
From the Paper
"For example, Fowler points out that in Lives of Girls and Women, Del escapes the prosaic reality of the small town Jubilee in which she lives, by inventing a world based on the novels she reads, and keeps her fragmentary novel inside a copy of Wuthering Heights. We see Del facing challenges that must surely have beset Munro, such as trying to decide how her heroine can drown at the height of summer, when of course there will not be enough water in the river. Thus, the impact of the small town setting is to set up imaginative challenges for the protagonist. "
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"The Color Purple", 2007.
This paper evaluates the race, sexism, letters and sewing within "The Color Purple" by Alice Walker.
1,687 words (approx. 6.7 pages), 4 sources, MLA, $ 54.95
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Abstract
The paper examines the racial, sexist, letter and sewing symbolism within "The Color Purple" by Alice Walker. The paper analyzes how Walker treats the issues of slavery and patriarchal male constructs in the novel and thus defines the female African-American experience.
From the Paper
"The sexism within The Color Purple is controlled through a patriarchal racist institution of slavery. In one example in the novel, slave women had no rights to their children after birth. Nettie is a woman that has given birth to children, but plantation owners took their children after birth to sell into slavery. The issue of male dominance plays a major role in how women are perceived, especially as servants to the male populations on the plantation and within society. Although it might be easy to perceive the anger in Netti or Celie's voice in the novel, one really sees a women trying to stay alive and find people with love in their hearts."
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temporarily unavailable
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"Oedipus Rex" versus "Hamlet", 2007.
An analysis of the influence of the Sophoclean Grecian tragedy, "Oedipus Rex" on William Shakespeare's "Hamlet, The Prince of Denmark".
2,414 words (approx. 9.7 pages), 2 sources, MLA, $ 73.95
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Abstract
This paper evaluates the influential aspects of the Sophoclean Grecian tragedy on the latter forms of Shakespearean tragedy used within the Elizabethan period. It discusses the various psychological and political issues that abound in "Oedipus Rex" by Sophocles and how Oedipus acts as a clear role model for the insanity that Hamlet exhibits within Shakespeare's "Hamlet, The Prince of Denmark".
From the Paper
"In conclusion, the reemergence of the Greek tragedy in the Elizabethan era can be readily seen through the works of William Shakespeare through the influence of Sophocles. The plays Hamlet: The Prince of Denmark and Oedipus rex provide textual examples of the psychological and political disposition of the heroic character that is doomed to death due to errors in judgment. By understanding the principle aspects of the tragic hero in the work of Sophocles, one can realize why Shakespeare uses many of the literary devices that define tragedy along the Greek model. This inevitably appears in Hamlet and Oedipus through the presence of insanity in their thought process, but also in their lack of control over the political forces that seek to destroy them. This is how William Shakespeare readily provides an example of the reemergence of Greek tragedy in the Elizabethan era through the tragic works of Sophocles."
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Nietzsche's Philosophy, 2007.
This paper examines Nietzsche's impact on literary modernism.
2,152 words (approx. 8.6 pages), 2 sources, MLA, $ 67.95
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Abstract
The paper discusses Friedrich Nietzsche and the founding of modernism. The paper describes the various aspects of this genre, as well as Nietzsche's philosophy. The paper explains his ideas that control over life no longer came from outside humanity but human beings had control over their own inner workings. The paper explores Nietzsche's belief that "God is dead", which was perhaps one of the most world-defining statements made in recent history.
Outline:
Modernism
Nietzsche and His Philosophy
Blending the Two
Conclusion
From the Paper
"Literary modernism is a movement that occurred roughly between 1890 and 1939, although these parameters are somewhat flexible. Modernism was a multi-faceted approach to literature, focusing not just on setting and symbolism, but also on language, time, perspective, characters' internal reality and ambiguous endings, as well as other characteristics. With the changes that modernism brought to literature, writers were able to more fully explore the characters that populated the stories, rather than focus on the meanings behind the stories themselves."
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Richard III, 2007.
This paper compares and contrasts five dramatic and historical interpretations of Richard III.
1,482 words (approx. 5.9 pages), 5 sources, APA, $ 48.95
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Abstract
The paper examines four productions and one biography of Richard III.
The paper explains that a controversial historical figure like Richard III, whose flawed character and life was filled with intrigue, betrayals, confrontations and battle has provided ample opportunities for playwrights, biographers, novelists, and filmmakers to interpret him and the events of his life in a variety of ways. The paper shows how some interpretations rely upon an understanding of the historical Richard III, others rely upon the characterization of him in William Shakespeare's famous play, while others have chosen to rely less upon traditions and more upon innovative approaches.
From the Paper
"Carefully examining the 1954 and 1995 films, both entitled Richard III; as well as Shakespeare's Richard III, Al Pacino's Looking for Richard, and historical and biographical accounts of Richard III provides many opportunities to compare and contrast these various interpretations. William Shakespeare's play is the best known of these productions, and justifiably so, for it created a memorable and lasting image of Richard III that renders the historical figure virtually irrelevant to most people. Shakespeare's interpretation of Richard is so powerful, vivid, and overwhelming that no biography or historical account can even begin to compare."
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Writers' Responsibility, 2007.
This paper discusses the responsibilities of a writer and looks at why the views of artists about their work need to be heard.
1,168 words (approx. 4.7 pages), 3 sources, MLA, $ 40.95
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Abstract
In this article, the writer discusses that whether writers have a responsibility to define, discuss and defend their subject matter is one that is of increasing interest in today's media-saturated world. The writer of the paper notes that writers are asked by readers, and by their own publishers, to talk about why they write about certain topics, and how they feel about art, politics, and life in general. The paper asserts that writers must be part of the public discussion about their works in order for these pieces of art to mean anything in the long term. The paper further maintains that it is not enough to simply write a book or story, and then to sit back and let random interpretations flow. Rather, writers have a responsibility to the public to explain their viewpoints, the reasons they choose to write, and what their experiences ought to say to us at some broader level.
From the Paper
"As a career, writing is one in which there exists at some level an ultimate degree of freedom. A writer can choose to write about whomever, whatever or whenever he or she feels is appropriate. Creativity, imagination, and a way with words all tend to be important characteristics if one wants to succeed in this career. An important question arises, however, when a writer achieves some measure of commercial and critical achievement. All of a sudden, writers find that thousands, perhaps millions, of individuals are reading their work, and that they no control whatsoever over how this story is received. For many writers, this presents a frightening reality: the work that they have created has become a public entity with a life of its own. Stories, novels, poems and plays that have been lovingly crafted by their authors are now things that are read in schools, analyzed by the water cooler, and discussed at the dinner table."
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Pop Art, Rock 'n Roll Music and Modernist Literature, 2007.
An analysis of pop art, Rock 'n Roll music and modernist literature in the 20th century.
1,094 words (approx. 4.4 pages), 3 sources, MLA, $ 38.95
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Abstract
This paper provides a three-tiered analysis of the most important trends in art, music and literature since 1890. In the paper, Andy Warhol represents the important trend of pop art, the Rolling Stones represents the important trend of Rock 'n' Roll in popular music and finally, Ernest Hemingway represents the crucial trend of modernist literature in the 20th century. It shows how these trends are an important part of the cultural identity of the 20th century, which impart crucial influences as to how art, music and literature evolved in this time frame.
From the Paper
"The insanity and terror of war of this kind is the direct result of losing one's honor in a battle field that had little to do with chivalry and honor. Modernism reflects the reality and horror of war, as Hemingway clearly indicates in his response to coming home and telling his story to the local people in his town. In an age of machines and World Wars, Hemingway was a part of the important trend of literary Modernism, which provided the reality of war that counteracted the romanticism of war in the 19th century."
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