| Papers [271-285] of 16691 :: [Page 19 of 1113] | | Go to page : <— 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 —> | |
|
|
Realism in Fiction, 2008.
An analysis of three stories: Bret Harte's "The Outcasts of Poker Flat," Sarah Orne Jewett's "The White Heron," and Stephen Crane's "The Open Boat".
1,131 words (approx. 4.5 pages), 3 sources, MLA, $ 39.95
»
Click here to show/hide summary
Abstract
This paper analyzes three different American short stories: Bret Harte's "The Outcasts of Poker Flat," Sarah Orne Jewett's "The White Heron," and Stephen Crane's "The Open Boat". In particular, the author looks at the stories with regard to the different forms of realism in fiction - being naturalism, local color, and regionalism.
From the Paper
"Realism in fiction appears in several different forms, some of which can be illustrated by reference to different American short stories. The three primary categories of realism are naturalism, local color, and regionalism. In a broad sense, realism emulates reality closely and in great detail, with an emphasis on verisimilitude. Character is more important than action or plot. Social class is an important element that defines characters, and the speech of characters is in the natural vernacular. These elements can be seen in different degrees in Bret Harte's "The Outcasts of Poker Flat," Sarah Orne Jewett's "The White Heron," and Stephen Crane's "The Open Boat.""
| |
|
"Araby" and "Heart of Darkness", 2008.
This paper compares the imagery of light and darkness in James Joyce's short story "Araby" and Joseph Conrad's work, "Heart of Darkness".
1,300 words (approx. 5.2 pages), 2 sources, MLA, $ 43.95
»
Click here to show/hide summary
Abstract
The paper looks at James Joyce's short story "Araby" and Joseph Conrad's "Heart of Darkness" and the important role of light and dark imagery in both texts. The paper shows how, while the authors of "Araby" and "Heart of Darkness" use this imagery to very different effects, in both works images of light and dark are central devices employed to convey meaning and illustrate themes.
From the Paper
"As the title of Conrad's novel would suggest, imagery of light and darkness is of great importance in this narrative. From the opening of the novel, the text and its characters seem to exist in a permanent twilight. The narrative of Heart of Darkness is a tale told by Marlow to a number of listeners aboard a boat on the river Thames around sunset: "The air was dark above Gravesend, and farther back still seemed condensed in a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth" (Conrad 7). The imagery of darkness is thus employed to establish a reflective mood from the outset of Conrad's narrative. Clearly, the imagery of twilight - at the close of the day, and when the promise of the day has been realized or not - is conducive to reflection."
| |
|
"Jacob", 2008.
An analysis of Maria Campbell's poem "Jacob".
869 words (approx. 3.5 pages), 3 sources, MLA, $ 30.95
»
Click here to show/hide summary
Abstract
The paper looks at Maria Campbell's "Jacob" and explores how her work captures the rhythms and echoes of non-elite speech. The paper discusses Campbell's utilization of the oral family history, a mode of communication popular among native cultures, that was intended to resist the conventions and paradigms established by the dominant western society. The paper describes the poem as poignant and transgressive snf devoted to breaking free of the literary "mold" put into place by those who effaced the cultures which preceded them in North America.
From the Paper
"Maria Campbell's elegant poem, "Jacob", captures the rhythms and echoes of speech in a way that more conventional and "esoteric" poetry does not. First of all, the poetry uses the vernacular of one who is little-schooled in the art of speaking formal, "white man's" language. Examples of this abound: there are frequent substitutions of "dat" for "that" (Campbell, lines 3, 6, 10, 11 and 15) and "dah" for the article "the" (Campbell, lines 22-24 and 28). Going further, the article invariably uses the term, "dey" in place of the English pronoun, "they" (Campbell, lines 19, 26, 32 and 34). Why Campbell would resort to this is a question that does not yield any definitive answers - but a number of possibilities."
| |
|
Human Relationships and the Land in "O Pioneers!", 2008.
An analysis of human relationships in Willa Cather's novel "O Pioneers!".
1,620 words (approx. 6.5 pages), 1 source, MLA, $ 52.95
»
Click here to show/hide summary
Abstract
This paper examines the theme of human relationships in the novel "O Pioneers!" by Willa Cather. The paper contends that human relationships are at the heart of the novel, but at the same time, those relationships are shaped and colored by the vital relationship with the land, as an inheritance and a way of life. The paper also maintains that family is a central theme connected to the land, with the character of Alexandra the focus for the family, just as the land becomes her focus as a substitute for her father. The paper argues that, although much of the novel seems pessimistic about human relationships, ultimately the novel's protagonist, Alexandra, as an embodiment of the land, shows how the struggle for the land would one day lead to an accommodation between human beings and the land.
From the Paper
"Cather seems to doubt the possibility for human beings to form meaningful and lasting relationships, and in the novel, those who try fail or even die before achieving what they seem to want. There are a number of unhappy marriages in the novel, including that of the woman Emil loves, a relationship that ends tragically for all. The one love that persists is love for the land, though that is also a love that is sorely tested again and again by weather, drought, storms, and other hardships faced by the pioneers, who either last through the crisis of fail and turn back. The novel celebrates the pioneer in America and the way the pioneer went to work and shaped the land, but what the pioneer did was also decided by the needs and wants of the land itself. In the end, the hard realities of pioneer life were anything but romantic, and the lives of the characters in this novel shows how they would often act impetuously and then suffer the consequences as far as human relationships were concerned."
| |
|
"The Banana Boys" Book Review, 2008.
A review of Terry Woo's book, "The Banana Boys", as a reflection of the Chinese-Canadian experience.
760 words (approx. 3.0 pages), 1 source, APA, $ 27.95
»
Click here to show/hide summary
Abstract
This paper examines Terry Woo's "The Banana Boys", a fiction book about Chinese born Canadian youths. The derogatory term, 'banana boy', refers to the fact that they are 'yellow' (that is, Chinese) on the outside, but 'white' (that is, Canadian) inside. The paper discusses how each of the boys has a distinct way of dealing with his identity of a 'banana boy', implying that there is no single Asian-Canadian experience. Finally, the paper adds that the book is relevant not only to the Chinese community in Canada but to the larger Canadian community as well, made up, to a large extent, of immigrants and their children.
From the Paper
"This book is of great relevance both to the Chinese-Canadian and to all other Canadians too. It is a unique work of literature that tells a story of the Chinese Canadians in present time, and their attempts to carve a unique identity for themselves, each of the boys in his own way. They may have tried hard to fit in with the "Chinese" identity or the "Canadian" identity, but there will never be a distinct group for them to fit in completely and fully belong. The "Chinese" and the "Canadians" do not quite claim them as their own, so they search for their own unique identity in pop culture. Many Asian Canadians who have been born in this country or who group up here may find that the 'banana boys' resemble them in many ways, and that the experiences of the 'banana boys' with racism, culture, work, etc. are also their own experiences. Furthermore, other Canadians who are also coming from different cultures may find that the book appeals to them too. The children of immigrants are often faced with identity questions much like the characters of "Banana Boys", and the silent cultural clash is something many experience."
| |
|
"Men Want Something Else", 2008.
A critique on David Buss' article "Men Want Something Else".
1,557 words (approx. 6.2 pages), 5 sources, APA, $ 51.95
»
Click here to show/hide summary
Abstract
This paper argues at length that Buss' article, while well-written and generally well-researched, fails to contemplate a number of issues which spring up around the topic of mate selection. It looks at how because of this, Buss appears to offer simply a rationale or even an "excuse" for a social construct that does, indeed, reduce women to a reproductive role and little more than that; he also unwittingly gives credence to the fairly superficial nature of our society vis-a-vis sexual relations between the genders.
Outline
Critique and Transition
Buss' Treatment of Environmental Factors
Buss' Discussion (or Non-Discussion) of Disability Hierarchies
Buss and the Politics of Reproduction
Political Implications Raised by each of the Aforementioned Issues
Conclusions
From the Paper
"Turning momentarily to environmental influences, it is evident that Buss cleaves to the position that biology and not society (for the most part) shapes who we wed and who we choose not to wed; for instance, the male desire for physically attractive, nubile and healthy women extends across all cultures. However, he acknowledges that factors such as chastity and the desirable "plumpness" of a potential mate are determined to some extent by cultural or societal factors such as the relative availability of food in a particular community. The strength of Buss' article, in the view of this reader, lies in his ability to illustrate the persistence in certain trends across cultures - while conceding, where necessary, that cultural externalities can play some role (Buss, 2003). "
|
| Term Paper # 101876 |
temporarily unavailable
|
|
|
|
Chicago in Literature, 2008.
A comparison of the purpose and the portrayal of the lives of women in Chicago in the novel, "The House on Mango Street," written by S. Cisneros and the play, "A Raisin in the Sun," written by L. Hansberry.
1,904 words (approx. 7.6 pages), 4 sources, APA, $ 60.95
»
Click here to show/hide summary
Abstract
This paper compares and contrasts the novel, "The House on Mango Street," written by S. Cisneros and the play, "A Raisin in the Sun," written by L. Hansberry. It aims to show different faces of the American city of Chicago, separated by a span of about 25 years. The paper particularly looks at the works' messages about being a women at the times in which they were set. It also discusses the purposes behind the two works.
Table of Contents:
Upward Mobility
Being a Woman
The Message Behind the Work
Conclusion
From the Paper
"It should come as no surprise to the reader that both of these works were written with a purpose behind them. Hansberry wrote with an essentially militant purpose, trying to awaken society's consciousness to the stereotypes and racism that was so prevalent. In addition, she was attempting to reduce the stereotypical beliefs that were shared by blacks and whites alike. When George disparages Beneatha's African heritage, Domina explains, it "was precisely the attitude that Hansberry and other African American leaders worked to overcome" (1998, p. 59). Hansberry's plays contained some autobiographical elements; however, it did not did not extend far enough. Had we seen the struggles that the Younger's faced when fighting the people that did not want them in the neighborhood, we might have seen more of the playwright's own troubles when her own family made such a move (Domina, 1998). If the reader can interpret the play to mean that blacks are capable of being upwardly mobile, it can also be interpreted that upward mobility comes at a significant price."
| |
|
Love in "Twelfth Night", 2008.
An analysis of the relationships and love portrayed in William Shakespeare's play, "Twelfth Night."
700 words (approx. 2.8 pages), 1 source, MLA, $ 24.95
»
Click here to show/hide summary
Abstract
This paper discusses the theme of true love, as it is depicted in William Shakespeare's play, "Twelfth Night." It explores the idea of true love and its possibilities and then looks at how much of love is, in fact, an illusion. The paper discusses the plot of the play and the various relationships that exist and also briefly looks at the implications of that love.
From the Paper
"One of the ways this theme is often depicted is in terms of lovers who seem mismatched so that their faithlessness is almost expected. Duke Orsino in this play is a man who has a wandering eye when it comes to women, so it would seem that he is not likely to remain faithful, though he would become apoplectic if his wife were to stray as he does. He proposes to Viola in a less than convincing manner and claims that all women are unfaithful. At this stage, Orsino is doing no more than projecting his own character onto the women he meets, and he does learn a lesson in the course of the play."
| |
|
"The Wonderful Wizard of Oz", 2008.
An examination of L. Frank Baum's connections to the populist party and his references to it in his classic novel, "The Wonderful Wizard of Oz."
2,500 words (approx. 10.0 pages), 10 sources, MLA, $ 75.95
»
Click here to show/hide summary
Abstract
This paper analyzes the politics of the populist party that can be found within L. Frank Baum's classic novel, "The Wonderful Wizard of Oz." It provides a brief history and correlative analysis of the ideology of the populist party, in order to reveal Baum's influences in writing the plot for the novel. The paper also examines the correlation to Baum's own socialist ties with populist reform in the Midwest.
From the Paper
"In conclusion, the involvement of L. Frank Baum in the Populist Party Movement is a major facet of the plot and character structure in his novel: The Wonderful Wizard of Oz. The symbolic use of Dorothy and her companions seeking to find the Great Oz, so that they can free the people is paramount to Baum's own quest to garner better living conditions and governmental regulations on the banks that were closing down and confiscating farms all over the Midwest. In this manner, Baum offers a parable of the Populist Party struggle in the Wizard of Oz, but also provides biographical and societal information about his involvement and propagandistic agenda for writing this classic novel for the turn of the 19th century in America."
| |
|
Disneyfication of "Beauty and the Beast", 2008.
A comparative analysis of Madame Leprince de Beaumont's "Beauty and the Beast" and the Disney film version.
1,898 words (approx. 7.6 pages), 2 sources, MLA, $ 60.95
»
Click here to show/hide summary
Abstract
This paper examines the Disney adaptation of Madame Leprince de Beaumont's "Beauty and the Beast" . The paper contends that an analysis of Belle's character reveals that Disney's treatment of the fairy tale entirely neuters the story, taking away its dramatic, harsh moral lessons, and diminishing its female role model to an idle idiot who should not have survived the first ten minutes. The paper continues to discusses how this is further exacerbated by the introduction of cute, irrelevant animated characters who only serve to trivialize the film further. The paper concludes that, while traditional fairy tales offered chicken soup for the soul, Disney offers canned soup for the soul.
From the Paper
"Beaumont's Beauty has many other good qualities besides, and demonstrates them consistently throughout the story. For example, she is patient when her shrewish sisters berate her. She is considerate when her father offers her gifts, requesting almost nothing for fear it might be beyond his means. She does ask for a rose, not because she wants one, but because she does not want to show her sisters up. Thus, in somewhat Christian fashion, she turns the other cheek, meeting her sisters' insults with kindness and consideration. Disney's Belle gets no such opportunity to show Christian charity - this lucky young woman is an only child, unburdened with mean-spirited sisters! Again, the Disney character is denied the opportunity to model strength of character to viewers, and instead remains comparatively insipid. "
| |
|
Symbolism and American Literature, 2008.
An analysis of the place of symbolism in American literature through an analysis of Nathaniel Hawthorne's "Scarlet Letter", Herman Melville's "Moby Dick" and Edgar Allan Poe's "The Fall of the House of Usher".
2,456 words (approx. 9.8 pages), 6 sources, MLA, $ 74.95
»
Click here to show/hide summary
Abstract
This paper looks at three stalwarts of American literature Nathaniel Hawthorne's "Scarlet Letter", Herman Melville's "Moby Dick" and Edgar Allan Poe's "The Fall of the House of Usher". In particular, the paper examines how they all reveal symbolism employed in a heavy handed manner which requires much thought and effort on the part of the reader in order to grasp its full import. The paper attempts to show how on the surface, Hawthorne's letter "A", Melville's white whale, and Poe's house of gloom should all be simple to explicate because their existence as symbolic device is irrefutable. However, the craft that elaborates on them throughout each authors' story is complex and elaborate.
From the Paper
"Melville is yet another American author whose use of symbolism, while not as subtle as Hawthorne; of whom he was a contemporary, was just as consistent in his own manner. In Melville's Moby Dick, the entire premise of the book is based on a symbol which literary theorists have contemplated for many years. Yet, it is useful to bypass the discussion of the white whale and move into to some less symbolically divisive territory. Melville utilizes the biblical Book of Jonah for its symbolism which then employs for his own unique symbolic device."
| |
|
Anne Carson's "The Glass Essay" and the Post-modern Self, 2008.
An analysis of Anne Carson's prose poem "The Glass Essay" and how it reflects upon the post-modern self.
2,420 words (approx. 9.7 pages), 0 sources, MLA, $ 73.95
»
Click here to show/hide summary
Abstract
This paper examines Anne Carson's prose poem "The Glass Essay" in terms of the post-modern condition, which reduces human experience to the self and fragmented meanings, to loneliness and senselessness. It focuses on particular events in the poem, such as Carson's descriptions of her mother and a past love affair, and her insights into the mind of Emily Bronte. The paper ends by pointing out that, though the poem is written in the post-modern form and tradition, its conclusion presents a not so post-modern self but rather a very human, heartening, and timeless self.
Table of Contents:
Introduction
A Past Love Affair
An Aging Mother
On Emily Bronte
The Post-modern Self
Concluding Remarks
From the Paper
"Throughout "The Glass Essay" Carson describes the profound loneliness that has always been part of human experience known to some individuals more than others and that is seen as a strong part of the postmodern personality. The world is thought to have changed with a great loss of faith in authorities, institutions or ideas of art or value that leave many people feeling they have no bearings, or that life is only absurd and senseless. People are believed to be more cut off from one another than was true in the past and with the resulting loneliness involving only the self as a reliable reality. It may be said that postmodern ideas of the self stress this extreme individuality and its results, no past grouping or category seeming to have relevance."
| |
|
Plato, Aristotle and the Ideal State, 2008.
This paper looks at the views of Plato and Aristotle regarding government and the ideal state.
2,500 words (approx. 10.0 pages), 5 sources, MLA, $ 75.95
»
Click here to show/hide summary
Abstract
In this article, the writer discusses that two of the greatest philosophers that emerged from Greece in the fourth century B.C.E., Plato and Aristotle, gave civilization some of its greatest philosophical discourses. The writer notes that both tried to envision the ideal state. The writer then points out that neither Plato nor Aristotle believed strongly in individual freedom. The writer concludes that both Plato and Aristotle have had a profound influence on philosophy since their own time. Further, the writer maintains that remarkably, these two men are remembered as figures in Athens, which is considered the source of modern democracy, but neither of them believed strongly in individual freedom.
From the Paper
"Much of what Aristotle wrote in Politics was a response to Plato's Republic. Particularly, he felt that Socrates/Plato had not presented a sound argument when contending that possessions, women, and children should all be held in common. To begin, this practice was intended to unify the state, but it would not do so. That which is owned by all is effectively owned by none and neglected by all. Economically, it would lead to under-work and over-consumption as everyone would feel a right to take from the common produce, but would resent having to contribute to it. This communism would destroy temperance and liberality in the citizens, but would only encourage covetousness and jealousy."
| |
|
Margaret Atwood's "Surfacing", 2008.
An analysis of the theme of silence in Margaret Atwood's "Surfacing".
1,214 words (approx. 4.9 pages), 1 source, MLA, $ 41.95
»
Click here to show/hide summary
Abstract
This paper looks at the symbolic aspects of Margaret Atwood's, "Surfacing" and argues that silence is something that pervades the entire novel and keeps people from saying what needs to be said. The paper also examines how the narrator's strange relationship with Joe reveals her inability to communicate and how she views him with silent disdain, never deigning to sit down with him to see if there is a way for that sentiment to be turned into something more positive.
From the Paper
"The symbolism of the novel's setting is unmistakable. The story begins with the narrator returning to the remote northern Quebec hinterland to seek her father, who is missing and with whom the narrator is estranged. The opening line, "I can't believe I'm on this road again," (Atwood, 3) gains in significance when the full nature of the narrator's relationship with her dad is revealed. Quite simply, she had thought the tie between them had been severed permanently - only now she is returning once more to seek out the man she had, for all intents and purposes, left behind years earlier. "
|
|
|
