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Marriage, Relationships and Society, 2008.
A comparison of two articles:"Marriage: Then and Now" by Stephanie Coontz and "Family Responsibilities: The Politics of Love and Care" by Meg Luxton.
1,038 words (approx. 4.2 pages), 2 sources, APA, $ 36.95
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Abstract
This paper discusses two articles that both deal with the interrelationships between domestic relationships and the broader society: :"Marriage: Then and Now" by Stephanie Coontz and "Family Responsibilities: The Politics of Love and Care" by Meg Luxton. The paper explains that Coontz supplies the reader with an interesting account of the history of marriage, showing how it has changed according to dominant social and historical trends. The paper then points out that Luxton shows how neoliberal capitalist policies have impacted family relationships and that the assumption that families must be self-reliant, and independent of the capitalist economy, dates back to 18th century liberalism. The writer concludes that both of these articles are written from a starting point of love and caring and both have an underlying agenda of promoting the greatest possible amount of individual and family happiness within the realities of our current society. The writer also believes that both articles provide useful insights into social realities, and constructive suggestions that can increase the happiness of many relationships.
From the Paper
"The underlying assumption of Coontz's article is that marriage is one of the many mechanisms of our society - it will thus change according to various social demands made on it. She does not appear to see any malevolent forces at work in this - marriage is simply an inanimate institution whose functions grow or contract depending on the pressures brought to bear on it. By contrast, Luxton's article does seem to pinpoint some malevolent forces at work. She blames what she calls the neoliberal agenda for the reduced role that the state is playing in fulfilling social responsibilities. Thanks to neoliberalism. She believes that the well-being of families has become subordinate to the well-being of business."
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"The Knight's Tale", 2008.
An analysis of the six tenets of the chivalric code for knighthood in "The Knight's Tale" by Geoffrey Chaucer.
810 words (approx. 3.2 pages), 1 source, MLA, $ 28.95
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Abstract
The paper examines prowess, truth, honor, freedom, courtesy and glory as tenets of the chivalric code in "The Knight's Tale" by Geoffrey Chaucer. The paper discusses how knights enacted these various traits in their roles as medieval warriors.
From the Paper
"The basis of Chaucer's view of Chivalry defines way and manner in which knights would defend the honor of a lady by always being courteous and gentle, regardless of the military might a knight may exude. Respect for women is clearly part of the chivalric code through courtesy and honor, which defends the love of a woman through a knight's actions and behaviors. The issue of knightly conflict between Palamon and Alcite occurs when lady Emily arouses both of their desire for love--often called courtly love. Jealousy mounts between the two men, who immediately site vows of honor and truth they took as knights to uphold their love for Emily."
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"Season of Migration to the North", 2008.
A review of the book "Season of Migration to the North" by Tayeb Salih.
1,173 words (approx. 4.7 pages), 1 source, MLA, $ 40.95
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Abstract
The paper describes how Tayeb Salih in "Season of Migration to the North" uses both sacrificial and redemptive violence in his graphic depictions in his novel. The paper explains that the redemptive nature applies symbolically to the vanquishing of tradition and culture that mistreated and repressed members of society. The paper further explains that the sacrificial nature of the violence is those that died, with the hope that the living would ensure that their culture move on from the harmful and repressive traditions of the past.
From the Paper
"The sacrificial hero gives his life violently so that others may live, in stories of redemption, often the villain meets a violent death at the hands of the hero. In Tayeb Salih's Season of Migration to the North, there are several instances of violent ends, yet through this meandering story the true sacrificial or redemptive nature of these deaths are as intertwined as the fates of the characters to the end of British Colonialism in Africa. The story takes place in the early part of the twentieth century as the British Empire begins to fade away from its Victorian Glory. At the story's climax, the nameless narrator is pondering the events of his life and that of his dead friend Mustafa in a room that is the "cave of wonders" of Mustafa's life, all of the treasures gathered from a life ill spent (Salih 134)."
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Feminist Elements in Literature: A Comparison, 2008.
An analysis of the feminism in "The Color Purple" by Alice Walker and "Beloved" by Toni Morrison.
1,229 words (approx. 4.9 pages), 2 sources, MLA, $ 41.95
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Abstract
The paper compares and contrasts the feminist elements within "The Color Purple" by Alice Walker and "Beloved" by Toni Morrison. The paper addresses the issues of female victimization, gender roles and feminist liberation. The paper shows how the crucial elements of feminism depict a greater sense of female identity in African-American literature.
From the Paper
"Alice Walker reveals issue of feminist victimization through her characterization in The Color Purple. The evolution of mostly male perceptions of life through racism was the norm until women writers began to change this focus in African American literary forums. Nellie often takes on the part of victim to male aggression, since she has been raped repeatedly by her owner, and the other abusive males in her life. Walker's portrayal of Nellie is very similar to the way and manner in which Morrison depicts her female roles in Beloved, such Sethe. However, the major difference between these two women is the way that slavery has affected them, and how they had let it affect their lives."
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Jeanette Armstrong and the Unpoetic, 2008.
An analysis of Aboriginal Canadian poet, Jeanette Armstrong's poem "History Lesson".
1,790 words (approx. 7.2 pages), 9 sources, MLA, $ 57.95
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Abstract
This paper examines Aboriginal creative talent in Jeanette Armstrong's poem "History Lesson." The paper points out that the history of Aboriginal Canadians is one of colonization and oppression, and as such, it is hard to imagine that their authentic art or writing could escape dealing with these unpoetic realities. The paper maintains that the poem reflects Armstrong's commitment to ruthlessly dealing with the unpoetic. The paper attempts to show the larger social context in which Armstrong was working. It concludes that grappling with the unpoetic offers the colonized people the opportunity to heal and take back the creativity that was crushed by the colonizers' "educative" attempts.
From the Paper
"Thus, all in all, the Aboriginals lost much that was of value in their culture, and gained aspects of the European culture that either were not valuable, or were actively destructive. Moreover, Aboriginals also lost their land, their children, and their economic way of life. We see the results of all of this loss and destruction in Aboriginal lives today. Modern Aboriginal Canadians have a much higher rate of lifestyle-related health problems than do non-Aboriginals. For example, Aboriginal rates of alcoholism, drug addiction, and diseases related to prostitution, are much higher than the rates of non-Aboriginals. Moreover, family violence problems are much more prevalent (Carter). In addition, poor parenting is almost the norm. As has been pointed out: "Poverty and family dislocation are the norm among Aboriginal families" (Robertson 555)."
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Honor and its Social Impact in "The Iliad" by Homer, 2008.
An analysis of the social roles of the heroic code of honor in "The Iliad" by Homer.
2,167 words (approx. 8.7 pages), 1 source, MLA, $ 67.95
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Abstract
This paper analyzes the heroic code of honor in Homer's "The Iliad" by examining the social roles of Hector and Achilles within the construct of familial and military culture. The paper defines the social role of Hector as a hero and as an ethical defender of his family through civic responsibility. The paper looks at the social role of gift giving as a part in the heroic code, because honor becomes the central catalyst for the heroic portrayals provided by Homer in "The Iliad". The paper then points out that Achilles also abides by strong ethic towards honor, which invariably creates a social impact on his actions after Patroklos is killed. In conclusion, the paper shows that the impact of these social norms drive Achilles and Hector toward the extreme violence of war, which ultimately ends in their deaths.
From the Paper
"The encounter between Hector and Andromache during the battle reflects a Homeric process, which allows for a union between family that is compassionate and not driven necessarily by a cold and calculating necessity for war on the part of the soldier. In this manner, Homer is projecting a socially responsible man in Hector that respects social traditions military and within the family unit. Andromache is a wife that shows concern, and only wishes for her husband to stay with her and not die in battle with the Aecheans. In this manner, Hector is not only questing to find solace in his wife's love for him, but actually seeks to be consoled before entering into the main thicket of war outside the Trojan City."
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Individuality and Free Will in Literature, 2008.
An analysis of the theme of individual consciousness and anxiety of free will in the works of Robert Frost and Ernest Hemingway.
1,681 words (approx. 6.7 pages), 3 sources, MLA, $ 54.95
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Abstract
This paper examines the theme of individuality and the anxiety of free will in the poems; "Mending Wall" and "Stopping by Woods on a Snowy Evening" by Robert Frost, and the short story; "Hills Like White Elephants" by Ernest Hemingway. The paper describes how Frost uses the poetic images of nature to help define the individual in nature, which builds upon the anxiety of free will outside of boundaries and social norms. The paper then shows how Hemingway accounts for a dualistic account of free will that defines male issues of commitment with a girl.
From the Paper
"The poem "Stopping by Woods on a Snowy Evening" defines the deviant sense of individualism that Frost seeks. By being an intruder on another man's property, he finds solace in his being able to stop and appreciate the quieter aspects of Nature. Frost writes on his own sense of refusal to accept laws and common notions of property in his individualistic perception of Nature:
Whose woods these are I think I know,
His house is in the village though.
He will not see me stopping here,
To watch his woods fill up with snow."
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Literary Realism and Poverty, 2008.
An analysis of the literary realism in Hamlin Garland's short story 'Under the Lion's Paw" from his book, "Main Travelled Roads" and Theodore Dreiser's work, "Sister Carrie".
733 words (approx. 2.9 pages), 2 sources, MLA, $ 26.95
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Abstract
The paper examines Chapter XLV of Theodore Dreiser's "Sister Carrie" and describes the literary realism that depicts how the character of Hurstwood must survive the grim reality of poverty in the city. The paper also looks at Hamlin Garland's short story "Under The Lion's Paw" from his work "Main Travelled Roads", which uses literary realism to reveal the grim reality of farm life.
From the Paper
"The first reason why literary realism exists in the work of garland's "Under the Lion's Paw" is the way that he defines the life of farmer's, and the often brutal conditions that they must work within as poor workers of the land. The reality of the farmer's life is apparent in Mrs. Council's narrative:
""Yes, I do my own work," Mrs. Council was heard to say in the pause which followed. "I'm getting purty heavy t' be on m'laigs all day, but we can't afford t'hire (Garland, p.491)."
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The Mechanical's Play in a "Midsummer Night's Dream.", 2008.
A review of the sub-plot in William Shakespeare's "Midsummer Night's Dream."
1,795 words (approx. 7.2 pages), 5 sources, MLA, $ 57.95
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Abstract
This paper is based around characters that are featured in Shakespeare's play "A Midsummer Night's Dream". The paper first relates that, amid this complicated play, there is the tale of the six mechanicals or craftsmen. The paper then explains how Shakespeare differentiates between them and the other members of his play by use of different language and style.
From the Paper
"The mechanics have retreated to the woods outside Athens to rehearse the play that they intend to present at the wedding of Theseus and Hippolyta. The play is the classical story of Pyramus and Thisbe. These were two young lovers, living in houses that shared a common wall, whose parents had forbidden them to marry. Their only means of communication was through a crack in the wall of their adjoining houses. Eventually, they were unable to stand separation any longer, and agreed to elope, meeting in the nearby woods. On the appointed night, and taking advantage of the darkness, they slipped out of their respective houses. Thisbe arrived first at the appointed place by a mulberry tree, to find a lioness, her mouth bloody from a recent kill. Terrified, Thisbe fled, dropping her veil as she ran. The lioness then mauled the veil, leaving it torn and covered with blood. Coming on the scene and finding only the torn bloody veil, Pyramus assumed that the lioness had killed Thisbe. In his wild grief, he stabbed himself. Thisbe, emerging safe from her hiding place, and finding Pyramus dead, killed herself. In commemoration of this tragedy, the mulberry tree beside which the lovers took their lives now bears purple berries, instead of the white it had originally grown. (Rivers)"
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"Huckleberry Finn", 2008.
An analysis of Huck's journey by the river in "Huckleberry Finn" by Mark Twain.
2,721 words (approx. 10.9 pages), 10 sources, MLA, $ 81.95
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Abstract
The paper discusses how, in "Huckleberry Finn" by Mark Twain, the river in the story serves as a narrative thread, a recurrent setting, and a link between the beginning and end. The paper notes the fact that the river referred to is the Mississippi and demonstrates how the river becomes a singular experience for Huck. The paper describes this experience as one that takes the innocent Huck on a journey of growing awareness about the corruption of man and the contrast between the good and evil of life.
From the Paper
"Huck from the beginning is a character who follows his own mind and who values the ability to do things rather than to know the book-learning prized by society. Huck does not learn the sort of thing found in books even when the Widow Douglas sends him to school. Twain in fact uses this novel as a way of making fun of a certain genre of books, the sort of high adventures that fascinate Tom Sawyer and that are very different from the real world in which Tom and Huck live. For Twain, American experiential learning is more valuable than European formal education, and this contrast is a key element in the novel."
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"Notes from Underground", 2008.
An analysis of the philosophies of Plato, Nietzsche and Sigmund Freud as they relate to Fyodor Dostoevsky's "Notes from Underground".
1,522 words (approx. 6.1 pages), 5 sources, MLA, $ 50.95
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Abstract
This paper discusses how Dostoevsky's "Notes from Underground" is an interesting and somewhat shocking short novel first published in 1864 and often seen as a forerunner of existential fiction. The paper then looks at how first-person narrator of the story recites a long complaint about life, society, and in fact all of human existence in what he deeply feels to be its essential pointlessness and cruelty. The paper then attempts to analyze the psychology behind the behavior of the "Underground Man" by examining what three important thinkers have to contribute to the discussion: Plato, Nietzsche, and Freud.
From the Paper
"Nineteenth-century German philosopher Friedrich Nietzsche was very impressed with Dostoevsky, claiming that "Dostoevsky is one of the few psychologists from whom I have learned something" ("Nietzsche.") The Birth of Tragedy from the Spirit of Music (1871) was Nietzsche's first major book. In it, he first elucidates what would soon become a widely known dichotomy, that between the Apollonian and the Dionysian, two opposed strands of ancient Greek thinking which he deduces based upon his uniquely creative interpretation of Greek literature. Put briefly, the Apollonian is the rational, while the Dionysian is that which is irrational or instinctive. "
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Zora Neal Hurston's "Their Eyes Were Watching God", 2008.
This is a book review of "Their Eyes Were Watching God" by Zora Neale Hurston.
928 words (approx. 3.7 pages), 1 source, MLA, $ 32.95
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Abstract
This paper evaluates the feministy maturation of the character Janie in Zora Neale Hurston's, "Their Eyes were Watching God". The author analyzes the male relationships in the main character's life that help Janie grow a stronger sense of female identity. In the conclusion of the paper, the author explains how the novel provides a gender construct that defines the abusive male relationships the character goes through for her personal growth as a woman.
From the Paper
"This literary study will analyze the male relationships in Janie's life that help her to grow a stronger sense of female identity in Their Eyes Were Watching God by Zora Neale Hurston. Janie slowly becomes more mature in her view of men, as often-abusive marriages tend to teach her the nature male aggression, which has been brought down to her through her familial relatives. In essence, Janie learns to discover and mature an independent feminist identity that is the result of multiple abusive male relationships in Their Eyes Were Watching God by Zora Neale Hurston.
"Janie Crawford is a woman that begins her young adult life by being coerced into marrying a powerful man, Logan Killicks. Nanny is responsible for her being pressured into becoming involved with this man, as she does not wish Janie to suffer under the same conditions she had undergone as a slave. Hurston defines Nanny as an important figure that was raped by a white plantation owner, and now wishes her granddaughter to avoid this tragically horrific life. However, Logan soon turns to physical abuse, as Janie quickly becomes a mere object in his rise up the economic ladder. This misogynist objectivity makes Janie a servant, much as Nanny was as a slave to her white master. When Logan turns to hitting Janie, it is Joe Starks that recognizes (at this point in the novel) her beauty and individuality, providing an important incentive for Janie to leave Logan:"
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Bakan and Steinbeck on Industrialization, 2008.
A discussion of industrialization in reference to Joel Bakan's "The Corporation: The Pathological Pursuit of Profit and Power" and John Steinbeck's "The Grapes of Wrath".
1,130 words (approx. 4.5 pages), 4 sources, MLA, $ 39.95
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Abstract
This paper compares the advantages and disadvantages of industrialization, drawing its arguments primarily from Joel Bakan's "The Corporation: The Pathological Pursuit of Profit and Power" and John Steinbeck's "The Grapes of Wrath". The paper finds that Steinbeck and Bakan paint a depressing picture of a world where all humanity has been lost, as inhuman corporations take over the world. From a contrasting viewpoint, the paper points out that certain analysts claim the cost in human terms has not been too high. On the contrary, most people are better off than before, as wages have grown, not declined. In conclusion, the paper holds that the two viewpoints agree that industrialization has led to the rise of corporations and to an enormous increase in productivity. However, the paper agrees with the first viewpoint, which maintains that soulless, profit-obsessed corporations now run the earth, and that the ultimate cost will be disastrous to humanity and its habitat.
From the Paper
"Bakan thus provides the big picture, spelling out the worldwide costs of industrialization. In essence, he argues that our world is being destroyed by gluttonous corporations. Steinbeck shows us the human cost of this by giving us a much smaller picture - a close-up of small farmers in rural USA. Here we meet barefoot children whose children are being forced off the land their ancestors wrested from the indigenous people, and which has sustained their families ever since. The frightened children ask their mothers: "What are we going to do, Ma? Where are we going to go?" (Steinbeck 36) The implication is that these children will end up starving on the streets - so that a soulless, inhuman, monstrous corporate somewhere in the East can make profits."
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Emilia's Speech in "Othello", 2008.
An analysis of Emilia's speech in Act IV, Scene 3 of William Shakespeare's "Othello".
1,180 words (approx. 4.7 pages), 0 sources, $ 40.95
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Abstract
This paper examines a passage from Act IV of Shakespeare's "Othello", (scene iii, ll.89-106), which comes after the dinner that Desdemona hosts for Othello. The passage is a speech by Emilia in which she tries to get Desdemona to feel better and not to despair at the way her husband has been treating her, in essence by suggesting what she should do. The paper points out that this speech serves as a balance to an earlier speech by Iago on the false nature of wives from Act II. To conclude, the paper focuses on the way Shakespeare uses the sound of the words the way they are put together to create an impression that guides the listener through Emilia's argument and enhances aspects of that argument to make it more sensible and to show ways in which men and women are alike.
From the Paper
"This speech serves as a balance to an earlier speech by Iago on the false nature of wives from Act II. Emilia here refers to the false nature of husbands and to the consequences for those husbands, for their wives are then unfaithful in retaliation. Emilia is always the practical one in the play, sat least in terms of how she believes people should behave. She takes the practical view that if Desdemona is under suspicion and if her husband is mistreating her, then Desdemona should take care of herself and forget Othello. At the same time, she knows that Desdemona is innocent and also knows part of what Iago is doing. She certainly knows that Iago has taken the handkerchief, and she is likely also bitter about the way she is treated by her own husband, Iago. Much of this bitterness comes out in this speech."
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Social Roles in "The Iliad", 2008.
An analysis of the social roles of Hector and the heroic code in "The Iliad" by Homer.
2,150 words (approx. 8.6 pages), 1 source, APA, $ 67.95
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Abstract
This paper analyzes the social roles of the hero in "The Iliad" by Homer. It shows the impact of the grim facts of war in relation to death and life and how this produces an increased social role in life. The paper defines the social role of Hector as a hero who is an ethical defender of his family through civic responsibility. It also shows how the social role of gift giving is also a part in the heroic code, as honor becomes the central catalyst for the heroic portrayals provided by Homer in "The Iliad."
From the Paper
"With this loss, Achilles eventually fights Hector and kills him. He then disgracefully drags his body after his chariot because his rage has fully consumed. Achilles has lost any kind of sanity he had since his clash with Agamemnon, which has been the social fabric of the heroic code that is the result of a dishonorable gift giving exchange. The cycle of military honor has been made complete, enforcing the sense of social norms that created the plot dynamics and the sense of honor in battle. Now, Achilles appears to care little for living any longer, since his closest friend is now dead. The social forces of military honor have created the basis of a heroic code for Achilles, which along with hector, provide the duty that a warrior must abide by to gain the respect and loyalty of his family, friends, and fellow soldiers."
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