| Papers [241-255] of 2770 :: [Page 17 of 185] | | Go to page : <— 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 —> | |
|
|
Jackie Chan, 2007.
A discussion on Jackie Chan's professional life.
1,166 words (approx. 4.7 pages), 1 source, MLA, $ 40.95
»
Click here to show/hide summary
Abstract
This paper discusses what made Jackie Chan an international movie star. It discusses his abilities as an action hero. The paper also explains that his image, persona and comic abilities are attractive to a wide range of people and set him apart from others in his field. Finally, the author mentions Chan's role in Rush Hour which launched him as a star.
Outline:
Introduction
Martial Arts Action Hero
The Guy Next Door Image
The Charming Persona
Comical Aspect
Conclusions
Reference
From the Paper
"Jackie today is one of the most recognisable global film stars. He established himself as one of the Asia 's biggest star known and recognized all over the world. He has always been considered a replacement to Bruce Lee. Jackie has been a big star in his home country but he has been struggling to find a place in Hollywood mainstream cinema. His breaks into Hollywood came in the form of Rumble in the Bronx and Jackie Chan's First Strike. These flicks introduced him in tinsel town but it was his movie Rush Hour that established him as a star in Hollywood with a definite persona. The movie became a runaway success and made millions at the box office. Jackie also became one of the highest paid actors in the movie industry."
| |
|
Successful Movies, 2007.
A discussion on what constitutes a "successful" movie, comparing and contrasting the movies "Scream" and "I Know What You Did Last Summer".
1,402 words (approx. 5.6 pages), 6 sources, MLA, $ 46.95
»
Click here to show/hide summary
Abstract
The author of this paper discusses Tim Dirks' criteria for movie success, and suggests that "Scream" (1996) is a more successful movie, financially and artistically, than "I Know What You Did Last Summer" (1997). The paper analyzes how "I Know What You Did Last Summer" is a financially successful film, in terms of box office draw and in terms of having a sequel, which is one sign of financial success. The paper further analyzes how "Scream", on the other hand, is a successful movie in more than just financial ways, including artistic innovation and outstanding acting.
From the Paper
"Some other successful movies "provide hidden meanings, new psychological truths, great visual moments, mythic resonance, philosophical insight, lyrical beauty, fresh insights into how to view the world, or enlightened understanding", e.g., The Big Sleep (1946) or Chinatown (1974). Others (e.g., Steven Spielberg's break-out movie Jaws (1975) are simply huge financial blockbusters.
In terms of the relative success of two other movies, Scream (1996) with its $100+ million box office gross (Berardinelli) and I Know What You Did Last Summer (1997), which had a cumulative domestic box office of $69 million("The Movie Business in 1997") are both successful in terms of one of Dirks' criteria for movie success: box office draw."
| |
|
Film: "Rhapsody in August", 2006.
This paper analyzes Akira Kurosawa's film "Rhapsody in August", which focuses on three generations of Japanese and Japanese-Americans and how the bombings of Nagasaki affected their lives.
1,395 words (approx. 5.6 pages), 1 source, MLA, $ 46.95
»
Click here to show/hide summary
Abstract
This paper explains that Akira Kurosawa's film "Rhapsody in August" is set 40 years after Nagasaki was bombed and the main character is Kane, a grandmother who lost her husband in the bombing. The author points out that the film shows how the people of more recent generations, the grandchildren, tend to forget the real effects of the bombing because it has no personal significance to them. The paper stresses that Akira Kurosawa's message is that the human toll of war can last for a lifetime without ever being resolved.
From the Paper
"Another related issue raised in the film is the complicated relations that continue between the nations involved in war. The film shows that in theory, the war has ended and there are positive relations between America and Japan. However, there are some ongoing issues affecting people that are not as easy to manage. This is seen by the grandmother who has to struggle between accepting America and its positive relations with Japan and hating America for the actions it took that killed her husband. This is seen by the Hawaiian cousins who become upset when the grandchildren mention Nagasaki."
| |
|
Ritchie Valens, 2007.
A discussion of Luis Valdez's 1987 movie, "La Bamba", about Ritchie Valens.
752 words (approx. 3.0 pages), 3 sources, MLA, $ 26.95
»
Click here to show/hide summary
Abstract
The paper describes how Luis Valdez's movie, "La Bamba" provides a fairly accurate account of the social trials endured by Ritchie Valens during his short life. The paper discusses how Valdez wrote a compassionate screenplay about Valens' rise to fame, his relationship with his family and the prejudices that he faced during that era. The paper explains that Valens succeeded in becoming famous for his music by combining the qualities of his Mexican-American heritage and creating a new unique sound. Valens succeeded in becoming part of both cultures; he was the first Latino teen idol.
From the Paper
"Valens was just shy of his eighteenth birthday when he died in a plane crash with Buddy Holly and the Big Bopper while touring. Valdez's movie opens with two planes exploding in the air while children are playing on a playground. Although this scene adds a note of sadness at the very beginning of the movie, it also provides the audience with an omen, a prediction of what is to come. However, it also is the first clue that the audience receives concerning Valens' fear of flying, and his superstitious nature, much of which was rooted in his Hispanic heritage."
| |
|
Gender Roles, 2007.
An examination of gender roles in in Morocco and Algeria.
2,460 words (approx. 9.8 pages), 6 sources, MLA, $ 74.95
»
Click here to show/hide summary
Abstract
The paper discusses how, over the past several decades, two neighboring Northern African states, Algeria and Morocco, have taken different paths in their views and treatment of families and genders. The paper examines how, as a result of the specific differences in the treatment of gender, the male and female genders have assumed different roles in each of these countries. In this paper, several books and films are discussed and analyzed in order to better describe the topic of gender roles in Morocco and Algeria.
Outline:
Introduction
Portrayal of the Gender Roles in Books
Common Threads of Gender Roles
Conclusion
Works Cited
From the Paper
"There are deeper cultural clashes that are depicted in "Year of the Elephant", which is a collection of stories written and compiled by Leila Abouzeid. The "title story", if you will, shares the history of a woman who has been divorced and left with nothing to her name, essentially leaving her trapped within the confines of her village. She goes through a period of depression and recounts her life story, her involvement in the independence movement, her marriage to a young man who becomes seduced by materialism. Through all of these trials, she takes on the viewpoint that the colonization that held Morocco in a powerless position is not over, that it has simply been replaced by ambitious and greedy Moroccans wielding power over the disenfranchised--the poor and women. By presenting such a complex story, Abouzeid takes on several cultural issues- secular versus sacred, materialistic versus personal, the powerful overtaking the weak, and of course the classic struggle for the genders to attain equality and more specifically for women to achieve equal rights in a society that basically refuses to give them those rights."
| |
|
Media and Relationships, 2007.
An analysis of the effect of television on viewer's satisfaction of the relationships they are in.
2,336 words (approx. 9.3 pages), 22 sources, MLA, $ 71.95
»
Click here to show/hide summary
Abstract
This study reviews current models of thinking surrounding marriage, as it is portrayed in the media. It evaluates how the media influences current thinking about marriage and discusses if that influence has extended to create changes in behavior. The writer hypothesizes that media influences tend to result in a lower level of satisfaction with current relationships for the average viewer, even when one is in a steady and fulfilling relationship.
Table of Contents:
Review of Literature and Rational Section
Introduction/Statement of the problem
Review of Literature
Research Questions and Hypothesis
From the Paper
"The social aspects and effects of television and the media cannot be underestimated. It appears that the role models we set for relationships begin for our children from the very earliest age, and that the affect of media appears to be more significant than the role that we play ourselves in the overall modeling of relationship behaviors for our children and for our peers. It is fallacy to believe that we can live lives like those we see on television - these worlds are not real. Yet do people really base their satisfaction in marital relationship on what they see on television? It would appear to be so, in that we base what we want in our homes, in our garages, in our bodies and in our cupboards on what we see on television. Why not base what we want in our mates on the same thing. To date, while there exists a significant body of evidence surrounding the effect of media images on children and adolescents, there is little which specifically addressed how we see our relationships. Considering the divorce rate within the United States, this would appear to be a statistically significant issue to study and therefore a valid research project, as based upon the literature review."
| |
|
"Memoirs of a Geisha", 2007.
An analysis of the novel, "Memoirs of a Geisha", by Arthur Golden, and a comparison between the book and the film of the book.
2,183 words (approx. 8.7 pages), 7 sources, MLA, $ 68.95
»
Click here to show/hide summary
Abstract
The paper examines how both the film and the book rely on the exotic beauty of a hidden Japanese culture. The paper further examines how, because of the nature of the medium, the film is more reliant on stereotypes. The writer proposes that, while a book can subvert stereotypes with a humanizing narrative voice and force the reader to see the world through the eyes of 'the other', regardless of the reader's gender or nationality, film finds this more difficult.
From the Paper
"The book's Cinderella story forces the reader to take on the persona of a marginalized person whose culture, country, and lifestyle is alien to most Americans. In contrast, the film "Memoirs of a Geisha," although made with Asian actors (and directed by an American filmmaker) eschews some of this first-person focus and instead stresses the brilliance of the colors and the exoticism of the geisha world to Western eyes. Thus, despite its visual power and iconography of color and design, the film tends to allow the viewer's mind to conform to stereotypes about Asians to a greater degree than that of the book."
| |
|
Hollywood & Politics, 2007.
A discussion on whether Hollywood plays a vital role in the survival
of politics.
4,062 words (approx. 16.2 pages), 11 sources, MLA, $ 109.95
»
Click here to show/hide summary
Abstract
The paper examines whether a link exists between the glitter of Hollywood and its actors, powerful American politicians, and the world. The paper further examines whether this link is used strategically for influencing and shaping the minds and the agenda of the public. The paper includes a detailed literature review.
Outline:
Annotated Bibliography
Abstract
Objective
Questions Of The Research
Introduction
Review Of The Literature
Hollywood & Politics - The Razz Ma Tazz And The Spin
Summary & Conclusion
Bibliography
From the Paper
"Kellner (1991) writes: "In our book 'Camera Politica: Politics and Ideology in Contemporary Hollywood Film": "Michael Ryan and I argue that Hollywood Film from the 1960s to the present was closely connected with the political movements and struggles of the epoch." Kellner (1991) further stats that their narrative (Kellner and Ryan's) "maps the rise and decline of 60's radicalism, the failure of liberalism and the rise of the New Right in the 1970's and the triumph and hegemony of the Right in the 1980's." (Kellner, 1991) Kellner further believes that: "Popular films intervene in the political struggles of the day, as when 60s films advanced the agenda of the New Left and the counterculture." (Kellner, 1991)"
| |
|
Bushido, 2007.
This paper discusses the Samurai philosophy of Bushido and Hiroshi Inagaki's "Samurai Trilogy."
2,490 words (approx. 10.0 pages), 11 sources, MLA, $ 75.95
»
Click here to show/hide summary
Abstract
The paper relates that the Samurai philosophy of Bushido has been the subject of much study and has been embodied in writings intended to show the Samurai class what the ideal for behavior should be. Many of the elements of this philosophy have been widely accepted as ideal for living and beneficial in a modern context as they were in the past, while other aspects are seen as specific to a time and place. The ideals are seen in dramatic form in Hiroshi Inagaki's "Samurai Trilogy," as it is called in the U.S. and specifically in the third of the films, "Bushido." The paper discusses these three films; "Miyamoto Musashi," "Musashi Miyamoto Sequel: Duel at Ichijoji Temple" and "Bushido."
From the Paper
"The three films by Hiroshi Inagaki begin in 1954 with Miyamoto Musashi, the name of the central character, also known as Takezo. Takezo is an orphan and something of a problem in his village, until he and his friend join the army to go into battle. They lose this first fight and then seek refuge in the home of a widow and her daughter. Takezo's friend takes up with the widow and goes away with them, while Takezo returns to his village. His friend's family does not believe him and has him arrested for treason, and he is eventually sentenced to study the samurai code. He falls in love with the virtuous Otsu, formerly betrothed to his friend, and she vows to wait for him when he sets off to be a knight. This film sets up the character and his background and also introduces the samurai code, which will become such an important element in his life."
| |
|
"The Battle of Algiers", 2007.
This paper offers a description, interpretation, and evaluation of the 1967 film "The Battle of Algiers", directed by Gillo Pontecorvo.
1,159 words (approx. 4.6 pages), 1 source, APA, $ 39.95
»
Click here to show/hide summary
Abstract
In this article, the writer describes that the film "The Battle of Algiers" is set in the French colony of Algiers during the North African nation's struggle for independence during the 1950s. The writer notes that at the beginning of this film, the French forces have recently been driven out of Vietnam by nationalist forces. Then the writer relates that the French resolve to refuse to let the Algerians free from French control, while the Algerian freedom fighters resolve to stop at nothing, even terrorism, to drive the French away. The film shows the conflict between the French and Africans from both sides. The writer points out that the film suggests that war is always wrong and evil and nations must strive to do all they can to eliminate the causes of war. The writer concludes that stopping the spread of colonialism is a positive first step toward the elimination of war, but that does not mean that one should morally validate violence and terrorism.
From the Paper
"The film shows the conflict between the French and Africans from both sides. The first part of the film focuses on the life of a petty criminal named Ali, who has grown up in the impoverished and exploited nation, and who gradually becomes convinced of the rightness of the renegade military group known as the Algerian Liberation Front (FLN). Ali La Ponte begins the film as an aimless, drifting individual. He finishing his term in prison for a crime he committed when the sight of a prisoner being led to the guillotine awakens his political consciousness. Ali begins to question the politics of the society around him. He joins the FLN, an organization that is attempting to purge Algiers of all foreign influences, including drugs, alcohol, and prostitution."
| |
|
Teenpics, 2007.
An analysis of the teenpic phenomenon as described by Thomas Doherty in "Teenagers and Teenpics."
2,387 words (approx. 9.5 pages), 0 sources, $ 73.95
»
Click here to show/hide summary
Abstract
This paper reviews the book "Teenagers and Teenpics", written by Thomas Doherty. The paper describes how Doherty uses 1955 as a historical index point for the teenpic phenomenon and how he describes the genesis of the movement and identifies the parallel between the decline of classic Hollywood and the rise of B-list teenpics.
From the Paper
"The first economic blow to Hollywood was the application of the Sherman Anti-Trust Act on the movie industry. The Paramount Decree of 1948 dismantled the old studio production system. The courts ruled that the industry's monopoly on production, distribution, and exhibition was no longer acceptable and the studios were required to divest themselves of their exhibition chains. Unable to guarantee a venue for their films, or sustain production of new features, the financial system of the studios was disrupted to a significant degree. The author refers specifically to the "The Paramount Decree" by Michael Conant that analyzes film industry anti-trust laws economically and legally the movie."
| |
|
Isolation in Poetry and Music, 2007.
An analysis of the isolation depicted in "Vincent" by Don McLean, "Cry" by Casey Scott and "Six Feet Under" by Alan Ball.
2,971 words (approx. 11.9 pages), 11 sources, MLA, $ 87.95
»
Click here to show/hide summary
Abstract
This paper discusses the recurring theme, in poetry, music and film, of isolation, loneliness and of being marginalized by society because a person is different. The paper discusses the song-poem "Vincent" by Don McLean, which looks at a portrait of Vincent Van Gogh. It then discusses the song, "Cry" by Casey Scott, which shows another form of marginalization of someone who is suffering from depression. Finally, the paper looks at the series "Six Feet Under" by Alan Ball and discusses the character of Billy, who is schizophrenic.
From the Paper
"While almost all the regular characters on the show are on the fringes of societal norms and it is well known that this series highlights dysfunctional people and families. I think Billy is the saddest. He is diagnosed as schizophrenic and he is also a photo artist. Poor Billy lives the dreaded life of the life long mental patient. (Remember that this illness also has chemical and physical causes.) Billy on medication is likable and productive. He teaches photography and earns a good living. However, he has no edge to make his own photo essays unique. He is creatively dead. Billy off medication is sometimes wildly wonderful or violently insane and dangerous to himself and others. Billy constantly struggles with his desire to feel strong passion, which he cannot do while medicated. However, when he goes off medication, his life becomes a ruin."
| |
|
The 'Buddy Picture' Genre, 2006.
A look at the homosexual and the homosocial relationships in the film genre of the 'buddy picture'.
2,082 words (approx. 8.3 pages), 4 sources, MLA, $ 65.95
»
Click here to show/hide summary
Abstract
This paper discusses how according to Michael Davis, American popular culture has always reflected a common "insecurity" about masculinity "at the global and local level." The paper further discusses how the films "Brokeback Mountain" and "High Fidelity," reflect this anxiety. The paper classifies both these films as 'buddy films'.
From the Paper
"In classifying both of these films as "buddy film" genres, it is important to remember exactly what a film genre is constituted by--film genres are usually defined by various formulaic structures (such as the outsider nature of the protagonists, alone tending sheep on a mountain, or alone in their superior musical tastes in a bubble-gum pop music listening world) and identifiable types of characters (such as the inarticulate man, the boisterous 'kid') who behave in recognizable patterns. Genres also have standard relationships, such as male bonding in active friendships forged over saving the world or saving music. Genres also often make use of various forms of syntax, such as the frequent joking typical of buddy films that conceal real emotion, rather than displays emotion, unlike the language deployed between men and women. Also, genres deploy similar filmic techniques such as the buddy film's use of communication through action, and make use of conventions, such as the use of the road or a physical problem as a medium for getting to know one another (Dirk, 2006) "
| |
|
"The Scarlet Letter", 2007.
An analysis of Roland Joffe's movie "The Scarlet Letter".
953 words (approx. 3.8 pages), 2 sources, MLA, $ 33.95
»
Click here to show/hide summary
Abstract
This paper analyzes "The Scarlet Letter" from a sociological perspective. It discusses societal labeling which is a community's need to self-consciously create deviant persons or outsiders to uphold its own sense of order. The author also uses differential association and learnt behavior, to further dissect the film. Symbolic interactionalism, society's need to create meaning through symbolic devices, is another sociological perspective emphasized.
From the Paper
"Although symbolic interactionalism may be the most persuasive theory to analyze and explain the plot of the film, it does not address the fact that Hester's behavior, however normal a transgression, and however understandable given the unhappiness of her marriage, is still a kind of 'deviance,' or an example that something is wrong, and would be regarded as such, even in contemporary America. Thus, while it may take into factors outside of the immediate confines of the film, the best explanation of all may in fact be structural strain theory, discussed at length in Chapter 6 by James M. Henslin in Essentials of Sociology. On the surface, the rural Puritan community may seem like a classically organic society, with clear rules and norms."
| |
|
The Romantic Male, 2007.
An analysis of the concept of the romantic male as portrayed in the media.
751 words (approx. 3.0 pages), 4 sources, MLA, $ 26.95
»
Click here to show/hide summary
Abstract
This paper discusses the concept of the romantic male from various perspectives. It presents different definitions and descriptions of male personality and behavior, in terms of their masculinity and romanticism. However, more than just looking into romanticism and masculinity as concepts relevant to the concept of the romantic male, this paper also assesses romantic males as portrayed and interpreted in films.
From the Paper
"The second typology is the "hero" or "warrior" male, most popularly depicted in films and literary texts. The warrior/hero is the male individual who is "physically and socially competent." The warrior/hero is physically tall, muscular, handsome, strong, large, tanned, masculine, and energetic, while socially, he is "sexually bold, calm, confident, and intelligent...no hero was described as being a gentle, sensitive fellow (except with respect to his feelings for and actions toward the heroine)" (Salmon and Symons, 2004). The warrior/hero is considered the romantic male because he is able to "transform" or shift his characteristics in accordance to the person he relates to: he becomes strong and brave when antagonism or conflict is present, and becomes sensitive and gentle when faced with a female individual (Jones, 2006). This character shift makes the female feel special, thus connoting the male's intention to ensure relational longevity between him and the female."
|
|
|
