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19th Century American Literature, 2002.
Explores Southwestern humor in 19th Century American Literature, using Thomas Bangs Thorpe's "The Big Bear of Arkansas" as an example.
1,731 words (approx. 6.9 pages), 5 sources, MLA, $ 55.95
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Abstract
During the period of 1830-1860, a new genre in America literature emerged, called the Southwestern Humor genre. This new form of literature illustrates and discusses issues and themes that are depicted effectively through humor and exaggeration. Southwestern humor is also remarkable in its ability to effectively mirror the social landscape of the Southwestern region of the United States. In the study and analysis of Southwestern Humor genre, important themes that can be found are the social, political and psychological illustrations and portrayals in the story, all of which are reflections of the writer?s perception of his or her society. This paper uses as an example the work of Thomas Bangs Thorpe, entitled, ?The Big Bear of Arkansas.? This short story focuses on Jim Doggett, who earned the title of ?The Big Bear of Arkansas? because of his extraordinary skill in hunting bears. The story tackles the themes of the protagonist?s affinity with nature, the rural and natural life and Arkansas, as well as the conflict between nature and civilization. This paper discusses these three themes in accordance to its social, political and psychological perspectives. The paper also shows that the short story illustrates the social issues of rural life and conflict between civilization and development and nature; the political orientation of Arkansas as a rural society; and the character portrayal of Jim Doggett as an individual who has close affinity with nature.
From the Paper
"Hunting and planting are both symbols of the social progress that human civilization has undergone for many years. Hunting is a symbol for man?s primitive nature, while planting is equated with progress (as man learned to live a sedentary life). Thus, Thorpe illustrates Arkansas as a place where nature takes control instead of human civilization and wherein hunting and leading a ?primitive life? with nature is still evident through Jim Doggett?s character. Doggett?s failure to plant crops in his place illustrates how progress did not develop in Arkansas. In effect, because of the underdevelopment of urbanism, the state remained one of the ?primitive? regions in America where humans are one with nature."
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Women in 18th and 19th Century American Literature, 2004.
This paper discusses two popular works of American literature illustrating the position of women during the 18th and 19th century, "The Hidden Hand" by E.D.E.N. Southworth (1888) and "The Coquette" by Hannah Foster (1797).
1,270 words (approx. 5.1 pages), 2 sources, APA, $ 43.95
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Abstract
This paper relates the way the main characters, Capitola Black, in "The Hidden Hand" by E.D.E.N. Southworth, and Eliza Wharton, in "The Coquette" by Hannah Foster, portray, in diverse ways,the progression of women in American society. The author points out that these literary works depict the struggles and victories of women as they fought their way towards progress and eventual liberation in the society. The paper states that, in Southworth's and Foster?s novels, the role of women progressed by adopting masculine characteristics while maintaining their femininity.
From the Paper
"Capitola Black, or Cap, in the novel The Hidden Hand is an example of a 19th century-woman who adopts a masculine personality in order to initiate progress in the society. This is a practical decision to make on her part, since she has been aware that opportunities, especially job offers, are limited for women and abundant for men. The development of Cap?s character in the novel is best embodies by a comparative analyses of the characters of Cap, Clara Day, and Mrs. Le Noir, which all embody the kinds of women existing during Southworth?s time. Cap, as mentioned earlier, is illustrated as a feisty woman, working her way up in the economic ladder by disguising herself as a young man: ?? And so because I was a girl there seemed to be nothing but starvation or beggary before me!... I felt bitter against Fate for not making me a boy? Yes, sir, and the only thing that made me feel sorry was to see what a fool I had been not to turn to a boy before, when it was so easy! And from that day forth I was happy and prosperous!? "
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19th Century Literature, 2003.
A discussion of various novels from the 19th century, focusing on the role of the main female character in each.
2,555 words (approx. 10.2 pages), 10 sources, APA, $ 77.95
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Abstract
A comparison of the characters in Jane Austen's "Sense and Sensibility", Samuel Richardson's "Pamela" and Fanny Burney's "Evelina". The paper begins by reviewing the literature that preceeded the 19th century and the changes evident in the 19th century. The writer then explores the roles of the main characters of each of the novels, as a part of their society and times.
From the Paper
"The eighteenth century was a very important time for the development of a new literary form known as the novel. As this literary form progressed, characterizations of femininity changed, reflecting changes in society. Samuel Richardson?s Pamela (1741) is a self-consciously moral antidote to the immoral novels of Aphra Behn, Delarivier Manley, and Eliza Haywood. The full title is: Pamela, or, Virtue Rewarded, and the latter part of the title forms the main theme of the novel. Jane Austen published Sense and Sensibility in 1811, nearly a half century later, and her female characters reflect a difference in attitude towards sentiment."
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Women in 19th-century Literature, 2005.
An analysis of the portrayal of women in Charlotte Perkins Gilman's "The Yellow Wallpaper" and William Dean Howells' "Editha".
1,543 words (approx. 6.2 pages), 2 sources, MLA, $ 50.95
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Abstract
This paper analyzes literary portrayals of women in the 19th century. It particularly focuses on two contrasting examples in literature: Charlotte Perkins Gilman's work, "The Yellow Wallpaper" and William Dean Howells' work, "Editha." It discusses the portrayal and oppression of the women in the novels and discusses how this portrayal was relevant to understanding the lives of women at the time. It also looks how these particular women dealt with their feelings of oppression.
From the Paper
"The roles of women have changed throughout history, but perhaps never so drastically as during the 19th century. Literature from the times gives good insight as to the lives of women, how they lived and what was expected of them. Popular 19th century literature is full of advice about proper house keeping, the piousness of housework, as well as what a woman's daily duties should be. Women were expected to keep their home clean, bake, provide three meals a day, mend clothing, raise children, and keep up gardens and farms, as well as keeping their homes presentable and pleasant to their husbands. These were only a few of the many duties and tasks assigned to the majority of women in the 19th century. Although it has been shown that the majority of women were very unhappy in this lifestyle, many were powerless to do anything about it. There were however some women writers who wrote about the different situations these women were faced with, in an attempt to bring on change, equality, and equal opportunities in all arenas."
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Criticism of 19th Century Culture through Literature, 2003.
A look at how Harriet Beecher's Stowe's "Uncle Tom's Cabin" criticized the institution of slavery and sought to abolish it and how the utopian "Looking Backwards: 2000-1887", by Edward Bellamy, criticized the rapidly emerging capitalists of the time.
2,300 words (approx. 9.2 pages), 14 sources, MLA, $ 70.95
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Abstract
How literature not only reflects the time it is written in, but criticizes it and tries to remedy its ills. A discussion of "Uncle Tom's Cabin", by Harriet Beecher Stowe, on how the sale of Tom by Mr. Shelby reflects the attitudes of the slave trade held in the American South prior to the Civil War and how Stowe denounces the practice as not being Christian. Furthermore, it discusses such points as the role of Tom Looker and how he serves as a criticism of the Fugitive Slave Act and of Mr. Bird and the inaction of the U.S. government on the abolition of slavery. "Looking Backwards: 2000-1887", by Edward Bellamy, is also discussed, pointing out the deeds of the "robber barons" of Bellamy's time, such as Rockefeller and Morgan, criticizing these men and their greed. Includes a discussion on how the author sought to remedy the rapidly growing gap in American between the rich and poor with a socialist state.
From the Paper
"Great literature is able to reflect upon its surrounding times. Truly great literature, however, is able to do that and more. Its is able to reflect upon it and criticize its? wrongs. Two classic American novels have done this. Harriet Beecher Stowe?s Uncle Tom?s Cabin or: Life among the lowly and Edward Bellamy?s Looking Backwards:2000-1887 were both works on American literature that reflected upon common notions and practices of their time and sought to criticize them."
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Mother Figures in 19th Century English Literature, 2005.
Examines the presence of mother figures in works by Thomas Hardy and Elizabeth Gaskell.
1,617 words (approx. 6.5 pages), 2 sources, APA, $ 52.95
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Abstract
During the nineteenth century, especially toward its conclusion, women were beginning to break out from their usual molds, and perceptive authors used that fact to create some outstanding dramas and novels. Thomas Hardy was one, having written "Tess of the D'Urbervilles" and Elizabeth Gaskell wrote "Ruth". There are many ways to look at these two novels; however, one interesting link makes them worth investigating. The paper shows that this link is the presence and the absence of a mother figure that might have changed the denouement of both women - a happy, peaceful conclusion for Ruth in her passing, and a tragic one for Tess, hounded by men seeking revenge for her stabbing of her seducer.
From the Paper
"Hardy, a male in the Victorian age where sex was all done behind closed doors and shuttered windows, as if it never existed at all, took umbrage at the mores of men and women whose lives would be shattered by revelations of premarital sex. Ruth had no mother to comfort her during her distress, having been forcibly removed from Mr. Bellingham. There was no mother to run to when it was time for the baby to be born. And yet, near the end of "Tess", when she might have needed her mother more than a bland Alec, her mother was distant, and not at all communicative with those who wanted information about Tess' whereabouts."
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Rape In Britain In The Late 18th Century and Early 19th Century, 1997.
Examines legal, social, marital, literary, theoretical, moral, class and feminist issues, focusing on the views of women as possessions of men.
2,700 words (approx. 10.8 pages), 15 sources, $ 95.95
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From the Paper
"The purpose of this research is to examine the issue of rape in Great Britain in the late eighteenth and early nineteenth centuries. The plan of the research will be to set forth the social and cultural context in which the issue achieves significance and then to discuss patterns of activity within the culture that appear to show an evolution of consciousness and priorities in the understanding of the phenomenon.
The conceptualization of rape in Britain in the eighteenth and nineteenth centuries appears to have been very much a social construction that dominated the whole of Western society, whether in England and the Empire, on the continent, or in the U.S. Thus however rape might have been perceived or experienced at the personal level, the principal social fact about the phenomenon was that it was subsidiary to more widely held views of social ..."
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African-American Female Social Reformers Of The 19th Century-20th Century, 1995.
Describes the lives and careers of Sojourner Truth, Harriet Tubman, Ida B. Wells-Barnett and Fanie Lou Hamer.
2,025 words (approx. 8.1 pages), 4 sources, $ 71.95
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From the Paper
"The role of individual personalities in a social movement is often recorded in disproportion to the individual's achievement. Minorities have received short shrift in the past. Women in particular are apt to be slighted by historians who, until recently, were generally composed of educated white males viewing the past through a perspective that was sorely limited by lack of imagination and empathy. Needless to say, women of African-American heritage have been more likely lost in the shuffle of such opinion than white women and black men. As Arican-Americans in America moved from slavery to freedom, from segregated minority to still-being-attempted integration into the mainstream society, there has been a none-too-subtle discount of the black woman's accomplishments in the field of social reform. Nevertheless, there has been a strong spine of African-American ..."
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Late 19th Century Working Class Women, 2008.
This paper discuses literature about research describing working class women in the late 19th century, especially in Montreal and Paris, Ontario.
2,090 words (approx. 8.4 pages), 8 sources, MLA, $ 65.95
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Abstract
This paper explains that, in Bettina Bradbury's research, between 1861 and 1891, mainly French-Canadian women are found living and working in a harsh way, which demanded general resourcefulness to maintain their families' survivals. The author points out that, in contrast, Joy Parr's study of Ontario's industrial towns after 1880 reveals women's closer connections to the waged labor economy. The paper stresses that Bradbury's depiction of working class women in Montreal is convincing and speaks to Canadian women in terms beyond economics or feminism. The author found that, despite much theory referring to positions of gender as somehow unitary, there are dangers in presuming the realities of working class women in the later 19th century. The paper concludes that this literature helps interpret a contemporary Canadian society, which still tends to disadvantage women.
Table of Contents:
Introduction
Situation versus Culture
Reflection
Last Remarks
From the Paper
"Few widows received pension incomes for their husbands had often not had pensions in the forms of employment available to them. A predictable aspect of law so disadvantageous to women was the woman to turn to prostitution for survival or those running brothels or taverns. Joy Parr's work refers to Paris, Ontario and the demand for mainly British factory hands, often women, who were already skilled contributors to factory life before emigration. The idea of women working beyond the home as losing their reputations prevailed in much attention to 'protecting' women in Paris Ontario, as in the Penmans company's payment of quite low wages but also providing recreational and health care services."
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19th Century American Theater, 2004.
Discusses the history of theater in America in the 19th century.
2,020 words (approx. 8.1 pages), 7 sources, MLA, $ 63.95
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Abstract
By the mid-19th century, theater in the United States had undergone a dramatic transformation. Theater became enormously popular and attracted a more genteel and wealthy audience. The paper shows how plays by American writers began to showcase social concerns, and actors and actresses enjoyed a new-found status as respected members of society. "Uncle Tom's Cabin" became one of the most popular plays of the time and typified American theater's new focus on social conditions. The paper shows that the last half of the 19th century marked significant changes in American theater. These changes were partially spurred by the large population growth in East Coast cities. As America grew, the number of theaters increased. Also as America's leisure time increased and wages increased, Americans looked to the theater for entertainment. The paper explains that improvements in transportation allowed actors and actresses to tour parts of America that had never had professional theaters, and the result was an explosion in the popularity of the theater.
From the Paper
"The historical accuracy of Uncle Tom's cabin was also indicative of the move toward the historical accuracy of sets, costumes, and dialects seen in 19th century theater (Robinson). The play is a 'melodrama', or simply a play with music, allowing American audiences all over the country exposure to the music of the Negro spiritual, which contained a complex mixture of dialect and music that depicted black culture of the time. In ACT II, Scene 4, Topsy sings 'Oh, I'se So Wicked', a song that characterized the life and dialect of southern slaves, and depicted the degradation of slaves."
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Conservatism in 19th Century England, 2005.
A look at why conservatism dominated Europe in the first half of the 19th century.
1,065 words (approx. 4.3 pages), 2 sources, MLA, $ 37.95
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Abstract
This paper describes the reasons why the dominant political ideology of 19th century Europe was conservative as opposed to liberal capitalist or communist. This paper describes the reasons Europe wanted to return to an old traditional society instead of continuing towards a more enlightened, liberal society in the first half of the 19th century.
From the Paper
"After the Defeat of Emperor Napoleon I in 1813 and his subsequent exile in 1815, Europe was at an end of three decades of political upheaval, continental war, and economic struggle. With Europe's victory over France came the recoil of the liberal ideological politics that had eroded the stability of modern Europe. Hundreds of thousands of people had been slain and the political and hierarchical traditions had been forever broken. "His conquests displaced a number of laws, institutions, and customs; broke through bonds sacred among all nations" (Perry, 153). The consequences of the Enlightenments rational thought was believed to have had been fully realized by conservatives. Europe had paid the penalty for their abandonment of tradition and religion for individualism and reason."
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Anti-Semitism in 19th Century Europe, 2003.
An examination of the reasons behind anti-Semitism in France and Russia in the 19th century.
4,301 words (approx. 17.2 pages), 32 sources, APA, $ 113.95
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Abstract
This paper examines the history of anti-Semitism in Europe during the 19th century. The paper explores the similarities between the anti-Semitic prejudices that engulfed France and Russia in the late nineteenth century and then shows how in France, anti-Semitism was largely a right-wing Catholic movement, peppered with socialist support in the aftermath capitalistic change. The paper also provides a broad definition of anti-Semitism in general.
From the Paper
"Anti-Semitism is not an ?identical phenomenon? similar to all countries, but rather based on individual national histories. The anti-Semitic prejudices that emerged in France and Russia in the late nineteenth century were both preceded by defeat in war, economic instability, and political change; circumstances exploited by the Judeo-phobic press and literature. However, while French anti-Semitism was derived from traditional religious dogmatism, and encouraged by the potent political force of anti-Republican Catholicism, the Russian experience was based on an ideological imperialism that was promoted by the government, and common to all ?true? Russians."
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Women's Suffrage in the 19th Century, 2007.
This paper examines the women's suffrage movement in America during the 19th century.
1,137 words (approx. 4.5 pages), 7 sources, APA, $ 39.95
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Abstract
This paper traces the history of the women's suffrage movement in 19th century America, with an emphasis on its leaders and goals. In particular, the contributions of Elizabeth Cady Stanton and Fanny Wright are illustrated through their writings and lectures. The paper states that women earning the right to vote meant a nearly complete transformation of social norms in the United States. The paper also describes the connection between the abolitionist movement and women's suffrage. The writer concludes that despite the ratification of the 19th Amendment, women still suffered from widespread discrimination and continue to fight for equal rights even today.
From the Paper
"Susan B. Anthony and scores of other prominent suffragists rallied as much for the cause of abolition as for women's rights. One of the most notable companion causes of 19th century suffragists was the temperance movement. In fact, suffragist Frances Willard had been intimately involved in the Christian Temperance movement and in 1891 became president World's Woman's Christian Temperance Union. The temperance movement's primary objective was the reduction in alcohol abuse, and in 1872, the Prohibition Party became the "first national political party to recognize the right of suffrage for women in its platform," ("Women's History in America"). Therefore, the women's suffrage movement did not exist in isolation of other social, economic, and political causes."
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Adolescence in 19th Century Japan, 2007.
An insight into adolescence in 19th century Japan, based on the novel, "Growing Up" by Higuchi Ichiyo.
1,382 words (approx. 5.5 pages), 1 source, MLA, $ 46.95
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Abstract
This paper provides insight into adolescence in the Meiji period of Japanese history. It uses a primary source - the novel, "Growing Up" by Higuchi Ichiyo to show how fiction of that period can give us better insight into the lives of adolescent Japanese children in Meiji Japan in the 19th century. The paper discusses the historical value of this writing.
From the Paper
"Higuchi Ichiyo's Growing Up is a portrait of youth during the Meiji period. It is a fictional account of a group of children's coming of age in the town of Yoshiwara. Yoshiwara is a lower to middle quarter with a wide breadth of characters. The characters that Ichiyo presents provide an interesting window into the life of young people in late 19th century Japan. The three characters who allow the most insight are Nobu, Midori, and Shota. Nobu is the son of a priest, Midori is the sister of a prostitute, and Shota lives with his grandmother who runs a pawn shop. Over the course of this piece of writing, the reader follows each of these youths as they struggle with the hardships of growing up and finding themselves. The historical value of this writing is that it allows one to study the maturity of children at this time and their role in society as based on class. It also shows the realities that children had to face at a young age and how much family determined ones occupation at the time. More importantly it shows the suddenness with which these life changes struck adolescents, such as the sudden movement from playing in the streets, to tending to businesses. It would be hard to imagine today, that kids between twelve and fifteen would be taking on the responsibility of priesthood, or the running of a business. It would be even harder to imagine a twelve year old girl becoming a prostitute, but this is exactly the reality that these children face. Growing Up highlights the sudden transition into adulthood that Japanese children had to make during the Meiji period."
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Peasant Women of 19th Century France, 2002.
Historical account of the lives of peasant women in France during the 19th century.
1,150 words (approx. 4.6 pages), 4 sources, $ 44.95
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Abstract
A study of the lives and culture of French peasant women during the 19th century. Discusses the influence of the Revolution, and of Napoleon's structural improvements, on rural France and (indirectly) on the role of women in the economy. Also covers rural schooling efforts and the influence of industrialization on population and materials available in rural areas.
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