| Papers [76-90] of 585 :: [Page 6 of 39] | | Go to page : <— 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 —> | |
|
|
Crime Prevention, 2006.
A discussion regarding criminal activity and the possible prevention of crime by means of crime prevention through environmental design (CPTED).
1,423 words (approx. 5.7 pages), 12 sources, APA, $ 47.95
»
Click here to show/hide summary
Abstract
This paper reviews and discusses various statistics relating to criminal activity. The paper then goes on to discuss studies which show that property crime can also be prevented by manipulating the design of the separate properties and their relationship to each other and the surrounding neighborhood. This process is called crime prevention through environmental design (CPTED). According to the paper, the overall impact of CPTED by itself continues to be controversial. Specialists are more prone to accepting the fact that it is one of many measures that, taken together, can prevent or reduce crime.
From the Paper
"NIJ does say that these cases "suggest" that place-based crime prevention approaches that are designed to meet the needs of certain neighborhoods do indeed reduce crime, although they are not "prove" this is the result. "In practice, it would be as difficult as untangling a spider web to evaluate the effectiveness of specific place-based crime prevention measures applied to these residential areas" (Cozens, 2005, p. 328). Also, although crime data back the thesis that place-based applications work, "the physical, management and community organizational interventions in these cases are woven together in complex ways that defy individual analysis" (Cozens, 2005, p. 328)."
| |
|
Victor Horta, 2007.
An analysis of architect, Victor Horta's influence on the art nouveau movement.
4,519 words (approx. 18.1 pages), 19 sources, MLA, $ 117.95
»
Click here to show/hide summary
Abstract
This paper analyzes whether Victor Horta's work reflects the aesthetics of the art nouveau movement. It also looks at what some of the limitations of the art nouveau movement were. The paper provides an overview of the architect's life and the times in which he lived. It then analyzes Horta's influence to the art movements of this time period.
Table of Contents:
Review and Discussion
Background and Overview
Victor Horta and the Art Nouveau Movement
Influence and Limitations of Art Nouveau
Conclusion
From the Paper
"The research showed that architectural designers such as Victor Horta and Hector Guimard are credited with introducing the art nouveau movement to England and the rest of Europe (primarily France and Germany) in response to the technological innovations that were taking place in the world at the time. What distinguishes Horta's works from some of his peers, though, is the enduring quality of his craftsmanship and attention to detail, all of which contribute to making his buildings a single work of art as it were. As one modern observer puts it, "Although many of Brussels' houses have extremely boring exteriors - and seldom is one a mirror of its neighbor - coming upon occasional works from the art-nouveau era can be as exciting as seeing a rainbow" (Levin 1)."
| |
|
Gothic Architecture, 2007.
This paper explores the rise of Gothic architecture in the Romantic Period.
815 words (approx. 3.3 pages), 3 sources, MLA, $ 29.95
»
Click here to show/hide summary
Abstract
The paper discusses the movement away from classical designs in the Romantic Period. The paper describes the new taste for Gothic architecture that was a response to science and technology that challenged old views and ideas of reality. The paper looks at John Vanbrugh's Blenheim Palace, Horace Walpole's magnificent Strawberry Hill residence and Hagley Park's Gothic ruin as examples of the Gothic style in the 18th century.
Outline:
Introduction
Blenheim Palace
Walpole's Strawberry Hill
Stuart's Sham Gothic Ruin
From the Paper
"Between 1750 and 1850 in Europe, a new artistic style arose and prospered in Europe, one which is now referred to as the Romantic Period. This period originated toward the end of the 18th century in Germany, where critics wished to distinguish between "modern" traits and "classical" traits, such as those found in ancient Greek and Roman art forms. At this time, many artisans and supporters of the arts in Europe, particularly in England where Romanticism in literature began, revolted against the observable regularity of classical art and moved instead toward a style that had its beginnings some four hundred years before during the Medieval Era."
| |
|
Divine Light, 2007.
An analysis of the history and evolution of the concept of divine light, particularly within architecture.
3,601 words (approx. 14.4 pages), 8 sources, APA, $ 100.95
»
Click here to show/hide summary
Abstract
This paper discusses the concept of divine light. It investigates the origin of the concept and how it is integrated with social values and ideals of various times throughout history. The paper discusses the history of divine light and suggests that in these modern times, the concept of the divine has stretched and evolved to include a variety of principles, religions and lifestyles. The paper gives examples of its use and particularly focuses on the concept of divine light in architecture.
Table of Contents:
Introduction: Divine Light
Divine Light in Architecture
Greek Temples
Early Christian Architecture
Medieval Christian Churches
Baroque churches
Modern Churches
Conclusion
From the Paper
"Instead, Tadao Ando asserts that a universal spirituality is possible through the use of natural forces. This in turn is reminiscent of the enclosures around Greek Temples, where natural elements were used to connect the human spirit to the divine. Ando recognizes that the divine, if architecture is going to be truly universal, is largely undefined by the paradigms of modern society. We live in an integrated world. Ando therefore uses natural elements that appeal universally to the human spirit. This provides for a "divine light" that is flexible: human beings can use its effect to connect to any form of the divine that pleases them. In this integrated approach, Ando emphasizes the creative force, once assumed to be from exterior or supernatural forces, that comes from within the spirit. As such, his work is a true integration of modern social values."
| |
|
Tadao Ando, 2007.
This paper explores the work of modern architect, Tadao Ando.
3,360 words (approx. 13.4 pages), 8 sources, MLA, $ 95.95
»
Click here to show/hide summary
Abstract
The paper examines the presence of light, shadow and texture in Tadao Ando's work. The paper discusses how light is one of the most important elements in Japanese art and looks at the use of light and water, light and nature, light and color and light and shadow. The paper shows how, by studying Ando's work, one can explore the use of light in a new way.
Outline:
Ando's Concept of Light and Architecture
Light Environment in Traditional Japanese Architecture
Light Environment in Ando's Religious Buildings
Conclusion
From the Paper
"Art is an expression of the human spirit. It is a way of describing elements, which lie in the sublime, the world that is just out of reach of the present reality. Architecture is a means for humanity to connect with the finite nature of existence. The edifices that we build in our lifetime will stand long after we are gone as a testimony to our very existence. Buildings are more them concrete and walls to serve a functional purpose. Buildings are a reflection of the humans that built them and their search for a place in the universe. It is for this reason that we study architecture and its various forms."
| |
|
Feminism in Art, 2007.
An analysis of the feminist perspective in Baroque and Rococo art.
3,257 words (approx. 13.0 pages), 5 sources, APA, $ 93.95
»
Click here to show/hide summary
Abstract
This paper examines the feminist perspective in art and discusses if it is portrayed in the early 17th century Baroque and late 17th century Rococo art. It suggests that there is a lack of the feminist perspective during these time periods. The paper explains why this is the case by discussing the time period, as well as the emerging artists of the two time periods.
Table of Contents:
Introduction
Baroque in the Context of Time
Emerging Artists
The Later Period of Rococo
Conclusion
From the Paper
"That the depictions of the Madonna from the earlier period of the 17th century show the Madonna receiving the blessing of Christ, or bathed in the light of the divine is in keeping with the tradition and doctrine of the Catholic Church. There is nothing suggestive as to the femininity of the depiction other than that of the Madonna being the Immaculate Conception. It does not in these works of art raise her above the masculine hierarchal order of the Church, but rather as the image of what the Church perceives as the role for women; the nurturers, the mothers who give birth to divine greatness, the temptress, the redeemable soul, and she who surrenders herself to the passion of the divine spirit. This is in keeping with the representations of women in the Bible stories, and it is the Bible stories that serve as the inspiration for many of the works of art of the 17th century as a whole."
| |
|
Mont Saint Michel, 2007.
This paper examines the history and architectural character of the structure, Mont Saint Michel.
2,752 words (approx. 11.0 pages), 3 sources, MLA, $ 82.95
»
Click here to show/hide summary
Abstract
In this article, the writer looks at the history of how the Mont Saint Michel structure was built and how the abbey and the island has been used over the centuries. The writer further traces how the Mont Saint Michel evolved from a cultural repository to an abbey, a dungeon and the world heritage site that it is today. The writer then examines the architecture and design of the Mont Saint Michel, looking at the village structures as well as the abbey itself. Next, the writer details how the structure has evolved from its original Romanesque design to exhibit the Gothic characteristics that the abbey is famous for today. In addition, the writer looks at the conservation problems that have arisen as a result of all this construction, and the efforts being made to safeguard this world heritage site.
Outline:
History
Architecture and Design
Present Day Architectural Concerns
Conclusion
From the Paper
"The structure of the Mont Saint Michel that is familiar today took shape in the early seventh century, an effort spearheaded by Saint Aubert, who was then bishop of Avranches, located just across the Couesnon River. Local legends state that Saint Michael appeared to the bishop, with instructions for the building of a church on the rocky outcropping. Considering the logistical difficulties of such a feat, it is not surprising that Saint Aubert did not immediately follow through, that is, until Saint Michael reappeared and burned a hole into the bishop's skull. The island was therefore officially dedicated to Saint Michael in 708."
"While the Mont Saint Michel is often ascribed religious importance, it also had political and military significances at various times in history. In 933, the Norman invaders embarked on a new conquest, beginning with the annexation of the Cotentine Peninsula."
| |
|
Angkor, 2006.
A look at one of the world's largest religious monuments, Angkor.
1,290 words (approx. 5.2 pages), 6 sources, MLA, $ 43.95
»
Click here to show/hide summary
Abstract
This paper takes a look at Angkor, said to be the largest religious monument in the world. According to the paper, Angkor is located in Cambodia, a land beset by typhoons and rain, heat, huge rivers and deltas, mountains and jungles. The paper reviews the history of the area and the monument.
From the Paper
"Unfortunately, there were significant problems that the architects were not able to overcome when designing the great pyramids of Angkor Wat and Bayon. Sandstone may fit together very well, but vertical joints, running on top of one another, makes a wall very unstable. A whole wall would fall down if one stone near the base became dislodged. Since no mortar was used, weight and gravity were the only things holding the walls together. They never were able to create an arch, as the Europeans learned to do, nor use cement or mortar. Instead, they used the corbelled arch, where large stones were piled on top of one another, leaning toward the center, until they touched at the top. These walls and arches were not as stable as a true arch and often collapsed after Angkor was abandoned."
| |
|
Marcel Breuer, 2007.
This paper presents an overview of the life and accomplishments of architect Marcel Breuer.
1,261 words (approx. 5.0 pages), 4 sources, MLA, $ 42.95
»
Click here to show/hide summary
Abstract
The paper discusses modernist architect Marcel Breuer's background and his style of work. The paper relates that Breuer is well known for his emphasis on the technical and structural aspects of his buildings. The paper adds that his architecture is recognized for its attention to light and shading, particularly in the use of tinted or shaded windows and overhanging elements. The paper notes his many accomplishments.
From the Paper
"Born in Pecs Hungary in 1902, Marcel Breuer attended university at the newly formed Weimar Bauhaus, attracted to the promises of new architectural and artistic approaches (Marcel Breuer: architect biography, par. 1). He attended the Bauhaus in the early twenties and taught there after finishing his studies. Though the Bauhaus did not yet offer architecture when he began there, Breuer, aided by Georg Muche, began to study housing anyway. He had a particular interest in high-rise structures and soon after developed a seven-story apartment block that would be mass-produced in the years to come (Marcel Breuer: architect biography, par. 1)."
| |
|
Albuquerque, Denver & Seattle, 2006.
A review of the book 'Historic Preservation and the Imagined West: Albuquerque, Denver and Seattle' by Judy Mattivi Morley.
1,005 words (approx. 4.0 pages), 1 source, MLA, $ 35.95
»
Click here to show/hide summary
Abstract
This paper takes a look at Judy Mattivi Morley's book, 'Historic Preservation and the Imagined West: Albuquerque, Denver and Seattle'.
According to the paper, along with the cities of Albuquerque, New Mexico and Seattle, Washington, the city of Denver, Colorado has gone through many phases and many changes in its history. The paper discusses the clashes between preserving historic districts and bulldozing them down for "urban renewal".
From the Paper
"But during the Great Depression the square fell into hard times: "Pioneer Square's social deterioration mirrored its physical decline," Morley explained on page 71. More bad luck happened when there was an earthquake in 1948 that caused a lot of structural damage to buildings in Pioneer Square. Then in the late 1950s the Central Association of Seattle was created to upgrade the city's image and infrastructure, and the Seattle Center was built in 1962 for the World's Fair. In the late 1960s, the clean-up of Pioneer Square began, as buildings were renovated and artists, architects, interior designers who "liked the aesthetics of the old buildings" (Morley, 75) - along with young professionals who prized the proximity to downtown - began moving in."
| |
|
Steel Frame Construction, 2007.
An analysis of the selection, application or installation of materials and building components used in steel frame construction today.
3,659 words (approx. 14.6 pages), 9 sources, MLA, $ 101.95
»
Click here to show/hide summary
Abstract
The paper relates that an increasing number of commercial and residential structures are using steel frame construction techniques due to their many advantages. The paper explains that because resources are by definition scarce, it is important to recognize when and where steel frame construction is an appropriate choice. The paper therefore examines the contemporary applications, properties, strengths and limitations of steel frame construction techniques.
Outline:
Introduction
Statement of the Problem
Purpose of Study
Importance of Study
Scope of Study
Rationale of Study
Overview of Study
Methodology
Discussion and Analysis
From the Paper
"An increasing number of commercial and residential structures are using steel frame construction techniques today. The increased popularity of this building technique has grown from its early beginnings in Chicago a century and a half ago to become the building method of choice for many urban settings today. This increased use is directly attributable to a number of key advantages that steel frame construction has been shown to have over other construction techniques. For example, according to Fanjoy (2006), "While a versatile building material, lumber can pose a number of challenges to builders and remodelers: sudden and sizeable fluctuations in price, for example, or rot and dimensional instability due to exposure to moisture, either at the building site or after installation. But there is an alternative: steel framing" (3)."
| |
|
The Henderson Multigenerational Center, 2007.
A description and analysis of the Henderson Multigenerational Center, in Henderson, Nevada.
848 words (approx. 3.4 pages), 2 sources, MLA, $ 30.95
»
Click here to show/hide summary
Abstract
The paper describes the Henderson Multigenerational Center, which is a recreational center that offers opportunities for exercise and game time, has a large aquatic complex with both indoor and outdoor pools and has a computer lab and an art gallery. The paper relates that the facility can be home to cultural events, lectures and courses as well as to sports leagues and teams. The paper notes that the recreational center can also be enjoyed by the physically and mentally challenged because its facilities were built with diversity in mind. The paper points out an environmental concern but concludes that the Multigenerational Center at Henderson is an inspiration for facility designers, planners and managers.
Outline:
Background of Facility
Description of Facility
Analysis of Facility
Analysis of Focus Area
Conclusion
From the Paper
"The Multigenerational Center is located in Henderson, Nevada, a city that John F. Kennedy called a "city of destiny" (cited on "City History"). Today, Henderson is the second-largest city in Nevada. Its motto is "A Place to Call Home," and the Henderson Multigenerational Center reflects the demographics of the growing family-oriented community. Built in 2002 by the Dekker Perich Holmes Sabatini architectural firm, the recreational center also includes a large aquatic complex with both indoor and outdoor pools. Combined with the aquatic complex the Henderson Multigenerational Center totals 84,120 square feet (Brown, 2006)."
| |
|
Mayan Culture, 2007.
A discussion of Mayan culture, including their art and religion.
2,807 words (approx. 11.2 pages), 7 sources, APA, $ 83.95
»
Click here to show/hide summary
Abstract
This paper gives an overview of the ancient Mayan culture, with an emphasis on their art, religion and their daily lives. The author first examines the significance of the Mayan pyramids which still stand today. The pyramids are felt to give insights into the Mayan's religion and government. The paper continues by suggesting theories of why the Mayans disappeared. Despite the disappearance of ancient Mayans, the author suggests that cultural influences of the Mayans still exist in Central America today.
Outline:
Introduction-Who Were the Mayans?
The Case Against the Mayans
The Case for Mayan Culture
Conclusion
From the Paper
"As for what architecture tells us about the Mayan people, the creation of pyramids and temples that were as large and time-consuming as those created by the Mayans indicate a race of people who were strong, intelligent, and willing to work together for a common goal. Very likely, Mayans were interested in their collective society, as well as their own families, and they worshiped their King. Religion was extremely important to them, as has been mentioned. They used their pyramids and other structures as places to worship, and reverence to their gods was a vital part of their daily lives."
| |
|
The Impact of Robert Adam, 2007.
An examination of the contributions and works of Robert Adam, a style-leader in the classical antiquity movement in England during the 1700s.
2,142 words (approx. 8.6 pages), 4 sources, APA, $ 67.95
»
Click here to show/hide summary
Abstract
This paper discusses the contributions of Robert Adam to architecture, with an emphasis on his design innovations. These include his introduction of the classical revival style in both architecture and interior decoration during the last half of the 1700s. The paper describes Adam as reacting against the Neo-Palladian styles that was in vogue in the first part of the century. The paper also touches on some of the artistic works that influenced Adam's style, such as Etruscan vases. Adam's interior design is also examined and noteworthy examples of his architecture and interior design are cited with illustrations.
Outline:
Interior and Exterior Designs Preceding and During the Time of Robert Adam
Adam's Visual Design Composition
Contextural Design
Adam's influence on Early Neoclassical Design
Conclusion
From the Paper
"The materials used by the designers during the 18th century reflected the industrial revolution, in that they were able to utilize improved older materials. Bricks were fired at higher temperatures and became different colors. Stucco and ceramic tiles were also utilized, with decorative or highly colored motifs that carried designs or imitated brick. Improved casting techniques allowed designers to use decorative ironwork to create delicate, Neoclassical patterns that were used in balconies and window frames. Structural ironwork was also used in staircases, increases and iron plates that helped fireproof structures. "
| |
|
A Short History of Architecture, 2007.
This paper traces the history of Western architecture from the Renaissance era to Frank Lloyd Wright.
1,409 words (approx. 5.6 pages), 8 sources, MLA, $ 46.95
»
Click here to show/hide summary
Abstract
In this paper the author presents a brief history of Western architecture, highlighting the major epochs in European architecture, and modern architecture in the US. The paper further discusses the function of architectural space, its use and its aesthetic. Various architectural techniques and their historical development are analyzed. The paper concludes with an an examination of modern architects, including Frank Lloyd Wright, whose designs are considered a culmination of the works that preceded him.
From the Paper
"It would seem logical to start our exploration of the history of architecture with one of the greatest artists of all time--Michelangelo Buonarroti (1475--1564), regarded by many as the "father of architecture in Europe and the greatest designer of the last 500 years" (Lowry, 167). Of all his architectural designs, the vestibule of the Laurentian Library, built to house the immense collections of the Medici family in Florence, Italy, stands out above all others. This vestibule gives the impression of a vertically compressed, shaft-like space which is dominated by a vast, flowing staircase that almost fills the interior, and unlike his contemporaries, Michelangelo ignored classical architectural ideals by placing his columns in pairs which are sunk into the walls; he breaks columns around corners and placed beneath them consoles not meant as support. In essence, Michelangelo "did away with classical architecture so prevalent in the High Renaissance and greatly influenced all architectural designs and forms that followed him" (Copplestone, 178)."
|
|
|
