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History of Architecture, 2001.
A look at the history and development of architecture, focusing on the influence made by Ancient Egyptian architecture.
1,855 words (approx. 7.4 pages), 11 sources, MLA, $ 59.95
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Abstract
This paper takes the reader on a tour of the history of architecture. It shows that the two main characteristics of good architecture are stability and aestheticism. The writer shows how the Ancient Egyptians managed to build with these characteristic so many years ago and how this has influenced modern architecture today. It compares later uses of material by the Romans and the Egyptians and analyzes which civilization introduced which material.
From the Paper
'The architecture of a building is conceived with two things in mind: Structural stability, and aesthetic design. In all structures, stability is obviously the aspect which takes precedence over aesthetics. A visually stunning building is worth nothing if it cannot stand the test of time. This is an idea which the Egyptians created, and then took to its utmost extreme. Many view the Egyptian style of creation as the father of modern architecture, being as durable as it was stunning. Several common elements of architecture such as pillars were reputedly created by the Egyptians, and these are still used in the creation of modern buildings. The Egyptian engineers had a good grasp of fundamental physics, and the role it must play in the design of structures. The Architects then took this knowledge, and fused it with grand aesthetic design, creating buildings which would become a simple base of reference for all structures which were built in the future. Egyptian civilization is known primarily for the structures it left behind. Most of which still stand, either in whole or in part today. "Although 3000 BC is considered almost prehistoric, the style of architecture which resulted from Egyptian building in this period is one which has endured as a major contribution to modern design and construction styles."
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The Bauhaus School of Architecture: A Critical Study, 2002.
This essay examines the Bauhaus school of architecture which originated in Germany in the 1920 and remains the most influential architectural movement.
1,290 words (approx. 5.2 pages), 4 sources, MLA, $ 43.95
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Abstract
This paper looks at the Bauhaus architectural movement and its relationship to the massive technological advances of the early twentieth century. It examines the philosophical beliefs of the Bauhaus founders and evaluates their finest achievement, the Dessau Bauhaus, which was completed in 1925. It explains how the Dessau Bauhaus achieved its celebrated status in the world of architecture.
From the Paper
"In the late the 19th and early twentieth century technological advances swept across the world with an undreamed of speed. The pace at which technology reinvented culture seemed almost preternatural, and amounted to the greatest alteration in man?s view of the universe since Isaac Newton (Hughes 15). The study of the modern age (1880-present) and how artistic developments viewed cultural change would not be complete without a look at architecture?s role. The work of an architect will by its nature influence society more than a painting and sculpture; its size and usefulness to poeple make that a certainty. Buildings surround us, we move through them, and they are part of our everyday life."
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St. Mark's Basilica - An International Treasure, 2001.
This paper explores the story of St. Mark's Basilica in Venice, Italy.
2,465 words (approx. 9.9 pages), 10 sources, MLA, $ 75.95
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Abstract
This paper describes the history and significance St. Mark's Basilica. This church is a major architectural and historical "anchor" of Venice, Italy. It details the church's unique architecture, and gives an historical account of how it was built and by whom. It provides an in-depth description of the church, interior and exterior, and also provides excerpts from stories and myths concerning the church.
From the Paper
"It's a given fact that countless great cathedrals, monasteries, and other holy places have been built over the ages as a testament to man's devotion to God. In point of even more practical fact, that devotion was often tempered and blended with a generous portion of servitude to one's feudal lord as well, with the unspoken incentive that one got to keep one's property, position, or even one's life if one gave good service . . . and if one did not, well, things may not go as well as one would hope! But St. Mark's Basilica in Venice, Italy, may well have an additional distinction of its own?not only as a sign of devotion to God, but as an edifice that stands uniquely in itself as a visual means of atonement for sin, an effort at retribution for what might well be termed a "divine crime " . . ."
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The World Trade Center Bombing, 2001.
This paper studies the World Trade Center Bombing and the physical forces that were responsible for it.
1,625 words (approx. 6.5 pages), 10 sources, MLA, $ 52.95
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Abstract
This paper describes the physical process of the World Trade Center collapse. It examines the building's structure and components and analyzes the impact of the collision with the aircraft. It gives an engineer's analysis of the collapse and several reasons for it. It concludes that the exact reason for the collapse of the skyscraper is still unknown and will continue to be studied in the future.
From the Paper
"The World Trade Center, erected as "a living symbol of man's dedication to world peace," (Wetxstein- 2001) was the most valuable commercial property in the history of New York City until terrorist attacks reduced it to rubble. The buildings towered over lower Manhattan for nearly thirty years; an icon of financial power.The buildings contained more than 200,000 tons of steel, 425,000 cubic yards of concrete and 600,000 square feet of glass in 43,000 windows. Each floor, a reinforced concrete pad on a metal deck supported by steel cross beams, was about one acre and weighed about 4.8 million pounds. The building was designed to withstand the impact of a 707 commercial airliner. It was the largest commercial airliner built at the time the World Trade Center was designed. This was a factor considered due to the accident in 1945, where a B-25 crashed into the Empire State building."
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Versailles, 2001.
This paper is a detailed look at the history of the palace at Versailles.
3,590 words (approx. 14.4 pages), 6 sources, APA, $ 100.95
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Abstract
This paper discusses the art and architectural history of Louis XIV's opulent palace at Versailles. The author examines the palace itself and its gardens both from an architectural point of view and as a political statement. The paper describes how the decorative styles of the grounds and castle reflected the power and demanding nature of its main inhabitant, the self-proclaimed "Sun King".
From the Paper
"While the explicit purpose of Versailles was to glorify king and country, it also glorifies at least implicitly the architect who translated the king?s vision. By 1674, when Monsart was commissioned to rebuild the ch?teau of Clagny for Louis XIV's mistress Madame de Montespan, he was already launched on a brilliant career. In 1675 Mansart became official architect to the king and from 1678 on was occupied with redesigning and enlarging the palace of Versailles, for which he directed a legion of collaborators, prot?g?s, and artisans. Mansart began his own work by using the plans of architect Louis Le Vau, and to these plans built the new Hall of Mirrors, the Orangerie, the Grand Trianon, and the north and south wings and at the time of his death he was working on the chape. Each element was designed to magnify the sense of Louis?s own power and the wealth and sophistication of France."
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St. Maria della Salute, 2001.
A look at the unique history and architecture of the Church Santa Maria della Salute.
2,500 words (approx. 10.0 pages), 5 sources, MLA, $ 75.95
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Abstract
This paper provides an overall history of the Church Santa Maria della Salute and explores its history and significance. It begins with an explanation why the Church was built following the bubonic plague and describes how it is still a source of inspiration to the citizens of Venice. It discuss unique architectural features of the church and provides a brief biography of the architect Baldassare Longhena.
From the Paper
"Anyone who has ever been to Venice - and indeed perhaps even anyone who has merely dreamed of going to Venice - will know the huge baroque church of Santa Maria della Salute. It is architecturally one of the most and probably the most important religious building in the city. It's distinctive shape, visible form all over the city, has greeted both visitors and natives since it was erected in the 17th century as an attempt to appease the heavens. This paper examines both the architectural and artistic significance of this building."
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New Urbanism: A Smart Way to Grow, 2002.
This paper provides a look at the principles of New Urbanism, a land development movement designed to combat ugly urban sprawl, by redeveloping inner cities and/or making the most efficient use of open space development.
1,923 words (approx. 7.7 pages), 7 sources, APA, $ 61.95
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Abstract
This paper examines the topic, New Urbanism, synonymous with the term "Smart Growth" which is a way to develop land efficiently, whether it may be a new development using open space land, or a redevelopment of a part of an inner city- called "infilling". The paper explores the ten principles that New Urbanism is guided by and gives examples of developments across the country that have used this method and prospered.
From the Paper
"Small, picturesque towns like Nantucket and Savannah dot the eastern landscape of the country. These towns are the illustration of the principles America was founded upon: closeness, unity, community, and family. The neighborhoods were compact and had mixed-uses. Everything a family needed in the normal course of the week was all within walking distance. There was a town square where the townspeople met and talked. In the youth of this country small developments like these were common, however in the last 50 years America has seen development practices take a turn for the worse. The current practice of building suburbs nationwide sprang up after World War II, and development has sacrificed hundreds of thousands of acres to this practice ever since. Now the majority of U.S. citizens now live in automobile-oriented, unattractive suburbs full of strip malls and four-lane roads with four-foot sidewalks. Although this is still the norm, there is a new kind of development that is making an impact on the way communities are built. This new method, called New Urbanism or Smart Growth, has caught on in the last 20 years and is now popping up all over the country. New Urbanism is a way to combat ugly urban sprawl, replacing it instead with small, interconnected communities that are pedestrian-friendly and contain housing, work places, shops, entertainment, schools, parks, and other amenities essential to the daily lives of residents, all within easy walking distance of each other. New Urbanism involves using the principles it sets forth to fix and redevelop existing cities, called ?infilling?, as well as to create new, high-density, compact towns and villages."
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The Business Skyline, 2002.
This paper examines the development of skyscrapers or superstructures in two American cities: Chicago and New York City.
3,225 words (approx. 12.9 pages), 9 sources, APA, $ 92.95
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Abstract
This paper describes Chicago and New York City?s revolutionary skyscraper architecture. It explains the history of each city and emphasizes their development and planning. The paper illustrates each city?s history relating to its grid and individual events and explains how the skyscraper came into existence in each city and changed our urban world. The paper use historical illustrations and maps along with the written essay to describe the growth of skyscrapers in both cities
Table of Contents
I. Introduction
II. City Planning
III. Chicago?s Early City Planning
IV. New York City?s Early City Planning
V. How Skyscraper Height Evolved
VI. Skyscrapers in Chicago
VII. Skyscrapers in New York City
VIII. Skyscrapers Take Form
IX. Chicago?s Interior Form
X. New York City?s Interior Form
XI. A Final Thought
XII. Bibliography
XIII. Picture References
From the Paper
"Architecture is an interesting art form due to its strong ties with the construction industry, which in turn a product of the socioeconomic behavior of a society. One of the grandest architectural accomplishments is the design and completion of a superstructure, known as the skyscraper. Since the turn of the century, the city fabric of two American cities, Chicago and New York City, have been involved in a heated race towards the sky. These superstructures continue to grow in size and in number due to advances in materials, structural designs, and technology. The function of the skyscraper is to serve as a commercial purpose. As these buildings cast heavy shadows over the busy city landscape, people notice their dominance and power. To the general public, big is good; in terms of building, the taller the better. Many people agree, as well as deny, that the skylines of Chicago and New York City are similar. To expose which acquisition is true, one first needs to discover how the skylines of these two cities have developed."
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Architects and Modern Expression, 1998.
This paper looks at the modern expression of three architects: Robert Venturi, Peter Eisenman, and Rem Koolhaas.
2,100 words (approx. 8.4 pages), 3 sources, APA, $ 65.95
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Abstract
This paper compares and contrasts the ideas of the 1950s of three separate architects by looking at their different views of modernism. The architects are Robert Venturi, Peter Eisenman, and Rem Koolhaas. Modernist, Post-Modernist, and Pre-Modernist concepts are examined, and the works and ideas of the architects are described in depth.
From the Paper
"In the 1950?s many architects were struggling for expression of Modern Architecture. Robert Venturi, Peter Eisenman, and Rem Koolhaas are three architects who each had different views in regards to Modern Architecture. Robert Venturi had a post-modern approach and believed in complexity and contradiction to create a new architecture. Peter Eisenman had a modern approach and used axonometric drawings and models to better represent architecture. Rem Koolhaas had a modern, pre-modern, and post-modern approach and looked at the problem of large. These three architects expressed their relationship to Modern Architecture differently."
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The Artist as Sculptor, 2000.
The following paper looks at Michelangelo's contributions to art and architecture and shows how he has exerted an unparalleled influence on the development of Western art.
2,280 words (approx. 9.1 pages), 9 sources, APA, $ 70.95
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Abstract
This paper examines Michelangelo's contributions as a sculptor and painter as well as his work as an architect -- which remains well known -- and as a poet, which is much less well known today.
From the Paper
"Unlike many artists who are not recognized until the very end of their careers -- or perhaps decades or centuries after their deaths -- Michelangelo was considered by his contemporaries to be the greatest living artist in his lifetime, and his reputation has been maintained ever since. There has never been a time when he was not held to be one of the greatest artists of all times and a number of his works in painting, sculpture, and architecture rank among the most famous in existence (Paoletti, 1997, p. 38). "
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Minarets in the Middle East, 2001.
The origin and importance of minarets in the Islamic world.
1,225 words (approx. 4.9 pages), 8 sources, MLA, $ 41.95
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Abstract
This paper tracks the origin of minarets in the Islamic world. It shows the meaning of the word "minaret" the placement and importance of minarets in culture, as well as architectural characteristics.
From the Paper
"There are many clues as to the origin of the word "minaret". It has been suggested that it comes from the Arabic root "nar", which means "place of fire and light". This is a correct assumption because, often times, the muezzin would carry a torch or lantern to light his way. This is supported by the definition for the Arabic word for "lighthouse" - manara (Bloom 9-11). In Aramaic, manara is translated as "candlestick" which would also be a sensible answer because minarets are often constructed as slim and elegant as possible to resemble candlesticks (Kjeilen "Minaret")"
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A Building is Not Just a Building, 2003.
This essay critiques the J. Paul Getty Museum design with reference to two journal articles.
615 words (approx. 2.5 pages), 2 sources, $ 22.95
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Abstract
This paper looks at the differing opinions with regards to the J. Paul Getty Museum and the way it was built. Reviews from the Los Angeles Times and the Atlanta Constitution Journal contend that a building is not just a building. The two critics from the above newspapers agree and disagree with regards to certain points about the building.
From the paper:
"Ouroussoff writes in the Times:
"Of the two assessments, Ouroussoff?s seems by far the more accurate. From my own visit to the museum I must say that it seemed very much a premodern structure resting like a fortress on a hill from a time long, long before Frank Lloyd Wright would make so many people believe that glass was an acceptable material for walls and that white was the only color that one needed."
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Theater Acoustics, 2003.
This paper discusses what elements must be taken into consideration when designing theater acoustics.
1,180 words (approx. 4.7 pages), 0 sources, $ 40.95
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Abstract
The following paper discusses elements such as room size, room composition, room shape, and the location of the listener and sound source, when designing theater acoustics. Finding the ultimate impulse response with testing is also discussed.
From the paper:
?It has been considered that gross errors in concert hall design are rarely due to use of the wrong absorption coefficients, as most of the materials used are highly reflective. A theatre audience first hears sound generated from the source. Then they will hear attenuated bounces of sound off the walls. The sound is again and again reflected off the walls, resulting in total reverberation of the sound. In a large room such as a theatre, reverberation time can be as long as four seconds.?
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Ornament and Architecture, 2001.
This paper discusses the fusion of ornament and architecture.
2,465 words (approx. 9.9 pages), 7 sources, $ 75.95
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Abstract
This paper explores the works of Leon Battista Alberti, Adolf Loos, and Jennifer Bloome and compares and contrasts their opinions on combining different forms of art and architecture. It also examines why it is important for architecture to be aesthetic and practical.
From the paper:
"According to the AOL World Book Encyclopedia?s definition of
architecture, architecture is an art form like painting or poetry writing. However, architecture is not entirely like these arts in its practice. The World Book states one of the essential differences between architects and other artists is the fact that while other artists have a certain amount of creative control in the fashioning of ?rough drafts? of their work, architects face additional constraints because their work costs so much money to fashion."
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A Building is not Just a Building, 2001.
Differing opinions on the J.Paul Getty Museum.
650 words (approx. 2.6 pages), 3 sources, $ 23.95
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Abstract
This paper looks at the differing opinions with regards to the J.Paul Getty Museum and the way it was built. Reviews from the Los Angeles Times and the Atlanta Constitution Journal contend that a building is not just a building. The two critics from the above newspapers agree and disagree with regards to certain points about the building.
From the Paper
"Ouroussoff writes in the Times:
But although these public areas are thoughtfully balanced, the complex as a whole does not cohere. The more private structures (aside from the auditorium) seem isolated on the wrong side of the trackless-tramway. A palm-lined garden, submerged three stories below plaza level--is the area's central event. Around it, cloistered walkways and metal bridges connect the various buildings. Meier skewed placement of these buildings slightly to line them up with the freeway rambling by below. But the shift is imperceptible, and you never feel its weight. Instead, the buildings simply seem detached, their function hidden behind slick metal and glass facades (p. A1)"
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