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Archigram and Metabolist Movements, 2005.
A discussion on the English Archigram and the Japanese Metabolist movements and their artistic influences.
2,300 words (approx. 9.2 pages), 6 sources, MLA, $ 79.95
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Abstract
This paper compares and contrast the English Archigram movement and the Japanese Metabolist group. It explains how these English Archigram movement embraced pop culture and high tech innovation and designed imaginary cities of the future where buildings walk and cities move. The author explores how the Metabolist group incorporated traditional Japanese architectural ideas into the Modernist idiom.
From the Paper
"According to the Oxford Dictionary of Architecture an architect is a person capable of preparing the plans elevations and sections of a design of a sophisticated building with an aesthetic content and to supervise its construction ..."
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Precast Concrete, 2003.
A discussion on precast concrete
690 words (approx. 2.8 pages), 5 sources, MLA, $ 23.95
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Abstract
This paper discusses a the history of precast concrete It explores its uses, types, capabilities and the impact of new technology on this conventional construction material. The author also mentions the expansion of its uses over time.
From the Paper
"Webster's New World Dictionary defines precast concrete as concrete in the form of blocks, pillars, bridge sections etc. that have been cast into form before being put into position. While precast concrete did not become popular as building ..."
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Post Modern Architecture, 2005.
A discussion on post modern architecture.
2,760 words (approx. 11.0 pages), 15 sources, MLA, $ 95.95
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Abstract
This paper discusses the progression from estrangement to event in Archigram member Ron Herron's, Walking City and architect Rem Koolhaas', Generic City. Postmodernism and existentialism are explored as the basis for the detachment these architectural concepts illustrate. The paper includes photographic representation.
From the Paper
"From estrangement to event Archigram's, Walking City and Rem Koolhaas's, Generic City are conceptual models of modern society's transition from estrangement to event. In the evolution of modern thought the progression from estrangement to event has been ..."
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Virtual Design, 2005.
A discussion on virtual architectural design.
1,380 words (approx. 5.5 pages), 6 sources, MLA, $ 47.95
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Abstract
This paper discusses virtual reality and the use of cyberspace in architectural design. It also explores the use of virtual reality designs to help small firms compete with large firms in order to provide interactive benefits that are advantageous to clients. The paper explains how these technologies remove physical barriers from architectural design.
From the Paper
"The computer age is here, yet its impact is almost indiscernible and premature for we often fail to understand the full potential of this impact. This is particularly true due to the rapid-paced innovative ..."
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The Pantheon, 2004.
A discussion on the architecture of the Roman Pantheon
690 words (approx. 2.8 pages), 3 sources, MLA, $ 23.95
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Abstract
This paper describes the Roman Pantheon as the most significant representation of Roman architecture of the Hadrian period. It explores the structure's main architectural features, its purpose and use in ancient Rome. It also explores the values that the architecture reflects.
From the Paper
"The above inscription is over the entrance to the Pantheon although the first Roman Pantheon built by Augustus Caesar's architect and minister Marcus Agrippa was destroyed in the great fire of A D. Rebuilt ..."
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Three Cathedrals, 2004.
A discussion on the architecture and of three cathedrals.
1,380 words (approx. 5.5 pages), 4 sources, MLA, $ 47.95
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Abstract
This paper discusses how the St. Sebald Church, the Florence Cathedral and the Cathedral of Milan each balances the physical forces required to build looming buildings of stone and glass. It explores how with the desire of architects, builders, and patrons to create works that simultaneously demonstrate their own piety and impeccable taste.
From the Paper
"Every Christian church that has ever been built, and this is arguably true of the places of worship of every faith, is an amalgam of the pragmatic and the idealistic of earthly concerns and divine ones. Each church lies in the borderlands defined on one side by ..."
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Cathedral of Notre-Dame, 2005.
An analysis of the Cathedral of Notre-Dame Paris France.
690 words (approx. 2.8 pages), 4 sources, APA, $ 23.95
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Abstract
An analysis of the Cathedral of Notre-Dame, Paris, France, is provided in essay format. The paper describes how the structure's purpose, function, and design are illustrative of the purpose, function, and design of temples from ancient Greek civilization.
From the Paper
"The Cathedral of Notre-Dame Paris France is one of the world's most admired architectural feats - one that has been modified many times over its centuries of existence..."
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The Royal Portal, 2005.
A design analysis of the jamb statues of the west portal at the Chartres Cathedral.
920 words (approx. 3.7 pages), 1 source, APA, $ 31.95
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Abstract
This paper presents a design analysis of the jamb statues of the west portal at the Chartres Cathedral, also known as the Royal Portal. Stylistic shifts and differences due to rebuilding are discussed. The paper also highlights the unity of design of the jamb statues.
From the Paper
"The West Portal of the Chartres Cathedral at Notre Dame is often referred to as the Royal Portal in reference most likely to the Virginas the Queen of Heaven..."
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Art and Spirituality, 2003.
Discusses the issue of whether or not modern art and architecture consider spirituality in their themes.
920 words (approx. 3.7 pages), 4 sources, APA, $ 31.95
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Abstract
This paper discusses the issue of whether or not modern art and architecture consider spirituality in their themes. The paper contends that the work of architect Frank Lloyd Wright, and artists Mary Cassatt and Judy Chicago contain a fundamentally spiritual dimension that speaks to the persistence of the human spirit and the linkage of that spirit to nature and to society.
From the Paper
"Despite the fact that clearly identifiable religious imagery began to disappear in the course of the modern era many if not precisely most of the major artists and architects of the nineteenth and twentieth century have been ..."
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Andrea Palladio, 2003.
Discusses the life and work of architect Andrea Palladio and his effect on modern architecture.
4,600 words (approx. 18.4 pages), 12 sources, APA, $ 135.95
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Abstract
This paper discusses the life and work and influence of Italian Renaissance architect Andrea Palladio and his effect on modern architecture. It looks at his use of new ideas and new forms to express classical building construction. The paper examines his philosophy and the key characteristics of his work before exploring his recognition as one of the founders of modern architecture.
From the Paper
"Andrea Palladio has been characterized as the greatest architect of the Italian Renaissance associated with the Venetian style Fleming. As the author of the highly influential Four Books of Architecture ..."
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Brunelleschi: the Visionary Before da Vinci, 2006.
A look at the artistic and architectural brilliance of Filippo Brunelleschi and how his work fused the disciplines of science, technology and art.
1,442 words (approx. 5.8 pages), 4 sources, MLA, $ 47.95
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Abstract
This paper describes the work of 16th century Italian artist and architect Filippo Brunelleschi and how the innovation and brilliance of his work prepared the Florentine art community for Leonardo da Vinci's reception. The paper focuses specifically on the design and construction of the Cathedral of Santa Maria del Fiore and how this structure emphasizes most explicitly Brunelleschi's collaboration between science, technology and art. The paper further discusses Brunelleschi's spirit of rivalry and competition that was characteristic of his career and his reputation and the lasting impact these qualities had on the Florentine art community.
From the Paper
"The inscription on his simple, marble tomb slab reads, "here lies the body of the great ingenious man Filippo Brunelleschi of Florence." Though laid under the south aisle of the Cathedral of Santa Maria del Fiore, the epitaph makes no explicit reference to Brunelleschi's role as its architect. Perhaps the Florentines thought that such information belonged elsewhere, or that it would be obvious to the millions of tourists who stream into the cathedral each year. More likely, the Florentines recognized Brunelleschi as a man who transcended simple vocational categorization, a man who could not be pinned down by a title like "architect" or even "artist," because his work was so manifold."
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Urban Renewal in Beijing, 2004.
Examines the renewal of the courtyard houses and hutongs in the old city of Beijing.
4,950 words (approx. 19.8 pages), 4 sources, MLA, $ 125.95
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Abstract
Compared to other historic capital cities (such as Rome, Paris or Istanbul) - whose existence is more the result of a natural evolution with the increase of population, economic wealth and political power - the unique characteristic of Beijing is that it is a "planned entity," reflecting Chinese philosophy and cosmology which ran through its 3000 years urban history. This paper examines the latest conservation plan of the Beijing municipal government (Plan 1991-2010), especially concerning the renewal and preservation of courtyard houses and hutongs.
Paper Outline:
Introduction
Main Features in the Design
Plans of Construction (or Destruction?) Planning Since 1949
The Courtyard Houses and Hutong - the Folk Culture of Beijing
Values for Preservation
Restraints in Preservation
The Invisible City
Ju'er Hutong Project
References
From the Paper
"The urban planning in China is rarely transparent to the public. In Beijing's case, with the residential area, public participation is one essential part in better designing for the renewal. To involve all the people who care about the place, who in fact are the place, guarantees a better understanding of what to preserve at all. Local Beijingers, having been living in the cultural political center of the nation, are informally active in public affairs. The old tea houses were always buzzing with discussions on current events, and today the alternative community managers (respected senior citizens) using simple tools (visiting each family, holding small meetings, notice boards spreading news in the Hutongs) can collect ideas easily."
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Frank Lloyd Wright, 2005.
A biography and description of Frank Lloyd Wright's architectural design in an age of modernism and age of pluralism.
1,470 words (approx. 5.9 pages), 4 sources, MLA, $ 48.95
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Abstract
This paper explains how Wright was a highly innovative influence on modern architecture. It examines how his designs were influenced by current day events as well as by his travels to Europe and Japan. In particular, it describes the Robie House, Prairie style homes, Taliesin, Imperial Hotel, Hollyhock House, Fallingwater, Marin County Civic Center, and Guggenheim Museum.
From the Paper
"In 1911, Wright moved to Wisconsin and built a home for himself and his mistress that he named Taliesin. In the architectural design for Taliesin, Wright included concepts from organic architecture. Organic architecture is a type of architecture that promotes harmony between man and nature through design. Organic architectural designs integrate the building and its furnishings into its surroundings. Wright accomplished this at Taliesin by constructing the chimneys and stone piers out of a local limestone which was laid by stonemasons in the house in a way that reflected the outcroppings of Wisconsin's landscape. Wright also used sand from the Wisconsin River in the house's stucco walls to bring to mind the river's sandbars."
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Comparing the Renaissance and Baroque Eras, 2006.
This paper explores and details items that may be found in a time capsule that reflect world events and cultural patterns from the Renaissance and Baroque eras.
1,079 words (approx. 4.3 pages), 6 sources, APA, $ 37.95
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Abstract
This paper examines the art and cultural developments during the Renaissance and Baroque eras. The writer of this paper describes articles that could be found in a time capsule from the Renaissance era as a rebirth of culture and a renewed interest in the ancient civilizations of Greece and Rome while explaining that the Baroque era grew from the Renaissance to promote an individualistic connection with God and spirituality as well as more appeal to emotions and drama. The items from art, music, architecture, philosophy and literature found in the time capsules are indicative of the events taking place during these two time periods.
From the Paper
"The Renaissance represents the time period between the Middle Ages and the Reformation - roughly the 14th century through the 15th century. Many historians view the Renaissance as a period of intellectual and artistic rebirth in which European culture thrived. The arts would likely be represented in the Renaissance time capsule by oil paintings on canvas or by sculpture. The work of artists such as Da Vinci who use shadow and light to portray three dimensions in their paintings are likely to be found in the time capsule. As such, we could expect to find Da Vinci's Mona Lisa painting. We may also find a sculpture by Michelango such as his famed David sculpture which represents beliefs during the Renaissance about beauty in the nude form being a reflection of God's power."
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Expressions of Humanities, 2006.
This paper examines and explains the various fields of humanities, including art, literature, architecture and philosophy and its effect on society.
1,070 words (approx. 4.3 pages), 9 sources, APA, $ 37.95
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Abstract
The author of this paper defines humanities as a group of academic disciplines that study the expression of human beings while making sense of the human experience. This paper explores how the different fields of humanities provide a way for individuals to study the expressions of humankind. From art to literature, academics have studied works in these areas to gain a better understanding and appreciation for the diversity of values and cultures represented.
From the Paper
"In the humanities field of art, current developments in politics, socioeconomics, and technology are represented. Throughout history, art has been an expression of the humankind experience and the values of society at that time. For example, Diego Rivera was a Mexican muralist painter during the 20th Century. When commissioned by the Rockefellers to paint a mural at the Rockefeller Center in New York in 1933 during the Great Depression, Rivera presented a mural of Lenin leading a demonstration of workers amidst a sea of red banners. The murals clear political statement resulted in the mural being destroyed by the Rockefellers. Earlier, Rivera had painted a mural for Henry Ford in Detroit that depicted factory workers in a plant."
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