Abstract The paper analyzes the central role of the ring in J. R. R. Tolkien's "The Lord of the Rings". It looks at the power of the ring and how this single item drives the plot and actions of the book, with special reference to the character Gollum. The paper describes how Tolkien had to revise his previous work, "The Hobbit", so that its themes would fit in with the future role of the ring.
From the Paper "Since the publication of the legendary Lord of the Rings trilogy and its predecessor, The Hobbit, many aspects of J.R.R. Tolkien's fiction have become popular culture and literary commonplace. From elves and hobbits to dragons and dwarfs, these tales of rich fantasy have inspired readers and writers, alike. Yet, at the heart of Tolkien's books is one central object, one looming item, The Ring. This Ring was so all-powerful and all-encompassing that it not only drove the plot and action of each and every word Tolkien wrote, but also forced him to revise a chapter of his first work, The Hobbit, in order that it should fit together with his remaining three books and the world and characters they spawned. It is this revision and this power of the Ring with which this paper will concern itself."
Abstract This paper explains that the wedding ring is one of the most powerful representations of shared meaning in society. The author points out that the cultural discourse surrounding the ring has a long history going back to the ancient Egyptians. The paper relates that, recently, the wedding ring has taken on an entirely new meaning with the legalization of gay and lesbian marriage.
From the Paper "It is small, weighs almost nothing, and is easily misplaced, but the wedding ring carries enormous social weight. The wedding ring is one of the most powerful symbols in our society. Its meaning is instantly recognized, which illustrates that "culture is about shared meanings" (Hall, 1997, p. 161). It signifies that the person who wears it is not available to other people, and that he or she is committed to a particular person. The wedding ring at one time meant the person is heterosexual. Recently, the wedding ring took on an entirely new meaning with the legalization of gay and lesbian marriage."
Abstract This is a literature analysis of the book "The Postman Always Rings Twice" written by James.M.Cain. It includes a synopsis of the book and how the author illustrates his ideas. The paper also discusses the main points and the theory used in the book as well as the writing style of the book.
Abstract Race plays an important part in shaping the lives of the main characters and their behavior throughout Peter Jackson's "Lord of the Rings: he Fellowship of the Ring". The paper shows how the hobbits must overcome their dislike of change and adventure to embark on the quest to destroy the ring, and the quest ultimately destroys their childlike hobbit innocence. Aragorn, of the race of men, must struggle with mankind's complicity in the evil of the ring, while the animosity between dwarf and elf is played out in the actions of Gimli and Legolas.
From the Paper "The movie's main character, Frodo Baggins (Elijah Wood) is one of the Hobbits. He is joined by his Hobbit friends Sam (Sean Astin), and Perry (Dominic Monaghan) on his adventure to return the ring to the fires of Mount Doom. Hobbits are essentially a race that is about half the height of men, with wide, hairy feet. They are by nature timid and childlike, and Frodo, Perry, and Sam live in the shelter of an idyllic shire before adventure sweeps them into their epic tale. Notes Bilbo Baggins (the uncle of Frodo) of the Hobbits, "Hobbits have been living and farming in the four Farthings of the Shire for many hundreds of years, quite content to ignore and be ignored by the world of the Big Folk. Middle-earth being, after all, full of strange creatures beyond count, Hobbits must seem of little importance, being neither renowned as great warriors nor counted among the very wise"."
Abstract This paper is an examination of "The Lord of the Rings" from the standpoint that it is, at its core, an exploration of the Christian archetypes and legends of Europe. J. R. R. Tolkien's "Lord of the Rings" is a massive epic fantasy of more than a half-million words. It is also a hugely complex work with its own complicated chronology, cosmogony, geography, nomenclature, and multiple languages, including two forms of "elvish". The plot is so grand, moreover, that it looks backward to the formation of first things while glancing forward to the end of time. While "The Lord of the Rings" is many things, it is primarily a symbolic text that taps into the archetypal knowledge of our long-distant past.
Abstract This paper analyzes the essay, "The Ring of Time", by E. B. White. It also contains an interpretation of the essay's meaning and theme. It explains that, at first glance, "The Ring of Time" just seems to be an essay about the excitement and magic of the circus and of circus performers. However, if the reader looks deeper, "The Ring of Time" is really about time and how time passes so quickly in our lives.
From the Paper "White talks about the circus ring, and the horse going round and round, but that is really a metaphor for the circle of time. Time is measured in a circle of a clock, and our lives also follow a circle of time, from infancy to death. He talks about the passage of time even in the circus, and how in a few days the ring would be different, the girl would be different, and even the horse would be different because of the time that has gone between the practice session and the show. As White says "Then time itself began running in circle, and so the beginning was where the end was, and the two were the same, and one thing ran into the next and time went round and around and got nowhere" (White 144). Time seems as if it goes on forever, but in reality, there is an end to everything, even our own time on earth."
Abstract Acclaimed writer and historian, John Ronald Reuel Tolkien, author of the popular trilogy book series, "The Lord of the Rings", is an advocate of the great traditions of chivalry and Christianity. This paper discusses the dynamic elements used in "Lord of the Rings" to illustrate the prevalence of the tradition of chivalry and Christianity as reflected in the behavior, thinking, and actions of its main characters. The analysis is an interpretation of "Lord of the Rings" three-part movie and book series. It focuses on the themes of good versus evil, with sub-themes involving the dominance of women, pervasiveness of evil in the midst of human weakness, and, most importantly, the element of hope and faith in people and one's self in the face of adversity and suffering.
From the Paper "LOTR 3 is perhaps, among the three-story installments of Tolkien's Middle Earth tale, the only story that blatantly illustrates the reign and prevalence of Chivalry and Christianity as important values held important by its main characters. Chivalry is personified in every man involved in the battle, with the exception of Eowyn, who chooses to fight for her people. Centering the story's focus on Eowyn reiterates the fact that in Middle Earth, male dominance is prevalent, and her deviance illustrates the bravery of women despite their portrayal as domestic housekeepers and nurturers of their children."
Abstract This paper argues that, in E. B. White's poem "The Ring of Time", the circus ring and performer are metaphors for the mutability of time. The author points out that the poem reflects the ability to capture the moment through creation.
From the Paper "E. B. White's poem "The Ring of Time" is an attempt to capture the essence of creation against the backdrop of ever-changing time. Though by his own admission the narrator circus patron and writer admit he has failed in this effort, I ..."
Tags: time, creativity, human existence, inspiration, artifice, illumination, metaphor, circus, performers
Abstract The paper examines how the themes of fidelity and financial gain through greed are the main themes of the "ring plot" in Shakespeare's "The Merchant of Venice". The writer proposes that, by analyzing the symbolic role of the wedding ring as a valuable financial asset, as well as a symbol for loyalty, one can realize the comedic value of Portia's test of Bassanio.
From the Paper "In this drama study the crucial "ring plot" in "The Merchant of Venice" will be examined. Both Nerissa and Portia both demand their husband's wedding rings due to the extreme monetary nature of love depicted between suitors and marriage in Shakespeare's play. The factors of infidelity, forced marriage, and the availability of wealth for Portia's suitors offers an solution as to why the rings become symbolic of greed and infidelity in marital issues. In essence, the rings come to symbolize the comedic overtones of greed for money and broken vows of marriage through the Venetian institution of marriage and courtship. In Act V, scene I of The Merchant of Venice, Shakespeare acknowledges a triumphant court battle between Shylock and Antonio for a debt accrued for backing Bassanio's courtship fees for Portia."
Abstract This paper compares and contrasts the Frodo and Sam, characters from Tolkien's works "The fellowship of the Rings", as represented in the film. It explores their relationship, and their importance within the movie as a whole.
From the Paper "Frodo himself, the protagonist of The Lord of the Rings trilogy (both the Tolkien novels and all three film versions) once Bilbo hands over the ring to him, is modest; soft-spoken, and unassuming, like other Hobbits, but nevertheless clearly possesses exceptional intelligence; internal wisdom; and good character: qualities that serve him well (and prove necessary) on his journey into temptation and danger . exceptional character. Frodo is also a friend of the Elves, knowledgeable in their language and a lover of their songs. Like Bilboor any other good Hobbit Frodo loves good food and simple comforts, but he is also thoughtful and curious and has a wisdom and strength of character that set him apart."
A paper which examines what makes the works of J.R.R. Tolkien, especially the second book in his "Lord of the Rings" trilogy, "The Two Towers", such a remarkable piece of literature.
Abstract The paper begins with an overview of the life of author J.R.R. Tolkien and questions how Tolkien's life impacted on the "Lord of the Ring" trilogy. The features that make the book outstanding are discussed. The paper then considers how Tolkien's imaginary world applies to the modern world. Finally, the themes of the book are described. Each of these discussions are completed with a focus on the second book of Tolkien's trilogy, "The Two Towers".
From the Paper "The third influence worth noting is Tolkien's experience in the war. Tolkien did not serve in the war for long, but did lose almost all of his friends in the war. It can be expected that such an event would impact on his writing. This can be seen, not in the writing style of the work, but in the themes. How power corrupts individuals is one of the themes of the book. This can be related to Tolkien's own experience. He and his friends were sent to a war by those in power, where his friends died. Despite this being the decision of those in power, they were not the one's doing the fighting. This is likely one of the underlying factors in Tolkien's life that led him to incorporate the corruption of power into this works. The statement that the book makes about power will be discussed further in the themes section.
Abstract The Postman Always Rings Twice, directed by Bob Rafelson (Paramount Pictures, 1946) is an excellent example of a film that creates this type of intentional conflict within the viewer.
Abstract This paper discusses thoroughly Musashi's book by looking in depth at each separate 'book' contained within it. The author points out that Musashi's "Book of Five Rings" at first appears to be a war tale, but on deeper examination is a story that gives insight into human beings and helps them to understand why they do some of the things that they do. The paper concludes that this book can be used in modern-day life and is popular with many Japanese businessmen when competing over customers and contracts.
Table of Contents
Introduction
Musashi's Introduction
The Ground Book (The Earth Book)
The Water Book
The Fire Book
The Wind Book
The Book of the Void (The Book of Emptiness)
Conclusion
From the Paper "After that, Musashi tells that he went to all different provinces and met all kinds of strategists, and engaged them in duels. His claim is that he always won, no matter how difficult the task. He estimates that between the ages of 13 and approximately 29 he was involved in no less than 60 duels of this kind. While this seems very impressive, Musashi was not happy with it. At 30 years of age, he realized that he had not one because he had mastered the way of the strategy. He believed that perhaps he simply had a natural ability or that the strategies of other schools and provinces were inferior."
Abstract A look at the interpersonal relationship as shown in the friendship between Frodo and Sam in Tolkien's "Lord of the Rings." Examines the book version compared to the movie version.
From the Paper "The 2002-2004 Lord of the Rings trilogy has multiple instances of communication between characters. The movies were adapted from the books of the same name written by J.R.R. Tolkien. Elijah Woods plays the main character Frodo who is on a mission to save his shire and everyone in the known world from being destroyed. Sam is Frodo's best friend who ends up going along on this adventure. Their friendship takes many tolls along the way helping to illustrate many concepts of interpersonal communication: proxemics, empathy, complementary and parallel relationships, verbal aggression and win-win problem solving."
Abstract This paper is a technical report on a laboratory experiment on surface tension measurements using the Du Nuoy ring. Samples are pure water, ethanol solution, and 1.5N NaCl. Calculations for the correction factor and other necessary values are included in the discussion.
From the Paper "The Du Nuoy ring is the most commonly used apparatus for surface tension measurements. The group used pieces of paper to determine the weight needed to depress the lever arm to zero. For the experiment proper, the ring was thoroughly cleaned and flamed to red heat for a few seconds. The vernier was turned to zero reading and the lever arm made to just touch the zero indicator. The ring was made to contact the surface of the liquid and was carefully submerged until good contact is established. This was then slowly recovered from the liquid by careful downward movement of the platform and of the thumbscrew. It is important that the lever arm is kept at the zero indicator until the ring is detached from the liquid."
