Abstract This essay analyzes the diction of "Katherine" by Anya Seton in terms of whether the language is concrete or abstract, whether the words have interesting connotations, whether the diction is formal or colloquial and what inferences can be drawn about the speaker from the word choice of the speaker.
Abstract This paper looks at three of Katherine Mansfield's short stories: "Bliss", "Je Ne Pane Pas Francais" and "Life of Ma Parker". It examines Mansfield's style, sense of realism and themes and her psychological understanding of issues confronting women.
Abstract This paper will argue that the depiction of Eleanor of Aquitaine (as played by Katharine Hepburn) in "The Lion in Winter" is of a much more assertive figure than the Queen Victoria (as played by Judi Dench) of "Mrs. Brown". The latter queen, for all her power, is characterized as a repressed emotional woman, while Eleanor is defined by her unconventional social and political assertiveness.
Abstract This paper describes in-depth the life of Audrey Hepburn, the infamous Dutch Hollywood actress. The paper begins with her as a girl, born into Dutch Royalty, she suffered from hunger and poverty in Nazi occupied Holland. The paper provides chronological summaries of her role in all her films and plays, which provides the reader with a great sense of her enormous contribution to popular culture. It includes details of her personal life and her work as a special Goodwill Ambassador to the United Nations Children's Fund (UNICEF).
From the Paper "Gigi was Audrey's ticket to America. At the show's premiere in New York, Audrey was surprisingly visited by James Hanson, who had come to formalize their engagement (Paris 74). The run of Gigi was over by the spring of 1952. However, Audrey's career was about to take an even greater step forward. Paramount Pictures was searching for a young girl to play the role of Princess Anne in Willy Wyler's Roman Holiday (1953). Audrey was about to costar with Gregory Peck in her first American film. However, the film had forced her to postpone her wedding date. In fact, as soon as she got the part, the studios had advised her not to get married in the belief that millions of lovestruck fans would be disappointed (Paris 80). Audrey was soon convinced that she was not ready to be married, and she broke off her engagement to James Hanson."
Abstract This paper examines the character of Katherine; discussing the various techniques used by Shakespeare to establish the theme of the play "Taming the Shrew". It also answers the question whether Katherine was tamed eventually or not.
From the Paper "Taming The Shrew by William Shakespeare is a comedy play tactfully and purposely divided into five entertaining acts (Plot Structure). The induction highlights the possible reasons for the play's existence followed by an introduction all the characters playing a vital role in developing the theme of the play and the development of the gist of the story, in the first act (Plot Structure). The taming (the main purpose of the play) of the female lead begins in the Act II and III with Katherine getting married to Petruchio. The climactic act is the act IV when the aim of cultivating and changing Kate to a productive human being is accomplished (Plot Structure). The final Act V establishes the connection and creates harmony between all the characters of the play and brings forward the implied meaning of Katherine's portrayal (Plot Structure) as a shrew."
Abstract This essay explores and evaluates Katherine Mansfield's literary style with reference to her short story Bliss. It discusses the ways in which Bliss demonstrates her desire to break with the past and experiment with new methods of writing. The paper evaluates the story as an example of Modernist literature and reviews Mansfield 's importance in the Modernist movement. The paper also provides a detailed analysis of Mansfield's original and distinctive delivery of the short story.
From the Paper "An important figure in the modernist movement, Katherine Mansfield was a highly experiential writer who sought to find new ways of representing the world. The beginning of the twentieth century was a time of terrific change due to technological advances, scientific theories and capitalism. The First World War compounded this disturbance and literally shattered the universal values which held society together. Society was left fragmented and disillusioned and the Modernists felt that the traditional mode of representing the world in literature, specifically realism, was outdated and no longer appropriate. Mansfield 's short story Bliss, 1918, demonstrates the desire to break with the past and experiment with new methods of writing which would express this transformed society more aptly."
Abstract By examining and analyzing several of Katherine Philips's poems, the author of this paper shows how Philips? poetry was most notable for its creative construction of gender and female sexuality, but surmises that the vision was secretly expressed inside the conventional language of female friendship.
From the Paper "This is a point in Philips? poetry where she moves into the more conventional realm of Platonic love"a safe and respectable realm in the 17th century"but also a point at which she begins to manipulate her audiences? ideas of what that realm really is. For example, Philips implies that ascending towards Platonic love (i.e., spiritual or ideal love) allows friends or lovers to imagine an alternative reality for themselves, different from the one in which they now find themselves. This realm would give the two women the freedom to live out their "Fate" (l.7). In fact, in Philips? poem ?To my Excellent Lucasia,? she writes that her connection to Lucasia is "As innocent as our Design, / Immortal as our Soul" (ll.23-4)."
Abstract This essay briefly discusses five short stories of New Zealand author, Katherine Mansfield, including "Mrs. Brill," "The Doll House," "Marriage a la Mode," "The Garden Party," and "The Woman at the Store." The essay specifically discusses the common theme of loneliness in each of the stories.
This paper compares and contrasts the courting of Lady Anne by the Duke of Gloucester in William Shakespeare's play "Richard III" with the courting of Katherine by Petruchio in the play "The Taming of the Shrew".
2,150 words (approx. 8.6 pages), 9 sources, 2002, $ 80.95
Abstract This paper compares and contrasts the courting of Lady Anne by the Duke of Gloucester in William Shakespeare's play "Richard III" with the courting of Katherine by Petruchio in the play "The Taming of the Shrew".
Tags: SHAKESPEARE, WILLIAM / KING RICHARD THE THIRD III, courtship comparisons
Abstract This three-page undergraduate paper discusses the work of Carson McCullers and Katherine Paterson in terms of which writer is more realistic in dealing with adolescent identity problems. The paper compares their major novels and concludes that Paterson's portrayal of the issue is more realistic than McCullers'.
Abstract This paper introduces, discusses, and analyzes the short story "Miss Brill" by Katherine Mansfield. Specifically it contains an in-depth character analysis of "Miss Brill." The paper focuses on Miss Brill's inability to see reality for what it is, which makes her a sad and even pathetic character living a tragic and flawed life. The paper's author finds Miss Brill's character to be quite complete and complex for such a short story.
From the Paper "This very short story contains quite a bit of information in just a few pages. The narrator is Miss Brill, an older single woman out to enjoy a band concert on a bright fall day. Throughout the story, the reader learns more about her character, her life, and her work, and it is clear by the end of the story that her life is empty and sad. In fact, her character is quite pathetic, not because her life is so empty, but because she cannot admit that to herself, or face reality. She is old, out of touch, and clueless. She is also a kind woman and it is clear she is harmless and meek. However, her life is tragic because it is so empty and she accepts it that way. "
Abstract This paper discusses the characters in the stories of Katherine Mansfield. The paper specifically looks at how the characters try to avoid the unpleasant realities of human existence and how well they do this. The paper provides examples from the texts of some of her stories in order to illustrate how the characters' struggles provide them with a sense of accomplishment and a degree of hope.
From the Paper "In this story, the story shifts its point of view from Mr. Woodfield to the boss. He cried when he learned of his son's death, but since then, he has not been able to do so and believes something is wrong with him. The story shows how certain unpleasant things become only vague memories as the individual cannot keep them fully in mind at all times. Death is depicted in this fashion, and while the death may be devastating, human beings necessarily go on without letting the pain cripple them entirely. This is symbolized in the story by the death of the fly on the boss's desk. This death is caused by the boss, who is distressed by what he has done for a moment, but who a second later cannot remember that feeling or even what caused it: "For the life of him he could not remember" (358). This story is more explicit about what may be true for all the other characters in the earlier stories, that people ultimately avoid the unpleasant realities of human existence by simply forgetting them, not intentionally, but because that is the way the mid works."
Abstract This paper discusses Katherine Mansfield's "Miss Brill", a story of an elderly woman who spends her Sunday afternoon visiting a seaside park. The paper looks at how, by using structuralist technique for criticism, Mansfield questions the discrepancy between the character's inner nature and outward appearance through several key binary oppositions: loneliness/companionship, isolation/inclusion, youth/old age, and reality/illusion. Of these binaries--loneliness/companionship and reality/illusion--form the crux of the story, and being the all-encompassing binaries and overarching themes. The paper also examines how, by using the third-person limited omniscient point of view, Mansfield successfully shows that old Miss Brill tries to avoid loneliness by making up illusions that will free herself from reality, but eventually ends up having to face the reality again.
From the Paper "Initially, "Miss Brill" begins with a great day with the blue sky "powdered with gold and great spots of light like white wine splashed over the Jardins Publique" (Mansfield 464). Miss Brill picks out her fur, so she can wear it to the park. After she arrives at the park, the band is playing. She sits down at her "special" seat next to an old man and woman. Miss Brill always looks forward to hear other people's conversation. An Englishman and his wife also sit next to her on the other side. Miss Brill wants to "shake" her because she doesn't seem to appreciate anything her husband does for her. Miss Brill turns her attention to some other people, who sit "still as statues" (Mansfield 465). She loves to be an observer--sitting by herself and watching other people's behavior. "
Abstract In this article, the writer discusses whether nature, especially gardens, has a special place in Katherine Mansfield's work. After a closer look at a selection of her stories, the role of gardens and their symbolic meanings are examined. As the description of nature, often gardens and their flowers, constitute a considerable part of Mansfield's stories, her personal connection to nature is also taken into account. Finally, expression through the language of nature is analysed.
Outline
Introduction
Descriptions of Gardens
Descriptions of Landscapes
Symbolism
Nature Images in Language Choice
Conclusion
References
From the Paper "Katherine Mansfield grew up near the coast, surrounded by New Zealand's varied landscapes. However, she did not take the beauty of nature for granted. In fact, she paid attention to the details of nature and appreciated the landscapes. On her Urewera camping trip in 1907 she makes notes of the landscapes she sees, writes letters to her friends and family and experiments with literature (Scott 1997). Her notebook is a mix of notes about her trip, poetry, short stories and letters. It shows that Mansfield felt and inhaled the nature, rather than describing it as an external observer. She was part of the landscapes in which she stayed. It is likely that her conscious and close observation of the New Zealand nature strongly contributes to the descriptions in her short stories. Even when Mansfield lives abroad, she remembers the landscapes of New Zealand so vividly, that she can portray them very accurately in her stories."
Abstract This paper discusses the 1994 film version of "Little Women" and compares it to the 1933 film version. The paper tries to determine how just a representation of the book each film is and in what way each version is characteristic of the period in which it was made.
From the Paper "'Little women' was written by Louisa May Alcott in 1868 and since then it has been one of the most talked and written about books. With readers obsessing over the novel for more than a century, the book has been adapted to cinema four times with the most last version coming out in 1994. The book and its cinematic versions revolve around four young sisters who grow up during chaotic times of Civil War. The most well known cinematic adaptation of the novel came out in 1933 with Katherine Hepburn in the lead as JO March. This version was universally accepted for being most faithful to the book. Subsequent versions of Little Women were not as powerful as this one yet they have their fair share of merits. In this paper, we shall discuss the 1994 version and compare it to the 1933 version of 'Little women'."
Tags: civil, war, novel, cinematic, adaptation, katherine, hepburn, jo, march, winona, ryder
