Abstract
The paper shows that Anouilh's remake subordinated the themes connected to the duty to the divine -- which were so integral to Greek culture. Remaking the play in the context of World War II France, Anouilh focused more on the issues of integrity and political freedom. Disinterested in the notion of human rebellion again divine principle (which was Sophocles' preoccupation), Anouilh focused on the heroism of individual courage.

Abstract
"Antigone," by Jean Anouilh, is a retelling of the Greek play of the same name. Anouilh's version was a thinly disguised criticism of the Vichy government of his native France and was banned by the Nazis. The paper provides an analysis of the play and shows how the audience of that time could well relate to themes of fate, courage, and the defense of values.

From the Paper
"French audiences who had just been liberated from Nazi/Vichy rule must have welcomed such a play. Antigone is presented as a truly tragic heroine, someone who could not compromise her values under any circumstances. This would have emphasized the opinion of many regarding the Vichy regime, which was made up of French leaders who decided to attempt to placate the Nazis. There is no doubt that when Antigone stood alone against the king's power, she sealed her fate. Creon could not have felt secure on the throne, given that the previous king and the two rightful heirs had all just died in what amounted to civil war."

Tags:Chorus, Oedipus, Creon, Ismene

Abstract
This paper introduces and analyzes the play, "Eurydice'" by Jean Anouilh. Specifically, it discusses the contrasting idealism and realism in two representative places in the story and whether Eurydice is innocent or not. It examines how the themes of idealism, innocence, and realism intertwine to form the backdrop for a startling group of players, with the innocent and yet worldly Eurydice at the pivot point of the play. It also looks at the underlying meaning the author is attempting to get across to his audience. This tragic story shows how love can affect people and bring out the best and worst in people.

From the Paper
"The play contrasts idealism and realism quite effectively. Idealism shows itself from the start, when the two characters fall in love with each other without knowing a thing about each other. Playwright Anouilh writes, "'I'll never leave you.' 'Will you swear that?'" (Anouilh 66). These two do not know each other, and yet they already are pledging themselves to each other. This is the ultimate in idealism. Here it is shown as young and innocent love that believes anything is possible. The two "children" have not lived enough to understand the difficulties and realism of life, and so, they believe their love is possible, which of course, it is not. Eurydice sees this dimly when she says, "'D'you think you'll make me very unhappy?'" (Anouilh 66). She says it almost as if she does not believe it, and yet, she is worldly enough to know that the idealism of youth is soon replaced by the reality of age, because she was ravaged young, and has lived a hard life. Orpheus embodies the innocence and idealism of the couple, because he will do anything to stay with Eurydice, even abandon his father and consort with the devil. Orpheus is idealism personified, while Eurydice leans toward realism, because her life has actually been more difficult even than Orpheus' life."

Tags:innocence, love, youth, age, consort, devil, life, difficult, father, duty

Abstract
This paper outlines the content/lecture and objectives of caring in Jean Watson's theory. A discussion, questions and answers, and a class exercise are also presented.

From the Paper
"The following are the competency objectives of this workshop: * to become familiar with the working definitions of the concepts of caring and the caring moment within Watson's framework * to facilitate the instructors' understanding of these concepts within the framework of their own practice and/or experience * to relate Watson's concepts of caring and the caring moment to concrete examples within the larger framework of nursing care on a..."

Tags:nursing, jean, watson

Abstract
Following brief, brutal conflict, the opposing qualities between Antigone and Creon prove to cause disastrous results on both sides of the opposition, though Antigone pays the greater price. Using a scholarly article entitled "Patterns of Imagery and Anouilh's Antigone" by the widely respected William Calin, this paper explores, in detail, the images associated with Antigone and Creon and what the consequences of their brutal interaction are in Anouilh's work, "Antigone". The first comparison examines Antigone's youthful naivety in comparison to Creon's aged indifference. Next, Antigone's association with nature is set against Creon's ties with civilization. In another comparison, this paper explores Antigone's beauty in comparison to Creon's ugliness. Finally, the paper delves into Creon's qualities of dominion which are thrown into upheaval by Antigone's rebelliousness. The paper closes by questioning whether or not Creon is actually victorious in spite of Antigone's death.

From the Paper
"Throughout her entire argument with Creon, Antigone remains violently opposed to whatever Creon has to say; even when Creon makes a valid point to diffuse Antigone's argument, she modifies her stance just to stay in opposition with Creon. It is almost as if a law governs Antigone's personality, one that does not allow her to wholly agree on anything Creon says, thus perpetually putting her at odds, inevitably calling for her death."

Tags:civilization, ismene, oedipus, polynices, stasis, thebes

Abstract
This paper explains that the legendary pirate, Jean Laffite, who lived from 1780 to 1825 (approximately), was born in Bayonne, France. The family eventually migrated to the Island of Espanola from where the Laffite brothers sailed the Gulf and the Caribbean and were involved in many privateering missions. The author points out that a pardon was offered to Laffite in 1814 by the British if he would assist them in attacking New Orleans, but Lafitte refused and informed the U.S. of the plans, which resulted in Lafitte fighting for Andrew Jackson in the Battle of New Orleans in 1815 and receiving a pardon from President James Madison. The paper relates that Laffite sailed to Mugeres Island, which is off the Yucatan coast, where he continued his pirating activities until sometime around the year of 1825 when he became "mortally ill," returned to the mainland, and died.

Table of Contents
Jean Laffite
Laffite and Governor Claiborne
Laffite and General Jackson: The Battle of New Orleans
Laffite: The Hero
Conclusion

From the Paper
"The U.S. Army and Navy attacked Laffite and captured some of his ships. Laffite still announcing his loyalty to the United States offered his assistance to the worn and weary troops of General Andrew Jackson defending New Orleans in exchange for a full pardon for himself and his men. General Jackson accepted the proposition and Laffite and his men, now called the Baratarians, fought with all their might in the Battle of New Orleans, which took place in December of 1814 and January of 1815. General Jackson said that Laffite was "one of the ablest men" in battle and a proclamation of pardon was issued by James Madison, President, for Laffite and his men."

Tags:caribbean, france, madison, jackson, pardon

Abstract
This paper explains that Jean-Pierre Jeunet is a self taught filmmaker that treats the medium as an art form in which the details of the craft are just as important, or even more important, than the subject matter itself. The author points out that Jean-Pierre is one of few true film auteurs, who enjoys taking part in almost every aspect of filmmaking from writing the script, storyboarding, set design all the way through the editing process. The paper analyzes his films "Delicatessen" (1992), "City of Lost Children" (1995) and "A Very Long Engagement" (2005); however, the primary focus is on "Amelie" (2001), his most famous film and the first film he wrote and directed alone.

From the Paper
"While the look and style of his films come from several sources and could be highly debatable, the main themes and tone come from entirely different influences. In other words, while German expressionism can be spotted right away on the set of "Delicatessen" with its angular, shadowy and dark exteriors--neither the characters nor the overall tone of the movie goes along with the ideas of German expressionism. Satirical comedies and light heartedness do not coincide with the style of German expressionism or French new wave."

Tags:auteur, cinema fantastique, cinema du look, wide angle lenses, forerunner

Abstract
This paper looks at the works of St. Jean De Crevecueur and Tom Paine, both from the early Puritan period, one a Frenchman and one an Englishman who defined the America as seen through their own eyes and illustrated contrary ideas of the new world that was to come. Thomas Paine focused directly upon the United States' aims and objectives by influencing the breaking off of America from England in order for the country to expand itself and be its own free government. Crevecueur saw it being an abundant, affluent and liberated country rich in agriculture.

From the Paper
"Thomas Paine's Common Sense, focused directly upon the United States' aims and objectives by influencing the disjoined of America from England in order for the country to expand itself and be its own free government. Thus, he utilized the metaphor of a "young oak" that became "full grown" in order to symbolize as well as encourage this change. In the novel, Common Sense, the most general theme that run throughout the novel was growth that had to do directly with the extensive landscape, the distended population of the United States, the government system that was becoming more like an adult independent who has grown- up to the mother country and the abundant soil of the Americas, which all reflected and helped to give this rising country (A. Owen, 1984)."

Tags:france, revolution, england, civil, freedom, natural, reason, rights, free, government

Abstract
This paper analyzes and explores the character of Antoinette Jean Rhys's "Wide Sargasso Sea". The paper attempts to examine her role as a woman, a native of the Caribbean, and a wife.

From the Paper
"Jean Rhys's Wide Sargasso Sea tells the story of a woman who most readers are familiar with, but know very little about. Antoinette is better known to most as "Rochester's mad wife," from Jane Eyre, a portrayal that is slightly less than three dimensional and, as she is nowhere near being the story's main character, gives little in the way of deep characterization. Rhys picked up the character and gave her a backstory, a history that helps us better understand her "madness" and, in general, who she is. Rhys Antoinette is fully fleshed out, and through examining her text, Antoinette's madness in Eyre and the latter portion of Wide Sargasso Sea is easier to rationalize. "

Tags:rhys, sargasso, sea, wide

Abstract
This is an argumentative paper regarding the play "Tartuffe" written by Jean-Paul Moliere. The author has taken a unique stance equating the family, and their relationships to the military and its chain of command in the play. The author concentrates on how Orgon, the father in the play, failed as a commanding chief and father.

From the Paper
"When Jean-Baptiste Moli're decided to write the play Tartuffe, he knew full well that this play would contain a story of religious hypocrisy that would be very controversial. But to make his point more clear Moli're was not attacking religion itself, but rather the hypocrites within it. In this same manner Moli're made a very strong statement about the structure of the family in his time. Moli're used the platform of a comedic play about religious hypocrisy to show a common fault of the family structure, a structure not all unlike that of the ranks in the military. He illustrates a conventional dissension among the very ranks of the family structure. He demonstrates how Orgon, the father, fails in his responsibilities as the commanding officer of his own unit/family. But before one can unquestionably state that Orgon failed, a good example of a commanding officer must be given."

Tags:century, orgon, seventeenth, father, family, commander, military, duty, deceit