Abstract This paper discusses the origins of the distinctly Islamicarchitectural style. The paper begins by discussing Islamic history and then goes on to discuss how Islamicarchitecture has set a standard for religious architecture that has influenced other religious groups and contributed to various architectural styles evident to this day. Additionally, the paper also discusses how Islamicarchitecture has more recently been influenced by the West, not for religious architecture, but for office buildings and residential units.
From the Paper "In the Islamic tradition, the idea of the dome was developed with religious connotations. The first centralized Ottoman mosque was created at Diyarbakir in 1521 with four semi-domes and not mere vaults. The four corner areas are surmounted by four small cupolas, while the central dome is supported on four piers. This is the logical conclusion to the mosques of earlier times. The squareness of the mosque at human level represents earthliness, and the domes represent the heavens, much as the square and the circle do in Chinese architecture. The two-centered arch forms a spiritual limbo in the design. The interior is spacious and well-lit, another reference to the heavens (Goodwin 178)."
Abstract This paper discusses how Islamicarchitecture is comprised of four main types of structures historically that have been dominant throughout its history. It looks at how these four types of structures include the mosque, fort, palace and tomb, all of which have undergone changes in architectural style, but that remained uniquely Islamic because of the symbolic importance that the Islamic people placed on elements of these structures. Noted architecture includes the Ka'ba, Taj Mahal and the Alhambra.
From the Paper "The Ka'ba is considered to be the first true Islamic structure and it is identified as such in the Qu'ran ("Ka'ba"). The Ka'ba was erected in Mecca after Muhammed successfully gained control of the city. It was built expressly for prayer and is believed to be one place on earth in which every soul that enters it knows safety through God's presence. Muhammed dedicated the structure to Islam; however, it contained evidence of the most critical figures of the history of the time ("Ka'ba"). These figures were Jesus, Mary and Abraham. It was not until centuries later that the use of earthly forms would be forbideen in Islamic structures because of the belief that these structures were rerpresentative of God, not man. "
Abstract This paper will analyze some of the general principles of Islamicarchitecture, with a particular emphasis on the historical and cultural forces that shaped the development of this architecture over time. In this context, certain typical theoretical features of this mode of architecture may be identified.
Abstract The paper states that the Islamic rule over Spain lasted for almost 800 years, starting in 711 A.D., and left its indelible marks on the Spanish culture and European history. The author describes several Muslim contributions. The paper concludes that the contribution of the Muslims to the European Renaissance is obscured by centuries of prejudice and animosity towards the Muslims in Spain.
Table of Contents
Introduction
Background & Reasons for the Easy Conquest
Culture
The Golden Period (756-1031 A.D.)
Architecture Language
Other Influences of Muslim Spain
Conclusion
From the Paper "The Andalusian Umayyad dynasty ruled Muslim Spain for about three centuries (756-1031). In the early part of the dynasty, Andalusia was an independent kingdom. It became a caliphate in 929 when Abd-ar-Rahman III proclaimed himself caliph. His capital, C?rdoba, became the most splendid city in Europe apart from Constantinople (present-day Istanbul), and as noted earlier, the Spanish civilization during the Muslim rule was far in advance of the rest of Europe. Numerous schools were built, many of them provided free education to the poor. There were several Muslim universities where medicine, mathematics, philosophy, and literature were studied and researched."
Abstract This article offers a brief analysis of the Islamic culture through the seven features of the SMART paradigm. The writer includes information on ritual, art, ethic, social, experience and doctrine.
From the Paper "The seven features of the SMART paradigm help illustrate a religion and culture that is often misunderstood in the West. Islam is an Arabic word meaning peace, purity, acceptance and commitment. With respect to doctrine Islam holds that Allah God is the focus and sole authority of religion. Muhammad is God's prophet chosen by Allah to bring the world the message of Allah's love and devotion. Islamic doctrine acknowledges the ancient prophets of Israel as messengers of God, but does not acknowledge Jesus Christ ... "
Abstract In this article the writer takes a look at the similarities that exist in architectural design and fashion design in today's highly technologically advanced and globalized society. The writer points out that fashion and architectural design have passed through many phases as design technology has furthered the possibilities in design. The writer notes that it is now acknowledged among experts in the field, that architectural and fashion design intersect quite often in today's environment of designing products that are both attractive and that will serve the owner well. This study is of a qualitative nature and collects data in the form of information in these two design fields and then conducts what is an interpretive analysis of the information garnered from this study.
Table of Contents:
Chapter One
Background
Research Design
Statement of the Problem
Purpose of the Study
Definition of Terms
Chapter Two
The Connection between Fashion and Architecture Historical Trends in Fashion & Architecture Impacts of Globalization & Technology on Design
Conclusion
Chapter Three
Discussion of Major Trends & Analysis
Data Collection - A Survey of Modern Designs, Designers, Photos, & Theory
Data Analysis - Criteria: Function versus Image-Statement
An Exploration of a Couple of Modern Japanese Fashion Designers' Work
An Exploration of Hussein Chalayan's Work
Chapter Four
Technology
Importance Of Materials
New Technologies -Quest For New Textiles
How Techno-Textiles Have Increased The Possibilities Of Both Architecture And Fashion
How Do They Work In Practice?
Chapter Five
Conclusion
Is the Interaction Between Fashion And Architecture A Positive Outcome Of Our Modern Life?
Where Do We Go From Here? What Will The Future Of Fashion And Architectural Design Look Like?
Recommendations For Future Research
From the Paper "Today's architectural design and fashion design work have penetrated each others space. Fabrics are used in fashion design to create texture, color and to bring the design elements together into a whole. Architectural design uses the materials for building in much the same way and for the same purpose as each material, whether in fashion or architectural design creates a different effect on the same design. This research views the clothing of an individual making to shelter and provides a definition of our personal space such as do architectural structures although on a much larger scale. Fashion in clothing has allowed express in society for many millions of years. Generally it is those who have attained status within their cultural grouping that have the power to become trend-setters. Furthermore, color is greatly used as a matter of personal choice. Fashions vary greatly dependent upon age, social class, generation, occupation and geography. Fashion evolves constantly particularly in a capitalist society."
Abstract In this paper the author presents a brief history of Western architecture, highlighting the major epochs in European architecture, and modern architecture in the US. The paper further discusses the function of architectural space, its use and its aesthetic. Various architectural techniques and their historical development are analyzed. The paper concludes with an an examination of modern architects, including Frank Lloyd Wright, whose designs are considered a culmination of the works that preceded him.
From the Paper "It would seem logical to start our exploration of the history of architecture with one of the greatest artists of all time--Michelangelo Buonarroti (1475--1564), regarded by many as the "father of architecture in Europe and the greatest designer of the last 500 years" (Lowry, 167). Of all his architectural designs, the vestibule of the Laurentian Library, built to house the immense collections of the Medici family in Florence, Italy, stands out above all others. This vestibule gives the impression of a vertically compressed, shaft-like space which is dominated by a vast, flowing staircase that almost fills the interior, and unlike his contemporaries, Michelangelo ignored classical architectural ideals by placing his columns in pairs which are sunk into the walls; he breaks columns around corners and placed beneath them consoles not meant as support. In essence, Michelangelo "did away with classical architecture so prevalent in the High Renaissance and greatly influenced all architectural designs and forms that followed him" (Copplestone, 178)."
Abstract In this article the writer looks at William MacDonald's review of the architectural achievements of classical Rome, 'Architecture of the Roman Empire'. The writer discusses that MacDonald contends that architecture works through a kinesthetic process by which its shapes and surfaces impact our consciousness and serve as devices of physical and mental learning. This essay explores this approach with reference to the Markets of Trajan, the generic structure of Roman baths and the Roman amphitheatres. This analysis argues, with reference to both particular structures and generic styles, that the Romans conceived of their architecture as conveying messages in stone and educating citizens and foreigners alike, in the values and culture of Rome.
From the Paper "William MacDonald, in his review of the architectural achievements of classical Rome Architecture of the Roman Empire, contends that architecture works through a "kinesthetic" process by which its shapes and surfaces impact our consciousness and serve as devices of physical and mental learning. This essay will explore this approach with reference to the Markets of Trajan, the generic structure of Roman baths, and the Roman amphitheatres."
Abstract This paper compares Gothic architecture and Renaissance architecture, showing the change that came over architecture with the shift from the more massive and decorated style of the Gothic to the cleaner classical lines of the Renaissance, a period which also borrowed from the Moslem style to make new use of the dome, as in religious buildings by Brunelleschi.
From the Paper "Gothic architecture developed from the Romanesque style and emerged in the twelfth century. It prevailed until the Renaissance beginning in the fifteenth century. Gothic architecture was marked by size and elaborate decorations. However, Gothic architecture was first defined in terms of a change in Romanesque church architecture diagonal ribs were added to the groin-vault, as was first seen at the Abbey Church of St. Denis near Paris (Frankl 1). In part because of its origins, Gothic architecture has long been associated with France and is considered a French style, though in fact, others used it as well. Gothic architecture is probably represented for many people by Notre-Dame de Paris, a facade known from countless stories and other representations as well as for itself. "
Abstract The following paper reviews the architecture of London and Paris during the period stretching from AD 1400 to 2000. The paper explores the similarities and differences between the two cities as it pertains to architecture; suffice it to say, while there are general similarities there are many more differences, and the paper explores how architectural divergences explain the differences in atmosphere and appearances between the two metropolises. At the same time the paper considers the differing architectural styles that distinguish the two world class cities.
This well-researched paper provides a comprehensive overview of early Islamic mysticism as well as a detailed analysis of its continued impact on today's Muslim society.
Abstract The writer of this in-depth paper examines the culture of Islam and Islamic mysticism, which has been shaped by centuries of religious strife and controversy over the teachings of the prophet Mohammed. This paper proves through extensive research that Islamic mysticism has represented a conscious attempt to transcend the dogmatic facade of legal Islam by seeking to expand and maneuver in the relationship between God and man and by incorporating spiritual elements into Islam. This well-researched paper defines and explains the significance of Sufism in Islamic mysticism. Sufism, which is detailed at length in this paper, teaches that God can only be truly experienced by those who wait upon his call with a loving heart. Some of the works that were devoted to Sufism prove that it was actually not in conflict with the Islamic religious sciences, but rather served to complement and perfect them. This paper cites numerous experts on Islam, such as Cheslyn Jones, Geoffrey Wainwright and Edward Yarnold who contend that the spirituality of classical Islam is clearly found in Sufism. This paper also examines why a large number of Sufis around the world still continue to seek deeper spiritual experiences through the tenets first set down by Mohammed.
Table of Contents:
Review and Analysis
Background and Overview
Sources of Knowledge of Early Islamic Mysticism
Early Islam and Mysticism
Conclusion
Works Cited
From the Paper "The nature of the soul in this pre-physical state is a fundamental tenet of al-Junayd's early works. Prior to entering the body, the soul had already established a covenant with God; at this point, when God asked the true believer, "Am I your Lord?," the soul naturally answered, "Yes." As a direct result of this covenant, there was a mystical union established between the soul and God. It is this reestablishment of the mystical union, then, that is the primary goal of Islamic mysticism. According to Von Dehsen, "Al-Junayd classified adherents of tawhid into three categories, representing degrees of truth and knowledge. First, there are ordinary Muslims, who affirm God's oneness by reciting the traditional confession, 'There is no god, but Allah.' Next, there are theologians who apply reason to faith. Finally, there are Sufis who not only intellectually affirm God's oneness, but also experience it through mystical union." Al-Junayd sought to break down the barriers that separated mainstream Muslims from the Sufis, who often abandoned tradition and law in favor of their private experiences."
Tags: religion, theology, muslim, islam, sufism, history
Abstract This in-depth paper explores the architecture of Japan from ancient times to the present day which has changed drastically. The writer discusses how Buddhism as a religion entered Japan and brought with it the architectural influences of the Chinese and Korean cultures which Japan adopted and made its own. While these historical monuments still remain and are cherished this form and material of their creation are no longer used. This paper examines the architectural artistry in Japan which is described as a dynamic art form that reflects the society and era in which it was introduced. Topics covered in this report include: Thesis Statement Abstract Influences Background Analysis Conclusion Thesis Support References
From the Paper "Under the influence of the West, modern Japanese architecture has come to regard rigid, steel-frame concrete-stiffened construction as the exemplar. Not only is the idea of balancing poles quite alien to this rigid style of construction, but, more fundamentally, this tradition, which regards a building as semi-permanent and therefore fixed and immutable, simply cannot accommodate the notion of a structure that moves about. Symbolically it is possible to present that the hanging pillar represents the final stage in the evolution of the shinbashira as a religious symbol. If the anchored pillar is seen as representing the gods dwelling within the earth and the pillar on a stone base as representing the gods on the earth, the suspended pillar may be taken to represent the gods of the skies."
Abstract This paper presents the International Standards Organization (OSI) model. The author evaluates three network architectures--LAN, Internet model and SNA---to the OSI model. The paper suggests the uses of the OSI model for data communications.
From the Paper "The International Standards Organization (ISO) developed the seven-layer Open Systems Interconnection OSI telecommunications model in the early ... . Since then, the ISO-OSI model has become the standard used for most major data communication."
Tags: network architecture, OSI model, LAN network architecture, Internet model, System Network Architecture, SNA
Abstract This paper discusses Canada Place which is located on the waterfront of downtown Vancouver. It specifically discusses the history behind the construction of the building and the architectural design. The paper goes on to describe public opinion of the architecture of the structure, as well as the opinion of architectural critics.
From the Paper "Architecture in Vancouver In this essay I review Canada Place, a very unusual building situated at the bottom of Howe Street in Vancouver, British Columbia, Canada. I consider this to be a post-modernist building. Canada Place is located on the waterfront of downtown Vancouver. It was built for "Expo 86" - the World Fair that was held in 1986 in Vancouver. The objective was an attempt to rival the impressive Sydney Opera House in Australia. The outcome was a somewhat strange looking building that elicits a wide variety of responses that run the gamut from admiration to disgust.The only thing it does not evoke is boredom. People have compared it to a tent, a camping trip, an insect and a sailing ship. "
