Abstract
This paper briefly discusses the growth and development of Harry Potter's character over the course of the book "Harry Potter and the Sorcerer's Stone" and his year at Hogwarts School of Witchcraft and Wizardry.

From the Paper
"Good stories usually to have good plots and story lines but they also tend to have good character development.The main characters show some type of growth or development ..."

Tags:Harry Potter, Growth, Development, Sorcerer's Stone

Abstract
In this article, the writer compares and contrasts the film version and the book, 'Harry Potter and the Sorcerer's Stone' by J.K. Rowling. The writer discusses the film and book in context of the entire Harry Potter series, as well as the storyline and structure.

From the Paper
"Putting aside the fundamental question of whether or not it is fair to attempt a comparison of a book and a film the point of this brief essay is to do precisely that. The text to be considered is J K Rowling's 'Harry Potter and the Sorcerer's Stone' and the film of the same title both of which are part of a series depicting the adventures of young magicians and witches who seek to ..."

Tags:J.K. Rowling, Harry Potter and the Sorcerer's Stone, storyline

Abstract
This paper discusses the role of Prof. Albus Dumbledore, principle of Hogwarts, in the modern classic 'Harry Potter' by J.K. Rowling. The paper further discusses that all the major characters are at the same time simple and complex. The simple aspect is that all characters are quite clearly either the good guys or the bad guys. The complex aspect is that her characters often have depth to their characters so that it can be hard to tell at times what their objectives and plans are.

Tags:harry, potter, dumbledore

Abstract
A discussion of theme, character, setting and plot, with regards to the theme of good vs. evil, the setting as a symbol, the arc of the Harry's character, and the dual plotlines of hero vs. villain and individual vs. society.

From the Paper
"The seventh book in J. K. Rowling's "Harry Potter" series, "Harry Potter and the Deathly Hallows" is the conclusion to a modern-day epic that begins and ends with a battle between good and evil. In the final book, however, more than a simple dichotomy of good versus evil is explored. A deep and resonating theme running throughout the novel is the power of sacrifice in order to overcome what is evil not only without but also within "The Deathly Hallows"..."

Tags:Harry Potter, Lord Voldemort, Rita Skeeter, Dumbledore, character, plot, theme, setting

Abstract
The paper discusses how the Harry Potter series of books has been spectacularly successful, not only with the children for whom it was intended, but also with their parents - and even with adults who have no children. This paper argues that the reason for this popularity has to do with the fact that the series in general, and the first book in particular, are classic exemplars of heroic myths.

From the Paper
"The Harry Potter series of books has been spectacularly successful, not only with the children for whom it was intended, but also with their parents - and even with adults who have no children. This essay will argue that the reason for this popularity has to do with the fact that the series in general, and the first book in particular, are classic exemplars of heroic myth. As such, they resonate very deeply in the human psyche, whether the psyche belongs to a woman or a man, an adult or a child. It is necessary to first consider what we mean when we use the term "myth." In this essay, the term is used in much the same sense that..."

Tags:harry, potter, myth

Abstract
The paper focuses on the theme of love in J.K.Rowling's "Harry Potter and the Sorcerer's Stone" and how it relates to the greed of Quirrell and Voldemort. The paper explains the role of spiritual love and mother love.

From the Paper
"The theme of love in "Harry Potter and the Sorcerer's Stone:" Love is perhaps the strongest emotion there is in the world. Most fiction is written using love as its basic theme, whether that is romantic love, friendship, love of family, love of country, of ideals, of sport, or even of comrades in arms."

Tags:Love, Dumbledore, Harry Potter, Quirrell

Abstract
This paper discusses of the controversy surrounding "Harry Potter," the best selling children's series of all time. It explains that the controversy lies in the packaging of the tale in a seemingly occult-friendly world. The author contends that underneath the packaging that bothers some religious fanatics so much, lays a series of books that brings the joy of reading and growth of spirit to almost any reader.

From the Paper
"Harry Potter is the best selling children's series of all time. Its first book is also the most banned book in the United States. The controversy lies in the packaging of the tale in a ..."

Tags:harry, potter, literature, controversy, religion

Abstract
This paper discusses how William Shakespeare's play "Henry IV, Part 1," although called a 'history play', is just as much a play about relationships, specifically dysfunctional relationships between fathers and sons. The paper examines how Henry IV spends most of the play openly rebuking his son Prince Hal, only to find himself betrayed by the man he says he wishes were his son, Harry Percy, known as Hotspur. It also examines how Prince Hal, on the surface, seems to reject his father's warrior mentality, although he says he is only engaging in 'prodigal' behavior like drinking, stealing, and 'wenching' as a public relations ploy before he becomes king. The paper concludes that Prince Henry's behavior is an act, a carefully staged move to seem low, because Hal is determined to become an even greater leader than his stern father.

From the Paper
"Hal's primary relationship is with Sir John Falstaff, a fat old man even more dissipated than the prince. Hal and Falstaff seem to have more of a close father-son dynamic than Hal does with his own father, although Hal keeps the upper hand by tricking Falstaff and publically mocking Sir John, much the way his father mocks Hal. This suggests Hal does have emotional needs that remain unsatisfied, and are only fulfilled with his relationship with Falstaff. However, by the end of the play, Falstaff clearly demonstrates that he has his own personal interests that he places above Hal's needs to secure his reputation. Hal learns at the end of ``Henry IV, Part 1'' that he can only really trust himself. He cannot trust Falstaff, his surrogate father, to tell the truth, and he cannot trust his real father's advisors to believe that he is also a great warrior."

Tags:Hal, Falstaff, Hotspur

Abstract
In William Shakespeare's time, society adhered to the sacred view that it was God's Divine Will which selected the ruling monarch of the British nation. The playwright of "Richard II" and "Henry IV Part I", however, illustrates in these two history plays, a rather modernized concept of leadership that supports the Machiavellian view of power politics. The paper explains that Machiavelli's central argument in "The Prince" is that great politics are created and maintained by cunning men of high enterprise, who possess both virtue and prowess. The paper shows that despite their illegitimate claim and unconventional incarceration of the crown, the lead characters in Shakespeare's two plays, Henry Bolingbroke and his son Harry, showcase qualities that make them effective Machiavellian rulers who prove their worth as kings through their astute thoughts and actions.

From the Paper
"Like a superior Machiavellian leader, Harry clearly shows the intelligence and aptitude for the psychological machinations required of capable kings. By his cleverly devised plan of action, Harry is able to manipulate and deceive people into believing whatever his portrayals or intentions are required from them. He does not show his full potential and aspirations to be a great leader right away, as Harry is fully aware, there are certain rules involved in getting and keeping power. A regal king is often imprisoned within the masks he must wear successfully to retain his power and be able to change his character donning different ones to keep up with his fickle fortune. Harry illustrates that if circumstance calls for heroic and daring behaviour, such as when he battles Hotspur to protect his father's throne, he becomes the lion."

Tags:Lord, Berkeley, Hotspur

Abstract
The falsification of the audience's expectations and Hal's miraculous emergence as a great English king, alongside the Hal-Falstaff relationship out of which the future king's identity is gradually constructed, are the main critical puzzles in most studies of the William Shakespeare's "King Henry" series. The paper examines concepts of fraud and politics in parts one and two of "King Henry IV" and in "King Henry V". It discusses notions by literary critics such as Stephen who claim that Hal is one of Shakespeare's most Machiavellian characters. The paper argues that Machiavelli's Prince is not sufficiently cruel or sophisticated to be ranked with Prince Hal, despite the fact that Falstaff's cry for help, voiced in his paradoxical accusation that the Prince has corrupted him, seldom succeeds in inverting the audience's impression that Falstaff is Hal's misleader.

From the Paper
"The concept of necessity, as it arises from the morality-patterned Phychomachia, reinforces providentialist notions, an idea first advanced by Tillyard but in a rather different context. Religious providentialism fuses the personal and political domains and Hal's borrowing from the theatrical and diachronic anthropological deposit causes the interweaving of theatrical illusion with politics, thus displaying their common structural patterns. The fusion of religion, politics and theater culminates in Hal's gradual conversion to virtue, which is at once a milestone in Hal's allegedly privileged relationship with God, a major political event, and a stock trick of Elizabethan drama."

Tags:Harry, Hotspur, Eastcheap, Ancient, Pistol