Abstract The paper considers the theme of change as is present within the poetical works of Thomas Gray and Alexander Pope. The paper describes how Pope conveys a nationalistic message of the ability of man to reconstruct history and mythology in the landscape of Windsor Forest. The paper explains, however, that Gray presents the limitations of this change and the static nature of history that does not define the suffering of the masses to make historical and political change possible.
From the Paper "This literary study will analyze the ever-changing view of industrialization that occurred in England, forging a new environmental view of the landscape of England in the poetry of Thomas Gray and Alexander Pope. Through Pope's poem "Windsor-Forest" one can analyze the powerful theme of change in Windsor Forest, as mankind uses the powerful new tools of technology and science to change the natural beauty of this region. In contrast to this view, Gray in "Elegy Written in a Country Churchyard" portrays the landscape of death, which conveys an opposing sense of progress in the static perspective of life."
This paper studies gray mold, one of the most common and serious diseases of strawberries, and salmonella poisoning, one of the most common bacteria found in tainted poultry.
Abstract This paper is a study of the causes of gray mold, a serious disease of strawberries, and salmonella, a common bacteria found in tainted poultry. Experiments that were conducted to cause spoilage of strawberries under different storage conditions, and to detect salmonella in meat or poultry, are explained and discussed in terms of the results they produced.
From the Paper "Gray mold is one of the most common and serious diseases of strawberries caused by a fungus (Ries, 2001). It is caused by Botrytis cinerea and it thrives during rainy and cloudy periods just before or during harvest. The gray mold fungus winters as many minute, irregular, black, fungal bodies (sclerotica) and as dormant mycelia on many kinds of plant debris, such as dead leaves, stems and fruit, and these sclerotica produce large numbers of microscopic spores (conidia) in the spring which are spread by wind, splashing water, and human activity."
Abstract This creative writing paper describes the Grays, alien beings from outer space that have landed on earth and are attempting to coexist peacefully with humans on earth. The paper describes the differences in appearance, reproduction, and physiological needs between the Grays and humans and discusses some of scientific concerns about allowing an alien species to live on earth. The paper then explains why the Grays are compatible with life on earth and with humans and why they represent no threat to mankind.
From the Paper "The first Grays arrived in 2010, but they did not come en masse until a century later. The initial group of twenty brought with them a plethora of testing equipment from their home planet and took with them a total of two thousand samples from our environment. With the cooperation of the United Nations Council on Extraterrestrial Life (UNCEL), the Grays were permitted to take with them soil samples from hundreds of Earth locations and hundreds of botanical samples, many of which were of plants edible to humans but many of which were deemed palatable by the Grays. The Grays also took atmospheric air samples and water samples, both saline and non-saline, with them. Once the extensive surveys determined that their species could and would live on Earth comfortably, and once UNCEL approved it, about ten thousand of the Grays were permitted to come to the planet. The political problems of dealing with the Grays were immense, but the scientific ones were even greater and continue to plague the human scientific community. Of greatest concern to environmental scientists is of the future impact of the Grays on the Earth and on its inhabitants. Other factors of equal import, such as the cultural, political, economic, and political impacts of the Grays, are beyond the scope of this report."
This paper looks at the fall from grace of the title characters in the plays "The Picture of Dorian Gray" by Oscar Wilde and "Dr. Faustus" by Christopher Marlowe.
Abstract In this article, the writer looks at the characters Dorian Gray in "The Picture of Dorian Gray" and Dr. Faustus in the play of the same name. The writer notes that in both Marlowe's and Wilde's tales of men overreaching the natural order, evil is primarily construed as transcending the natural, specifically of desiring eternal life, rather than bowing to the natural processes of change that are inherent in nature. Further, the writer points out that God's law is synonymous with nature, and both Faustus and Dorian Gray go against nature and embrace artifice and art. The writer concludes that for all of their unnaturalness and evil, the protagonists remain the most 'naturally' compelling characters of their respective dramas, given the unrealistic and 'unnatural' one-dimensionality and weakness of those individuals who are unfortunate enough to encounter Dorian and Faustus.
From the Paper "The seductiveness of both protagonists' ambitions for the reader, however, has provoked contradictory interpretations in the responses of critics and its more general audience. On one hand, both works seem to argue that obeying God's natural order and law regarding knowledge and morality is best. In short, do not seek to become a magician or seek to be young forever. But although Dorian Gray may read like an argument against art and artifice on one hand, it itself is a work of art. Furthermore, although "Dr. Faustus" argues against magic, the actors on the stage need to make use of 'magic' to portray the morality tale of the fall of the scholar from Wittenberg. This confuses the question of what is good or bad in both plays, especially since the 'good' characters like the old man who counsels Faustus to repent, or Basil and Sybil in Wilde's work, are the weakest characters."
Abstract In Oscar Wilde's novel "The Picture of Dorian Gray", concepts of mortality and death are tied to concepts of aesthetics. This paper shows how Dorian Gray fears death but also considers art as a way of overcoming death. He then makes himself into a work of art, while the true artwork, the painting of him produced by Basil Hallward, is subject to all the mortal disintegration which rightfully should be suffered by Dorian himself.
From the Paper "Gray also embodies the New Hedonism expressed by Lord Henry, another challenge to aging and death. However, aging and death are part of the natural order and cannot be escaped in any way except through art. Dorian does see himself as a work of art, but he lives not for an aesthetic but for the love of self. In the end, age and death come to him because he has not lived a balanced life. Critics point out ways in which ideas of aesthetics are embodied in the novel along with moral issues concerning immortality and the ability to evade responsibility for one's actions."
Abstract This paper discusses Annamarie Jagose's book, "Queer Theory" in relation to Dorian Gray's character in "The Picture of Dorian Gray" by Oscar Wilde. The paper contends that Jagose and Wilde's discussion and portrayal of queerness reflects how this concept is associated to an almost utopian mind state, where the individual has no biases, prejudices and malicious intents in life. The paper assesses that according to these books, queerness is a state where equality and ambiguity is accepted and considered the norm.
From the Paper "What makes the queer concept vital to the study of gays and lesbians, as well as issues of homosexuality and heterosexuality is that it provides a 'gray area' in which no distinctions between male and female and gay and lesbian are found. Queer appeals to the 20th century philosophers and social scientists simply because it offers an avenue through which gender and sex can be discussed without the political inequality often found between male and female genders and the similarly dichotomous relationship between gays and lesbians. As Jagose had asserted, the queer concept was able to transcend the "natural sexuality" framework-that is, "queer's transcendent disregard for dominant systems of gender"-that society had often used as reference in order to fully understand the identity of an individual."
Abstract This paper discusses the return of the Gray Wolf. The writer details the history of the species including their near extinction. The writer outlines the comeback efforts that have been employed and their success levels. The paper also emphasizes the necessity of the continuation of these efforts on a national level, to ensure long-term success.
From the Paper "For many decades the plight of the Gray Wolf was underplayed through the public's misunderstanding. The Gray Wolf brought to mind flickering movie screens in which gray wolves would howl at the moon and attack prey after dark. The image conjured up a strong and virile species that was destined to live forever in the wild for the public to fear and admire at the same time. The truth is the Gray Wolf was slowly dying off and was eventually threatened with extinction."
Abstract This paper analyzes the book "The Picture of Dorian Gray" by Oscar Wilde. The characters are described and their influences on each other are discussed. The paper portrays Lord Henry Wotten as Dorian's devil, his evil inner self, and Basil Hallward as Dorian's conscious, his guardian.
From the Paper "Oscar Wilde's "The Picture of Dorian Gray" continues to mystify its audience. First published in 1890, it was originally criticized for being immoral. Wilde rewrote the novel and published it again the following year, this time with a pre-face announcing its theme of immorality. Set in late 19th century London, the novel centers around Dorian Gray and two of his "friends" ? Basil Hallward and Lord Henry Wotten."
Abstract This paper discusses several aspects of the central theme of "The Picture of Dorian Gray". The portrait and the soul are identified as being synonymous, so that Dorian is affected not by an object, but by his own true image.
Abstract This paper begins by exploring the three distinct themes or influences from Darwin that shaped the course of the works, "Dorian Gray", by Oscar Wilde, and "Dracula", by Bram Stoker. First, the theme of ambivalence toward religion is discussed. Next, the paper discusses the theme concerning the overwhelming fear of monsters hidden within our own genetic code. The paper then examines the last theme of degeneration and entropy. In addition, the issue of racism and how it arose from this fear of degeneration is looked at, as well as how the sexual abuse of African women was justified because of these racist views. Furthermore, cannibalism as a form of sexual lust is discussed and related to the notion of devolution. Finally, the paper compares and contrasts how all of these themes are expressed in both novels.
From the Paper "At the fin de siecle, a great confusion settled over the intellectual communities. Darwin's theories of natural selection had radically altered the scope of society and the popular imagination since the Origin of Species was released in 1858. By the end of the century, however, scientific criticism of the theory had combined with an increased popular paranoia regarding its logical (and less than logical) consequences. Specifically, the idea that we had evolved from the animals began to develop into a fear that we might retrace our steps and descend once more into bestiality. Fear of intrinsic degeneration and the beast within was heightened by its symbolic merger with a sort of imperial self-doubt, as the poets and prophets of the era increasingly foresaw coming changes to the British Empire and a waning of national power. The basic foundations of the British world were crumbling, though they still appeared outwardly bulwarked."
Abstract The paper is a critical essay of a self portrait. In analyzing the self portrait "Man in a Gray Hat" by Pierre Daura the viewer can see the entire representation of his rich style. The paper is a discussion of the artist's style and manifestations and artistry in painting and appears to reflect the opinion of the artist himself and the way he would expect others to see him.
From the Paper "The portrait intends to express the artist disposition in a certain day of his life, although this state of mind is presented more clearly through the elements that compose the environment than the facial expression itself. The interpretation of those feelings can be made in a symbolist way if the viewer examines the rich colors that characterize Daura's work. The saturation of hues used to give the image vigor and life, contrast with the stylization of forms that reveal the personal interpretation of the image. The use of space is rather limited and may even bring a sensation of cloister. The character is not displayed on a wide open stage, but the scene is limited and the personage presented from a close distance that creates an intimate communication between the figure and the perceiving viewer."
Abstract This paper discusses Oscar Wilde's play, "The Picture of Dorian Gray" and how the origins of sin are presented in the play. The paper uses examples from the play to show how, for Wilde, sin has its origin in awareness and knowledge of desire, just like the fall from grace in Eden. The paper explains how the main character, Dorian, becomes sinful in his knowledge and his awareness of his own beauty and this leads to his downfall.
From the Paper "Again, there is scarlet, but this is the scarlet of blood letting, not an innocent blush of the young Dorian's lips. Once again, at the words of Lord Henry, even the older and more jaded Dorian is moved to tremble. He blanches at the sight of the picture, but for a different reason, because he can see the monster he has become, rather than fears the passage of age as he did as a young man. His own portrait is described as loathsome, like a serpent, and the diction of the passage is Biblical and elevated, "the scarlet of blood," "desire," and "scarlet dew" as a euphemism for blood."
Abstract The paper states that rape is no longer the simple concept it was a generation ago. The traditional scenario of rape, where a man physically forces a woman to have sex, is no longer the only possibility. The paper discusses the gray area of rape, which can involve a victim instigating a sexual relationship, but then deciding not to give consent. The paper notes that it can include scenarios where the victim is voluntarily intoxicated and simply doesn't remember giving consent. The paper discusses whether these people are truly victims and highlights the fact that when alcohol and/or drugs are thrown into the mix, proving that consent was not given is often difficult to prove, and thus makes up the gray area of rape.
Outline:
Introduction
The Hook-Up Culture of Today's Youth
Hooking Up and the Gray Area of Rape
Gray Rape - Not Just for Women
Are Gray Rape Victims Truly Victims?
Alcohol and Gray Rape
Conclusion
From the Paper "The hood up culture of today's younger generation comes with risks beyond the obvious of increased chances of sexually transmitted diseases, but of rape. The term coined that describes what happens when hooking up becomes sexual assault is 'gray rape', according to Newsom. This gray area can involve drugs and/or alcohol or sexually explicit behavior that muddies the lines of true consent.
"One incident regarding a Duke University sophomore illustrates the unclear lines of gray rape. The girl had had one drink at a bar and returned to her dorm room with a male. She had told him she didn't want to have sex, but began to make out with the young man. They removed their underwear, and she still said she didn't want to have sex, but they didn't stop, and did have sex. The girl didn't report the incident or even consider it rape, yet some believe it to still be sexual assault. "
Tags: alcohol-induced, promiscuous, culture, sleeping, around
Abstract This paper introduces, discusses, and analyzes the book "The Picture of Dorian Gray," by Oscar Wilde. Specifically, it compares and contrasts the characters of Henry (Lord Henry Wotton) and Basil Hallward, illustrating their influence and interaction with Dorian, and the role each plays in his eventual downfall.
From the Paper "Dorian Gray, the main character of the book, is young and beautiful. He is a shallow man, who only wishes that he did not have to grow old; his wish comes true, but at a terrible cost. Dorian remains young, while the portrait Basil painted of him grows old and hideous. Throughout the book, he is influenced by the strong personalities around him, particularly Lord Henry Wotton. Under Henry's guidance, Dorian commits murder, and two people close to him commit suicide, but nothing deters him in his quest for excitement and perfection."
Abstract This second year paper is on The Hunting Of The Gray Whales and focuses on the conflict going on between the U.S. government and the Makah Tribe, who have demanded their rights to hunt the Gray Whale, as it has been done for many years. This paper reviews the importance of the hunting by the Makah tribe. This paper also gives the opinion regarding the topic through the U.S Government's point of View, Makahs's point of view and the writer's point of view
