Abstract This paper is a biographical description of the work of GeorgCantor and his work in the development of set theory. In his time, these hypotheses were considered greatly controversial by other mathematicians. However, now they are an integral part of the study of mathematics.
From the Paper "Georg attended several private schools in Frankfurt, and in 1859, entered the distinguished Grossherzoglich Hessiche Provinzialrealschule in Darmstadt. He left this institution in 1860 with high recommendations in mathematics. His father discouraged the study of math due to the fact that he wished him to become an engineer, a job that paid considerably more than mathematics. He originally attended Grossherzogliche Hoehere Gewerbeschule (Grand-Ducal Higher Polytechnic, later changed to Technische Hochschule) at Darmstadt following his father's wishes and studying Engineering. Later, when Georg convinced his father that his heart was truly in math, his father relented and he began the study of Mathematics in 1862 (Johnson, 1997). "
Abstract This paper argues that Pablo Picasso deserves recognition as a twentieth-century genius. Specifically, the paper looks at the great artist's work and notes both its virtuosity and how it influenced later generations of talented painters. No less significantly, the paper considers the question of whether or not Picasso will still have an impact upon our culture as we proceed into the new millennium. In the final analysis, the paper contends that Picasso's artistic and technical excellence in combination with his intuitiveness as an artist has given him an imperishable place in western culture.
From the Paper "There have been, as one would expect, many brilliant individuals who gave invaluably to the twentieth century. However, out of all these brilliant and capable men and women only a few deserve the appellation "genius" and even fewer can be said to have successfully straddled the age of modernism and the age of pluralism. One of these geniuses, and perhaps the most profound and inscrutable, was Pablo Picasso."
Abstract The different historical events that took place during George Orwell's time and how they related to "Animal Farm". The paper discusses how the novel is an allegory of the personal and political turmoil that characterized Orwell's life.
From the Paper "Many authors are influenced by the society and culture that surrounds them. This was the case with George Orwell in many of his novels. Most of his novels were shaped around his life's events and narrated what he had done in certain situations. Animal Farm is unique in the sense that it relates more to the author's perspective of things. As an allegory of the Russian Revolution and its aftermath, Orwell designed this novel and its characters around the events of his day."
Abstract This paper explores the recent controversies surrounding "The New York Times" during the buildup to the war in Iraq in 2003. This paper delves into the controversial matter of veteran Times reporter Judith Miller who wrote a series of articles that validated the Bush administration's claims that Iraq had weapons of mass destruction. This paper also focuses on Times reporter Jayson Blair who broke every journalistic rule by fabricating stories and lifting material from other newspapers as well as selecting details from photographs to create the impression he had been somewhere or seen someone when he had not. The writer explains how these incidents along with others detailed in this paper shook the editorial board of "The New York Times."
From the Paper "During the buildup to the war in Iraq, the New York Times sent their veteran reporter, Judith Miller, to the Middle East to report on the developments in that region. Ms. Miller had worked for the New York Times for nearly thirty years and had a reputation for being a hard-nosed journalist with expertise in intelligence and security issues. She also had many highly placed political sources, which made her an important reporter for the newspaper. At the time, the Bush administration was getting tough on Saddam Hussein, the leader of Iraq."
Tags: judith, miller, jayson, blair, media, war, iraq, george, w., bush, valerie, plame, journalism, reporter, ethics
Abstract This paper is a character analysis of Steffler's main character in "The Afterlife of George Cartwright". It focuses on the character's traits of unloving, wild, a corruptor and himself corrupted and how they change within the novel. Cartwright begins as a just young man in the army and becomes what he had always hated, a true corruptor of society.
From the Paper "When writing a novel a writer should create living people; people not characters" (Hemingway, 95). Steffler achieves the creation of a person in the character of George Cartwright by blending numerous personality traits. These traits can be both pleasant, and upsetting, and either creates distance or closeness between Cartwright and the other characters. In order to make the character more realistic Steffler creates a progression in some of these traits, to create the illusion of growth in Cartwright over the span of his lifetime. Paradoxically, everything Cartwright claims to hate he later embodies. This is not entirely of his accord; his early years in the army set up his adult characteristics. His development is from a man of pride and ambition, although rough and rugged, to an uncivilized corruptor of native society. His pride and ambition are spoiled when he realizes that it is wealth that buys you promotions in the army and not skill or hard work. He grows to become the man Steffler portrays as unloving, wild, and as both corrupted and as a corruptor. "
A review of the significant points made in Dan Carter's book titled "From George Wallace to Newt Gingrich: Race in the Conservative Counterrevolution, 1963-1994."
Abstract This paper examines Dan Carter's book "From George Wallace to Newt Gingrich: Race in the Conservative Counterrevolution, 1963-1994" on the use of racial politics in presidential campaigns.
Tags:George Wallace, Newt Gingrich, Race, Conservative Counterrevolution, Richard Nixon, George Bush, racial politics, Republican Party
Abstract This paper explores the background and career of the American writer and director, George S. Kaufman. The author examines how Kaufman has influenced American playwrights.
From the Paper "Though critics may argue as to the ultimate value of George S. Kaufman's plays in the history of American drama, they almost unanimously agree that he was our most successful collaborator working in theater at his time. Superlatives of various kinds have been used with Kaufman. He is generally recognized as having been the most successful master of stage technique in the 1930's. He is acknowledged as having been an outstanding satirist, one of our best directors, one of our best writers of dialogue, and as our most capable "play-doctor." With all these credentials under his name it is easy to understand why he was such a great role-model for other American playwrights."
Abstract This paper analyzes the various theories of George Marcus in the study of anthropology and concludes with various 'experimental' solutions to the problems Marcus addresses in his article "Contemporary Problems of Ethnography in the Modern World System".
From the Paper "George Marcus's article, "Contemporary Problems of Ethnography in the Modern World System," is a call for anthropologists to take into account change, history, and political economy in their writings.(1986) According to Marcus, "Change and the larger frameworks of local politics have usually been treated in separate theoretical or conceptual discourse with some ethnographic detail added in for illustration." (1986: 166) This partition has resulted in a the world of larger systems seen as externally impinging on and "bounding little worlds, but not integral to them."(166) This paper will explore the methods, and their implications, that Marcus puts forth as a means of integrating historical and political perspectives with the ethnographic."
This essay looks at how Cubist art in general and "The Portuguese" by George Braque specifically drew from and expanded on the consciousness and experiences of the modern age of technology.
Abstract The writer examines the works of George Braque and shows how he was the lesser known of the two founders of Cubism, always in the shadow of Pablo Picasso. This essay examines the artistic foundations behind one of the earliest Cubist works of Braque, "The Portuguese", and explains the unique importance of this painting in its day and even now.
From the Paper "An examination of Georges Braque's The Portuguese, painted in 1911, and the Cubist movement created by Braque and Picasso, helps show how technology was first widely used both instinctively and deliberately by artists. The Portuguese is an oil on canvas work approximately four feet by three feet in size; the colors are monochromatic in tone, thus emphasizing structure over the gently shaded colors. The subject matter of the painting is not the external world or nature; the painting exists within a reality and world of its own. This alone was revolutionary. Like most Cubist art, it has a restricted setting and manmade objects predominate over natural ones (Hughes 16). In this phase of what was known as analytical cubism objects were taken apart (dissected) and reshaped with the use of flat intersecting planes; perspective is two-dimensional and depth is limited. Four hundred years of Renaissance traditions (form, color, and space) were thrown out by The Portuguese and other Cubist works. Instead of a single vantage point at a single moment in time, the viewer sees the painting from many angles and at many different moments; the fixed point of view is gone. The painting also includes stenciled letters and numbers. Braque wrote, ?...as part of a desire to to come as close as possible to a certain kind of reality, in 1911 I introduced letters into my paintings.? In summary then, the elements above make The Portuguese one of the first examples of a painting as a unique object set in a revolutionary form. The degree of abstraction in Cubist art was also revolutionary. This new perception of the world came at a time of great transformation in society, and this work of Braque, seen within the larger context of Cubism, borrows much from the elements of the new world. "
Abstract This paper discusses the life of George Eliot, novelist, who in her writings had great profound feelings and portrayals of simple lives especially women.
Tags: BIOGRAPHY / HISTORICAL, george eliot biography
Abstract The following paper examines George Orwell's "Shooting an Elephant". In particular, the paper examines the absurdity of seeking to maintain power through the use of force. Among other things, the paper examines how Orwell's brief tale is also a tale about British imperialism in the early twentieth century and a wry examination of how the "white man's" power in the East stole from him much of his own freedom by forcing him to assume a particular role for the entertainment of the natives.
From the Paper "Among twentieth century novelists and political commentators, George Orwell enjoys a high station. Among his many political works, the short essay, "Shooting an Elephant", is considered to be one of his most trenchant and provocative. With that in mind, the following paper will examine Orwell's 1936 essay and assess its relationship to the historical period within which it was crafted; the paper will also examine how historical change is revealed in the text. Ultimately, what should emerge is that this brief essay is a sociological examination of the final death throes of a once-mighty British Empire; it is also an examination into European colonialism more generally. Without further ado then, it is to George Orwell's "Shooting an Elephant" that this paper now turns. As noted previously, Orwell's 1936 essay (or column, if you will) was released at a time when the British Empire was in decline."
Abstract This paper discusses how George Lucas played a major role in the filming industry. The paper discusses how he affected the business by influencing a new approach to large-scale motion picture making, which involved a great deal of foresight and brilliant business dealings. The paper discusses his personal successes, as well as the general ones to the industry.
From the Paper "Film Studies: Understanding the Cause and Effect of the Success of Film Director: George Lucas This film study will examine the role of George Lucas within the business and filming causal factors that brought about his enormous success in the filming industry. In creating his classic Star Wars, Lucas had the financial and copyright incentives to allow him to "bank roll" his own films. In this manner, Lucas was able to pioneer a new way of viewing the financial background of filmmaking, but more importantly, was able to create Industrial Light and Magic and his own merchandising approach to filmmaking history. By actively using a business and biographical analysis of director George Lucas, one can realize the depth and importance of his work in modern American film history. Gorge Lucas was born in 1944 in Modesto, California."
Abstract This paper describes the life and philosophy of 18th century Irish philosopher, George Berkeley and discusses his theory of idealism. The paper considers whether Berkeley's idealism represents most people's commonsense view of the world and concludes that, though intriguing and well argued, Berkeley's analysis is not commonsensical.
From the Paper "Does George Berkeley's idealism represent most people's commonsense view of the world? Though intriguing and well argued, Berkeley's analysis is not commonsensical. George Berkeley lived from 1685 until 1753. He was born in Ireland, educated in Dublin, and even spent some time in Bermuda trying to convert the local population to Christianity. In 1734 he was made Bishop of Cloyne (Frost 277-278). Berkeley was an idealist and expanded upon the work of John Locke. He asked, if the basis of knowledge is sensations and our reflections upon those sensations, how can we know a distinct world exists? In other words, we only have our minds to go on. Perception is the rule by which the universe is measured. As such, perception is tantamount to existence."
This paper compares the nonlinear time construct presented in the essay, "A New Refutation of Time," by Jorge Luis Borges, and the stories "The Garden of Forking Paths," by Jorge Luis Borges, and "Confession" by Algernon Blackwood.
Abstract This paper compares the different essays dealing with the issue of time. It explains that Borges's essay provides a beautiful backdrop from which to discuss the literary use of a nonlinear time construct. The bending of time in "The Garden of Forking Paths," by Jorge Luis Borges, and "Confession," by Algernon Blackwood, provides an interesting way for the authors to invite the reader into a twisted world of endless possibilities.
From the Paper "Many people think of time as a linear construct: yesterday, today, tomorrow, but what if it was possible to warp that construct? It would be nothingness, like a clock without hands, leaving open a wide range of possibilities: traveling back and forth, seeing past present, and future converge into a single moment, or just being a thing of fiction created by the minds of people. Time, then, would be like a maze; the past, present, and future would come together as one, creating an almost endless array of possibilities for outcomes of events and interactions. This idea of nonlinear time is captured in the essay "A New Refutation of Time," by Jorge Luis Borges and the stories "The Garden of Forking Paths," by Jorge Luis Borges, and "Confession," by Algernon Blackwood."
Tags: algernon, blackwood, borges, constructs, jorge, luis, nonlinear, time
Abstract This paper discusses the need for time management for academic success, while attending school. The paper describes a significant amount of new responsibilities that engulf the academic world and that can at times be difficult to manage because of constraints on time. It focuses on classes, studies, groups, employment, and family which each require attention from the student and that cannot be overlooked or set aside for another time.
