Abstract
This paper discusses the thesis that the events of Dostoevsky's life and of Russia during the 1800s helped encourage much of his work and defined Fyodor Dostoevsky's concepts and views of freedom.
It looks at how Dostoevsky examined many different types of freedoms and aspects and used them as a central theme to many of his novels, such as "Crime and Punishment", "The Brothers Karamazov", and "Notes from the Underground". It also discusses how his background played an important part in how he portrayed freedom in his novels and how Dostoevsky had extreme views that landed him in jail for a period of time.

From the Paper
"Throughout his life, Fyodor Dostoevsky surrounded himself with influences that helped to create his thoughts on freedom which he applied to characters throughout his numerous works. Many of Dostoevsky's novels focused on man and freedom. The Russian often used freedom in multiple forms and as an obsession of one or more characters (Jones 44). Fyodor Dostoevsky believed that any man held from his desire and need of freedom feels both social and psychological consequences (Amoia 283). Kept away from sensing and feeling freedom, man will start to break down mentally and want freedom more. Oftentimes, Dostoevsky does not mention freedom without connecting it to good and evil. "

Tags:crime, punishment, brothers, karamazov, russia, russian, literature, analysis, theme, good, evil, crime, interpretation

Abstract
This paper explains that Fyodor Dostoevsky's most influential works are "Crime and Punishment" (1866) and "The Brothers Karamazov" (1879-80), which, like most of his literary work attempted to justify the necessity of faith and of God as conditions of true freedom. The author points out that all works of Dostoevsky can be divided in two undying questions about the existence of God and about immortality of soul. The paper states that Dostoevsky was very interested in the theme of sin as related in his novel "Crime and Punishment": Sins can be different: when you offend a person, it is a sin; when you murder, it also is a sin.

From the Paper
"In his works, Dostoevsky proves that God exists in, or for, every person. The choice between 'Yes' and 'No' - the two answers that can be given to the transcendent, personal existence of God - is for Dostoevsky the same thing as the alternative: 'To be or not to be.'" His works are filled with Evil, but at the same time he clearly proves how this Evil is defeated by the idea of Christian morality - or in other words - belief in God. Without God life is a complete inanity. With this idea, Dostoevsky tries to show to the people that before they want to see a change in the society, it must begin with them first. People that came to be Believers, accepted laws of Christ as a guide for their entire lives, become more understanding of moral values. Because of that the most important judge of their actions is their own conscience, namely - their soul. It judges a person and it punishes him."

Tags:freedom, faith, existence, immortality, sin

Abstract
The paper attempts to show how Fyodor Dostoevsky, in his work "Crime and Punishment", skillfully creates characters that are as complicated and incomprehensible as people in our real life. The paper explains that the atmosphere of hesitation is created by means of a third-person narrator who leaves the reader without any explanation of the motive of Raskolnikov's crime, and does not give any evaluation of his actions, ideas and words.

From the Paper
"To begin with, William Leatherbarrow believes that in Crime and Punishment Dostoevsky's most important sacrifice to the principle of uncertainty is that of omniscience - one of the traditional novelist's prerogatives (par. 6). In other words, Dostoevsky shuns "God's eye" or omniscient point of view; the narrator doesn't see events in perspective not available to the characters of his work. As Leatherbarrow points out, "The author sees the world through the same haze of subjective uncertainty as Raskolnikov does" (par. 7). The third-person narrator, whose nature and point of view isn't clear, just records everything and locates his character in time and space but doesn't impose his values on the hero. Indecisiveness, constant feeling of hesitation introduce Dostoevsky's innovative principle of uncertainty and indeterminacy in the presentation of his character."

Tags:Raskolnikov, hesitation, confusion, narrator

Abstract
This paper examines Fyodor Dostoevsky's Crime and Punishment and notes its parallels to Marxist theory. Principally, the paper explores class struggle, atheism, violent revolution and the social causes for proletarian unrest as they reveal themselves in Dostoevsky's nineteenth century masterpiece. The paper argues that, unwittingly, Dostoevsky provides a social template that gives a certain real-world authenticity to Marx's ideas.

From the Paper
"There can be little doubt that communist and Marxist theories suffuse Fyodor Dostoevsky's Crime and Punishment. Among other things, this paper will examine the uneasy "capitalist" relationship between the impecunious Raskolnikov and his avaricious landlady. The paper will also examine the redistributive theme found in Dostoevsky's text and its obvious parallel to Marxist theory. From there, the paper will explore the social roots of violence (an idea that is implicit in Marxist thought) and conclude with a look at how the absence of "God" in Raskolnikov's life makes him the ideal proletarian solider in Marx's imaginings. To sum it all up, Dostoevsky's text is a text about Marxist class warfare. As most university students who have studied the philosophy of Marx (and Engels) know, Marxism holds that all human actions, institutions and social distinctions in society are economically determined."

Tags:crime, punishment, marx

Abstract
Explains some history of Russian dialogue, Russian history, and Fyodor Dostoevsky's life experiences. It tells the symbolism of the names in "Crime and Punishment," how Fyodor Dostoevsky was imprisoned, and the history of Russian tsarist government.

From the Paper
"Authors write their novels using literary techniques such as symbolism. However, when entire novels are translated from the native language to another, there are some things that are lost in translation. Fyodor Dostoevsky wrote Crime and Punishment in Russian and when the novel was translated to English, symbolism was lost in translation. The symbolism requires knowledge of Russian history and language and some history of Fyodor Dostoevsky's life, to know and understand. Without prior knowledge of the use of some names and words, the symbolism is unknown to the reader."

Tags:crime, dostoevsky, fyodor, punishment, symbolism

Abstract
This paper examines the novel "Crime and Punishment" by Fyodor Dostoevsky. The paper describes the way in which Dostoevsky paid great attention to graphic detail and description when he created the setting and literary atmosphere of this classic novel. Careful study of Dostoevsky's prose style reveals the literary power unleashed by his graphic descriptions of scenes and characters that help to define Dostoevsky's view of the meaning of life, the nature of good and evil and the role of free will.

From the Paper
"Crime and Punishment: An Analysis of Descriptive Elements In Crime and Punishment, Fyodor Dostoevsky paid great attention to graphic detail and description when he created the setting and literary atmosphere of this classic novel. Careful study of Dostoevsky's prose style reveals the literary power unleashed by his graphic descriptions of scenes and characters. These scenes help define Dostoevsky's view of the meaning of life, the nature of good and evil, and the role of free will, which are important throughout the novel and are repeatedly expressed through setting, descriptive narrative, characterization, and plot structure. "

Tags:crime, and, punishment

Abstract
This essay examines some characters in the novel "Crime and Punishment" by the Russian author Fyodor Dostoevsky. Through the examination of some of the main characters the essay attempts to discuss which personality traits Dostoevsky admired and which characteristics he disliked in people, particularly those found in the Russian society of his time.

From the Paper
" Dostoevsky's Crime and Punishment This essay examines some characters in the novel Crime and Punishment by the Russian author Fyodor Dostoevsky. Through the examination of some of the main characters the essay will attempt to discuss which personality traits Dostoevsky admired and which characteristics he disliked in people, particularly those found in Russian society of his time. In Crime and Punishment Dostoevsky uses the characters of to demonstrate traits he admires, like humility, compassion, sacrifice and family bonds as well as traits he dislikes like vanity, lack of morals and shallowness. Dostoevsky's main character in Crime and Punishment is a study of the duality of human nature and the fight between good and evil."

Tags:dostoevsky, crimeandpunishment, characters

Abstract
This fourteen page paper examines fear and angst in Dostoevsky's works. It specifically examines the pervasive presence of fear, anxiety, and angst in "The Brothers Karamazov", "Notes from Underground", "The Idiot" and "Crime and Punishment" and demonstrates that Fyodor Dostoevsky believed these negative emotions are triggered primarily because people inevitably become aware that their constantly struggling to understand the meaning of human existence is futile.

From the Paper
"Dostoevsky's Writings: A Comparative Analysis of Existentialist Fear and Angst Examining the pervasive presence of fear, anxiety, and angst in The Brothers Karamazov, Notes from Underground, The Idiot and Crime and Punishment demonstrates the Fyodor Dostoevsky believed these negative emotions are triggered primarily because people inevitably become aware that their constantly struggling to understand the meaning of human existence is futile. Acknowledging this futility compels them to either give up and descend willingly into moral degradation or to continue struggling even if it appears useless. In terms of how Dostoevsky used fear in his writing and the manner in which his expression of fear reflects the existentialistic idea, it is evident first of all that his main characters in these four novels have been crafted to display the darkness of the human condition."

Tags:dostoevsky, literary, analysis

Abstract
This paper discusses the idea that Dostoevsky uses futurity in "Crime and Punishment" primarily as a device to tackle the complex problems of predestination and free will, and that his solutions are solidly grounded in Christian thinking. The discussion focuses on two fated events, Raskolnikov's crime and the linking of his life with Sonya's and the appearance of his "double", Svidrigailov, and Raskolnikov's impetus to steer his life in a direction that will keep him from following in the footsteps of a completely unrepentant sinner.

From the Paper
"The moral reader will rightly suggest that Raskolnikov's first choice, central to his redemption, is whether or not to kill the old pawnbroker, and that his misery stems from having used his free will to choose the wrong path. But I would argue that within the Byzantine universe of the novel, the murder is more than the central plot point; it is an inevitable, fated event that sets Raskolnikov's insular, insignificant life in motion. It is the choices he made before--refusing gainful employment (idle hands, after all, are the Devil's plaything), abandoning the faith of his upbringing, adopting a philosophy that gave him the license to place himself above the plane of Heaven's subjects--that have lead him to his present state, in which violent crime is unavoidable. "

Tags:Fyodor, Raskolnikov, Svidrigailov, St., Petersburg, Russia

Abstract
A psychological novel is a work of fiction that places a lot of emphasis on the interior mindset of the protagonist. In particular, this paper examines how in his novel "Crime and Punishment", Fyodor Dostoevsky does just that with the character of Rodion Raskolnikov and the account of a crime that he commits. The paper first looks at how, throughout the first part of the novel, we see how this character conceives of his crime, plans it out, and ultimately commits the crime. The paper then looks at how, throughout the rest of this lengthy novel, Dostoevsky explores the psychological consequences that this crime has on his protagonist.

From the Paper
"Early on in the novel, we are introduced to Raskolnikov and we see the deplorable conditions in which he must live and through a lengthy letter from his mother, we learn of his family situation. All of this is Dostoevsky laying the groundwork of the character's troubled psychology. Raskolnikov lives in a shanty room that he rents in the city of St. Petersburg. He has failed as a student and therefore his future prospects are fairly grim. Raskolinikov has some financial trouble but, though his friend Razumikhin offers to help him, he decides to handle it on his own. He decides to murder his money-lender, an old woman named Alena. Though he does plan to have financial gain from her murder, this does not seem to be his ultimate motivation. In any case, he bungles the murder. He panics and fumbles with the woman's keys and even slips in her blood. "

Tags:Rodion, Raskolnikov