Abstract This paper studies the recording artist Prince, or the Artist formerly known as Prince, in regards to the marketing and sales of a recorded product. The paper discusses how often scandalous standards set by the recording industry towards many artists are now under attack within the business community. Many artists since the nineties including Prince have been seeking ways to get a just return on their creative output.
From the Paper "The musical career of the recording artist (formerly known as) Prince has been a central factor in understanding the power of music file sharing with the advent of Napster in the late nineties. This study will examine the success of Prince prior to the turn of the century, and why his success has slowly declined with changing technologies. By defining and understanding the technology associated with business profits and losses in regards to file sharing, Prince has played a part in his post Napster years in forging a new way for artists to sell their material online."
Abstract This paper looks at Machievelli's "The Prince," and the affect it's mass publication had on the world's impression of European society. The author examines why this work had such an affect, what actually happened, and also looks at the world's fascination with this particular work. The author presents some of the radical ideas presented, including that for the first time, instead of idealizing the prince and his position, Machiavelli looked for what made for effective governance.
From the Paper "To begin with, it would seem necessary that an attempt be made to present a basic definition of what 'idealizing'. The concept of an ideal is contestable to be sure, as there are various definitions of what constitutes an ideal determined depending upon whom the question is being asked. It is also possible though, that people may share the same or similar ideals. The ideal may refer to a maxim, an idea, or the qualities of a leader. When an ideal or idealization is mentioned therefore, it is in reference to the assigning of properties of merit or worth to one of the items mentioned above. In regards to Machiavelli, part of the argument of this paper is that what makes him unique as a political writer is that he does not idealize the role of 'prince' in society. With this very general idea of what an ideal or what idealization is, it is now possible to move on to an examination of what the 'ideal' of the prince was prior to Machiavelli's period."
Abstract This paper analyzes "The Prince" by Nicolo Machiavelli focusing on the how the author addressed the duty of a prince to win the allegiance of his subjects.
Abstract This paper presents a character analysis of Prince Hal from Shakespeare's play "Henry IV", explaining that Shakespeare introduces Prince Hal as an individual that is mischievous and irresponsible, carousing with others at the Boar's Head Tavern that in modern society would be considered the wrong crowd. These individuals include Poins, Falstaff, Bardolph and Francis the Page. The paper further explains that the escapades of Hal and his comrades include the staging of a play at the tavern that is intended to degrade the English court, and the theft of a knight's ring. The acts of Hal during this period of the play further include schemes intended to embarrass his friends, who are continuously manipulated into aiding Hal's efforts. The paper also notes that the presentation of the character in this manner leads to an initial impression that Hal holds no true concern for others, and that the crown will never be an issue of priority within his life.
Abstract The paper looks at Machiavelli's "The Prince" and discusses what was written as a handbook for political leaders. The paper explains Machiavelli's conceptions of political effectiveness, including what makes for a strong or weak leader and examines its continuing relevance today.
From the Paper "Machiavelli's "The Prince" Introduction: Machiavelli's "The Prince" is often regarded as the beginning of political science as we now understand the term. Political theory is much older, at least as old as Plato, but it was static, seeking an ideal of the state based for example on a conception of happiness. Machiavelli introduced a way of thinking about political dynamics, how political leaders can respond to ever-changing circumstances in the real world."
Abstract Ferdinand of Aragon is represented both directly and indirectly in the text. Ferdinand of Aragon is one of the few characters whom Machiavelli openly compliments. However, as the research demonstrates, Ferdinand of Aragon is indirectly mentioned in several instances that contradict the praises openly bestowed upon him. Ferdinand of Aragon is often referred to as Ferdinand the Catholic. The research supports the thesis that when Machiavelli speaks of Ferdinand of Aragon, he his actually expressing his political views about he Catholic Church as a whole. Furthermore, the research demonstrates how Machiavelli uses Ferdinand of Aragon and passages about other prominent figures in the Catholic Church to express ideals regarding the separation of church and state that will eventually lay the ground work for many modern political ideas.
From the Paper "Prior to the time of Machiavelli, Italy had lived in a period of stability and peace. To many the Catholic Church symbolized this peace. The Catholic Church was the governing force in the area. During the time of Machiavelli, many people began to see the corruption and greed the enveloped the supposedly pious leaders of the time. During the time of Machiavelli, the people began to view the Church as a symbol of greed and corrupt power. However, at that time the Church held so much power that it was dangerous to speak out against the Church. To do so could be dangerous and the person ran the risk of persecution or excommunication.
Many writers of the time wished to express their opinions and the opinions of those who disagreed with the Church. Dante's Inferno is a classic example of this technique. In this work the characters on the road to Hell embodied principles, rather than the actual persons represented. The ideals were hidden metaphorically in the characteristics and lives of the characters. Machiavelli used this technique also and Ferdinand of Aragon is one of the primary examples of the use of metaphor to describe the Catholic Church."
Abstract Catherine of Aragon, first wife of Henry VIII and the youngest daughter of King Ferdinand and Queen Isabella of Spain, was born in 1485. This paper examines her life and role in history, including her days as an educated princess in Spain, her marriage to Henry, and his subsequent divorce from her after she failed to provide him with an heir.
From the Paper "In July of 1533, Henry ordered Catherine to Buckden in Huntingdonshire,
where she remained until her death. He also ordered that she should not be treated as a queen, but as a "dowger princess". Catherine loved Henry until the end, and refused to believe that the marriage was over. Just before she died, she wrote a letter to Henry, addressing him as ?"My most dear lord, king and husband"...and signing the letter "I make this vow, that mine eyes desire you above all things"? (Mattingly, pg. 308). Catherine of Aragon was destined to marry a king and until her death she continued to believe she was still Henry's queen."
Abstract This paper reviews the idea of community in Arthur Miller's "Death of a Salesman". It then discusses a chapter by Ferdinand Tonnies "The Argument". The paper discusses the way in which Tonnies develops an argument about the nature of community and in the process, makes a compelling argument for the value and worth of true community.
From the Paper " The Idea of Community in Arthur Miller's Death of a Salesman and Ferdinand Tonnies' "The Argument" In the chapter "The Argument," Ferdinand Tonnies develops an argument about the nature of community. In the process, he makes a compelling argument for the value and worth of true community. In Arthur Miller's Death of a Salesman, by contrast, we see a man existing without any community, in the sense described by Tonnies - although the man is not truly aware of it. In the light of Tonnies' description of community, Willy Loman's implosion becomes understandable. In addition, Loman's notion of society is inferior to Tonnies' notion."
Abstract Machiavelli in "The Prince" provides detailed instruction to a teenaged ruler, one who has already received the childhood moral education from fairy tales and folk parables and is ready for actual, direct instruction in his official duties. This work was a specific guide, written on the model of historic rulers and societies. Based, in no small part, upon the life of Caesar Borgia, a heavy-handed dictatorial ruler, Machiavelli sought to describe the perfect state, one that, if it must have a Prince, should be run in the manner described. The work, however, would meet with a great deal of dismay and horror by the people he intended to "get in" with. In his need to become part of the political life of Italy (in which he had, at one time, been as influential and significant as Sir Thomas More had been in England) created "The Prince", a tract that did not truly reflect his own philosophies of political life, but one, he vainly hoped, would be received well by the ruling family. The purpose of "The Prince" also encompasses a trade-school-like approach, where the intricacies of policy, management and behavior are spelled out directly, in clear, plain language. It is the intent of this paper to examine the role of the Prince in relation to the people from the framework of political function as outlined in Machiavelli's work.
Abstract Machiavelli's work, "The Prince", was written with the express purpose to ingratiate himself with the current ruling family, the Medicis. Religion plays a significant part in "The Prince". The reality that Machiavelli wrote about was that the church would play a significant role in a Prince's ability to maintain control and manage his country. Church and state were, then, one. To Machiavelli, the military is a necessary physical defense of the state. Dictators and totalitarianism find their origin in "The Prince".
Abstract The basic premise in Machiavelli's ?The Qualities of a Prince? states that as long as a prince is not hated, his subjects will be loyal and his reign successful. Therefore, the abuses outlined in "The Declaration of Independence" coincide with the attributes listed by Machiavelli of an unsuccessful prince. One can tell by the tone in which "The Declaration of Independence" is written that King George III is hated by the colonists. On more than one occasion, Thomas Jefferson refers to the King as a tyrant. This paper discusses how King George III's actions support Machiavelli's claim that a prince is most hated when he, among other things, disrespects the land and women of his subjects, deprives men of their honor, and shows excessive cruelty.
From the Paper "Machiavelli states, ?so long as you do not deprive them of "their honor, the majority of men live happily" (Machiavelli, "The Qualities of a Prince", 48). Comparatively, Thomas Jefferson also lists grievances that pertain to men being deprived of their honor "By [constraining] our fellow Citizens taken Captive on the high Seas to bear Arms against their County, to become the executioners of their friends and Brethren, or to fall themselves by their Hands" (Thomas Jefferson, "The Declaration of Independence", 80). King George III stripped men taken captive of all honor and dignity by making them choose to either murder their family or take their own life. King George III also deprived the colonists "the benefits of Trial by Jury" (80). The fact that King George III repeatedly "called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their Public Records, for the sole purpose of fatiguing them into compliance with his measures" (79) is quite demeaning in a society governed by Representation."
Abstract This paper examines two important aspects of Machiavelli's ?The Prince?: The characteristics of the Prince and the kind of society he will rule and the permissiveness of tyranny in making society secure from foreign invasion and rule. The author points out that Machiavelli's ?The Prince? illustrates how tyranny can be functional, instead of detrimental, to ensure peace and stability within society, especially in the context of 16th century Western governance. The paper relates that ?The Prince? has become a useful historical document that mirrors the life and times of 16th century Italian politics and society, and humanity's eternal pursuit for an effective leader and stable society.
From the Paper "Going further into his analysis of the socio-political movements in his country, Machiavelli's observation includes an analyses of the qualities of the leaders or "princes" who were not able to sustain their leadership and government. In chapter XXIV ("Why the Princes of Italy Have Lost their States"), he explains that these leaders have been "defective" some of them either had the people against them, or? they have not known how to secure themselves against their nobles.? Furthermore, in this section, while Machiavelli attributes Fortune as one of the motivating forces that determine a leader's success in governance, the leader's skills and influence to the people, in large part, determines the success or failure of the Prince. Thus, in effect, he asserts, ?I think it may be the case that Fortune is the mistress of one half of our actions, and yet leaves the control of the other half, or a little less, to ourselves.?"
An argument that Machiavelli was not promoting evil in leaders, in his work "The Prince, but his strategy was necessary in the emerging order of republicanism.
Abstract The paper aims to show that Machiavelli was not promoting evil in his work, "The Prince", when he advised the Prince to be cunning in the way he manages the people. Rather hist strategy of dissimulation was necessary in the emerging order of republicanism. The paper delineates the meaning of traditional political virtue, but then shows how with the rise of renaissance humanism the political order was changing and the Prince was now more answerable to the people. The paper explains that in this situation, the Prince would need to resort to cunning and dissimulation, both for his own survival and the prosperity of his princedom.
From the Paper "International relations in the modern world is largely driven by the agenda of "Realism". It describes a philosophy which maintains that nation states are not under the constraints of normal morality in their dealings with each other, and indeed, in order to survive, they must be ready to flout the ethical codes that naturally bind human beings. Many trace the origin of this political philosophy to Italian author and diplomat Niccolo Machiavelli, and specifically to his treatise The Prince. Even though the message it taught was in direst contradiction to the humanism that marks the renaissance, it nevertheless becomes part of the same evolutionary process that gives rise to modern civilization and the modern nation state."
Abstract This is an in-depth juxtaposition and analysis of Oscar Wilde's "The Happy Prince" and a Buddhist tale "The Biography of the Buddha". It details the plots and main characters of both tales and tries to compare them, and find similarities between them. The comparison is done by examining the narrative construction of both stories. It compares both main characters: the prince and Buddha and manages to find many similarities between their characters and behaviorisms. It details Buddhism outlook on life as well as the happy Princes' outlook, both optimistic.
From the Paper ""The Happy Prince? tells the story of a prince, whom, while he was alive, was always happy and lived in a great, walled palace. When he died he was fashioned into a statue of gold and placed where all could see him in the middle of the town square. The story of the Buddha, or Naropa, or Siddartha Gautama, as he is sometimes known, tells the tale of young Brahmin (one step down from the priests in the Indian caste system) who was highly sheltered from the world. One day, he was taken out of the walled confines of his home. There, he witnessed three sights: old age, sickness, and death. Then he sees a holy man and is struck by the obvious "sincerity" of the man's bearing. These sights spurred him to renounce the world and enter into a life of contemplation. The results of these years of contemplation was Buddhism, an epiphany he struck upon when a young girl presented him with a bowl of rice after many years of fasting. (Saunders 23; Mitchell 39-40)"
Abstract This paper discusses the way that the author learned that he could not buy friends, just as Machiavelli stated in "The Prince". The author points out that Machiavelli writes "it is wiser to be a miser" because then the people know that they will not have everything handed to them on a silver platter, and the prince will be respected. The paper concludes that the way of the ideal prince and behavior in one's own friendships lies somewhere between being generous and greedy.
From the Paper "Thinking about the respect issue, I was never really respected when I was around my friend Patrick. We always went where he wanted to go, do what he wanted to do, and bought the things he liked. All this was done just to gain a friend. It was as if I altered myself just to have some relationship with someone else, but I am going off on a tangent now. Getting back to Machiavelli's idea of not buying people, it can relate to altering one's self. If you think about it, the prince will have to do what the people want to make them happy and not himself."
