Abstract
This paper examines the relationship of fashion and architectural design from anthropological and philosophical perspectives. Art is considered as a function of the society that produced it. The Victorian Era is cited as an epoch in which architecture and fashion were interconnected. This paper includes an annotated bibliography.

Outline:
Background
Research Design
Outline and Research Structure
Annotated Bibliography

From the Paper
"An age-old argument among scholars has been whether art influences society, or whether art is a reflection of the society that produced it. When one examines art as an expression of self, it is difficult to view it as anything other than an expression of society. Popular designers in architecture and fashion design works that achieve public acceptance. Therefore, it stands to reason that trends in architectural design and fashion design are a reflection of the society that surrounds them. This research will explore the link between fashion design and architectural design with an emphasis on the use of fabric and building materials as the medium. "

Tags:fashion, architectural, design, history, Victorian, Era

Abstract
In this article the writer takes a look at the similarities that exist in architectural design and fashion design in today's highly technologically advanced and globalized society. The writer points out that fashion and architectural design have passed through many phases as design technology has furthered the possibilities in design. The writer notes that it is now acknowledged among experts in the field, that architectural and fashion design intersect quite often in today's environment of designing products that are both attractive and that will serve the owner well. This study is of a qualitative nature and collects data in the form of information in these two design fields and then conducts what is an interpretive analysis of the information garnered from this study.

Table of Contents:
Chapter One
Background
Research Design
Statement of the Problem
Purpose of the Study
Definition of Terms
Chapter Two
The Connection between Fashion and Architecture
Historical Trends in Fashion & Architecture
Impacts of Globalization & Technology on Design
Conclusion
Chapter Three
Discussion of Major Trends & Analysis
Data Collection - A Survey of Modern Designs, Designers, Photos, & Theory
Data Analysis - Criteria: Function versus Image-Statement
An Exploration of a Couple of Modern Japanese Fashion Designers' Work
An Exploration of Hussein Chalayan's Work
Chapter Four
Technology
Importance Of Materials
New Technologies -Quest For New Textiles
How Techno-Textiles Have Increased The Possibilities Of Both Architecture And Fashion
How Do They Work In Practice?
Chapter Five
Conclusion
Is the Interaction Between Fashion And Architecture A Positive Outcome Of Our Modern Life?
Where Do We Go From Here? What Will The Future Of Fashion And Architectural Design Look Like?
Recommendations For Future Research

From the Paper
"Today's architectural design and fashion design work have penetrated each others space. Fabrics are used in fashion design to create texture, color and to bring the design elements together into a whole. Architectural design uses the materials for building in much the same way and for the same purpose as each material, whether in fashion or architectural design creates a different effect on the same design. This research views the clothing of an individual making to shelter and provides a definition of our personal space such as do architectural structures although on a much larger scale. Fashion in clothing has allowed express in society for many millions of years. Generally it is those who have attained status within their cultural grouping that have the power to become trend-setters. Furthermore, color is greatly used as a matter of personal choice. Fashions vary greatly dependent upon age, social class, generation, occupation and geography. Fashion evolves constantly particularly in a capitalist society."

Tags:design, architectural, material, clothing

Abstract
Sustainability is a word that has become fashionable in the last decade, but in truth sustainability is not a matter of fashion but of survival. Environmental issues affect architecture at every level, given that "building consumes half the energy used in developed world" (Yeang, 2001, p.34). While architects cannot solve all the world's environmental problems, they can design buildings to operate at a fraction of current levels and so help reduce the burning of fossil fuels. Certainly, energy usage is a global problem and one the most complex and problematic issues facing humanity.

From the Paper
RESPONSIVE, GREEN ARCHITECTURE FOR SENSITIVITY AND SUSTAINABILITY: TANGIBLE AND PRACTICAL SOLUTIONS FOR CONSTRUCTION HOW CAN WE TRANSFORM ARCHITECTURE FROM A SETBACK TO A TOOL OF CHANGE? SHAMUS BAGHERIAN BA ARTS DESIGN AND ENVIRONMENT (ARCHITECTUTURE PATHWAY) CONTENTS INTRODUCTION 03 SUSTAINABILITY AND LIFESTYLE 07 RESPONSIVE ARCHITECTURE 10 GREEN IN THE UK 19

Tags:green, sustainable, architecture

Abstract
This paper explores the works of Leon Battista Alberti, Adolf Loos, and Jennifer Bloome and compares and contrasts their opinions on combining different forms of art and architecture. It also examines why it is important for architecture to be aesthetic and practical.

From the paper:

"According to the AOL World Book Encyclopedia's definition of
architecture, architecture is an art form like painting or poetry writing. However, architecture is not entirely like these arts in its practice. The World Book states one of the essential differences between architects and other artists is the fact that while other artists have a certain amount of creative control in the fashioning of "rough drafts" of their work, architects face additional constraints because their work costs so much money to fashion."

Tags:art, building, aesthetic theory

Abstract
This essay discusses issues in architecture and sustainability and what must be done to preserve resources while building in a space and economic conscious fashion. The essay argues that an architectural emphasis on nature and humanism have become obscured by economic factors which has lead to poor use of space and unsustainable building design. Further, the essay argues that in order to preserve society's resources, architecture in which commercial, residential, artistic and community-oriented goals are shared must be encouraged. The essay suggests that if a city embraces the reciprocal relationship between social coalescence and proper public brokerage, ecological degradation will become less likely.

From the Paper
"Physical surroundings are a determinant factor in the defining the human experience. The communities, neighborhoods and buildings where we find familiarity and comfort are also those same hosts upon which we rely for sustenance, socialization and survival. And to that end, the interaction between man and nature defines the shape taken by each of these pursuits. Though such is a premise which has always persisted as an overarching theme in the infinite architectural philosophies that have adorned and scarred the earth, today's architectural dilemmas suggest that the emphases on nature and humanism have become destructively obscured by economic factors."

Tags:sustainability, humanism, ecology, design

Abstract
The paper explains that modernism is a term used to describe the styles of architecture, arts and literature of the twentieth century. The paper defines the style of modernism in architecture as a form that takes on a clean line and functional focus. The paper discusses how the contemporary world still feels the effect of the modernist influence. The paper concludes that one must wonder if it is on its way to becoming the new traditionalism.

From the Paper
"Modernism is a term used to describe the styles of architecture, arts and literature of the twentieth century. The style of modernism in architecture describes a form that takes on a "clean" line and functional focus. It is a "rational" form of architecture that uses non-traditional forms and materials. According to "Contemporary Architects" on the Edinburgh Architecture website: Modern Architecture became linked to a certain genre of building and thus over time wasn't really 'modern' anymore. Contemporary Architecture currently has less baggage; it is not affected by fall-out from the reign of a certain style."

Tags:modernism, architecture, fashion

Abstract
This paper deals with the redevelopment in Central Berlin after the fall of the Berlin Wall through the lens of architecture. The writer stresses that redevelopment projects like the one in Berlin should strive to reflect an accurate national past; they should be constructed with architecture that is composed of balanced narratives. At the same time, the projects afford Germany the ability to move forward through fashioning Berlin as the economic and cultural capital of Europe. The paper concludes with suggestions for redevelopment processes.

From the Paper
"While the capital's move back to Berlin was contentious, it was representative of a prevailing desire in German society to reassert the German nation as a world power. The architecture of the Spreebogen claimed to recall Germany's Golden Age in the late 19th and early 20th century and to eschew National Socialist designs. Germany saw itself as a victim as well as a perpetrator. It had suffered under the reign of the Soviet Union since the 1940s and could finally again assert its national legitimacy. It desired a capital district that would recall historic successes under leaders like Otto von Bismarck. Nonetheless, it has proved nearly impossible to ignore the National Socialist history in the capital district."

Tags:urban, history, environment, conciliatory, memorialization, meta-narrative, monumental

Abstract
This paper explains that, although the German culture is not the only culture which has influenced the Texas of today, it is often considered one of the most significant influences historically as seem in the architectural landscape of the towns and cities, the art and music, Oktoberfest and the food of Texas. The author points out that the Museum of Fine Arts in Houston Texas is one example of the 19th century German art style in Texas and, in the southern and central parts of the state including in regions, such as Hill country and Medina County, there are many vernacular dwellings and churches fashioned in the style of traditional German homesteads. The paper relates that the influence of Germany on Texas culture is seen in the use of the accordion in Texan music and the popularity of the polka, which is largely German influenced.

Table of Contents
Introduction
Overview/History
Modern German Influence
Texas Art
Texas Architecture
Texas Music
Texas Culture/Ethnicity
Texas Philosophy
Historical Literature/Historiographical Literature
Conclusions

From the Paper
"Many Germans in fact began arriving in Texas during 1848 when German Revolutions plagued Europe, and a majority of these early settlers formed close communal towns within the state. They looked forward to the opportunity of peace and a new life filled with opportunity and promise. The reasons that German immigrants flocked to the United States are not much different from the reasons many other settlers came to this country. They were looking for a better life for themselves and their families. In the process of immigrating and settling large parcels of formerly uninhabited land, they began to develop roots and inspire traditions that have become deeply ingrained in the culture of Texas today."

Tags:mexican, architecture, music, food, immigrants

Abstract
In this article, the writer notes that the Middle Ages gave rise to several schools of thought after the fall of the Roman Empire, schools of thought that would shape how Christianity would be represented and worshipped. The writer points out that as a result, Gothic architecture was born, with markedly different characteristics than its predecessors. The writer discusses that the Gothic architectural style had one central theme in mind: to display the glory of God while demonstrating the smallness and insignificance of man, a mortal being. In doing so, new methods of construction were implemented to give the structures a more intense assertion of grandeur. The writer concludes that each cathedral has a story to tell, and the Gothic method of architecture allowed them to tell their story in a unique and grandiose fashion.

Outline:
The European Middle Ages and the Gothic Cathedral
Notre-Dame D'Amiens
Other Influential Biblical References
Bibliography

From the Paper
"One characteristic of the Gothic cathedral that separated it from its predecessors was its use of the "flying buttress". Historically, cathedrals had been built in such a manner that its sheer size called for thicker walls to support the tremendous weight bearing down from the top of the structures. In Gothic cathedrals, the flying buttress was initiated. Bearing the weight of the structure from an angle, the flying buttress allowed for the walls of the cathedrals to have cut-outs, which allowed for much larger windows, allowing light to pour into the interior, illuminating the structure while adding to its spiritual ambience.
"While the Gothic cathedral boasted several new forms of design, there was an adherence to tradition in part of its construction: the floor plan. The floor plan of the Gothic cathedral was designed in the same "cross" patterns of previous cathedrals, with each section having a different function for biblical reference."

Tags:buttress, Notre, Dame, arch, structure

Abstract
This paper explains that the Persian Empire created great civilizations before the rise of Islam. The author points out that the Persian presence within the Islamic populace influenced many core aspects of the Muslim society: the realm and formation of government, architecture, music, medicine, linguistics, literature, clothing and fashion and other areas of cultural, economical, political and social significance. The paper states that, unlike general notions perpetrated by Western civilizations, the Islamic civilization, which was a global civilization that integrated individuals of diverse ethnic backgrounds who worked together to create knowledge within the arts and sciences, was not marred with war and terrorism. The author believes that the modern view of the Persian Empire is marred with subjective criticisms and linkages between Iran and terrorism.

Table of Contents:
Introduction
Persian Culture; How is this Influence Explained: A General Overview
Figure 1: Iran's Cultural Dimensions
Scientific Contribution to Islamic Civilization: The Influence of the Persian Empire, Especially in the Field of Medicine
Figure 2: An Overview of the Persian Influence on Islamic Scientific Processes (Using an Input/Output Model)
Conclusion: State-Sponsored Terrorism and Iran

From the Paper
"Fields of medicine strongly influenced by Iranian scientist include but are not limited to physiology, biochemistry, immunology, and molecular biology. There influence has been likened to changes in the understanding of medicine that took place between prehistoric times to the present, this is a rather profound statement, since "the torch of medicine was in the hands of Muslims in historical periods from ancient Athens to the Renaissance", but Iranian scientist have still managed to make remarkable progress in medicine. Scientist form the Persian sphere have had such a profound impact on Islamic medical research, that many medical scientist considered authorities in the field have evolved in the Islamic Civilization, but are Persian. Nabipour highlighted a few renowned scientists such as Rhazes (865 - 925 A.D.)who has one of the most authoritative books on smallpox and measles."

Tags:individualism, dominant, arab, processes, medicine