Abstract This paper examines the relationship of fashion and architecturaldesign from anthropological and philosophical perspectives. Art is considered as a function of the society that produced it. The Victorian Era is cited as an epoch in which architecture and fashion were interconnected. This paper includes an annotated bibliography.
Outline:
Background
Research Design Outline and Research Structure
Annotated Bibliography
From the Paper "An age-old argument among scholars has been whether art influences society, or whether art is a reflection of the society that produced it. When one examines art as an expression of self, it is difficult to view it as anything other than an expression of society. Popular designers in architecture and fashion design works that achieve public acceptance. Therefore, it stands to reason that trends in architectural design and fashion design are a reflection of the society that surrounds them. This research will explore the link between fashion design and architectural design with an emphasis on the use of fabric and building materials as the medium. "
Tags:fashion, architectural, design, history, Victorian, Era
Abstract A look at changes in architecturaldesign. The author focuses on the way architecture reflects culture with focus on the Horyuji temple in Japan which expresses the culture of the time in which it was built.
From the Paper "Throughout history, architectural design has undergone progressive changes in style based on a variety of factors. One of the most significant transitional phases in Japan includes the Asuka period in which Buddhism dramatically influenced the essence of the dialectic between form and function. A prime example of this profound style is the Horyuji Temple. Although the relationship between Buddhist philosophy and architectural design is unquestioned throughout this period, the origins of this relationship are intriguing. What factors led to the development of the Buddhist influenced structures? How significant are the features of the Horyuji in creating allusions to Buddhist ideology? To what extent is the Horyuji Temple "Japanese" versus Buddhist?"
Abstract This paper discusses Canada Place which is located on the waterfront of downtown Vancouver. It specifically discusses the history behind the construction of the building and the architecturaldesign. The paper goes on to describe public opinion of the architecture of the structure, as well as the opinion of architectural critics.
From the Paper "Architecture in Vancouver In this essay I review Canada Place, a very unusual building situated at the bottom of Howe Street in Vancouver, British Columbia, Canada. I consider this to be a post-modernist building. Canada Place is located on the waterfront of downtown Vancouver. It was built for "Expo 86" - the World Fair that was held in 1986 in Vancouver. The objective was an attempt to rival the impressive Sydney Opera House in Australia. The outcome was a somewhat strange looking building that elicits a wide variety of responses that run the gamut from admiration to disgust.The only thing it does not evoke is boredom. People have compared it to a tent, a camping trip, an insect and a sailing ship. "
Abstract This paper discusses the systems theory as understood and expressed in comparative architecturaldesign history. It offers the theories of the Archigram in the West and the Metabolism Movement in Japan to qualify the author's discussion.
From the Paper "The objective of systems thinking is a methodology to solve problems. It follows two basic premises first that reality is regarded in terms of wholes. Gestalten' and that the environment is an ..."
Tags: Archigram, Metabolist, architecture, systems thinking, obsolete, technological focus
Abstract In this article the writer takes a look at the similarities that exist in architecturaldesign and fashiondesign in today's highly technologically advanced and globalized society. The writer points out that fashion and architecturaldesign have passed through many phases as design technology has furthered the possibilities in design. The writer notes that it is now acknowledged among experts in the field, that architectural and fashiondesign intersect quite often in today's environment of designing products that are both attractive and that will serve the owner well. This study is of a qualitative nature and collects data in the form of information in these two design fields and then conducts what is an interpretive analysis of the information garnered from this study.
Table of Contents:
Chapter One
Background
Research Design Statement of the Problem
Purpose of the Study
Definition of Terms
Chapter Two
The Connection between Fashion and Architecture Historical Trends in Fashion & Architecture Impacts of Globalization & Technology on Design Conclusion
Chapter Three
Discussion of Major Trends & Analysis
Data Collection - A Survey of Modern Designs, Designers, Photos, & Theory
Data Analysis - Criteria: Function versus Image-Statement
An Exploration of a Couple of Modern Japanese FashionDesigners' Work
An Exploration of Hussein Chalayan's Work
Chapter Four
Technology
Importance Of Materials
New Technologies -Quest For New Textiles
How Techno-Textiles Have Increased The Possibilities Of Both Architecture And Fashion How Do They Work In Practice?
Chapter Five
Conclusion
Is the Interaction Between Fashion And Architecture A Positive Outcome Of Our Modern Life?
Where Do We Go From Here? What Will The Future Of Fashion And ArchitecturalDesign Look Like?
Recommendations For Future Research
From the Paper "Today's architectural design and fashion design work have penetrated each others space. Fabrics are used in fashion design to create texture, color and to bring the design elements together into a whole. Architectural design uses the materials for building in much the same way and for the same purpose as each material, whether in fashion or architectural design creates a different effect on the same design. This research views the clothing of an individual making to shelter and provides a definition of our personal space such as do architectural structures although on a much larger scale. Fashion in clothing has allowed express in society for many millions of years. Generally it is those who have attained status within their cultural grouping that have the power to become trend-setters. Furthermore, color is greatly used as a matter of personal choice. Fashions vary greatly dependent upon age, social class, generation, occupation and geography. Fashion evolves constantly particularly in a capitalist society."
Abstract This paper answers a series of questions about architecture and the study of architecture and considers some of the elements of design that can be better understood with the study of other disciplines. In this paper, the job of the designer is seen as the designer bringing some kind of order to the design, and training for this has to extend beyond simple aesthetics and extend to a knowledge of mechanics, philosophy, psychology, and other disciplines that can aid in the process and make the finished design both appealing and useful.
From the Paper "Design is both a task and a goal, for it takes elements that are not ordered and gives them order. This can be in architecture, urban design, or the design of spaces, furniture, products, mechanisms, and so on. In each case, the designer brings some kind of order to the creation, and training for this has to extend beyond simple aesthetics and extend to a knowledge of mechanics, philosophy, psychology, and other disciplines that can aid in the process and make the finished design both appealing and useful, with "useful" broadly defined so that even if it refers to the design of a garden made to be soothing, that fact makes it useful. Design thus entails first understanding the elements to be included in the design and then the effect that the design will have on the human beings who experience it."
Abstract The paper reviews the literature concerning the expression of the beliefs, values and cultural impact of architecturaldesign in the past, present and the future. The paper contends that the cold, lifeless designs of modernist architecture have so depersonalized society that inhabitants subconsciously yearn for a reaffirmation of their natural identity. The paper believes that there must be a sense of well-being restored by providing visual reminders of the wonder of nature, and that will provide a sublime joy. The paper argues that architecturaldesign will be far more visually satisfying if it rejects the knife's sharp edge and reflects nature's gentle bend.
Outline:
Introduction
Review and Discussion
Conclusion
From the Paper "Modernist Architecture encumbers the soul with spiritual fatigue and frustration. Art is life and design is its blood. Transfuse society with architecture that reestablishes humanity's spiritual link with nature. Today's vistas are overwhelmed by perfectly sharp edges; Modernist Architecture visually denies our connection to nature. It is not enough to espouse a "green" building; design must align with nature and bring its comfort into our lives once again. Buchanan points out "the uniform conditions of temperature and humidity throughout the day, which are used in many air conditioning systems, not merely waste energy, but do not contribute to comfort. Most people prefer variation in accordance with the changing conditions outdoors" (p. 425)."
Abstract This paper provides a description of the early and later architecturaldesigns of the Roman houses, villas, and apartments. The author offers a historic view of the designs found in excavations and on mosaics and discusses the social relevance of certain architecturaldesigns.
From the Paper "Architecture was outstanding among the Roman arts. Many of the outward forms of Roman architecture were taken over from the Greeks. It was through Rome that these forms became the common language of a great part of the tradition of western architecture. Connections between Greek houses and Roman ones provide important context both for Roman villas planned around peristyles as well as for the luxuriousness of the decoration and contents of late republican and early imperial houses and villas. This Greek luxury was a matter of some ambivalence for the Romans. Certain members of the Roman elite were eager to emulate the model of Hellenistic taste as found in Greek palaces of the fourth century B.C. and later (Robertson, 1986). But there has been a change of attitude about Hellenistic influence on architecture, painting, and mosaics: scholars are now stressing the ready naturalization of Greek art and ideas in the Roman context rather than using Roman art to reconstruct a hypothetical Hellenistic original (Jones, 2001)."
Tags:architecture, excavation, hadrian, mosaic, ostia, pompeii, roman, villa
Abstract This paper discusses virtual reality and the use of cyberspace in architecturaldesign. It also explores the use of virtual reality designs to help small firms compete with large firms in order to provide interactive benefits that are advantageous to clients. The paper explains how these technologies remove physical barriers from architecturaldesign.
From the Paper "The computer age is here, yet its impact is almost indiscernible and premature for we often fail to understand the full potential of this impact. This is particularly true due to the rapid-paced innovative ..."
Tags: Disney, Japan, Internet, Web sites, art, cost, creativity, imagination, interactive, Panda 3D
Abstract The paper looks at the architecturaldesigns of Wells BDDP, BBDO West, and Ogilvy and Mather. It discusses how the architects solved problems, shaped the office to the business, and created an image.
From the Paper "INTRODUCTION
In developing a company in a given industry, most people think of issues of a business plan, a location, personnel, procedures to be followed, accounting systems to be instituted, and today, the computer system that would best serve the ..."
Abstract The paper discusses the kimono as simple apparel, in terms of shape and very complex in terms of design and artistry. The paper relates the origin of the term and its meaning, as well as the intricate design, styles and the influence it has had on fashion. The paper concludes that the traditional kimono still plays a very important part in contemporary fashion, not as an exotic element, but as an integral part of the designs for either casual or evening ware.
From the Paper "Kawakubo, Miyake and Yamamoto are considered as the designers who made these first steps towards a new fashion more concrete: "While Kenzo is considered a pioneer among all Japanese designers, Kawakubo, Miyake and Yamamoto are the ones who created a new style characterized by monochromatic, asymmetrical and baggy looks."(Kawamura, 2004, 125) The asymmetrical and baggy look of their designs is clearly influenced by the loose form of the kimono. Sometimes, in Miyake's creations for example, the dresses are completely shapeless and have random holes that offer a certain freedom when wearing them: "There was a garment that was totally out of shape and had four holes. You could hardly tell which holes are supposed to be for the arms to go in or the neck to go in. During the rehearsal, Issey's patternmakers would be going around the dressers making sure we knew which hole was for which part of the body." (Kawamura, 2004, 134) This freedom of wear is also influenced by the kimono, which, although worn according to prescribed rules, can always be adjusted to the body or to the occasion, etc. Also, Miyake uses a special method in his designs that is called "A Piece of Cloth","that is clothes made out of a single piece of cloth which would entirely cover the body."
Abstract The paper reviews the development of architecture and modern day architecture's relationship with textiles. The paper examines the predicted future of textiles and maintains that due to the ever-changing ecological factors in the world's erratic environment, the use of textiles will only grow due to their practicality and serviceability in architecturaldesign and construction. The paper stresses that today's modern tensile architecturaldesigns hold great promise in the provision of affordable and attainable shelter for housing and community construction.
Outline:
Objective
Statement of Thesis
Introduction
History of Textiles and ArchitecturalDesign and Construction
Review of the Development of Architecture Modern Day Architecture and Textiles
Review of the Predicted Future of Textiles
Summary and Conclusion
From the Paper "The word textile is derived from a Latin word 'texere' which means simply "to weave". (Meyers, 2001) Spinning and weaving have been done since prehistoric times, the earliest known evidence being from the Bronze Age in about 4500 BC in Egypt." (Meyers, 2001) The spinning wheel was introduced in the fourteenth century in Europe. (Meyers, 2001; paraphrased) The Saxony wheel, is said to be "an improved version" and to have "sped up the production of yarn considerably." (Meyers, 2001) It was the Saxony wheel that brought about the ability for a large enough production of thread to "reliably supply a growing body of weavers" which made the provisions necessary for the conditions required for manufacturing of textile and the textile trade to begin."
Abstract This paper discusses interior design during and after the Gothic revival of the late eighteenth century, noting that True Gothic architecture originally developed from the Romanesque style, emerging in the twelfth century. According to the paper, this style dominated until the beginning of the Renaissance in the fifteenth century. Gothic architecture is noted for size and elaborate decoration. However, Gothic architecture is first defined in terms of a change in Romanesque church architecture when diagonal ribs were added to the groin-vault, as is first seen at the Abbey Church of St. Denis near Paris.
From the Paper "Gothic architecture developed in the twelfth century and was revived several times, notably with a major revival beginning in the eighteenth century and spreading throughout Europe and to America. Gothic interior design was included, though it changed over this time and was often more an evocation of the Gothic rather than an actual copy of the original style. From the mid-eighteenth century until the rise of Fascism in this century was a long era in Italian history during which certain trends cold be observed that linked the decades together. At the beginning of this era, Italy as a country did not exist. "
Abstract The paper discusses the fashion of women from the beginning of the Meiji era in 1868 until today. The paper outlines the styles of Japan's fashiondesigners of the 1960s and onwards and shows how Japanese fashion now embodies a fashion sense that is both European and Asian at the same time.
From the Paper "In Japan, women's fashion has evolved immensely and it continues to evolve. In 1868, which was the beginning of the Meiji era, there were very few people in Japan wearing Western dress - and they were mainly Europeans and Americans. Since the 13th century, the kimono (a word that means "things to wear") was literally the only thing to wear. It was standard dress in Japan. After the beginning of the Meiji period (1868-1912), Western-style uniforms were worn by persons in the military services, for policemen, and for postal carriers. This moment in time was the beginning of a huge change in the way people - both men and women - dressed in Japan. However, during this period, for formal wear, men typically wore the haori (traditional waistcoats), hakama, and Western-style hats. Some women wore Western-style boots with their Japanese dress. Still today, this fashion can be seen among many young women attending university graduation ceremonies."
Abstract The paper discusses several international haute couture designers, including Elsa Schiaparelli, Pierre Balmain, Geoffrey Beene and Kishore Biyani who began transposing their fashions for the ready-to-wear market and created an industry of mass merchandising.
From the Paper "Ready-to-wear collections are not custom made and are standard sized, which makes them more suitable for larger productions. Ready-to- wear collections consist of a normally represent a certain theme or perspective and to make a fashion statement. They are branded and sold in stores for the mass public marketplace. One of the first designers following this mode was Elsa Schiaparelli. Born in Rome Italy in 1890, she studied philosophy and then moved to the United States and worked as a film scriptwriter.
"In 1920, Schiaparelli went to Paris and designed and wore a black sweater knitted with a white bow. An American store saw this design and asked for an order, and her ready-to-wear business took off with hundreds of knitters producing the fashions. Schiaparelli's designs were innovative and very popular with their use of bright colors, often pink, and her imaginative use of conventional fabrics, zippers and very unusual hats and shoes."
