Abstract
This paper examines the relationship of fashion and architectural design from anthropological and philosophical perspectives. Art is considered as a function of the society that produced it. The Victorian Era is cited as an epoch in which architecture and fashion were interconnected. This paper includes an annotated bibliography.

Outline:
Background
Research Design
Outline and Research Structure
Annotated Bibliography

From the Paper
"An age-old argument among scholars has been whether art influences society, or whether art is a reflection of the society that produced it. When one examines art as an expression of self, it is difficult to view it as anything other than an expression of society. Popular designers in architecture and fashion design works that achieve public acceptance. Therefore, it stands to reason that trends in architectural design and fashion design are a reflection of the society that surrounds them. This research will explore the link between fashion design and architectural design with an emphasis on the use of fabric and building materials as the medium. "

Tags:fashion, architectural, design, history, Victorian, Era

Abstract
In this article the writer takes a look at the similarities that exist in architectural design and fashion design in today's highly technologically advanced and globalized society. The writer points out that fashion and architectural design have passed through many phases as design technology has furthered the possibilities in design. The writer notes that it is now acknowledged among experts in the field, that architectural and fashion design intersect quite often in today's environment of designing products that are both attractive and that will serve the owner well. This study is of a qualitative nature and collects data in the form of information in these two design fields and then conducts what is an interpretive analysis of the information garnered from this study.

Table of Contents:
Chapter One
Background
Research Design
Statement of the Problem
Purpose of the Study
Definition of Terms
Chapter Two
The Connection between Fashion and Architecture
Historical Trends in Fashion & Architecture
Impacts of Globalization & Technology on Design
Conclusion
Chapter Three
Discussion of Major Trends & Analysis
Data Collection - A Survey of Modern Designs, Designers, Photos, & Theory
Data Analysis - Criteria: Function versus Image-Statement
An Exploration of a Couple of Modern Japanese Fashion Designers' Work
An Exploration of Hussein Chalayan's Work
Chapter Four
Technology
Importance Of Materials
New Technologies -Quest For New Textiles
How Techno-Textiles Have Increased The Possibilities Of Both Architecture And Fashion
How Do They Work In Practice?
Chapter Five
Conclusion
Is the Interaction Between Fashion And Architecture A Positive Outcome Of Our Modern Life?
Where Do We Go From Here? What Will The Future Of Fashion And Architectural Design Look Like?
Recommendations For Future Research

From the Paper
"Today's architectural design and fashion design work have penetrated each others space. Fabrics are used in fashion design to create texture, color and to bring the design elements together into a whole. Architectural design uses the materials for building in much the same way and for the same purpose as each material, whether in fashion or architectural design creates a different effect on the same design. This research views the clothing of an individual making to shelter and provides a definition of our personal space such as do architectural structures although on a much larger scale. Fashion in clothing has allowed express in society for many millions of years. Generally it is those who have attained status within their cultural grouping that have the power to become trend-setters. Furthermore, color is greatly used as a matter of personal choice. Fashions vary greatly dependent upon age, social class, generation, occupation and geography. Fashion evolves constantly particularly in a capitalist society."

Tags:design, architectural, material, clothing

Abstract
This essay discusses issues in architecture and sustainability and what must be done to preserve resources while building in a space and economic conscious fashion. The essay argues that an architectural emphasis on nature and humanism have become obscured by economic factors which has lead to poor use of space and unsustainable building design. Further, the essay argues that in order to preserve society's resources, architecture in which commercial, residential, artistic and community-oriented goals are shared must be encouraged. The essay suggests that if a city embraces the reciprocal relationship between social coalescence and proper public brokerage, ecological degradation will become less likely.

From the Paper
"Physical surroundings are a determinant factor in the defining the human experience. The communities, neighborhoods and buildings where we find familiarity and comfort are also those same hosts upon which we rely for sustenance, socialization and survival. And to that end, the interaction between man and nature defines the shape taken by each of these pursuits. Though such is a premise which has always persisted as an overarching theme in the infinite architectural philosophies that have adorned and scarred the earth, today's architectural dilemmas suggest that the emphases on nature and humanism have become destructively obscured by economic factors."

Tags:sustainability, humanism, ecology, design

Abstract
Sustainability is a word that has become fashionable in the last decade, but in truth sustainability is not a matter of fashion but of survival. Environmental issues affect architecture at every level, given that "building consumes half the energy used in developed world" (Yeang, 2001, p.34). While architects cannot solve all the world's environmental problems, they can design buildings to operate at a fraction of current levels and so help reduce the burning of fossil fuels. Certainly, energy usage is a global problem and one the most complex and problematic issues facing humanity.

From the Paper
RESPONSIVE, GREEN ARCHITECTURE FOR SENSITIVITY AND SUSTAINABILITY: TANGIBLE AND PRACTICAL SOLUTIONS FOR CONSTRUCTION HOW CAN WE TRANSFORM ARCHITECTURE FROM A SETBACK TO A TOOL OF CHANGE? SHAMUS BAGHERIAN BA ARTS DESIGN AND ENVIRONMENT (ARCHITECTUTURE PATHWAY) CONTENTS INTRODUCTION 03 SUSTAINABILITY AND LIFESTYLE 07 RESPONSIVE ARCHITECTURE 10 GREEN IN THE UK 19

Tags:green, sustainable, architecture

Abstract
Three famed examples of Charles Willard Moore's ingenious work will be selected during the course of the paper and his core strategies will be described in that backdrop. During the course of the paper, an attempt will also be made to show how his work qualifies as belonging to the Post-Modern era of architecture.

Abstract
What now seems repetitive was once radically innovative when architects, such as Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier, attempted to reshape the urban metropolis in order to reflect the aesthetic principles of an industrial, democratic age. This paper will examine the achievements of the three architects noted above. Their works will be examined with respect to both theory and practice. It will be argued that, while their legacy in the field of architecture remains controversial to this day, their contributions to the establishment of the International Style fundamentally altered the landscape of the modern city.

Abstract
This paper discusses Canada Place which is located on the waterfront of downtown Vancouver. It specifically discusses the history behind the construction of the building and the architectural design. The paper goes on to describe public opinion of the architecture of the structure, as well as the opinion of architectural critics.

From the Paper
"Architecture in Vancouver In this essay I review Canada Place, a very unusual building situated at the bottom of Howe Street in Vancouver, British Columbia, Canada. I consider this to be a post-modernist building. Canada Place is located on the waterfront of downtown Vancouver. It was built for "Expo 86" - the World Fair that was held in 1986 in Vancouver. The objective was an attempt to rival the impressive Sydney Opera House in Australia. The outcome was a somewhat strange looking building that elicits a wide variety of responses that run the gamut from admiration to disgust.The only thing it does not evoke is boredom. People have compared it to a tent, a camping trip, an insect and a sailing ship. "

Tags:architecture, vancouver, canadaplace

Abstract
The paper analyzes the organic patterns of architectural design in the medieval city in relation to the changes made to the urban city environment of the Renaissance. The paper explains that with the feudal aristocracy building castles and large fortifications to protect their vassals, the organic impulse for natural locations with geographic protection were necessary for these structures.

Tags:art, building, urban

Abstract
The paper states that the idea of the Gesamtkunstwerk, or "total integrated work of art," was developed by Richard Wagner to describe what he was trying to do with his opera - that is, to blend all of the arts together into a single, unified whole. The paper comments that artists belonging to the Wiener Werkstatte, inspired by the concept of the Gesamtkunstwerk, took this concept as their ultimate artistic goal. While in the end, due largely to funding problems, the Wiener Werkstatte failed, it nonetheless left an indelible mark on the artistic accomplishments of the Weimar era in Central Europe. Following on, the paper discusses the accomplishments, and shortcomings, of the artists and craftsmen of the Wiener Werkstatte to determine to what extent they were associated with this movement in order to attain the heights of the Gesamtkunstwerk.

Outline:
The Beginnings of the Wiener Werkstatte
Aesthetic Tendencies within the Werkstatte
Major Architectural Achievements of the Wiener Werkstatte
Purkersdorf Sanatorium
Palais Stoclet
Villa Ast
Villa Skywa-Primavesi
Sonja Knips House
Fashion and Product Design
Politics and Aesthetics: The Wiener Werkstatte in the Weimar Republic
Decline and fall of the Wiener Werkstatte

From the Paper
"Founded by Josef Hoffman, Koloman Moser and Fritz Warndorfer, the concept of the Wiener Werkstatte is said to have originated in coffeehouse discussions amongst the three protagonists. As early as 1899, a groundwork or blueprint had been laid. The foundation of the Wiener Werkstatte called for a unity between art and craftsmanship, suggesting a series of workshops in which artists and craftsmen alike can work as well as learn from each other; thus the original idea of the Wiener Werkstatte was artistic as well as pedagogical."

Tags:exclusionary, country, club, Vienna, secession

Abstract
This paper considers the symbolic construction of space and the way space is utilised within and around the Uluru Kata Tjuta National Park. Uluru is a point and the physical interface where Western and indigenous cultures interact. It looks at how the Uluru provides a unique insight into differences between contemporary society and the mores of an older culture. The paper includes graphics.

Outline
People About the Rock
Arid Architecture and Design
Absence of Monuments
Fashions of Fire
Conclusion

From the Paper
"The sheer size and bulk of Uluru with hundreds of nooks and crannies provides shelter, resources and inspiration to local Indigenous people for thousands of years. The numerous panels of parietal art adorning both living areas and ritual places around Uluru evidence this strong connection. The association of rock art and oral histories make Uluru 'highly identifiable' with a particular group (Burke 1999), the Anangu who are the traditional owners. Anangu creation stories and symbolic art on its surface bears testimony to the central place Uluru plays in Tjukurpa or the law of Traditional Owners."

Tags:art, monuments, mythology, parietal