Abstract
This essay analyzes three of Emily Dickinson's poems. The poems reveal contradictory struggles with ideals of heaven, eternity, and Dickinson's own struggles for proof, and how to trust in faith. The poems are also compared to Psalms 63 and 139, to locate a biblical reference for the struggle to not be deceived in true faith.

Tags:emily, dickinson, struggle

Abstract
In this article the writer discusses Emily Dickinson's poems and letters and explores the issue of desire and sexuality. The writer contends that the images and metaphors in the letters suggests a writer vulnerable to strong emotions and sexuality.

Tags:Emily Dickinson, poetry, desire

Abstract
This paper examines the techniques employed by Emily Dickinson in the poems "I Dwell in Possibility" and "They Shut me up in Prose." The paper examines the author's background as an orthodox Calvinist and examines the effect that her childhood religious influences had on her poetry. The essay makes the point that Dickinson's poetry was often a vehicle for her criticisms about organized religion and the role of the church. Both poems are cited within the essay.

From the Paper
"The limitlessness of the imagination is symbolized in both poems by metaphors that represent the power of creativity and how it can be spiritually enlightening. By relating the ordinary to the extraordinary, Dickinson shows the power of the mind to see beyond the mundane and find deeper meaning within it. The house in "I dwell in Possibility-" is portrayed as ethereal and divine. The roof is "Everlasting" and it has "Gambrels of the Sky" (7 - 8). The roof is described as being impossibly tall, reaching up towards the sky, symbolic of the imagination's ability to find spirituality within everyday existence. In the poem, she also is figuratively able to hold Heaven in her hands: "The spreading wide my narrow Hands/ to gather Paradise - "(11 - 12)."

Tags:analysis, calvinist, church, creativity, dickinson, emily, image, poetry, puritan, recluse, religion, rhyme

Abstract
This paper analyzes three poems by Emily Dickinson reflecting the symbolic bird as a vehicle for hope, despair, and the single unwed. The paper explains that this relationship between bird and human emotion are common, because they suggest a deeper way for Dickinson to free her soul. By transforming gender roles in marriage, issues of hope and faith, and the problems of despair and depression in the creative process, Dickinson soars with bird symbols as a process and tool for her complex works.

From the Paper
"Emily Dickinson and the Symbolism of Birds In this study, the symbolic theme of birds will be analyzed three of Emily Dickinson's poems. By creating a three-tiered analysis of each of these poems, one can realize how birds represent the human emotions of despair/ depression, the life of the single unwed, and the feeling of hope that arises within the text. By taking these three poems, one can begin to understand how the bird symbolically represents different emotions within the writings of Emily Dickinson. In the first poem analyzed here "To Hear an Oriole Sing" one can understand the prototypical reflection of how Dickinson relates her narrative within the poem. The basis of the single unwed lifestyle is presented here through the symbolic Oriole that sings alone, and not for the general publics gender stereotypes."

Tags:birds, dickinson, poetry

Abstract
The paper discusses how the various stages of Emily Dickinson's life tell a story about her ability to write great poetry. The paper explains that by being a young girl with a good religious education, she was able to take that learning into her early adult writings. Although she was not published a lot, she was able to gather a collection of poems that reflected her idea of the Puritan soul. The paper relates that by her old age, she was able to realize her best poetry by taking her life experiences and writing them down.

From the Paper
"Her life in Massachusetts will help give an idea to how she suffered depression and isolation, but also how she was able to realize her soul through her writings. In this paper, the biography of Emily Dickinson will help the reader understand how important her story is to American poetry and to our national identity. Emily Dickinson was born in 1830 and resided in Amherst, Massachusetts for all of her life. She was considered talented in her studies at Amherst Academy and Holyoke Female Seminary, forging an education that gave her the writing skills that would eventually become poetry masterpieces in American literature."

Tags:dickinson, emily, poetry

Abstract
The paper analyzes the symbolic and point of view perspective in relation to the theme of the sincerity of internal faith in "Some Keep the Sabbath Going to Church" by Emily Dickinson. The paper discusses the symbolic reference to the church in the poem, and shows how Dickinson sets up the point of view of an internal faith that can judge one's salvation from within-not through the authority of a preacher or of church society.

Tags:dickinson, poetry, church

Abstract
This paper analyzes how the author T.S. Eliot evaluated the highly private life of the poet Emily Dickinson. It looks at how T. S. Eliot evaluated Dickinson as a private individual that refused to be tainted by society and literary norms within 19th century poetry.

From the Paper
"This study will analyze how the author T.S. Eliot evaluated the highly private life of the poet Emily Dickinson. In her poetic career, Dickinson was a private individual who refused social contact with her neighbors. By isolating herself from the community, her inward `eye' of the soul could focus to a greater degree on her poetry. In this manner, T. S. Eliot evaluated Dickinson as a private individual that refused to be tainted by society and literary norms within 19th century poetry. Emily Dickinson was born in 1830 and resided in Amherst, Massachusetts for all of her life. She was considered talented in her studies at Amherst Academy and Holyoke Female Seminary, forging an education that gave her the writing skills that would eventually become poetic masterpieces in American literature. "

Tags:dickinson, eliot, poetry

Abstract
This paper analyzes the personal lifestyle of the reclusive soul in the poetic works of Emily Dickinson. The author points out that, her various poems reflect her definition of the soul, through which the reader can understand her Puritanical upbringing that refused to be tainted by society at large. The paper relates that her privatization of poetry remains her identifying mark within her verse because she felt pre-destined to realize the purity in her ideology of the reclusive life.

From the Paper
"This literature analysis presents the "reclusive soul" that was part of the life and poetry of Emily Dickinson. By analyzing her life in a biographical perspective, one can understand the deeply private and reclusive nature of Dickinson's life. Through a refusal to interact with society at large Dickinson felt that the soul should not be tarnished by external society, especially in preserving the poetic sanctuary of the individual. In this study, there will be an analysis that reflects the reclusive soul in Dickinson's life through biographical means, as well as through her poetry. Emily Dickinson was born in 1830 and resided in Amherst, Massachusetts for all of her life."

Tags:dickinson, poetry, poet

Abstract
This paper provides an explication of Emily Dickinson's poem "Because I Could Not Stop For Death" using the explication to show Dickinson's dualistic attitude toward religion. In particular, the poem is used to show Dickinson's view of the promise of everlasting life for eternity.

From the Paper
"In 'Because I Could Not Stop For Death,' poet Emily Dickinson personifies 'Death' as a gentleman who is kindly and shows the speaker civility. (Dickinson) Because 'Death' is such a gentleman, the speaker in the poem willingly follows 'Death' toward eternity. The speaker in this poem appears to believe in Christian doctrine gladly accompanying gentle Death in order to be granted everlasting life for eternity. However, despite this surface impression there are a number of clues in the poem that show Dickinson is not..."

Tags:Christianity, God, Dickenson, poem, symbolism, allusion, humanism

Abstract
In this article, the writer discusses that Emily Dickinson employs humour thematically in her poetry, but she also constructs the form of some of her poems in such a way as to mirror the rhythm and meter of jokes. The writer also points out that in some of Dickinson's poetry, form becomes an oblique way of articulating an often subversive truth. Dickinson also employs humour or the theme of joking and jest in her poetry thematically, going so far as to use the idea of joking as the central theme of several poems. The writer maintains that humour seems to be for Dickinson a way of articulating a subversive truth that often stems from relationships of power. The writer concludes that Dickinson's use of form and theme tie together humour theory and feminist scholarship to create a poetics of subversion through slantness that has perhaps not been attended to with the depth it warrants. The writer further suggests that brevity, as we know, is the soul of Dickinson, but wit is her weapon.

From the Paper
"That "I know that He exists" contains throughout the poem the language of finance is, as we will see later in "Surgeons must be very careful" a way of further contextualizing power relations in terms of gender. The language of finance is decidedly male. As close as Dickinson was to her father and brother and their affairs, however, Dickinson would have been well-versed in such terminology. Economic terms appear throughout the poem. In the last two lines of the first stanza, "He has hid his rare life / From our gross eyes." "Gross" can have several connotations, all of which work in "I know that He exists." At first without reading through the entire poem "gross" seems to refer to size. "Our gross eyes" paints a picture of childlike, wide-eyed wonder that accompanies meeting the awesome. "Gross" could also function as an indication of number; "our gross eyes" could be not just "our" eyes in the sense of each of us as the singular reader, but instead all of us as a mass noun. In the context of the other financial terminology used in the poem, however, it seems as if "gross" functions in the sense of what Webster's defines as "before any deductions" as in "gross income." The "gross eyes" of the living in the poem have not yet met the point at which the deduction has taken place. The metaphorical deduction takes place at the point of death."

Tags:mirth, jest, truth, comic, perspective