Abstract
This paper uses the notion of contrasting settings to describe the strong forces between passion and reason in Emily Bronte's novel.

From the Paper
"The two major settings, Wuthering Heights and Thrushcross Grange, represent opposing forces; such as aged and new, ugly and beautiful respectively. Moreover, they represent the main characters' struggle between passion and reason and the potential of each to become the opposite."

Tags:setting

Abstract
This paper provides a comparison between the works of Emily Bronte and the experiences found within her life. There is an emphasis on her brother Branwell's alcoholism and the fantasy setting of "Gondal".

Abstract
This paper analyzes Emily Bronte's Wuthering Heights, published in 1847 when England's political climate showed evidence of an emerging feminist movement. The paper examines the heroine, Catherine Earnshaw and her figurative double, Heathcliff to illuminate Bronte's commentary on the maddening confinement of female individuality.

From the Paper
"As a result of her hopelessness, Heathcliff becomes Catherine's device for strength. So when little Catherine asked for a whip, she got Heathcliff instead who proved to be her metaphorical "whip" in using him as a tool for power."

Tags:feminist, madness

Abstract
This paper explains that Emily Bront's novel, "Wuthering Heights", is a work of contrasts, such as masculine versus feminine, the introvert versus the extrovert, and power over passivity. The author points out that the female desiring power in a patriarchal environment contrasts sharply with a male's desire for the civilizing effect of culture. The paper relates, in detail, the portrayal of Catherine and Heathcliff as two sides of one being, which assists the reader in the discovery that "Wuthering Heights" is not a love story in the usual style.

From the Paper
"Heathcliff's side is introversion. From the point of his introduction into the Height's household, the boy is described as gibbering and unable to communicate. From this can be seen that the boy, however objectionable, is isolated. His initial treatment at the hands of Mrs. Earnshaw and the children heightens this isolation, and he becomes ostracized. Even Nelly Dean, the servant, refers to the child as "it" and describes him as a "sullen, patient child" (22). Heathcliff doesn't seem to react to either emotional or physical bullying. Hindley repeatedly attacks him, but Heathcliff does not react. Rather he internalizes his reactions. He is pushed under the hooves of a horse and bears this with silence and coolness. Nelly mistakenly reads this reaction as being proof that the child is not vindictive, but later finds this not to be the case (23). The child has internalized and introverted his anger, not in order to diffuse it, but to store and hone it for later use."

Tags:yorkshire, contrasts, introvert, passivity, heathcliff

Abstract
In this paper the author examines romantic narratives and considers some of the reasons why this type of novel became quite popular over the course of the 19th century Victorian era. The author moves on to consider the Gothic genre and makes comparisons to other acclaimed writers.

From the paper:

"Ultimately, to identify a work of literature of any scope as existing within a particular genre will always result in a mixture of elements, as reflected in section four of Jameson's "Magical Narratives" essay on the subject. Unless an author writes quite self-consciously with a particular genre, which Bronte did not, such construction is ultimately artificial."

Tags:Nelly, Dean, Heathcliffe, Edgar, Isabella, Linton, Dante, Watt, Radcliffe, gothic, literature, novels

Abstract
"The place of women in society was long subordinate to the male and remains so today to a great degree even in the supposedly enlightened Western democracies. In the nineteenth century, it was especially difficult for a woman to find any means of becoming independent, and women generally remained dependent on their fathers, their husbands, or some other male relative.

From the Paper
"The place of women in society was long subordinate to the male and remains so today to a great degree even in the supposedly enlightened Western democracies. In the nineteenth century, it was especially difficult for a woman to find any means of becoming independent, and women generally remained dependent on their fathers, their husbands, or some other male relative. Few women worked, and those who did generally worked in menial capacities and also had to face the scorn of society. A woman such as the title character in Emily Bront?'s novel Jane Eyre is at the mercy of fortune in a number of ways. Jane Eyre can serve as an example of the difficulties which a woman had to overcome to achieve any sense of independence as a woman in her time. She is also an example of the shifting role of women in victorian literature, a woman with a traditional role but with a ..."

From the Paper
"This study will examine the violence in Emily Bronte's Wuthering Heights to determine what thesis the author is suggesting about the nature and causes of violence.


The fundamental thesis with respect to the nature and causes of violence, insofar as it pertains to this novel, is that violence is generated by a passionate and obsessive love that two individuals have for each other. Certainly there are other factors at work in the novel --- the physical environment, the various psychoses and neuroses of other characters, even heredity --- but the author's focus on the passions of Heathcliff and Catherine makes it clear that she believes violence to be rooted especially in the almost inhuman, or superhuman, attraction that the two main characters have for each other. In short, they simply love each other too much for their own good or for the..."

From the Paper
" Emily Bront? (1818-48) was born in the parsonage at Thornton in Yorkshire and two years later her father became rector of Haworth, also in Yorkshire. Her single novel, Wuthering Heights, is infused with the spirit of the moors around Haworth and the singular nature of the Bront? family's lives and accomplishments have made biography-based criticism the principle approach to their novels. While there is much in the novels of Charlotte and Anne that is clearly derived from their own experience, Emily's great work is less susceptible to this approach. Very little is known about her short life and much of what is known is filtered through the protective, and defensive, Charlotte. Thompson's recent analysis of the role of gender in the initial reception of Wuthering Heights and her critique of the "Biographical Notice of Ellis and Acton Bell" that Charlotte appended to the 1850 edition..."

Abstract
The paper offers an analysis of three novels by the three Bronte sisters (Anne, Charlotte and Emily) that demonstrates the struggle of women in the Victorian era trying to achieve equality and the right to express intellectual and sexual feelings.

From the Paper
"Sisters Anne, Charlotte and Emily Bronte were all authors whose works often revolved around women's issues with respect to living in a patriarchal society. Women in the era in which the sisters wrote were often limited to roles of wife, mother or family caretaker and were seldom able to express their own feelings or emotions. This was particularly true in relations with men and in expressions of sexuality."

Tags:patriarchy, Victorian era, feminism, intellect, sexuality, passion, roles, restrictions, male-female relations, spousal abuse, love, alcoholism

Abstract
The paper explores the conflicts between love and social class in Emily Bronte's novel "Wuthering Heights," focusing on the relationship between Heathcliff and Cathy Earnshaw. The paper explains how love was subordinate to class in the era of the novel.

From the Paper
"Love And Social Class: The Central Conflict of "Wuthering Heights." In Emily Bronte's "Wuthering Heights" the reader is introduced to the characters of Heathcliff and Catherine, Cathy Earnshaw Linton, two people who despite significant differences in their social class and relative status love one another with a passion that defies convention. As Deborah Epstein Nord suggests, Heathcliff is depicted by Bronte as the romantic yet dangerous gypsy, a person who enters Wuthering Heights as a parentless street urchin."

Tags:Wuthering Heights, Emily Bronte, Heathcliff, Cathy Earnshaw, romantic ficiton