Abstract
The paper reviews the play "King Lear" by William Shakespeare, a tragedy about the downfall of a powerful king and how his flawed judgment affected society at large. It shows how the subplot of Gloucester and Edmund is crucial to the play as Shakespeare has interwoven it as such that the main-plot can't survive on its own. It examines how Edgar appears throughout Lear's suffering and how the way that Edmund orders Lear and Cordelia's death emphasizes how the two stories are inter-connected. The sub-plot intensifies the tragedy and highlights the important issues of the play such as natural order, filial ingratitude and self-knowledge.

From the Paper
"Filial ingratitude is one of the themes in the play and both Lear and Gloucester suffer from it. This occurs because they trust their manipulative children and drive their loyal children away. Cordelia is banished to France when she claims that she cannot, " heave my heart into my mouth" and Edgar assumes the identity of Tom O' Bedlam after he is made a fugitive. Edmund, Goneril and Regan are surrounded with lies, greed and lust. However, Edmund is a bastard son and could be expected to be of a "base nature". He embraces his illegitimacy," Thou Nature art my goddess Now Gods stand up for bastards". On the other hand, Goneril and Regan are both Lear's legitimate daughters and their evil actions are not in their nature, they grow in evil as a result of Lear's flawed judgment and claims that," the best of his time hath been but rash". This contrast in their children highlights the fact that Lear is a victim of his own nature whereas Gloucester is a victim of Edmund's machinations."

Tags:blindness, cordelia, elizabethan, madness, natural, order, subplot, suffering

Abstract
This paper introduces, discusses and analyzes the topic of criminal justice. Specifically the paper discusses the juvenile offender Edmund Kemper also known as the Co-ed Killer. The paper takes a look at concepts of juvenile delinquency in relation to the justice system and how the system deals with juvenile offenders.

From the Paper
"The societal impact of Kemper's first release was deadly. Eight women including his mother died as a result, and more probably would have died had Kemper not turned himself in. He became notorious as a serial killer, and finally got the recognition he had so desperately needed from his mother. Throughout his life, his bizarre actions were a cry for help, and no one listened. His mother berated him, the justice system "cured" him and set him free, and the social workers ignored him. There were several different systems at play in Kemper's release, and they all combined to let him, and society, down. The societal impact to eight families was brutal, but what Kemper's case implied to society as a whole was much more important. If Kemper made it through the system and was released back to the very person who seemed to be the cause of most of his problems, how many other offenders had suffered the same fate, and were waiting to claim more victims? Ultimately, society pays for the digressions of the criminal justice system, in small ways, or in larger ones."

Tags:sadistic, abuse, criminal, offense, murder, hunter, victims

Abstract
This paper reviews parts of Edmund Burke's speech where he advises England to allow the American colonies their liberty. The paper highlights that this was going against the political beliefs in Britain at the time. The paper then attempts to show that Burke was also showing his intelligence as a leader, philosopher and truly honorable diplomat in this speech.

From the Paper
"When Burke states that the British Empire as "an empire so great" he quickly qualifies that by saying the Empire is also "so distracted," a pivotal key to the thrust of his remarks. He knew the British Empire could not possibly sustain all their global holdings, properties, and resources at the level that they once controlled them as a colonial power.
"He admits that even a "genius" would have a hard time keeping the empire together; and he admits to "struggling a good while" until his thoughts began to jell, and he expresses the belief that he has come to a profound grasp of the moment, albeit he is just one man. He uses his customary skillfully crafted rhetoric to cajole the Parliament, saying that if what he is proposing would be "futile or dangerous" or poorly constructed, he wouldn't bother. But bother he does, and will, when it comes to his simple proposition - "peace.""

Tags:colonies, liberty, British, Empire, Revolutionary, War

Abstract
The paper provides an overview and analysis of the life and art of Edmund Blair Leighton, a Pre-Raphaelite Victorian painter who painted highly finished and decorative depictions of Victorian life as well as history works. The paper explains that the subjects of Leighton's works were highly romanticized and idealized, and this has led to modern criticism of his work as being merely decorative and somewhat irrelevant in relation to more "serious" art. The paper asserts that Leighton provides well-crafted and harmonious compositions that are more than just attractive wall hangings, and his art is still relevant today because its style and subject matter show evidence of a longing for a world that is more refined, ordered and heroic than the often harsh and unromantic world of today. The paper concludes that Leighton's work may be seen as romantic idealism, but his art depicts his subject matter with such clear lines and tones that it succeeds in creating a sense of longing for a better world. This paper contains a photo of one of his paintings.

From the Paper
"In this light, it is therefore not surprising that in a world that has become often mechanistic and mundane, that paintings which espouse romantic and higher ideals are still admired. In other words, we still find value and have an attraction for paintings which appeal to our sense of order, proportion and harmony. What also should be taken into account is the nostalgia for the heroic and romantic past, which could also go a long way to explaining the contemporary popularity of his works."

Tags:artist, colors, classic

Abstract
This paper introduces and discusses the topic of criminal justice. Specifically it discusses the juvenile offender Edmund Kemper, also known as the Co-ed Killer. The paper analyzes concepts of juvenile delinquency and the justice system. It describes how the system deals with juvenile offenders and whether it is successful in rehabilitating offenders.

From the Paper
"The solutions to the problem of juvenile offenders are varied and difficult. Some juveniles seem to understand their actions and their ultimate danger to society, as Kemper did. Others seem unable to understand their violent tendencies or seek help for them. Once they are inside the criminal justice system, these offenders can fall by the wayside in the wake of other more serious offenders, or they can simply be pushed aside as caseloads and workers shortages take their toll on the system. In Kemper's case, the juvenile system let him and society down. They did not follow up on his accusations against his mother, or ensure that his release into society was going smoothly. Instead, they dropped the ball, and Kemper had free reign over himself. The CYA only kept Kemper for three months before they let him go, and clearly, that was not long enough. His treatment was not complete, and he dreaded his home life. The doctors should have been able to see that he was seriously disturbed, and might never be able to function normally in society. Ultimately, the solution is more studies into offenders such as Kemper, so that doctors and the criminal justice system have a better idea how to treat and restrain seriously mentally ill offenders."

Tags:serial, murder, cannibal

Abstract
This paper explains that, in Edmund Morris' "Dutch: A Memoir of Ronald Reagan", Morris introduces himself into the narrative both as a true eyewitness and as a fictional one, who is both older and more American than the authentic Morris and lives a life oddly paralleled to Reagan's life. The author points out that, while "Dutch" clearly is not a traditional biography, it adheres to the most important aspects of the fundamental biographical style in that it provides the reader with ample information about Reagan through the most significant moments of his life. The paper relates that Morris developed this style because, despite having been paid more than $2.9 million to write an official biography, Morris found himself deterred by a calculated silence on Reagan's part, which left the author grappling to find who Reagan really was as a man.

From the Paper
"Throughout the course of the book, Morris again and again refers to Reagan in physical form, noticing his "deep-chested" strength as a youth, his elegant aging as a 30-year-old actor, and his stiff comportment as a President. At times the descriptions slide into the sensual: "That hard, splendid body, those bruising arms and knees, the prickle of wet wool..." describes the young lifeguard Reagan. Later, "that quiet, palpable mass, at once majestic and unthreatening. It's not simply an aggregate of height and breadth....he [crowds] one's horizon." While these descriptions may seem to be the result of literary license, emphasizing the body rather than the man, they have the distinct effect of creating a character who is almost a paperboard cut-out. By focusing on the two-dimensional, this effect iterates the importance of Reagan's "acting" rather than his authentic "feeling"."

Tags:banality, aloof, incurious, lifeguard, critics

Abstract
An essay which compares the political philosophy of Edmund Burke with that of his leading critic, Thomas Paine. It argues that Burke's philosophy was less a reaction to the French Revolution than an idealization of the English constitution which was created for the purpose of disarming those in England who might have drawn upon revolutionary principles to foster change at home. Paine's philosophy is distinguished from Burke's chiefly by the fact that it takes a much more critical attitude to the past.

From the Paper
"Yet as praise for Burke's philosophy seems detached from any particular enthusiasm for the late 18th-century English state, it seems that Burke's political philosophy is routinely analyzed in a way that completely abstracts it from the political order it was intended to eulogize and exempt from further change. The problem with this abstract approach is that it bestows upon Burke's philosophy the power to legitimize any political order simply because it has subsisted into a venerable old age. In other words, if the Third Reich had lasted a thousand years, it would also be entitled to similar esteem as the fruit of generations of human wisdom. It is hard, however, to see the genuine wisdom in a philosophy which blithely ratifies the past, without developing clear criteria to distinguish between the parts which might be allowed to continue to subsist without harm, and those which will only yield harm if left uncorrected."

Tags:Reflections, Revolution, France, Whig, 18th-century, Common, Sense

Abstract
This is a five-page biography of serial killer Edmund Kemper. It details his childhood, adolescence and his criminal years, with an emphasis on his inner psychology and the influences of his family.

Tags:serial, killer, kemper

Abstract
This paper examines the life of Edmund Spenser, who was viewed as a love and pastoral poet and also a classical author. It looks at how Spenser's life ran almost identically to the Elizabethan Age, from his birth in a poor family in London to his religious and political views to his eventual move to Ireland, where he wrote his most famous piece, "The Faerie Queen". It discusses how "The Faerie Queen" contains six books and a fragment of a seventh and how, with each book, a virtue is introduced. A story then unfolds to explain how the hero of that particular book obtains the virtue as his ultimate prize. The focus of the paper is on Book One and the virtue of holiness, which was dedicated to Queen Elizabeth I. It shows how his use and skill with ancient language coupled with his creation, the Spenserian stanza, presents the reader with a delightful look at medieval England.

From the Paper
"When she finishes the story she starts to faint. The knight comforts her and vows to rescue her hero. They all leave together with the wise dwarf leading the way. Even though Una has been abandoned, misjudged, and betrayed by the man she loves she remains steadfast. She still loves him and wants to free him from his bondage by the giant. On a moral level here she still represents purity and truth. She has never wavered from either although her errant lover certainly has. On the religious level she represents the true church. She is forgiving and welcomes home the worst of sinners. On the historical level she is the Protestant Church."

Tags:medieval, england, elizabeth, spenserian, stanza, virtue

From the Paper
"Edmund Burke was born in the eighteenth century. He was a statesman and a political thinker. His views on government have been cited by conservative thinkers. For Burke, government should ideally be a cooperative, mutually restraining relation of rulers to subjects, with an attachment to tradition and the ways of the past to the degree possible but also with a recognition of the fact of change and the need for a comprehensive and discriminating response to it. Burke fought against the Revolution in France and demanded war against the new state. He believed that the French Revolution had brought about a devaluation in tradition. He saw strength in the English constitution, which offered continuity and unorganized growth as well as a respect for traditional wisdom. He suggested an interpretation of nature and the natural order and thus implied a ... "