<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title><![CDATA[Term Papers on edge | edge essays | AcaDemon]]></title><description><![CDATA[The largest library of college term papers, research papers, essays and book reports]]></description><link><![CDATA[http://www.academon.com/db/search]]></link><language><![CDATA[en]]></language><copyright><![CDATA[Copyright (c) 2009 Academic Resources Center. All rights reserved.]]></copyright><lastBuildDate><![CDATA[Sat, 28 Nov 2009 00:00:59 GMT]]></lastBuildDate><item><title><![CDATA[Essay (General) :: Straight Edge Punk]]></title><description><![CDATA[A look at straight edge punk and the message it delivers.]]></description><link><![CDATA[http://www.academon.com/Essay-Straight-Edge-Punk/72565]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Straight-Edge-Punk/72565]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 21:29:59 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Symbolism in "The Edge"]]></title><description><![CDATA[An analysis of the symbolism in "The Edge", starring Alek Baldwin and Anthony Hopkins.]]></description><link><![CDATA[http://www.academon.com/Essay-Symbolism-in-The-Edge/73378]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Symbolism-in-The-Edge/73378]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 21:29:59 GMT]]></pubDate></item><item><title><![CDATA[Comparison Essay :: "Postcards from the Edge"]]></title><description><![CDATA[This paper compares and contrasts the novel and movie "Postcards from the Edge".]]></description><link><![CDATA[http://www.academon.com/Comparison-Essay-Postcards-from-the-Edge/101005]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Comparison-Essay-Postcards-from-the-Edge/101005]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Analytical Essay :: "Edge of Taos Desert"]]></title><description><![CDATA[An analysis of "Edge of Taos Desert: An Escape to Reality" by Mabel Dodge Luhan on the geography of the area.]]></description><link><![CDATA[http://www.academon.com/Analytical-Essay-Edge-of-Taos-Desert/41998]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Analytical-Essay-Edge-of-Taos-Desert/41998]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Character Development in "The Razor's Edge"]]></title><description><![CDATA[Looks at W. Somerset Maugham's novel, "The Razor's Edge", and its film version to see the differences in character development.]]></description><link><![CDATA[http://www.academon.com/Essay-Character-Development-in-The-Razor's-Edge/50587]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Character-Development-in-The-Razor's-Edge/50587]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Analytical Essay :: "Babette's Feast" and "Razors Edge"]]></title><description><![CDATA[A comparison and contrast of Babette from Isak Dinesen's short story "Babette's Feast" and Sophie from the novel "Razors Edge" by Somerset Maugham.]]></description><link><![CDATA[http://www.academon.com/Analytical-Essay-Babette's-Feast-and-Razors-Edge/61291]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Analytical-Essay-Babette's-Feast-and-Razors-Edge/61291]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Article Review :: "Weeping at the Water's Edge"]]></title><description><![CDATA[A review of the article "Weeping at the Water's Edge" by Anne MacNeil.]]></description><link><![CDATA[http://www.academon.com/Article-Review-Weeping-at-the-Water's-Edge/108985]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Article-Review-Weeping-at-the-Water's-Edge/108985]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Descriptive Essay :: Color Field and Hard Edge Painting]]></title><description><![CDATA[A discussion of the Color Field and Hard Edge painters and their desire to create a uniquely American artistic movement.]]></description><link><![CDATA[http://www.academon.com/Descriptive-Essay-Color-Field-and-Hard-Edge-Painting/117123]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Descriptive-Essay-Color-Field-and-Hard-Edge-Painting/117123]]></guid><pubDate><![CDATA[Mon, 16 Nov 2009 10:52:19 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: "Good Will Hunting"]]></title><description><![CDATA[An analysis of the "edge" genre in regard to the film "Good Will Hunting".]]></description><link><![CDATA[http://www.academon.com/Essay-Good-Will-Hunting/8369]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Good-Will-Hunting/8369]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Term Paper :: Business Strategy Formulation]]></title><description><![CDATA[Looks into the emergent and planned approaches to business strategy formulation.]]></description><link><![CDATA[http://www.academon.com/Term-Paper-Business-Strategy-Formulation/104332]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Term-Paper-Business-Strategy-Formulation/104332]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item></channel></rss>