Abstract
This paper is an examination of how "Dulce et Decorun Est" is constructed. The author's life is essential to understanding this poem. Its meanings, and the techniques used by Owen to depict the themes are discussed.

Abstract
This paper examines how poems are one of the most powerful ways to convey an idea, message or opinion and how the poem "Dulce et Decorum Est", a war poem by Wilfred Owen, makes effective use of these devices. It looks at how Owen's use of precise diction emphasizes his point, showing that war is a horrible and devastating event and how his use of extremely graphic images adds more to his argument. It also analyzes Owen's use of punctuation to create texture in the poem in order to express strong meaning and a persuasive argument of the dark side of war.

From the Paper
"The author's use of excellent diction helps to clearly define what the author is saying. (Fulwiler and Hayakawa 163) Powerful verbs like "guttering", "choking", and "drowning" not only show how the man is suffering, but that he is in a great deal of pain that no human being should endure. Other words like "writhing" and "froth-corrupted" hint to exactly how the man is being tormented by his enemy, as well as himself. The phrase "blood shod" forces the image of men who have been on their feet for days, never stopping to rest long enough to recuperate. "

Tags:images, punctuation, graphic, images

Abstract
The paper provides a close reading of the poem "Dulce Et Decorum Est," by Wilfred Owen. The paper discusses the irony of the title, his use of literary and rhetorical devices, how he expresses his disillusionment with war and finally his notion of patriotism as harmful.

From the Paper
"The poem "Dulce Et Decorum Est" is a piece which is made meaningful by Owen's style and technique. Through his masterful use of various literary and rhetorical devices, Owen is able to make a deliberate attempt at destroying the popular misconceptions that dying for one's own country is a noble or rewarding act."

Tags:wilfred owen, war poem

Abstract
The paper analyzes how Wilfred Owen presents a poem that reflects the horrors of war through the use of alliteration, metaphor and imagery, which are important poetic tools on the realities of death and dying in combat. The paper explains that through his experiences during WWI, one can realize the dangers of promoting glory in war through the stories that old men tell youth. The paper shows how in this manner, Owen presents a poem on the realities of war through the construct of his poetry.

From the Paper
"This literary study will examine the verses of the poem "Dulce Et Decorum Est" by Wilfred Owen. Through the lens of war that is presented in the text, one can see the horrors of war that the authors presents through his poetic technique. In essence, Wilfred Owens's dramatic use of alliteration, metaphors and imagery clearly depict his theme that war is a terrible and horrific encounter. The initial aspects of the use of alliteration in revealed in the `ababcdcd' rhyme schematics that begin with the letters `s' and `b' in various words of the first verse. Owen is keen to keep a rhythmic and rhyming feel to his poem and colors the words to give a musical sense of militarism in its structure. Alliteration offers this musical sound to the verse."

Tags:owen, wae, dulce

Abstract
"Dulce et Decorum Est" is a poem written by a British soldier during World War I. The poem's horrifying imagery has made it one of the most popular condemnations of war ever written. The narrative poem realistically conveys a depiction of war - complete with weary soldiers marching "through sludge," "blood-shod" and "drunk with fatigue". This paper discusses how an analysis of "Dulce et Decorum Est" guides the reader not only through the poem's message (which is simple enough - "war is hell") but more importantly it provides an analysis of the form and structure of the poem, identifying and defining the literary and poetic devices used throughout the poem.

From the Paper
"Wilfred Owen's "Dulce et Decorum Est" is an extraordinarily powerful poem that conveys the harrowing disillusionment of WWI trench warfare. Owen uses language effectively to jar one's senses and to convey a sense of urgency, anxiety, and fear. "Dulce et Decorum Est" is a brilliant poem, but it is not a beautiful poem because its thematic scheme does not allow it to deal with a glorious subject. Instead, the poem is a powerfully naturalistic account of the horrors of war; hence it cannot utilize beautiful, traditional poetic language because the language of traditional poetry could not be used to accurately describe what the war, as well as modern experience, is really like. Therefore, the poem is meant to be disruptive, raucous, and naturalistic in its imagery, language, and figures of speech. The harsh, grating sounds and the cynical tone that run throughout the poem provide Owen the means to capture modern warfare. The tone of voice, both horrified and angry, conveys his doubts and cynicism to the established traditions and values which made him want to enlist in the war and think that it is, indeed, right and honorable to die for one's country. After seeing first-hand what war is really like, the narrator now attempts to convey the truth that war is really hell."

Tags:first, trench, bloody, soldier, death

Tags:author, example, powerful, tool, writing

Abstract
This paper reviews the Boy Scouts of America et al. v. Dale (99 699 530 U S 640 2000) case in which the High Court held that the constitutional rights of the non-profit Boy Scouts Organization of New Jersey were violated by the New Jersey state Supreme Court, when the latter insisted that the organization erred in dismissing former employee, James Dale, upon discovery of the fact that he was homosexual.The paper further discusses how the organization also refused Dale subsequent application for an adult leadership position with the Boy Scouts.

From the Paper
"Focusing upon the Employment Practices of a Major Not-for-Profit Organization In recent years, the United States Supreme Court has rendered a number of decisions which have forced not-for-profit organizations to re-evaluate how they go about their business. Perhaps the most contentious of all has been Boy Scouts of America et al V. Dale (99-699) 530 U.S. 640 (2000) in which the hiring practices of one of America's most cherished non-profit organizations was held up to critical scrutiny by the United States Supreme Court. "

Tags:employment, practices, law

Abstract
This paper discusses the specific meaning of libertinage in the work of Crebillon's "La Nuit et Le Moment," especially in regard to the character of Cidalise. The paper is in English with quotes in French.

From the Paper
"The libertine is an essential character of the French literary world of the eighteenth century, a character that we all recognize both in the original from his and sometimes her many descendants in post-Enlightenment literature."

Tags:crebillon, libertinage, libertine, gender

Abstract
This paper critiques o the book, "The Legacy of Divorce" by Judith Wallerstein, et al... The author points out that the book undermines the notion that children of divorce bounce back and grow into adulthood relatively unaffected.

From the Paper
"The conventional wisdom or paradigm concerning children of divorce maintained that children of divorce were better off away from bickering parents and an unhappy environment after divorce. In "The Unexpected Legacy of Divorce", Judith S Wallerstein et al shatter this paradigm in the third work based on their study of children of divorce since ... These children are now between the ages of .... through and the impact of childhood divorce on their development and present lives has not been good. As Wallerstein et. ..."

Tags:parenting, marriage, conflict, drug abuse, emotional development, relationships, fathers, intervention, family relations

Abstract
The writer of the paper examines and reviews the short story, "How" by Lorrie Moore. The writer of the paper describes the method by which "How" weaves a predictive tale of the way a relationship between the audience and a man will play out. The writer contends that the style of the tale is that of an embittered lecture, filled with the kind of explanatory detail that makes the reader immediately understand that the You of the story is actually the Me of the author. The writer further contends that the pain of what has happened in the relationship(s), as related in the story, is too great to admit to, so the author distances herself from the story by creating a third person, in this case, the reader.

From the Paper
"The agony of relationships weighs very heavy in "How". "You will fantasize about a funeral. At that you could cry. It would be a study in post-romantic excess, something vaguely Wagnerian." She believes herself to be trapped because he is little more than a man-sized puppy who doesn't understand why you have just slapped him for peeing on the carpet, "But I love you, he will say in his soft, bewildered way...that is always enough, why is that not always enough?". The intent of this story is to purge herself, or at least the narrator thinks this is a purge, of the history of such relationships that fizzle and fade by finally talking one through all the way to the end. This is her attempt to keep these kinds of relationships at bay, to talk herself out of the next guy (or this guy) before the inevitable end. But what this story says about the narrator is so much more than the words."

Tags:relationship truth unreliability subjective, dulce et utile, voyeuristic narrator literature