Abstract
This paper looks at the collection of short stories by James Joyce "Dubliners". The paper focuses on the final story "The Dead" and its role as the culmination of many themes begun in other stories in the book. Specifically the book looks at the themes of parental abandonment, apostasy, lost love, financial failure, decay and finally death. These indicate Joyce's perceptions of the death of Ireland.

From the Paper
"The collection of short stories by James Joyce called Dubliners draws a picture of life in that city in the early 20th century, and is descriptive not only of the people in specific, but also of the country as a whole. Joyce's pessimistic view of the state of the country at that time is made abundantly clear in the course of this collection of stories, which flow together so cohesively they might well be considered as one work. Dubliners concludes with "The Dead," also the longest story in the book with the largest and most complex cast of characters, and is the most highly symbolic of Joyce's perceptions of the state and fate of Ireland in the early 1900s."

Tags:joyce, dubliners, dead

Abstract
This paper discusses similarities between James Joyce's novel "Ulysses" and the collection of short stories, "The Dubliners," especially themes of Irish Catholicism. It also looks at the stories "Araby," "Eveline" and "Counterparts" and their thematic relationship to "Ulysses."

From the Paper
"While the slim volume Dubliners is years and indeed light-years away from Ulysses in style and scope, the culture out of which Joyce drew his material is identical for both texts. Irish Catholicism from which Joyce was famously not only disconnected but also ..."

Tags:Ulysses, Joyce, Dubliners, James, Joyce, Eveline, Araby, Counterparts, Catholicism

Abstract
There are two kinds of stories in "Dubliners" - those that are intimate and really involve the readers with the characters and those that are detached and show the reader as being more of just a casual observer. Both of the story types are fascinating, but not everyone will like the stories because of the different feelings that they often invoke in the readers. However, the main purpose of this paper is not to discuss the book specifically, but instead to discuss how it relates to the actual life that James Joyce lived.

From the Paper
"Even though the idea of hope is very important to the stories in "Dubliners", this does not mean that the book is full of happy endings. On the contrary, there are very few happy endings in the book. Instead, there are only the stories that Joyce tells, what happens to the people in them, the choices that they make, and what kinds of consequences that these individuals experience based on the choices that they make. Many of the people in the stories do not think of the future or even really realize that it is ahead of them."

Tags:Dublin, Ireland, stories

Abstract
This paper explains that, while it is tempting to read James Joyce's "Dubliners" as a simple narrative description of 'a chapter of the moral history' of Ireland, with Dublin serving as 'the centre of paralysis', Joyce was actually concerned with suggesting a means of moving out of this paralysis. More specifically, the paper stresses that 'The Dead', the fifteenth and final story of "Dubliners", should be seen not as a mere description of paralysis but as a means of suggesting a way forward or out of this condition. The author relates that the word 'escape' appears in no less than four of the stories in this collection; therefore, this word itself can be seen to hold the key to how Joyce's "Dubliners" is to be read. The paper presents a chapter by chapter description and analysis of each short story.

From the Paper
"At this early stage in Dubliners, however, these concepts are merely signified. The reader is, in other words, merely offered what Saussure would term 'signs' or words. In fact, that the significance of these key words is announced typographically, in italics, very quickly draws attention to the fact that it is words that we are dealing with here. Accordingly, when the reader is presented with these words, it is not the concepts underlying them that trouble the narrator of 'The Sisters,' but the words themselves and their fundamental sounds. The narrator has, he says, taken to saying the word 'paralysis' 'softly' to himself 'every night ... .

Tags:escape, ireland, etymological, words, grey

Abstract
This paper focuses on the analysis of characterization and some characters of James Joyce's "Dubliners". The study pays attention to the characters in the stories 'The Sisters,' 'Eveline,' and 'The Dead'. Since clarifying, analysing, and evaluating all characters of an important literary work like "Dubliners" demands a deep long-term scholarship, the author tries to focus on the mentioned stories, the characters of which are the elements that shape the general structure of them.

Outline:
Introduction
Character and Characterization
Character from Different Perspectives
Character Construction
"Dubliners" and its Characters
"The Sisters"
"Eveline"
"The Dead"
Conclusions

From the Paper
"Although the first story is narrated from the young boy's view point, it mostly suggests and depicts two old sisters as stereotypical women. Corrington argues that the old sisters represent "the Irish people, always ready to serve" (22). The sisters are apparently flat characters whose actions are tied to their touching situations like poverty and the brother's death, and their religious devotion. They are uneducated unlike their deceased brother who had studied in Rome. The sisters are the women who sustain the religious rituals so that their action seems unreasonable in comparison to their brother who once was a priest. The sisters are characters whose presence, actions, and discursive representation convey their flatness as well as their implied role in suggesting the theme of poverty, and institutional power of the church. "

Tags:Sisters, Eveline, Dead

Abstract
This paper discusses the book "Dubliners", a collection of short stories written by James Joyce, an Irish modernist of the early 20th century. The paper describes how women are the best of a bad, all too human collection of Irish characters in "Dubliners". The paper explores the deflationary but compassionate view of the sexual urges of both men and women over the course of Joyce's collection of short stories in "Dubliners".

From the Paper
"Of course it is true in the Dublin of Joyce's creation that at times, intense female sensuality (both in the sense of the female connection to the sensual life of food and drink as well as sex) can make it seem as though the intellectual Joyce views women negatively, as merely physical creatures. But in actuality, although Joyce does view this aspect of female life with occasional irony and humor, he ultimately sees what he considers as a particularly female attribute as an example of women's greater humility and respect for the true, earthly nature of human existence."

Tags:gallants, boarding, house

Abstract
This paper discusses how the the predominant strain of James Joyce's stories are told within Dublin's geographic sphere and how it is Dublin that remains the central universe of Joyce's writing, holding him hostage even in his subsequent freedom after he left Dublin. The paper looks at how the themes of escapism and the fallible monomyths as well as the ideas of stagnation and frustrated helplessness are described frequently in "Dubliners". The paper explains that there are fifteen short stories in all and then examines how each one offers emerging and blatant evidence of the paralysis of Dublin, with the background of each story remaining a pervading theme of being unable to escape.

From the Paper
"Tone is an important aspect of Joyce's Dubliners, it drives the connection between each story, along with several other themes, such as an individual on some sort of journey which ultimately proves to be a failure, resulting in a return to the place they originated from - call it a negative boomerang effect; that's what it seems like to me. Is it perverse to enjoy reading the downfall of all these young hopefuls? I hope not, because I thoroughly enjoyed this book. The form of the stories are short (duh) and concise; I love the clarity of the language used. Joyce is so blatant in his cutting down of these people that I can't help but ponder the correlations between these characters and his own history. Perhaps he writes to exercise his own Dublin demons..."

Tags:escape, Encounter, Araby, Dead

Abstract
The paper explores "Dubliners," by James Joyce, and explains how it is a culmination of fifteen short stories that are a reflection of James Joyce's life in Dublin. The paper discusses that Joyce presents each story as a different piece of the puzzle that amounts to the reader obtaining Joyce's image of Dublin in the early 20th century. The paper also explores Joyce's style, including his use of personification and passionate descriptions, and the paper explains how that style helps the reader visualize and empathize with the characters. Additionally, the paper analyzes the narrator and Gabriel Conway in "Araby" and "The Dead", and explains that they are tired of their situation in Dublin and romanticize ways to escape because, in reality, they are stuck and paralyzed.

From the Paper
"When observing the narrator in "Araby" and Gabriel Conway in "The Dead" it is evident that both characters attempt to escape from Ireland through their imagination. They are dissatisfied with what Ireland offers including the lack of a community, poor economic conditions, and political unrest. Even though the narrator and Gabriel attempt to escape, they are shot back down to reality and come to the realization that they are stuck in Ireland and the only bright spots are outside of the island."

Tags:Characters, imagination, community, reality

Abstract
This paper discusses love in James Joyce's "Dubliners," through the analysis of selected stories: "Araby", "Eveline", "A Painful Case" and "The Dead." It looks at how his love stories reflect his attitude towards Dublin (harsh, not softened or sweetened) and for that reason they rarely have "happily ever after" type endings. The paper moves chronologically through the book and shows how the book also proceeds chronologically in terms of the age of characters (Joyce's idea) who steadily grow older story by story, to represent the different facets of a Dubliner's life.

From the Paper
""Araby" is one of Joyce's stories of childhood, of childhood love. Even the setting is so hopelessly idealistic: "The space of sky above us was the color of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed" (24). This boy, who has fallen in love with his friend Mangan's sister, is completely desperate for her: He follows her in the shadows as though she were a "summons to [his] foolish blood," his "heart leaped" at the very sight of her on the doorstep, his "body was like a harp and her words and gestures were like fingers running upon the wires" (25). When they finally talk to one another, she tells him she would like to go to the bazaar, but can't."

Tags:araby, eveline, childhood, dead, age

Abstract
The paper comments that although "Dubliners" by James Joyce is a collection of short stories that reads like novel because the characters and situations all come together and relate the same story, the main theme is the spiritual and political paralysis of a nation. The paper then explores how this theme is presented in the book and how the paralysis experienced by those in "Dubliners" is both personal and national.

From the Paper
"The paralysis of Dublin also extends to the Church which acts as both a paralysing force and is itself in a state of paralysis. Indeed none of the priests in Dubliners are portrayed favourably: In "Araby" the priest who had formerly lived in the house had left it littered with papers, left his rusty bicycle pump outside, and had left his sister nothing but his furniture in his will. Fr. Keon in "Ivy Day in the Committee Room" is referred to as "a black sheep" and though he belongs to no "chapel or church or institution" he is quite "thick" with the politicians and financially does quite all right although no one is sure how. Even Fr. Purdon, whose ascent to the pulpit literally entails a struggle (173), gets his name from Purdon Street, which in Dublin makes up part of the red-light district. These unflattering portrayals of the clergy exemplify the corruption of the Church and its resulting paralysis."

Tags:corruption, dominant, priests, economically, paralyzed, oppressive, force