Abstract This paper compares and contrasts the conception of teenage life presented in Keenan's "Nancy Drew" series and Pascal's "Sweet Valley High". More specifically, the paper considers the sibling relationship, as well as the relationship between parent and child.
From the Paper "Between the time that Carolyn Keene penned the "Nancy Drew" series and Francine Pascal wrote her "Sweet Valley High" books, our society underwent many changes, including a rethinking of the family unit and increasing pressure on adolescents. More importantly the young adult readers that both Keene and Pascal intended as their audience changed significantly. As a result of their different social contexts, the two series present distinct views of adolescent life. Yet, both Keene and Pascal aim to teach young adult readers about life and relationships within their respective worlds..."
Tags: pascal, keenen, drew, sweet valley, sibling, parent, lesson
Abstract This paper will compare Dilbert, the cartoon character, with Drew Carey, the TV show star. Their influences on each other and their similarities will be reflected upon. Their reasons why they are so popular will be expounded upon as well.
Abstract In this book review the author starts with a look at the background behind the writing of the book "Karaoke Nights" by Rob Drew. He highlights how Drew was originally drawn to the topic of his book as a research subject only but as he learned more, he elaborated on the karaoke phenomenon. The paper looks at how "Karaoke Nights" is an observation on the external behavior of deejays, performers, and audiences and an intimate portrait of the emotional roller coaster that is the internal life of a karaoke singer. The author also examines how Drew provides an analysis of the varied roles karaoke plays in popular culture and how karaoke can guide to an understanding of local music and culture. The book review concludes with a summary of how karaoke has had a great impact on the American culture at weekends giving people a motive to act out a part and have fun at the same time, as described in "Karaoke Nights".
Table of Contents
Introduction
History of Karaoke
Karaoke Nights
Conclusion
From the Paper "Another point that Drew make in his book that American culture relies on a good time Saturday nights so that they relax after a hard week's work. And, ten years ago, karaoke caught on in America after being in Japan for many years before. Drew describes this craze from Japan a great way for people get together and live out some of their fears by singing songs in a public place where others could easily make fun of them. However, everyone in that local karaoke bar is feeling the same fears so they respect the person's feelings and not torment them while they are on stage singing out of tune. Most people do sing out of tune as Drew points out but karaoke is all about having fun and doing something some people would not normally do in front of others."
A look at Drew Gilpin Faust's book, "Mothers of Invention: Women of the Slaveholding South in the American Civil War", about the American Civil War and how it impacted Southern women.
Abstract This paper introduces, discusses, and analyzes two chapters from the book, "Mothers of Invention: Women of the Slaveholding South in the American Civil War" by Drew Gilpin Faust. Specifically, the paper explains how the instabilities of the Civil War South forced Southern white women to alter their behavior.
From the Paper "The South, being at a distinct disadvantage for most of the Civil War, sent as many able-bodied men as they possibly could to the fighting front. Women had to step in and run the farms and plantations in their men's' absence, and this included managing an increasingly volatile slave population. Historian Faust notes, "Women called to manage increasingly restive and even rebellious slaves were in a significant sense garrisoning a second front in the South's war against Yankee domination" (Faust 54). Obviously, this was a new and different role for most of these women, and many of the men left behind in the South did not appreciate or value it. In fact, many of them fought against female management, as Faust notes, "These issues went beyond questions of gender; they represented deep-seated worries about sex" (Faust 55). The key issue facing most of these women forced into unfamiliar roles was fear. They felt incapable of managing a large group of slaves, and some of them even feared for their safety and their lives."
Abstract This paper analyzes the definition of the outsider as discussed in two plays - "AlterNatives" by Drew Taylor and "Amigo's Blue Guitar" by Joan MacLeod. It explores how and why the various characters in the plays have constructed the outsider, while simultaneously fortifying their own position as outsider. The paper also analyzes the symbolism and language in both plays and discusses how this adds to the theme discussed.
Table of Contents:
Introduction
Dramatization of the Outsider
Outsider Constructing the Outsiders
Consequences of Dramatization by Characters
Symbolism in the Two Plays
Conclusion: The Nature of Experience
From the Paper "In both plays, language is the main route to understanding the presumed outsider. At the same time, language is the main avoidance strategy. Elias, for example, serves a practical end for Sander in that Sander "gets to cut out of Spanish and English class and hang out at immigration. Everyone thinks he's some kind of hero" (MacLeod 38). When Martha is speaking quite rapidly to Elias and he requests that she slow down, she does understand but ignores him. Martha even repeatedly mispronounces Elias' name. Elias points out to both Callie and Sander that the most formidable barrier to comprehending his reality is language. "If you want to know my story, then you can learn my language" (MacLeod 42)."
Abstract The paper focuses on each of the four different types of characters James Dickey presents in his work "Deliverance". The paper describes Lewis Medlock, Drew, Bobby and Ed Gentry and highlights Dickey's message that a true survivor can only depend on himself.
From the Paper "Austrian-English psychoanalyst and daughter of Sigmund Freud, Anna Freud once quoted, "Creative minds have always been known to survive any kind of bad training." Even though today's society is veering away from the Darwinian Naturalist Theory of Survival of the Fittest by advancing further in the food chain, the concept of survival is still present but in a different form. The competition for survival is mostly in terms of welfare. James Dickey's Deliverance especially illustrates this fact by presenting characters with different views on life that most people can relate to. This paper will illustrate the different views presented in the novel using outside sources as a guide."
Abstract This paper explains that Islam draws no difference between religious and secular life; thus, sharia includes not only holy rites but also many features of everyday life. The author describes Noble Drew Ali, born Timothy Drew in North Carolina in 1886, who founded the Moorish Science Temple of America, one group of which had the leadership from Elijah Muhammadhb and became the Nation of Islam. The paper relates that, in the present day, the Tablighi Jama'at is the major Islamic movement in relation to both the number of campaigners and geographical spread and plays a major part in publicizing Islamic consciousness and awareness at the ground level.
Table of Contents
Shari'ah
Umma
Noble Drew Ali
Warith al-Din Muhammad
Kunta Kinte
Tablighis Movement
Elijah Muhammad
From the Paper "Elijah Muhammad from 1897-1975 was the head of the Nation of Islam also known as Black Muslims during their time of maximum growth in the mid-20th century. Elijah Mohammad was born on October 7, 1897 near Sandersville in Georgia. His parents were also slaves who worked on cotton plantation as sharecroppers and his father was also a considered as a Baptist preacher. As a child Elijah worked in the fields and on the railroad, but he left home at age 16 to tour and work at unusual jobs. He settled down in Detroit in the year 1923 and was working on a Chevrolet assembly line. Later in Chicago, away from aggressive Muslim factions in Detroit, Muhammad formed what quickly became the most significant center of the movement."
Tags: awareness, external-ritual, punishment, heritage, group
Abstract This paper examines how Williams drew on his life and experiences in his writing. It shows how he never drew a clear line between his life and his work, which in fact were one and the same. The paper examines autobiographical elements in some of his works and explains how his life experiences impacted his writing.
From the Paper "Williams drew on memories of his mother, Edwina, who, although born in Ohio, was Southern by marriage and choice, to create the faded southern belle at the center of many of his plays, donating to them many of his mother's characteristic mannerisms and speech patterns. When asked about the appearance of his mother in his plays, Williams replied, "[She's] in all of 'em, I guess....I must say she contributed a lot to my writing." Amanda Wingfield in The Glass Menagerie and Blanche DuBois in A Streetcar Named Desire are examples of the archetypal Williams southern belle. Alma Winemiller in Summer and Smoke, Hannah Jelkes in The Night of the Iguana, and Laura Wingfield in The Glass Menagerie are three of his many variations on the type."
Abstract The paper discusses this volume of the series about the character Nancy Drew. In fact, the paper points out that the author is as fictional as the character, for this series is one of a number of series written by a group called the Strathmeyer Syndicate. This was a publishing group that employed anonymous writers to produce books then published under the imprint of fictional authors like Carolyn Keene for series based on characters like Nancy Drew, the Hardy Boys, Tom Swift and the Bobbsey Twins. The book is a relatively simple mystery with a number of plot twists that keep the main character moving from place to place in pursuit of an answer to certain questions about an Old Man and his legacy.
Abstract A look at the impact of world wars on abstract expressionism, a genre of art. The author examines what paintings under this genre represent and how they come to play significant roles in the expression of historical events.
Table of Contents
I. Introduction
A. Brief definition of abstract expressionism
B. Examples of other relationships between artistic movements and political happenings
1. Romantic movement
2. Vietnam
C. Brief description of the effects of World War
1. effects on the U.S. economy/politics
2. effects on the people
D. Thesis as to the relationship of World War II and the rise of Abstract Expressionism
1. Three major influences
a. immigration of European artists, writers, intellectuals, scientists
b. the Surrealist movement
c. ancient influences (art)
II. Body
A. Before World War II
1. Depression
2. Thirty Years War
3. World War I
B. Historical Roots
1. the 1930s
a. political happenings/economy
b. art & the relationship between the two
2. late 1930s early 1940s
a. political happenings/economy
b. art & the relationship between the two
C. Intellectual Roots
1. Themes of Abstract Expressionism
a. the return to origins
b. the human continuum
c. conflict and the dualistic pattern of human life
d. opportunities/new beginnings
2. Heritage (Ancient influences)
3. Nature
4. the subconscious
D. Artists
1. Gesture
a. style
b. specific artists
2. Color Field
a. style
b. specific artists
3. In-between
a. style
b. specific artists
III. Conclusion
A. The evolution of art starting from the period of the 1930s (WWI, Depression, etc.) to
after World War II
1. Content
2. Purpose
3. Style
B. How World War II molded Abstract Expressionism and how the artists drew from World War II
1. the people's responses to the war
2. united aspects of the art that showed a general feeling towards WWII
C. How, by the rising of Abstract Expressionism, modern art was affected, and how it
changed the way that people expressed their sentiments
From the Paper "At first, there was an initial resistance to Abstract Expressionism, but by the 1950s it was recognized as the dominant force in American painting, encouraged by the government while being considered a symbol of American cultural freedom.For the first time ever, American art received widespread and serious attention in Europe. Abstract Expressionism can hardly be characterized as a single movement due to the diversity of the art it encompasses. Despite this variety, Abstract Expressionist paintings share several broad characteristics ? they are basically abstract, emphasizing free, spontaneous, and personal emotional expression, and they exercise considerable freedom of technique in order to attain this goal. The artists of this period manipulate the physical variables of the paint in order to convey expressive qualities, often on large canvases to give the visual effects an engrossing power. Abstract Expressionist artists can be divided into three categories based on style - gesture painting, such as done by Jackson Pollock, color field painting as done by Mark Rothko, or an in-between style as done by Robert Motherwell."
Abstract This paper takes a look at the accomplishments of the Black Muslims offering an alternative to the peaceful, pacifistic teachings of leaders such as Martin Luther King, Jr. The author of this paper shows that the Nation of Islam has played a major role in shaping the ideas and destinies of those of African descent, regardless of their religion.
From the Paper "Brooklyn Congressman Major R. Owens, referring mainly to Black Muslims, in 1994, stated, ?There are a lot of frustrated, angry, bitter people who are looking for a leader. In some cases they are looking for something to hate.?[1] This sentiment strongly reflects the origins and ideas of Islamic African-Americans throughout their existence. Members of The Nation of Islam, and its factions, believe strongly in black pride, nationalism, and separation."
Abstract This paper discusses Dylan Thomas' influence as a Welshman upon the world of English poetry. Thomas offered the English-speaking world the opportunity to peer into the complex and all-too-contradictory world of the Welsh heart. He introduced Welsh mysticism, and drew upon his early up-bring and the influence of the Church on his life.
From the paper:
"To say that Dylan Thomas? early years in Swansea, Wales were full of contradiction would be a gross understatement. It is not easy to say whether his birth in an age when to speak Welsh in Wales was considered to be something less than correct was to be his greatest boon or his greatest curse. Whatever the case may be, it cannot be denied that this dichotomy engendered Dylan Thomas with a poetic prowess that was uniquely his own. What's more, it can be argued that it was his very Welsh-ness, with its powerful imagery and intricate word-play, which dazzled an English-speaking world. He embraced Welsh passions and wrapped it in the English language. This Anglo-Welsh voice touched a literary nerve in a way that no other poet had before. Thomas Dylan straddled a cultural divide, bringing the ancient Welsh mysticism, Puritanism, and bardic tradition into the pragmatic world of the Western Industrial Age."
Tags: bardic, mysticism, puritanism, tradition, church, welsh, england, wales
Abstract This business plan is an analysis of the electric toothbrush market in the United States that is used to develop a plan to market a new electric toothbrush in China. This business plan then analyses the Chinese markets in order to decide the best way to position the new product in the market. The final strategy is based upon the analysis of all of the information gathered from the studies done in both countries, and then a suitable plan is developed and executed.
From the paper:
"The expansion of trade shows also serve as evidence of the growth of China's dental market. The 2001 Sino-Dentech, generally believed to be the largest international dental show in China so far, drew about 170 international exhibitors from all over including Austria, Finland, France, Germany, Italy, Japan, Korea, Singapore, Switzerland, U.S., and even Liechtenstein. Prior to 1996, dental products had been exhibited together with other medical devices. Now the annual show is drawing increasingly larger and larger number of exhibitors, totaling 463 in 2001, and visitors.
The growth of the domestic dental industry has been substantial in the past several years. There are currently over 100 domestic dental product manufacturers in China, mainly concentrating on the low-tier market. This allows foreign imports to gain control of the medium and high end product segments, of which The Village Toothbrush primarily markets to."
Abstract This paper examines Samuel P. Huntington's clash of civilizations thesis in relation to the recent conflict in Kosovo. The paper concludes that all of the major players in the recent conflict in Kosovo performed as predicted by Huntington's thesis. The author discusses how the primary combatants, Serbs and Kosovars represent a fault line conflict between two civilizations, and both drew in support from kin-countries and how Russia came to the defense of Serbia, although only diplomatically as the situation permitted.
From the Paper "Since the end of the Cold War, NATO has become one of the premier institutions of the Western civilization. The recent entrance of Poland, Hungary, and the Czech Republic into the alliance had little-to-no strategic or military importance, but symbolized the re-joining of these states with the West. NATO's main role is changing from that of a military alliance to a club of Western market democracies. Countries like Romania, Bulgaria, Slovakia, and the Baltics seek membership to this club because they want to be recognized as a part of the West. NATO has become the dominant symbol of Western power, and thus exclusively the West carried out the air war over Kosovo."
This essay looks at how Cubist art in general and "The Portuguese" by George Braque specifically drew from and expanded on the consciousness and experiences of the modern age of technology.
Abstract The writer examines the works of George Braque and shows how he was the lesser known of the two founders of Cubism, always in the shadow of Pablo Picasso. This essay examines the artistic foundations behind one of the earliest Cubist works of Braque, "The Portuguese", and explains the unique importance of this painting in its day and even now.
From the Paper "An examination of Georges Braque's The Portuguese, painted in 1911, and the Cubist movement created by Braque and Picasso, helps show how technology was first widely used both instinctively and deliberately by artists. The Portuguese is an oil on canvas work approximately four feet by three feet in size; the colors are monochromatic in tone, thus emphasizing structure over the gently shaded colors. The subject matter of the painting is not the external world or nature; the painting exists within a reality and world of its own. This alone was revolutionary. Like most Cubist art, it has a restricted setting and manmade objects predominate over natural ones (Hughes 16). In this phase of what was known as analytical cubism objects were taken apart (dissected) and reshaped with the use of flat intersecting planes; perspective is two-dimensional and depth is limited. Four hundred years of Renaissance traditions (form, color, and space) were thrown out by The Portuguese and other Cubist works. Instead of a single vantage point at a single moment in time, the viewer sees the painting from many angles and at many different moments; the fixed point of view is gone. The painting also includes stenciled letters and numbers. Braque wrote, ?...as part of a desire to to come as close as possible to a certain kind of reality, in 1911 I introduced letters into my paintings.? In summary then, the elements above make The Portuguese one of the first examples of a painting as a unique object set in a revolutionary form. The degree of abstraction in Cubist art was also revolutionary. This new perception of the world came at a time of great transformation in society, and this work of Braque, seen within the larger context of Cubism, borrows much from the elements of the new world. "
