Abstract The paper discusses several literary works of the Qing period and examines whether non-conforming figures find fulfillment. The paper notes the Chinese civilization's concern for not deviating from the social order and also discusses the arrival of a strict new Qing legal and moral regime in late 17th century. The paper explains that this combined with the Confucian heritage and the Tao philosophy of the day, towards a concern for order and harmony. The paper mentions a few extra historical references, in addition to course texts.
From the Paper "The Qing Dynasty (1644-1911) saw a good deal of artistic and literary activity. At the same time, the Qing period was influenced by Confucian ideas of order as being better and also, Taoist ideals of the need for balance and harmony. A dim view was taken of those who moved past expected roles. The history of China also played a role in this outlook, due to cycles of turbulence that made being by oneself, away from one's accepted role, and relationship to others, seem dangerous."
