Abstract
This paper examines and analyzes the debate over whether downloading music and video files from the Internet for free should be illegal. According to the paper, most record companies as well as retailers are fighting to make this illegal. The paper further points out that the artists themselves are divided. Some believe that it does not hurt them and even that it can promote their work. Others disagree. America has legally banned downloading music for free, while Canada still holds it legal to do so.

From the Paper
" Recent years have witnessed increased debate over whether downloading music and video files from the Internet for free should be illegal. Most record companies as well as retailers are fighting to make this illegal. The artists themselves are divided. Some believe that it does not hurt them and even that it can promote their work. Others disagree. America has..."

Tags:downloading, legality, modes of reasoning

Abstract
This paper outlines a research proposal that calls for an investigation to determine the best way for a university to improve the legal adherence of its students while simultaneously preserving the student body's ability to use downloading services, particularly music, from the Internet. The research process is structured around a correlation between the apparent downloading practices of students, and the various terms upon which music industry players are willing to participate in programs which increase user access across university settings.

From the Paper
''The proposal suggests that data gathering will be conducted through a close consultation with such pay sites as Rhapsody and iTunes, which offer users the opportunity to pay either subscription fees or monthly charges. The University will investigate the potential for partnership with such services, making one or multiple downloading sites accessible to students as a part of the university enrollment package. The research process will therefore be structured around a correlation between the apparent downloading practices of students, which can be considered by way of a thorough literature review on current university piracy patterns, and the various terms upon which music industry players are willing to participate in programs which increase user access across university settings. One expected challenge in this research process is the likelihood that gatekeeper based file downloading programs will not offer a sufficient alternative to many students who already enjoy the benefits of peer to peer trading. This is an issue which inclines us to enter the proposal with an intent to evaluate and promote the distinct benefits of legal downloading where both options are available to individuals at no cost.''

Tags:technology, programs, downloading

Abstract
This paper analyzes and reviews the article by Dr. Asher Meir about downloading copyrighted mp3 songs from the internet, using peer-to-peer networks or special websites, without paying a fee. According to the paper, the conclusion reached by Asher Meir is that there is something wrong with it and that while the protection of copyright is in the long run virtually impossible, that is no reason to start the process of disintegrating those rights so early. Another aspect is simply that the fact that others are doing this is no reason to be one who does this as well.

From the Paper
"The conclusion reached by Asher Meir is that there is something wrong with it and that while the protection of copyright is in the long run virtually impossible, that is no reason to start the process of disintegrating those rights so early. Another aspect is simply that the fact that others are doing this is no reason to be one who does this as well. Meir does not rise the specific issue of legality, though..."

Tags:music, downloading, ethics

Abstract
The paper discusses how as the growth of music downloading continues, cnsumers, record labels and artists argue over the economical, legal and moral components of the phenomenon. The paper then shows how companies, forced to adapt to the industry conditions, have changed their strategies to generate profits from online music sales.

From the Paper
"As Internet technologies continue to advance, consumers are finding it easier to gain access to a wide variety of media and information online. Arguably, digital music has attracted the most attention in this respect. Internet users can obtain a significant amount of digital music by accessing sites and downloading the materials for free, which is referred to as "file-sharing" (Peitz and Waelbroeck). Consumers can easily download the necessary computer software, search for specific music files, and directly download files from other Internet users for free (Peitz and Waelbroeck). Therefore, music downloading has attracted the attention of a number of concerned parties who claim to be affected by consumers' access..."

Tags:music, downloading, debate

Abstract
This paper considers the network topology of peer-to-peer downloading and traditional client-server downloading and then discusses the differences between these two downloading modes. The pros and cons of each are validated by comparing peer-to-peer downloading against the traditional client-server downloading especially in terms of security, load, mode of transfer and cost.

From the Paper
"In recalling certain network basics, peer-to-peer networks allow sharing of data and information amongst users. Fundamental applications of which may involve file, printer or fax sharing wherein multiple users "share" the same resources via direct connection. It is easy to deploy peer-to-peer networks especially if like or similar users are grouped into "workgroups" thus easily defining the boundary of resource usage. On the other hand, client-server networks - as the term denotes, are connections wherein data and information are stored in servers or a server and "computer" clients connect to these servers to access data and information. Clients in the client server environment could be computer users, printers, faxes, etc. and use of or use by need to go through the server."

Tags:security, network, traffic, TCP/IP

Abstract
The paper explains that digital downloading involves a person using his or her PC to download music from the internet - a process which takes various forms and which are discussed later in this paper. The paper discusses the moral and legal dimensions of this act and shows how illicit downloading is morally unacceptable as well as legally unacceptable and needs to be stopped. However, the paper asserts that there are alternatives to simply dragging people in court which might cut down on the problem.

From the Paper
"The following paper will look at the tense issue of music downloading in the modern age. As most people are aware, digital downloading involves a person using his or her PC to download music from the internet - a process which takes various forms and which will be discussed later in this paper. Suffice it to say, when people do this without paying, a number of actors become involved: the music companies, artists, the downloaders, the government, and the general public; it becomes, in a real sense, a problem for everyone. With that in mind, the next several pages will look at the..."

Tags:synthesis, explanatory, music

Abstract
The paper discusses how Internet-based music and digital entertainment distribution is defined by the legal and regulatory conflicts over digital rights management (DRM). The paper addresses how the RIAA and NARAS organizations contend that downloads are software piracy and contract an already challenging music recording industry, even while there is an abundance of empirical research supporting the fact that downloads impact the profitability of the music industry. The paper then looks at the Apple company as one that has successfully monetized digital music and been able to navigate through the many issues of DRM and regulatory compliance. Finally, the paper considers the future of digital media and entertainment distribution over the Internet.

Outline:
Introduction
Litigation Will Define Digital Downloading's Impact on the Music Industry
The Future of Internet Music & Digital Entertainment Is Heavily Dependent on Digital Rights Management (DRM)
Interpretation of Music Downloads' Effects Critical To Future of Industry
How Apple Has Made DRM Successful: What The Future of Downloads Will Be
The Future of Digital Media & Entertainment Distribution over the Internet
Conclusion

From the Paper
"The case of Jeffrey and Pam Howell, who were sued by seven different music companies all claiming the Howells had violated the copyrights of their songs by placing them in a shareable folder within Napster in 2006, illustrates how Internet-based distribution of music and digital content must have a solid legal and regulatory foundation on which to base future growth first if it is to succeed. In May, 2008 a US District Court Judge in Arizona ruled in favor of the Howells saying that actual sharing and distribution of the digital songs would have needed to take place in order for there to be an actual copyright infringement. As a result, the Judge rejected the motion by Atlantic Record Company who coordinated the lawsuit with six other corporations against the Howells. In concluding the case Judge Neil Wake specifically said that just making the music available for downloading over the Internet does not in an of itself violate copyrights."

Tags:copyright, file, sharing, Apple, iTunes, Microsoft

Abstract
This paper discusses the music recording industry and explores the impact that digital music distribution has had on the industry.

From the Paper
"This document discusses the music recording industry and the impact that digital music distribution has had on the industry. The early success the music labels had against the initial music file downloading sites such as Napster were short lived and legitimate digital downloading sites have since prospered. Apple's iTunes is the most successful digital music downloading retailer and it has sold approximately 2b music files since its inception just a few short years ago. The major recording labels are..."

Tags:electronic, music, downloading

Abstract
This report looks into data regarding downloading of free music on the Internet in the business setting of music distribution and music retailing. The report also looks at perspectives from the government and recording industry, as well as legal cases that have sprung up around this issue, focusing on principles of copyright law. The report presents both sides of the issue and pays attention to how the issue of downloading music for free over the Internet has affected internal and external business environments in terms of the ability to adapt to change, as well as the ability to control pricing.

Statement of Purpose
Setting of Problem
History of Problem
Scope of Project
Importance of Project
Definition of Terms
Review of Literature

From the Paper
"The problem originated in copyright law. There have been many technological innovations over time that have changed communication and distribution, and have also changed industries associated with communication and distribution. The music retailing industry as well as the recording industry should be familiar with change, since these
industries have gone through many different media over history: the vinyl record, the 8-track cassette, the audio cassette, and the compact disc are a few innovations that have kept the industry in a position to react to change as well as controlling change. This is mainly because in this history of technological development, music retailers and recorders have had the luxury of price control. There have been some bands over time who have tried to fight the establishment and sell their CDs without markup for between eight and ten dollars, but despite these few aberrations, the industry remained firmly in control of pricing throughout most of the twentieth century."

Tags:trade, sharing, adverse, effects, compact, disc, sales, file-sharing, services, artist

Abstract
This paper discusses the music recording industry and how it has been impacted by digital music distribution. The paper relates that the early success the music labels had against the initial music file downloading sites were short lived, and legitimate digital downloading sites have since prospered. The paper then argues that major recording labels are suffering from the decline in CD sales, not because of music pirating, but because they refuse to recognize that consumers demand digital music downloading for its convenience and portability. The paper further emphasizes that digital music distribution and retailing is the future of the music industry and every relevant party seems to recognize this, except the music industry itself.

Outline:
Overview
Restructuring of the music Industry
New distribution model & Itunes
Online distribution variations
Conclusion

From the Paper
"The music industry, in spite of its ineptitude and obstinacy over the past decade regarding digital music downloading, is finally realizing that whether it embraces downloading services such as iTunes and others, it must evolve with the digital age or face irrelevance. In order to compensate for the loss of revenues, the recording music industry has been examining their base revenues in order to determine if digital downloads can compensate completely for the decline in sales of CDs. Two of the major record labels, Sony and BMG, have even merged in order to expand their catalogues (Recording, 2007). There have been efforts made to encourage EMI to merge with one of the remaining three major record labels but thus far these remaining major record labels have resisted further consolidation. However, EMI undertook its own internal restructuring by merging its two main record labels in the US market during the first half of 2007 and Warner Music was sold during 2004 creating even more churn in the industry (Recording, 2007). Yet, perhaps the most visible change is the industry is the downsizing or disappearance of retail music stores, which has begun to accelerate."

Tags:electronic, music, downloading, recording, compact, disc