Abstract
In this article, the writer discusses that in Ancient Greece, Hellenistic Greece, Etruscan Italy, and within the Roman Empire, the quest for the ideal changes, but what remains the same of the fact that this cultural quest--whatever version--is reflected in the art that characterizes each period for future generations.

From the Paper
"Although no two cultures are the same it is possible that some may share the same ideals. Ideals are relative and manifest themselves differently with every new generation. In the societies of Ancient Greece, Hellenistic Greece, Etruscan Italy and the Roman Empire the quest for the ideal was ongoing and never-ending. For the Ancient Greeks perfection was the goal personified by the Doryphoros of Polykleitos for their society culture and art. For the Hellenistic Greeks the ideal ..."

Tags:Ancient Greece, Hellenistic Greece, Etruscan Italy, Roman Empire, Art, Classical Art, contrapposto, Doryphoros of Polykleitos, Commodus as Herclues, Laocoon and His Sons

Abstract
Ancient Egypt had a significant impact on early Greek culture, as can be evidenced by enduring artifacts. Egyptian sculptures, primarily created for the pharaohs or high-ranking officials and essentially religious in function, significantly influenced the form and style of statues of the early Archaic Age. Poses were rather rigid and very conventional and facial expression was confined to the typical Egyptian half smile. The paper shows that over time, Greek artisans began developing their own approach. By the late Archaic and definitely prior to the beginning of the Golden Age or Classical Period, artwork started to reflect evolving philosophies and ideals and to celebrate the human figure. Sculptures portrayed more elaborate features and less static stances.

From the Paper
"The statues also represented the society's hierarchy. At the bottom of the rung were the slaves, tomb builders and farmers. Further up came the craftspeople, educators, doctors, noblemen and priests. The pharaoh filled more than the role of king and ruler. He was considered a god on earth. (Grant 1990, 23) Egyptians used the size of their statues to illustrate the social order. The pharaoh was larger then life size, scribes and court officials life size and workers and peasants always shown working. The images of the pharaoh, always larger than life, made him appear all the more god-like. The large works of sculpture were often displayed at temples that were built for the pharaoh's chosen deity."

Tags:Menkaure, kouroi, Doryphoros