<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title><![CDATA[Term Papers on documentary film | documentary film essays | AcaDemon]]></title><description><![CDATA[The largest library of college term papers, research papers, essays and book reports]]></description><link><![CDATA[http://www.academon.com/db/search]]></link><language><![CDATA[en]]></language><copyright><![CDATA[Copyright (c) 2009 Academic Resources Center. All rights reserved.]]></copyright><lastBuildDate><![CDATA[Mon, 30 Nov 2009 06:00:59 GMT]]></lastBuildDate><item><title><![CDATA[Essay (General) :: Documentary Films]]></title><description><![CDATA[Discusses documentary films by analyzing the film "Capturing the Friedmans".]]></description><link><![CDATA[http://www.academon.com/Essay-Documentary-Films/72211]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Documentary-Films/72211]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 21:29:59 GMT]]></pubDate></item><item><title><![CDATA[Term Paper :: Documentary Film]]></title><description><![CDATA[An in-depth discussion on the development and use of the documentary film throughout the 1930s and beyond.]]></description><link><![CDATA[http://www.academon.com/Term-Paper-Documentary-Film/114467]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Term-Paper-Documentary-Film/114467]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Persuasive Essay :: Independent Contemporary Documentary Films]]></title><description><![CDATA[The paper examines the development and values of modern documentary film makers.]]></description><link><![CDATA[http://www.academon.com/Persuasive-Essay-Independent-Contemporary-Documentary-Films/110251]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Persuasive-Essay-Independent-Contemporary-Documentary-Films/110251]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Styles of Documentary Films]]></title><description><![CDATA[This paper defines styles of documentary films as exemplified by Robert Flaherty's "Nanook of the North", Albert and David Maysles' "Grey Gardens", Errol Morris' "The Thin Blue Line" and Kidlat Tahimik's "Perfumed Nightmare" ("Mababangong Bangungot").]]></description><link><![CDATA[http://www.academon.com/Essay-Styles-of-Documentary-Films/65094]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Styles-of-Documentary-Films/65094]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Documentary Film: "The Corporation"]]></title><description><![CDATA[This paper analyzes the Canadian documentary film "The Corporation", based on the book by Joel Bakan.]]></description><link><![CDATA[http://www.academon.com/Essay-Documentary-Film-The-Corporation/83943]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Documentary-Film-The-Corporation/83943]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Essay (General) :: Olympic Games Documentary Films]]></title><description><![CDATA[This paper contrasts the 1936 Olympic Games documentary film by Leni Riefenstahl and the 1964 Olympic Games documentary film by Ton Ichikawa.]]></description><link><![CDATA[http://www.academon.com/Essay-Olympic-Games-Documentary-Films/65294]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Essay-Olympic-Games-Documentary-Films/65294]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Film Review :: Film: "The Wonderful, Horrible Life of Leni Riefenstahl"]]></title><description><![CDATA[This paper describes and analyzes Ray Muller's documentary film "The Wonderful, Horrible Life of Leni Riefenstahl", who is best known as a documentary filmmaker during the time of Hitler.]]></description><link><![CDATA[http://www.academon.com/Film-Review-Film-The-Wonderful-Horrible-Life-of-Leni-Riefenstahl/103387]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Film-Review-Film-The-Wonderful-Horrible-Life-of-Leni-Riefenstahl/103387]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Film Review :: Flaherty and the Documentary Film]]></title><description><![CDATA[An analysis of Robert Flaherty's influence in the documentary genre of filmmaking, through his 1922 film, "Nanook of the North."]]></description><link><![CDATA[http://www.academon.com/Film-Review-Flaherty-and-the-Documentary-Film/103321]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Film-Review-Flaherty-and-the-Documentary-Film/103321]]></guid><pubDate><![CDATA[Wed, 07 Oct 2009 12:44:34 GMT]]></pubDate></item><item><title><![CDATA[Term Paper :: The Documentary Film]]></title><description><![CDATA[This paper looks at the six different modes of documentary filmmaking, with a focus on the documentaries "Out of Control: AIDS in Black America" and "Other Faces of AIDs".]]></description><link><![CDATA[http://www.academon.com/Term-Paper-The-Documentary-Film/101901]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Term-Paper-The-Documentary-Film/101901]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item><item><title><![CDATA[Term Paper :: The Documentary Film]]></title><description><![CDATA[A discussion on documentary films and Bill Nichols' system of modes.]]></description><link><![CDATA[http://www.academon.com/Term-Paper-The-Documentary-Film/115497]]></link><guid isPermaLink="true"><![CDATA[http://www.academon.com/Term-Paper-The-Documentary-Film/115497]]></guid><pubDate><![CDATA[Wed, 02 Sep 2009 19:38:44 GMT]]></pubDate></item></channel></rss>