Abstract This essay explores the history of two different periods of Jazz: the Dixieland revival of the late 1930s and the Blues revival of the 1960s. It looks at the influential people, places and events for the two time periods. The essay also discusses the racial implications of these different periods as historically black music was "revived" by white audiences. It also explores the appropriate place of black music in white culture.
From the Paper "Music brings us into a place where we can experience a society or time period as if we were actually there, in a way that no history book could ever describe with words. Music is a reflection of society. Jazz music has taken on many faces throughout American history, from early slave work songs deeply rooted in African tradition all the way to our modern-jazz sound we hear on the radio today. Jazz has morphed into all kinds of different sounds admired by diverse audiences. At times, certain brands of jazz already past their height of popularity experience a "revival" as a new audience sees something beautiful and different in them that they had never identified before. These revivals bring about a renewed look (or "listen") at the music, giving wider exposure to new audiences and conserving its history for future listeners. Both Dixieland and the Blues are two forms of jazz that experienced similar revivals: Dixieland's in the late '30's and the Blues' in the '60's. Previously overlooked by white Americans and Europeans during their original peak of popularity, these revivals exposed jazz to new audiences and gave more necessary credit to the established "greats." In the following pages we will explore how both the Dixieland and Blues revivals celebrated and preserved jazz music while also examining the implications of race as whites "revive" established black music."
From the Paper "Improvisation was an important element in Dixieland jazz, a style of music which originated in New Orleans during the late 19th century. Many of the Dixieland musicians turned to improvisation because they could not read sheet music. However, there were also various cultural influences on the development of improvisation in New Orleans jazz. For example, the roots of Dixieland's improvisatory style can be found in the work songs of the black American slaves. In turn, the music of the black slaves was based on the tribal music of West Africa. To a lesser extent, European music and ragtime also had an impact on the New Orleans style of improvisation.
One of the most notable features of Dixieland jazz was its use of collective improvisation (Brooks, 1984, p. 89). In this approach to improvisation, all of the members of the jazz group..."
Abstract This paper looks at music through the times. It is the goal of this paper to illustrate that jazz is the foundation of much of the music we know today, including ragtime, swing, Chicago Dixieland, and New Orleans Dixieland. This paper will look at key dates in the past century, as well as key players in the development of music.
Abstract A description of America from 1880-1889 during which the country experienced numerous advancements in all fields. It mentions how the Statue of Liberty was erected and tycoons like Rockefeller and Carnegie became the kings of America. It discusses how the Metropolitan Opera house was opened which brought in a new world of art and culture. Great men such as Thomas Edison were lighting up Wall Street in New York City, while outlaws like Jesse James and Billy the Kid were terrorizing the west!
From the Paper "Imagine walking down a cobble-stoned street on a comfortably cool autumn afternoon. Everyone is dressed so exquisitely, all in the latest fashion. The women are wearing long, flowing dresses, trimmed with lace and the finest materials. Atop their heads lye bonnets decorated with the most glorious flowers ever to have sprung. The men are dressed in 3-piece suits, top hats, the shiniest black shoes, and of course, a walking cane. Everyone is riding in horse-drawn carriages, headed to see a revolutionary accomplishment by a Mr. Thomas Edison. He has managed to actually have electrical lights working on Wall Street, New York City. What a fascinating time to be alive! All the wonders that one would be experiencing! From entertainment and fashion, to politics and business, the 1880's were a captivating time to experience life and enjoy every new, exciting day!"
Tags: 1880, 1881, 1882, 1883, 1884, 1885, 1886, 1887, 1888, 1889, 19th, annie, bands, billy, carnegie, century, city, dixieland, earth, edison, haymarket, house, twain, york
Abstract This paper delves into the indigenous, American creation of jazz music. It looks at the relationship between the origins of jazz and the history of African-Americans, the main characteristics of jazz music, and the instruments originally used for playing jazz. The beginning of jazz music in New Orleans is discussed, as well as some of the influences on the music and the different types of jazz that evolved over time. Famous jazz musicians and singers are also mentioned.
From the Paper "A significant relationship exists between the origins of jazz and the history of African-Americans. To entertain themselves and get through the grueling days, plantation slaves would perform music that would remind them of their African homeland. Their songs, sounds and compositions would be on the wide variety of singing, rhythms and melodies that ranged throughout the continent."
Abstract This paper explores the origins and history of jazz music from its early beginnings in New Orleans to the more well-known and popular forms we hear today. The paper explains how the earlier forms, known as ragtime and Dixieland, started in the late 1800's and were well formed by the early 1920's. The paper also shows the development of jazz into what we know as blues music today.
From the Paper "One theory about how Jazz began to coalesce into a recognizable music style relates to the end of the Spanish-American War in 1898. Some historians note that military bands came to New Orleans to be decommissioned, and many of the band instruments were sold to African-Americans and others. Most of these people taught themselves to play (Morgan, 2003), so from the very beginning, jazz did not have strong ties to European styles of musical sound, form, instrumentalization, rhythm and melody. Because of New Orleans? ethnic mix of Spanish, French, Creole and others in addition to Caucasian and African-American (Morgan, 2003), New Orleans was in a position to meld many influences together into a new form."
Tags: new, orleans, blues, music, instrument, club
