Abstract
This paper examines a number of issues involving the poverty of children in the UK. First, the author examines statistics of poverty and its immediate consequences. Then the paper points out possible long-term consequences of children raised in poverty, such as health and education. Also considered are the causes of poverty. A study of the city of Derry and its children living in poverty is a focal point of the paper. The paper concludes citing the growing gap between those with viable incomes and those living in dire circumstances.

From the Paper
"According to the Government, joblessness is the primary cause of poverty, thus helping people into the employment arena is central to its anti-poverty strategy (Tackling). Rather than targeting unemployment, the Government has targeted "joblessness,' with policies designed "not to create shops, but to influence who gets them and how well off people will be in work" (Tackling). The two key themes in the Government's active labor market policy are individualization of support to help people into work and the use of compulsion (Tackling). However, the Government has "introduced the toughest benefit penalties ever faced by unemployed people, and the extension of compulsion could distort an undermine the effectiveness of employment services" (Tackling). "

Tags:children, poverty, UK, unemployment, health, education, children-at-risk

Abstract
The trouble with filmmakers using history as a genre to appeal to the mass audience is that most times the view of history is skewed to fit the status quo perception of the event. Fortunately filmmakers like Spike Lee, Gary Ross and William Wyler have brought it upon themselves to attempt to make movies that tell a history in the correct framework of historical context. This paper examines the three films: "The Best Years of Our Lives", "Seabiscuit" and "Malcolm X" to show how these filmmakers worked to bring the stories of historical events to light and used different film techniques to accomplish this feat.

From the Paper
"Because for much of his racing career the horse was considered undersized and therefore the underdog, this movie is considered a feel good film for today's audience. The movie takes place during a time of the American economy at its worst, during and after the Depression. The movie effectively paints the picture of how bad things were for people by using a grey color scheme and grey urban settings. The only time the viewer sees color such as reds and browns are in the context of the rich or the businessman's home."

Tags:World, War, II, Captain, Derry, docudrama, Martin, Luther, King