Abstract This paper examines the dance styles of Ruth St. Denis and her student, Charles Weidman, who went on to found his own school of dance. The paper examines how Denis influenced Weidman and how his style differed from hers. The paper also discusses why Denis's style was so appropriate to the 1920s, and Weidman's style suited the 1930s.
From the Paper "Ruth St. Denis, born Ruthie Dennis, was the greatest dancer of the 1920s, and her former student Charles Weidman was one of the most important dancers of the 1930s. Their respective aims and styles are in many ways divergent, partly as a result of the eras in which each dancer reached his/her artistic peak. Of the dancers' respective troupes, Pattie Jordens writes that while "Denishawn developed modern dance in America, Humphrey-Weidman made modern dance American". Ruth St. Denis created entertaining, artistic dances popular across all portions of society. She explored the exoticism and spirituality of Eastern countries, creating gorgeous spectacles well-suited to the Roaring Twenties. Charles Weidman left St. Denis' troupe shortly before the crash of the stock market, so his technique developed in a society to which extravagance and foreign deities were not suited. Weidman's dancing represents the experience of men and women in twentieth century America."
