This paper examines Hieronymus Bosch's painting, "The Garden of Earthly Delights" from a different perspective to those accustomed of viewing his work as dark and tormenting.
Abstract The following essay suggests that we view "The Garden of Earthly Delights" scene, and especially the middle panel of the tryptich, as being either a scene of elevated spirituality or one of unconscious desire rather the out-and-out orgy that it is often depicted as being.
From the Paper "We are so accustomed to thinking of Hieronymus Bosch as the painter of devils and of the torments of humans that we forget that this description of his work may in fact not even be true. A closer examination of his work, for example, his most famous painting, "The Garden of Earthly Delights" suggests an ambiguity about his work that it is not usually credited with. His vision of humanity and life is certainly not one of unmitigated sweetness, but nor is his assessment of the human condition unmitigatedly dark."
Abstract This paper is a review of an article that appeared in the Fall 1999 issue of "Marketing Management." The article, called "Customer Delight and the Bottom Line," details the different ways that a company can keep their customers satisfied with their product and service. The article also gives the reader some suggestions that can be adopted by individual businesses to help them keep a competitive edge and maintain their customer base. According to the authors of this article, CUPID (Customer Understanding Processes in Design), is the key to helping the customer stay involved in the development process.
From the Paper "Management experts have defined the concept of delighting the customers as an attempt to exceed the expectations of the customers and to bring a pleasant surprise to the customers by satisfying even those needs, which are not supposed to be served by that particular service or product. The article further discusses the various models used by the organizations to evaluate their products and services in terms of customer needs. Such models help the organizations in developing their products or services according to the expectations of the customer. In addition to this, the article also recommends several approaches to delight the customers."
Abstract Chocolate, a popular and coveted food world over, is often referred to as the food of the gods. This description is not surprising considering that a number of delightful sensations are associated with chocolate. Indeed, chocolate is perceived as a delightful treat, a comfort food, an aphrodisiac, a sensuous experience, a romantic gift, an energizer and a mood enhancer. It is the objective of this paper to explore and discuss the factors that explain the multifaceted aura around chocolates, beginning with an analysis of its history.
Outline
I. Chocolate, often called the food of the gods, has always enjoyed a multifaceted aura.
II. History
a. Origins as a Mesoamerican beverage
b. Expensive European import
c. Symbol of wealth and social status
III. Production and Marketing
a. Cultivation of cocoa beans
b. Production process
c. Marketing
IV. Chocolate as an aphrodisiac
a. Myth and legends
b. Ingredients
i. Scientific evidence
ii. Psychological effects
V. Types of chocolate
a. Occasions for usage
b. Forms of usage
c. Types
VI. Health and Nutritional properties
VII. Summary
From the Paper "However, it appears that the Maya and the Aztecs nevertheless placed a great deal of value on their bitter chocolate beverage, as evidenced by the importance of the role the drink played in their religious and social life. For instance, although chocolate was a favorite beverage of Maya royalty, the common people could consume the drink only on special occasions. The Aztecs went many steps further in turning chocolate into an elitist product, decreeing that only privileged people such as rulers, priests, decorated soldiers, and honored merchants could partake of the brew (Kerr, 2002)."
Abstract This paper looks at Ovid's poem Art of Love, which cheerfully preached the art of seduction and adultery. Eventually Augustus, the ruler of Rome, regarded Ovid as a threat to his moral regime and exiled the poet in 8 C.E. This paper looks at "Art of Love" and examines how Ovid delighted in poking irreverent fun at everything from the sanctity of Roman marriage to the serious consequences of adultery instituted by the Augustan reforms, and how this was considered subversive to Augustan reform.
From the Paper "Augustus greatly preferred the poetry of his patron poets, specifically Virgil and Horace. Ovid, however, scorns Virgil's Aeneid, an epic poem portraying a panoramic history of Rome and its destiny. The hero, Aeneas, was driven by his piety, that is, his duty towards the gods and his devotion to his father. Ovid exhibits his rebellious intentions by mocking the traditional aspects of an epic poem. For example, Virgil begins the Aeneid by summoning the Muses and asking for their guidance in his telling of the tale. Ovid, on the other hand, does not abide by this custom; instead he grants himself credit for having previous knowledge on the subject of his writing. He states his work is clearly "based on experience: what I write, believe me, I have practiced" (Ovid 167). Thus, Ovid obviously states he has no need for the aid of the Muses, at the same time taunting Augustan tradition."
Abstract This paper discusses "Midsummer Night's Dream" as the author believes Shakespeare intended the play to be - as a delightful, fun frolic, and contrasts it to Moshinsky's film version which emphasizes the darker elements of the script and loses much of the comic elements of the story.
From the Paper "This sentence would be a perfect introduction to Elijah Moshinsky's film adaptation of Shakespeare's "Midsummer Night's Dream", since it is not delightful, but instead stresses the tragic elements of the play. Shakespeare's language, rich of colourful images, creates a flower-scent and magical atmosphere. ?The descriptions breathe a sweetness like odours thrown from beds of flowers.? Though Moshinsky adapts Shakespeare's original text, the language loses nevertheless a part of its imaginative power. He focuses rather on the tragic elements of the play and renders it thus more serious and less bland."
"?We do not come, as minding to content you, our true intent is. All for your delight, we are not here. That you should here repent you, the actors are at hand; and, by their show you shall know all, that you are like to know (p.57).?
This sentence would be a perfect introduction to Elijah Moshinsky's film adaptation of Shakespeare's "Midsummer Night's Dream", since it is not delightful, but instead stresses the tragic elements of the play.
Shakespeare's language, rich of colourful images, creates a flower-scent and magical atmosphere. ?The descriptions breathe a sweetness like odours thrown from beds of flowers.? Though Moshinsky adapts Shakespeare's original text, the language loses nevertheless a part of its imaginative power. He focuses rather on the tragic elements of the play and renders it thus more serious and less bland."
A discussion on the Industrial Revolution and the multitude of changes in civilization that arose as a result of it, with particular reference to Sir Arthur Conan Doyle's creation of Sherlock Holmes.
Abstract The following paper discusses how Doyle and "Sherlock Holmes" entertained generations of readers with the pure delight of escapist detective fiction, paired with the historical diaries and documents written by actual "bobbies" of the day. The writer examines how these famous detective stories give us a vivid picture of how both an author and his major character were shaped by the time, the conditions and the crime of their days.
From the Paper "When people moved from farming to city and industrial jobs, change came in the ways workers were compensated, in their levels of independence from, or interdependence on, their neighbors, and, probably most noticeable of all, in the sheer amount of space each man could call his own"or maybe more precisely, the lack of space. Many of the teeming crowds in London's streets in the nineteenth century were made up of people living in dire poverty. And all too many were far too familiar with the dark side to this new form of civilization: the rise of more, and different, forms of crime.?
From the Paper "This research will examine two books that deal with issues relating to the phenomenon of prostitution in 19th-century London and New York City, City of Dreadful Delight by Judith R. Walkowitz, and City of Eros by Timothy J. Gilfoyle, respectively. The research will set forth the general pattern of ideas in each of the works and discuss in detail the similarities and differences in the methods and narratives of social history that each book uses to give an account of the culture, physical environment, and personalities informing the shape that sexual praxis in general and prostitution in particular took in the centers of the English-speaking world during the period.
The differences between City of Dreadful Delight and City of Eros are not confined to the fact that the former deals with London prostitution in the late Victorian era and City of Eros deals..."
From the Paper "The Dutch painter Hieronymous Bosch (c. 1450.1516) was noted for his use of unusual symbols and imagery. This can be seen, for example, in his famous triptych the Garden of Earthly Delights, which is housed in the Prado Museum in Madrid. This paper will examine the inspirational sources for the imagery in this painting. In this way, an effort will be made to determine whether Bosch was influenced by religious, alchemical, or other types of symbols when he painted the work.
Some art historians have argued for a religious interpretation of the Garden of Earthly Delights. For example, Glum considers the work to be a scene depicting "divine judgment." According to Glum's view, the painting symbolizes the consequences of giving in to sensual pleasures, or sin. In this regard, the figures in the central panel are oblivious to the ..."
Abstract This paper examines James Dickey's "Eagles" and in particular, how Dickey's narrator specifically expresses needs for belonging and freedom. It looks at how his desire for flight is born much more out of a desire to escape rather than to simply delight in the flying or to see the face of God and how unlike the eagles, his muscles aren't designed for escape. It discusses the theme of rejection that runs through the poem and how the narrator is not so afraid of rejection nor so prideful, that once he is shook off, he gives up the chase, nor is he put off by his conflicting desires for belonging and freedom.
From the Paper "Despite the noble and brave way, the narrator starts out the poem -- pondering, actually claiming the possibility that he might know the "circular truth of the void" -- he gets caught up battling to satisfy his more personal needs. The narrator's desire for flight is born much more out of a desire to escape rather than to simply delight in the flying or to see the face of god. He doesn't even speculate what the heavens contain; no mystery is speculated upon, except to say that the eagle "moves through /Clouds that will open to nothing." Rather than pursuing in this poem a more sublime quest, such as the qualities of the void, the narrator of the poem is much more preoccupied with the mundane matter of his escape."
Abstract A Midsummer Night's Dream, is a play which revolves around the idea of love as an opportunity for foolishness. Puck takes great delight in manipulating the loves of the humans who have unwittingly stumbled into his kingdom. Lovers, particularly those in this play, expose themselves to danger as a result of love from the very beginning. Love simply makes us more so. This play demonstrates that only through humor can we survive the changes in love and life that we experience.
Abstract Mary Wollstonecraft Shelley can justifiably be thought of as one of the few child prodigies in literature, alongside Arthur Rimbaud. She produced an enduring class, "Frankenstein", at the tender age of 19, a work that continues to inform, warn and delight millions of people in the world today. The substance of Mary's eventful life was, of course, incredibly influential in shaping her writing. This paper will assess the role of Mary's life in her writing, and examine how the two interacted.
Abstract Robert Frosts works, particularly those of his later life, focused intently upon the management of his feelings about death. "Tuft of Flowers", demonstrates a sense of the universal understanding. "Tuft of Flowers", is inherently a social expression. "Seeking with memories grown dim o'er night / Some resting flower of yesterday's delight". The theme of continuity and time is found throughout the poem. By placing the time of the poem in the noontime of the day places us in the middle of life as we meet the narrator.
Abstract The paper sees the novel as a major triumph for the art of the autobiography, as well as a deeply honest account of growing. The autobiography delights in the dignity of the human spirit, the courage of standing up against the odds, but also in the intense and deeply troubling difficulties of growing up as an African American in Arkansas.
Abstract Bronte establishes dynamic characters by employing a very complex form of doubles in her novel, "Wuthering Heights". By incorporating doubles into the novel, Bronte has executed a reflection of life itself. From Catherine to Heathcliff to Edgar to Cathy to Hareton to Lockwood to Isabella, we enjoy a delightful mix of complexities coupled with originality. By also creating the novel around an interesting structure with unique points of view, Bronte engages us as readers on all levels. This paper examines the variety of doubles Bronte employs in "Wuthering Heights" and how these doubles work in connection with structure and differing points of view to create a fascinating novel.
From the Paper "Bronte structures the novel in an interesting way. This is most evident in the very worlds that the novel exists in, Wuthering Heights and Thrushcross Grange. These two worlds oppose each other. Similarly, the Earnshaws and the Lintons also serve as doubles for each other in many aspects. The Earnshaws represent a simpler life than the well-mannered Linton's do. The Earnshaws are dark with dark eyes and the Lintons are fair-skinned with blue eyes. Wuthering Heights sits on the north while Thrushcross Grange is in the south, complete with a chapel and a churchyard. The two worlds, separated by moors and Gimmerton brook contain all we need to form this story."
Abstract This paper examines the life of Edmund Spenser, who was viewed as a love and pastoral poet and also a classical author. It looks at how Spenser's life ran almost identically to the Elizabethan Age, from his birth in a poor family in London to his religious and political views to his eventual move to Ireland, where he wrote his most famous piece, "The Faerie Queen". It discusses how "The Faerie Queen" contains six books and a fragment of a seventh and how, with each book, a virtue is introduced. A story then unfolds to explain how the hero of that particular book obtains the virtue as his ultimate prize. The focus of the paper is on Book One and the virtue of holiness, which was dedicated to Queen Elizabeth I. It shows how his use and skill with ancient language coupled with his creation, the Spenserian stanza, presents the reader with a delightful look at medieval England.
From the Paper "When she finishes the story she starts to faint. The knight comforts her and vows to rescue her hero. They all leave together with the wise dwarf leading the way. Even though Una has been abandoned, misjudged, and betrayed by the man she loves she remains steadfast. She still loves him and wants to free him from his bondage by the giant. On a moral level here she still represents purity and truth. She has never wavered from either although her errant lover certainly has. On the religious level she represents the true church. She is forgiving and welcomes home the worst of sinners. On the historical level she is the Protestant Church."
